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EXCLUSIVE UPDATE: Woody Allen’s Publisher Sends Letter to HBO Over Unauthorized Use of Audio Book in Documentary

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As I told you first on Saturday, Woody Allen‘s book publisher, Skyhorse, didn’t grant permission for use of audio from Woody’s book, “Apropos of Nothing,” in the HBO doc “Allen v. Farrow.” The audio segments take up quite a bit of the doc series, and make it seem as if Woody was interviewed for it. He was not. Until last week, Skyhorse didn’t know that HBO had used the audio segments.

Below is a copy of the letter sent by Skyhorse’s lawyers to HBO. Skyhorse’s lawyer writes: Skyhorse accordingly is giving notice that if, after viewing the documentary, it deems the documentary’s use of audiobook excerpts to exceed legitimate fair use, it will seek full compensation from HBO and the producers for willful copyright infringement.”

In other words, a lawsuit may be imminent. I’ve seen the remaining episodes, and there’s more of “Apropos” all through them. All without permission.

Here’s the letter:

EXCLUSIVE “Curb Your Enthusiasm” Director Challenges “Gotcha Moment” Coming Up in Woody-Mia Doc Series, Calls Them “Inherently Manipulative and Dishonest”

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EXCLUSIVE Robert Weide is best known as the award winning director of “Curb Your Enthusiasm.” But he’s also been a staunch supporter of Woody Allen, defending him in blogs and posts for the last few years.

Now Weide is challenging the veracity of HBO’s doc “Allen v.Farrow” and directors Kirby Dick and Amy Ziering. He says Dylan’s 2014 claim that there was an electric train set in the crawl space in 1992 is incorrect. Moses Farrow said there was no train set. The Farrow side says there was. Using court transcripts, Weide has debunked the train. It’s a big deal.

 

He writes from @BobWeide:

An open Tweet thread for #AmyHerdy, #AmyZiering, #KirbyDick, @JaneDoeFilms & @HBODocs.

Someone sent me a clip of your big “Gotcha” moment from Episode 4 where you try to discredit @MosesFarrow’s claim that there was no functioning electric train set in the crawl space described in such detail by @RealDylanFarrow in her 2014 piece in @NickKristof’s @NYTimes column. Your supposed “checkmate” move presents a diagram of this space from the police report, showing a circle with the words “Toy Train Track.” *Cue ominous music.*

Now, I have a complete copy of the court transcripts, as I presume you do, since you named your film after this case. So I know exactly what’s behind your little hat trick. There are two possibilities: Either you are really half-assed researchers… or you are inherently manipulative and dishonest. Pick one. Maybe both. The question is, do you want me to reveal this information publicly, or do you want to do it? Personally, I think it would be better for you to reveal what you’ve done, rather than have me do so. Then we can move onto all the other falsehoods you’ve jammed into your 4-hour hatchet job that I can disprove without even breaking a sweat. But let’s start with the electric train set. Your move.

Daft Punk Says Goodbye: Helmeted Electronic Duo Retires with 7 Minute Video as They Walk Into the Sunset

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Goodbye, Daft Punk.

The French electronic music duo formed in Paris in 1993 by Guy-Manuel de Homem-Christo and Thomas Bangalter is over. Their second album, “Discovery,” had hit singles “One More Time”, “Digital Love” and “Harder, Better, Faster, Stronger.”

Their biggest hit was 2013’s “Get Lucky” featuring Nile Rodgers but they had a 20 year career before that and many loyal followers and fans.

Even though they remove their batteries, they’ll always live in our hearts.

HBO Doc “Allen v. Farrow” Misidentifies Famed Socialite Berry Berenson as Mia’s Sister Stephanie

What else did they get wrong?

Filmmakers Kirby Dick and Amy Ziering insist they’ve got all the facts in their screed documentary “Allen v. Farrow.”

I’d already told you all the facts they left out, omitted, or let Mia Farrow lie about in order to make their point.

But now some eagle eyed viewers have noticed that the filmmakers got something big wrong. They wrongly identified a picture of Mia’s sister Stephanie Farrow (seen to the left here).

Both Stephen Paley and Steven Gaines, who know the era of 70s New York better than anyone, wrote about it on Facebook. The picture is of Mia flanked by actor Anthony Perkins on the left and his wife Berry Berenson, on the right. Berry was the sister of actress Marisa Berenson and granddaughter of famed jewelry designer Elsa Schiaparelli.

Berry died tragically in the September 11 attacks at age 53. She was on board American Airlines flight 11 which was crashed into the World Trade Center.

Labeling her Stephanie Farrow was a big mistake on the part of the filmmakers.

Paley wrote: “Amazing how much Mia Farrow’s sister Stephanie looks like Berry Berenson Perkins! If the producers of the HBO series Allen v. Farrow get something so obvious as this wrong, I wonder how many other facts they screw up in their documentary?”

Gaines responded: They said it was Mia’s sister when clearly its Berry Berenson. There was an I.D. next to the photo as Stephanie Farrow, as above. I was stunned they got that wrong. Berry was married to Tony at the time…”

Carole Mallory wrote: “Woody said something about Mia’s sister when they showed the photo of Berry •implying• it was Mia’s sister. As a former news producer, this whole episode was an exercise in shoddy journalism, and the producers would never get away with it had it been produced for a reputable news organization. This photo is the least of the problems.”

Woody Allen Responds to HBO Documentary: The Farrows and their enablers…put together a hatchet job riddled with falsehoods”

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Here is  Woody Allen and Soon Yi Previn’s official response to the HBO documentary, “Allen vs. Farrow”:

“These documentarians had no interest in the truth. Instead, they spent years surreptitiously collaborating with the Farrows and their enablers to put together a hatchet job riddled with falsehoods. Woody and Soon-Yi were approached less than two months ago and given only a matter of days ‘to respond.’ Of course, they declined to do so.

“As has been known for decades, these allegations are categorically false. Multiple agencies investigated them at the time and found that, whatever Dylan Farrow may have been led to believe, absolutely no abuse had ever taken place. It is sadly unsurprising that the network to air this is HBO – which has a standing production deal and business relationship with Ronan Farrow. While this shoddy hit piece may gain attention, it does not change the facts.”

The business deal mentioned above was indeed announced in 2018 between HBO and Ronan Farrow, who’s come up with no ideas for a documentary except this one. This is his obsession, and his mother’s. Watching the first episode tonight, it’s obvious that Dylan has been heavily coached, that nothing they talk about makes sense. I’ve written in prior pieces about slanted this story is, with no counterbalance. The documentary makes it seem like Woody was at Mia’s houses every day playing with children. Let’s not forget he made 13 movies in 13 years, in addition to plenty of published writing. He was working.

 

click here for original scoop: Woody Allen Publisher Threatens to Sue Over Use of Audio Quotes.

James Franco, Former Oscar Nominee, Settles Sexual Harassment Lawsuit with 2 Women, Career in Tatters

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James Franco, pretentious actor-student-teacher-director-author–ex Oscars host– has settled the sexual harassment lawsuit brought by two woman against him. Franco, an Oscar nominee for “127 Hours,” had a once promising career that is now in tatters.

Actresses and ex-students Sarah Tither-Kaplan and Toni Gaal, who first filed the lawsuit in 2019, agreed to drop their suit against Franco in exchange for an undisclosed sum. Their lawsuit said Franco pushed his students into performing in increasingly explicit sex scenes on camera in an “orgy type setting” that went far beyond those acceptable on Hollywood film sets.

Curiously, Franco had perpetuated a persona of being “maybe gay” by appearing in many films, many of which he directed, that suggested a fluid sexuality. He received kudos for playing Harvey Milk’s lover in “Milk,” then played poet Allen Ginsburg in “Howl,” re-created scenes from the very bad movie “Cruising,” and produced something called “Kink.” He also played a man who disavowed his sexuality to preach against homosexuality in “I Am Michael.”

But it was a cover, and a damn good one. He admitted to Vulture that it was all for show. Franco, in fact, was a lech. There was a public scandal in which he was texting an underage girl. There were other rumblings of trouble. The lawsuit alleged that Franco “sought to create a pipeline of young women who were subjected to his personal and professional sexual exploitation in the name of education.”

The lawsuit said the incidents occurred in a master class on sex scenes that Franco taught at a private acting school Franco and his fellow defendants Vince Jolivette and Jay Davis started called Studio 4, which opened in 2014 and closed in 2017.

Franco, of course, denied everything. But among Tither-Kaplan’s allegations was that claim that Franco allegedly removed plastic guards that had been placed over actors’ genitals while he simulated oral sex.

Will Franco ever direct another movie? It’s unlikely but even people with the worst scandals (see Nate Parker) seem to be able to find financial backers. On the money said, you’d think it was cash thrown away. Franco has made dozens and dozens of films either as producer or director, sometimes with him as star, that were beyond dreadful. The two worst were adaptations of William Faulkner’s “As I Lay Dying” and “The Sound and the Fury,” which not only made no money but are unwatchable. There are plenty more littering amazon.com and the Internet Movie Database, all cringe worthy.

 

Ratings Buzz Kill: “SNL” with “Bridgerton” Star Regé-Jean Page, Bad Bunny, and Anti-Semitic Joke Not a Hit

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Regé-Jean Page, the sexy star of “Bridgerton,” was supposed to pull in big ratings for “Saturday Night Live.”

With musical guest Bad Bunny, there were high hopes for a lift after last week’s 4.1 million.

Well, there was a lift, to 4.2 million. But that’s well below this season’s average, and last season’s as well.

If Regé-Jean had hit 4.4, there might have been celebrating. But this was a meh-showing for a current flash in the pan star.

Plus, there was Michael Che’s unwelcome anti-Semitic jokes.

“SNL” is not funny right now. They’ve abandoned politics post-election. I guess they don’t want to poke even gentle fun at Joe Biden or Kamala Harris, Trump is gone, and the show is adrift. The pedestrian sketches just aren’t making it. There’s not much going on with Kate McKinnon, either. Maybe everyone’s just burned out. It’s reflected in the ratings.

The only good laugh was in the cold open. And by the way, Kenan Thompson’s pilot, shown after “SNL” last night, was terrible.Poorly cast and written, and directed. Everyone mumbled and talked fast. Kenan is such a star, he deserves better casting around him. (Chris Redd excepted, he could have his own show.)

HBO’s Woody Allen-Mia Farrow Documentary Uses Audio from Woody’s Book WITHOUT Permission, Says Publisher

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UPDATE Here’s the full Skyhorse quote:

The first episode of Allen v. Farrow uses without permission more than three minutes of Skyhorse’s audio edition of Woody Allen’s autobiography, Apropos of Nothing. It is our understanding that the remaining episodes make similar unauthorized use of the audiobook. This blatant appropriation of Mr. Allen’s intellectual property is unquestionably copyright infringement under existing legal precedent. Viewers of the series should take into consideration the producers’ unethical conduct when evaluating their so-called documentary’s sensationalist and salacious story.

EXCLUSIVE If you’re going to watch HBO’s “Allen vs. Farrow” tonight, you’ll notice that Woody Allen is not interviewed. His side tells me that they received a pro-forma request to interview Woody after the do was made, and they declined.

So to supplement the already one sided mini series, directors Amy Ziering and Kirby Dick faked having Woody in their film. They included snippets from the audio version of Woody’s autobiography, “Apropos of Nothing,” published last year. This way, it seems like Woody participated in their film.

He did not.

Skyhorse Books publisher Mark Gompertz tells me, “We’re at a disadvantage because we haven’t seen the film, but they used the audio without permission.”

In other words, Kirby and Dick and HBO figured they’d just use Woody’s words, claim fair use, and see if anyone sues them. Ditto the licenses for clips of Woody’s movies. I doubt the filmmakers bothered to “clear” those or pay for them. They would never have been approved.

The see-if-anyone-sues-us theory didn’t work well for HBO a couple of years ago with the documentary “Leaving Neverland.” A massive lawsuit is still underway, which so far HBO isn’t winning. The Michael Jackson estate has them on the ropes right now. I don’t know why they get involved in that one, or with this one. Sheila Nevins, who used to run HBO documentaries as the Tiffany’s of doc films, would have been far more circumspect.

So keep all this in mind tonight if you tune in to see Mia Farrow give an Oscar worthy performance. And read about Mia’s child molester brother here. And the whole story of the doc mini-series here. Or the song Dory Previn wrote when Mia broke up her marriage in 1969.

 

Golden Globes Rocked by LA Times Investigation, Story Shows Rift Between Old Regime and Newer Members to Change

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The Hollywood Foreign Press and Golden Globes were rocked this morning by an explosive story in the LA Times. Writers Stacy Perman and Josh Rottenberg are to be commended. They have done an exhaustive job examining the inner workings of this awards group. Someone on the inside was an effective source for them, and it shows.

The story reveals the rift between the old regime of grifters within the group and the newer or younger members who take it seriously and want change.

When I saw the story this morning, for a minute I thought I wrote it. I reported on the Globes’ crazy finances and malfeasance for years. And nothing changed. NBC kept paying them millions, they accepted it tax free thanks to 501 3 c status, and life went on. When a colleague spotted the then-president of the HFPA getting fitted on Rodeo Drive for a free, very expensive suit to wear on Golden Globe night, in exchange for a promotional credit at the end of the show, I never heard the end of it.

And yet, over the years, the HFPA did try to change. An effort was made by many members to turn the place around despite lawsuits and scandals– which I covered and are now included in the LA Times story. There were always rumors of one member, in particular, selling tickets to the Golden Globes show for huge mark ups. What the LA Times didn’t get was the saga of former president Phil Berk, who wrote a crazy book about the Globes inadvertently revealing their worst inner workings. He was banned from the group for a couple of years.

The Globes used to be shown on CBS, which people forget. Then CBS caught wind of their shenanigans and they were bounced. NBC has never cared because they needed a counterbalance to the Oscars, on ABC, and figured it’s not an election of public officials, they do bring out movie stars, so who cares how they do it? They may be right. The Globes air next Sunday, with Tina Fey and Amy Poehler hosting and making jokes about all of this. There won’t be anyone in a live audience, so they can just riff away. I, for one, will be watching.

PS Regarding the HFPA’s omitting several Black films this year: Really few remember this, but I wrote in 2005 that Leonardo DiCaprio beat Don Cheadle for Best Actor in a Drama because, as I reported, Jamie Foxx was the winner in Musical/Comedy for “Ray” and, to quote my piece, “they couldn’t have two Black actors win.” So Cheadle, whose work in “Hotel Rwanda” was excellent, lost to DiCaprio, for “The Aviator.” I can still remember being told this while the show as on the air.

 

Michael Che Makes An Anti-Semitic Joke on “Saturday Night Live” That’s Already Getting Social Media Criticism

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SUNDAY 10:30AM UPDATE Just as I expected, there’s been an avalanche of criticism on social media overnight. But there have also been plenty of Tweets supporting Che by people who are either anti-Semitic or clueless. Che didn’t say, “the Israeli half.” He said “the Jewish half.” There’s a difference, even if he’s unaware of it. His joke was directed at a religion, not a state or government. That he didn’t understand that distinction is where the problem lies. And will perpetuate more anti-Semitism. I’m usually a fan of Che. But he’s made a big error that must be rectified.

SUNDAY 12:38AM Comedian Michael Che is already getting blasted midway through “Saturday Night Live” for an anti-Semitic joke.

During “Weekend Update,” Che joked that half the people in Israel had already been vaccinated and “I’m going to guess it’s the Jewish half.”

Lorne Michaels, who is Jewish, cannot be happy. (He might not be happy about some other references to his personal wealth during the segment.)

Che is getting a ton of criticism and anger on Twitter right now. But even worse– the anti-Semites are coming out, applauding the line. What a stupid thing he did. I think this will not be the end of it.

One Tweeter said: Michael Che perpetrated an anti- Semitic anti- Israel trope with his vaccine joke. Just as a fact check – Israel vaccinated 1/2 of its population of Israeli citizens – Arab, Jewish and Christian. Shame on you.

Another: WTF, SNL. Your no-reason quip about Israel only vaccinating Jews is not only a lie, but it perpetuates anti-semitism. Cheap shot that does more damage than the momentary, paltry laugh you got for that sorry excuse of a joke.


Read: Mia Farrow’s Child Molester Brother Got Out of Jail 3 Years Early