Wednesday, July 15, 2026

NFL Will Give Up Tax Free Status So They Can Hide CEO and Exec’s Gigantic Salaries

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The NFL has decided to hide information about its executives bloated salaries legally. They’re giving up their federal tax status as a non profit organization, thus removing all transparency about the group. All foundations and charities file Form 990s in which compensation of top execs must be noted.

Last year, there was shock when it came out that in 2012 Roger Goodell, commissioner of the NFL, took home $44 million in salary and bonuses. The year before that Goodell’s salary had been $29 million.

This was after many bungled decisions and scandals including Ray Rice and domestic abuse, and concussions, among other scandals such as deflated footballs.

Goodell isn’t the only wildly overpaid NFL exec. In 2012 as well EVP of Media Steve Bornstein got $26 million. Five other execs also received healthy seven figure salaries.

Goodell, according to Bloomberg News, says he discussed changing the NFL’s tax status with team owners in March. Letters were sent out this month. It’s unclear how this will affect the groups that received money from the NFL Foundation. But it will ensure that the company’s business will no longer be public.

The NFL’s 2014 Form 990 has not yet been made public.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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