Monday, December 22, 2025
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No Tony Awards This Year, Maybe Next Year, So Who Gets Hurt the Most? David Byrne, Adrienne Warren, Mare Winningham, Jay O. Sanders

My friends at Variety– they’re smart people, but they just realized there probably will not be any Tony Awards this season. That’s because the coronavirus stopped the Broadway theater season in its tracks. The season, which runs from June to April, is over.

So what happens to the shows that did open? Clearly, the winner of Best Actress in a Musical would have been Adrienne Warren in the Tina Turner musical, “Tina!” She would have won even if all the other musicals had opened as planned. Warren is a spitfire on stage. When I say her performance is incendiary, people who’ve seen it know what I mean. She makes that big wheel keep on turnin’.

There were two great performances by actresses in plays. First there was Mary Louise Parker in “The Sound Inside,” which might also have won Best Play. Adam Rapp’s play, directed by David Cromer, was exceptional. It would have gone on longer but Parker had already agreed to star in a revival of “How I Learned to Drive,” which was unnecessary. I hope “The Sound Inside” can return sometime.

Laura Linney was equally sensational in “My Name is Lucy Barton.” The one woman show was a fake off because Linney- who can do anything and seemingly never wrong– also played Lucy’s mother so persuasively you would swear she was a separate actress. Based on Elizabeth Strout’s novel, the adaptation by Rona Munro gave Linney one of her greatest moments on stage (and there have been plenty). Since we can’t see this now, the only alternative is watch “Ozark” season 3 on Netflix, where Linney is on track to win the Emmy award.

As for male actors: Simon Russell Beale, Adam Godley, and Ben Miles got thisclose to opening in “The Lehman Trilogy,” which had already played in New York and London, and can be seen in a television taping. There would have been nominations from “The Inheritance”– mainly John Benjamin Hickey, who might have also been nominated for directing possible nominees Matthew Broderick and Sarah Jessica Parker in Neil Simon’s “Plaza Suite.”

We’ll never know now what would have happened to the best show of the 2019-2020 season, David Byrne’s “American Utopia.” I suppose the Tony committee would have given it a special award, since it was Byrne using his old music. Maybe he could have won Best Actor in a Musical. The show was supposed was supposed to re-open this fall. Whenever Broadway returns, I hope David Byrne does, too.

And Best Musical? So we had “Tina,” and maybe “American Utopia,” “Moulin Rouge” (not my favorite), the still to be opened “Diana,” plus “Sing Street” and “Flying over Sunset.” Of what already opened, “Girl from the North Country” would have been my choice, with nominations for Jay O. Sanders and Mare Winningham (who was going to have to fight off Adrienne Warren) who gave the best performances of their lives.

Should we just have the awards? Why not? Everyone Zoom in on June 7th, or least hum the songs. Maybe CBS could do some kind of “Best of 2020” show with clips. But real Tony Awards? Not now.

 

Hello? Singer Adele Posts Photo And Sends Shockwave Over Her Severe Weight Loss, Maybe Plastic Surgery

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 Something very wrong is happening with Adele Adkins. Whoever is with her or in her life must be aware that she’s sent out a cry for help, perhaps. Her face in a photo posted to Instagram is terrifyingly thin. One can only hope it’s some kind of manipulation of the picture. But I don’t think so. Adele either has had some kind of bariatric procedure that’s gone wrong or she is suffering from bulimia. This is an emergency. This hugely talented, popular singer is going through something and needs an intervention. Adele obviously was a heavy set girl, and last year she showed off a huge weight loss. But this picture today — despite her happy smile — seems to indicate something else. Frankly, it reminds me of Whitney Houston when she appeared on Michael Jackson’s 30th anniversary show. And that was also an emergency.

 

 

Natasha Gregson Wagner on How Mom, Natalie Wood Would Want to Be Remembered: “My mother was not a tragic, doomed person. She was vibrant”

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“My mother no longer has a voice of her own, but I do, and this is what I know to be true. My mother was not a tragic, doomed person. She was vibrant. Her life was devoted to her art, her children, her husband, and her heart. This is how she would want to be remembered, not as someone who is defined by her death, but by her life.”

That’s how Natasha Gregson Wagner summarizes her mother, Natalie Wood, in her memoir, “More than Love.” This book will be a disappointment to the conspiracy theorists, backyard gossips, and supermarket tabloids — all whom have tried make Natalie’s 1981 death into a murder that came from a love triangle among Wood, husband Robert Wagner, and actor Christopher Walken. Natasha sets it straight, logically, exonerating her stepfather — whom she alternately calls “RJ” and “Daddy Wagner.” I’ve always agreed with this, and it’s about time the lie is put to bed forever.

Natasha’s book is such an engaging memoir about her own life, growing up famous, her parents before Natalie’s death, and how she coped with it, you can’t put it down. But she has to address the drowning incident that killed Natalie, and how the gossip turned into white noise for the rest of her life.

One person Natasha cites from that night on the Splendour is Dennis Davern, the deckhand on the boat who’s gone on to cash in on his own “memories” decade after decade with the tabloids.

Natasha writes: “He says he was afraid of my dad after my mother died, and that my father was holding him hostage at our house. That’s why he didn’t tell the police at the time. I was living in that same house then and I think I would have noticed if Dennis was being held in my home against his will. More importantly, I would have noticed if my dad was the kind of man to hold another man against his will in the first place! I have known Robert Wagner since before I was two years old. Abusive men leave traces as they move through their lives. Where is the history of my dad’s abuse? There is none. Why would my dad suddenly become secretly abusive and threatening toward his wife and others in 1981, at age fifty-one?”

Well, he didn’t. I interviewed Robert Wagner around the year 2000. We had lunch together at the Plaza Athenee in New York. I didn’t hesitate to ask about the night Natalie Wood died, and he was as forthcoming as ever. Despite a long, happy marriage to Jill St. John (whom Natasha writes about lovingly in the book), Wagner keeps a torch for Natalie.

No one in my world questioned my dad’s love for my mom or his utter despair at her loss. Everyone in our lives wrapped their arms around him. R.J. had loved Natalie “more than love.” When it came time to choose the inscription on her gravestone, my dad made sure to add those three words, the same phrase my parents had always used to describe their love for each other. He asked if Courtney and I wanted it to say anything else. We told him we liked it just the way it was.”

So much great stuff here. We have to thank Natasha for sitting down and writing this book. Buy it. You won’t be disappointed!

 

 

 

 

UPDATED Natalie Wood’s Daughter, Natasha, on Aunt Lana Wood: “It didn’t seem to matter how much money we gave Lana; it would never be enough”

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UPDATE: November 6, 2021

Natasha Wagner knew her mother pretty well. She doesn’t mention anything about movie star Kirk Douglas attacking her mother as a young woman. But she does make some pretty keen observations about her aunt Lana Wood, about to try and cash in one more time with a new book abotu Batalie Wood.

 

MAY 5, 2020: Natalie Wood’s sister, Lana, has made a professional career out of dogging Robert Wagner about Natalie’s death for 40 years. She’s gone to every tabloid, several times, to sell stories. She’s pestered the police to go after Wagner even when there was no evidence that he was responsible for her death in 1981.

Now Natalie’s daughter, Natasha Gregson Wagner, writes about Aunt Lana in her memoir, called “More than Love.” I’m knee deep in this fascinating book which is already a best seller. Remember, Natasha is not RJ Wagner’s daughter. Natalie, in between marriages to Wagner, married Richard Gregson for three years, and had Natasha. Gregson died last summer at age 89. Wagner, stepfather, has considered her a daughter since birth.

Natasha writes of Lana:

“At some point it became clear that my aunt Lana, her daughter Evan, and their eight cats had moved into Baba’s condo. After my mom died, Lana had continued to write to my dad asking him for money and loans. While my father felt an obligation to support Baba, he didn’t see why he should support Lana too, so he told her no.

“As soon as I turned eighteen, Lana began writing to me as well. My father advised Courtney and me to refuse these requests. In our family’s opinion, it didn’t seem to matter how much money we gave Lana; it would never be enough. After Lana moved into the condo, Baba would complain to me that her daughter and Evie needed money, which was why she turned over her Social Security checks to them every month. They had taken over the master bedroom. Baba was now in the small second bedroom.

“Soon, neighbors began complaining that a putrid smell was emanating from the apartment. When Liz went to investigate, she found dirty plates piled up in the sink, trash that had not been taken out for weeks, and cats and cat feces everywhere. We moved Baba out of the condo and into a one-bedroom apartment on Barrington and Wilshire in West Los Angeles. Our attorney sent a letter to Lana telling her to vacate the condo within thirty days. It took another three months to clean and disinfect the place and make it habitable.”

As for Aunt Lana’s assertions over the years that Wagner somehow killed Natalie, Natasha writes:

In 1984, she published a book about my mother. Around the same time, Lana did a TV interview where she was asked if she thought there was anything mysterious about my mother’s death. Lana replied, “Absolutely not!” Why didn’t she accuse my dad then? Why did she wait more than twenty-five years to “speak her truth”?”

 

 

 

Thriller for Michael Jackson as Appeals Court Overturns Original $6.9 Million Ruling for Producer Quincy Jones

It’s a huge and surprising victory for Michael Jackson’s estate as an appeals court has thrown out a $6.9 million ruling for producer Quincy Jones.

Q– one of the most famous producers in history– was the man who made “Off the Wall,” “Thriller,” and “Bad” with Michael, his most famous and best selling albums.

After Michael died, the albums started selling well again, were repurposed into anniversary editions, and were part of the Jackson estate’s $200 million deal with Sony Music. Quincy’s assertion was that he was owed money– $30 million in royalties and other income derived from the “This Is It” concert film, two Cirque du Soleil shows and other revenue streams that followed Jackson’s death in 2009. After a two-week jury trial, the jurors awarded Jones $9.4 million.

But now in a stunning reversal of fortune, the appeals court went against Jones and for Jackson.

“The language of section 4(a) cannot be tortured to mean that Jones’s maximum royalty rate increased proportionally if Jackson’s maximum royalty rate increased,” wrote Justice Judith Ashmann-Gerst. “The only compensation Jones was entitled to receive was royalties from record sales on remixes, and the evidence indicates he received them,” Ashmann-Gerst wrote. “If he wanted remixing fees, he had to negotiate them in separate agreements.”

Quincy still receives $2.6 million for unpaid license fees from “This Is It,” plus other fees and interest.

Howard Weitzman, who represents the Jackson estate said, “Quincy Jones was the last person we thought would try to take advantage of Michael Jackson by filing a lawsuit three years after he died asking for tens of millions of dollars he wasn’t entitled to,” Weitzman said. “We knew the verdict was wrong when we heard it, and the court of appeal has completely vindicated us. From the beginning this was an attempt to take advantage of Michael knowing he wasn’t here to defend himself.”

Quincy Jones’s lawyer, Kirk Dillman, responded: “While we disagree with portions of the Court’s decision and are evaluating our options going forward, we are pleased that the Court affirmed the jury’s determination that MJJP failed to pay Quincy Jones more than $2.5M that it owed him.”

The court wrote: “Jones has not established a miscarriage of justice requiring reversal [of the original deal].” They added:

And do remember, this is pocket change for everyone involved. No one is suffering, and life goes on.

Barbra Streisand Reworks Her 9-11 Version of “You’ll Never Walk Alone” for First Responders and Coronavirus Workers In New Video Urging Donations

Barbra Streisand sang Rodgers and Hammerstein’s soaring ballad “You’ll Never Walk Alone” on the 2001 Emmy Awards after September 11th. Now she’s taken that moving performance and made a new video for pandemic first responders and medical personnel and everyone who’s been affected by corona virus. She’s urging donations to help everyone.

Family of “Sopranos” Star Joe Pantoliano Thanks Local Rescuers for Saving Actor’s Life, Shares Photo of Stunning Accident

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The family of actor Joey Pantoliano thanked local rescuers in Wilton, Connecticut for saving the actor’s life last week. Joey, the popular star of “The Sopranos” and movies like “Risky Business” and “Bound,” was walking in the leafy suburb when one car T-boned another and smashed into him! (This is why I like to stay in the city, where you’re safe.) In an earlier post they said “Joey is home recovering. He has a severe head injury and some chest trauma.” Looking at this new picture, the scene looks like Joey was lucky — and we were, too. Sending him the best get well wishes.

Billy Joel Will Perform on The Secretive Robin Hood Foundation’s First Ever Public Virtual Fundraiser

Billy Joel will perform on the very secretive Robin Hood Foundation’s first ever virtual fundraiser next week. Robin Hood never ever lets in press or any outsiders to their annual fundraisers. Oh, the battles the press have had in the past with them. They’re a group that professes caring for the general public but would like to block them from any transparency. Until now.

Stuck with the corona virus situation, Robin Hood is going to do a virtual online fundraiser next week. I guess they couldn’t figure out a way to restrain outsiders. Of course, we don’t get the lavish meal, or speeches from the CEOs and billionaires who don’t want any press from the event. There will be no Dom Perignon.

Hosted by Tina Fey with special guest appearances from Lin-Manuel Miranda, @ChrisRock, @MariahCarey, @BetteMidler, and more, Rise Up New York! will be broadcast on all New York City TV stations, @iHeartRadio and @entercom broadcast radio stations, @News12, @NY1, @SiriusXM and nationally on @CNBC. ⠀

 

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New York needs you now more than ever. Tune in May 11 at 7:00 pm for Rise Up New York!: The Robin Hood Relief Benefit, a one-hour citywide virtual telethon to raise awareness and desperately needed funds for New Yorkers whose lives have been devastated by COVID-19. 🗽🌇 ⠀ With the help of special guests, we’re aiming to shine a light on the strength of our city and raise $100 million for frontline organizations serving NYC. Join us and millions of New Yorkers in rising up for our neighbors in need by showcasing a vision of the New York we love. ⠀ Rise Up NY! will be broadcast on local New York stations including @abc7ny, @cbsnewyork, @nbcnewyork, @pix11news, @fox5ny, @news12, and @msgnetworks, as well as @cnbc and @iheartradio stations. ⠀ Lineup and details to come. #NY4NY ⠀ Start by doing your part for New York – visit robinhood.org to give $10 today.

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2020 Pulitzer Prizes Includes Third Annual Special Citation for Deserving African American, This Time Journalism Pioneer Ida B. Wells

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The 2020 Pulitzer Prizes have been announced. For the third year in a row, a deserving African American has been cited by Dana Canedy and her committee. The first time was Kendrick Lamar. The second, last year, was Aretha Franklin. This year it’s pioneering journalist and one of the founders of the NAACP, Ida. B. Wells, who lived from 1862 to 1931. Here is her Wikipedia entry. What Canedy is doing is so important and thrilling: she’s literally righting history’s wrongs. Bravo! Everyone raise a glass tonight to Ida. She waited a long time for this recognition.

The 2020 Pulitzer Prize winners are:

JOURNALISM

Public Service
Anchorage Daily News in collaboration with ProPublica

Breaking News Reporting
Staff of The Courier-Journal, Louisville, Ky.

Investigative Reporting
Brian M. Rosenthal of The New York Times

Explanatory Reporting
Staff of The Washington Post

Local Reporting  
Staff of The Baltimore Sun

National Reporting
T. Christian Miller, Megan Rose and Robert Faturechi of ProPublica

and

Dominic Gates, Steve Miletich, Mike Baker and Lewis Kamb of The Seattle Times

International Reporting
Staff of The New York Times

Feature Writing
Ben Taub of The New Yorker

Commentary
Nikole Hannah-Jones of The New York Times

Criticism
Christopher Knight of the Los Angeles Times

Editorial Writing
Jeffery Gerritt of the Palestine (Tx.) Herald-Press

Editorial Cartooning
Barry Blitt, contributor, The New Yorker

Breaking News Photography
Photography Staff of Reuters

Feature Photography
Channi Anand, Mukhtar Khan and Dar Yasin of the Associated Press

Audio Reporting
Staff of This American Life with Molly O’Toole of the Los Angeles Times and Emily Green, freelancer, Vice News for “The Out Crowd”

LETTERS AND DRAMA

Fiction
“The Nickel Boys” by Colson Whitehead (Doubleday)

Drama
“A Strange Loop” by Michael R. Jackson

History
“Sweet Taste of Liberty: A True Story of Slavery and Restitution in America” by W. Caleb McDaniel (Oxford University Press)

Biography
“Sontag: Her Life and Work” by Benjamin Moser (Ecco/HarperCollins)

Poetry
“The Tradition” by Jericho Brown (Copper Canyon Press)

General Nonfiction
“The Undying: Pain, Vulnerability, Mortality, Medicine, Art, Time, Dreams, Data, Exhaustion, Cancer, and Care” by Anne Boyer (Farrar, Straus and Giroux)

and

“The End of the Myth: From the Frontier to the Border Wall in the Mind of America” by Greg Grandin (Metropolitan Books)

Music
“The Central Park Five” by Anthony Davis, premiered by Long Beach Opera on June 15, 2019

Special Citation
Ida B. Wells

Major Media Shake Up: Andy Lack, Alas, Alack, Is Out as Head of NBC, Replaced by Telemundo Chief

Andy Lack is out as head of NBC. He’s been there since 2015 and was widely thought to have protected Matt Lauer during his downfall.

Lack was seen as lacking in many areas, not the least of which was directing the company out of the MeToo scandals. He will be gone at the end of the month if not sooner.

The new chairman of NBC is Cesar Conde, 46. the head Telemundo. He will be in charge of NBC, MSNBC, and CNBC. NBC News president Noah Oppenheim and MSNBC president Phil Griffin will both report to Conde. Mark Lazarus will be in charge of the company’s entertainment properties, as well as its new streaming service Peacock.

The end of Andy Lack is not only connected to Matt Lauer, but also to the whole Ronan Farrow episode regarding Harvey Weinstein. Farrow — as he’s told us over and over– was working on his investigation of Weinstein, but Lack pulled the plug after a war among lawyers. Farrow took his piece to The New Yorker, and the rest is history. Standing up for the old guard did Lack in. It was a failure to see the writing was on the wall for the old regimes.

Conde represents the new generation. He came to Telemundo in 2013 after a 10-year run at Univision, where he turned that company into an international player. He’s young, successful, and not white, which is going to be very important if NBC is going to evolve into a 21st century company. Conde will report to Jeff Shell, the head of NBC Universal, just recovering from corona virus and coming back strong with today’s announcements.