The 30th Hamptons International Film Festival took off Friday night hasn’t looked back. So far the big films, for better or worse, have included “The Whale,” “The Triangle of Sadness,” “Groucho and Cavett,” “Living,” There are more to come today including Hugh Jackman in “The Son.”

At a brunch at Nick and Toni’s on Saturday, director Peter Hedges popped in, and so did top doc director Nancy Buirski, and Oliver Hermanus, director of “Living,” a terrific film starring Bill Nighy.

But the surprise twist to the lunch was the very late arrival, through the back door, of an older gentleman who asked if he could sit with us. “Everyone’s gone,” he said, looking at all the empty tables previously occupied by the likes of Alec Baldwin, who plays a big part in the festival. (He emceed a Q&A with Dick Cavett later.)

So what do you do, I asked this nice man. “I make movies. I’m a director.” Anything .I’d know? “Maybe. I made The Tin Drum.”

OK, what???? My friend, Regina Weinreich, whose documentary about Paul Bowles was in the very first Hamptons Film Festival three decades ago, blurted out “Are you Volker????”

Indeed, he was Volker Schlondorff, one of the most important German directors or of any country. He made “The Tin Drumer” and “Swann in Love” and the TV version of “Death of a Salesman” with Dustin Hoffman. He lives in Berlin, but knows his way around the Hamptons. He’s brought a documentary called “The Forest Maker” to the festival. A giant of a movie maker, just hanging out.

Over at the screening of “The Whale.” the very large East Hampton Middle school theater filled up very quickly. Famed photographer Bruce Weber, “Interview” magazine publisher Sandy Brandt, and CBS’s Alina Cho were all there, as well as the Beatles’ and Bee Gees famous public relations man Peter Brown. (You hear him name in “The Ballad of John and Yoko.”) Some people wept, some harrumphed. Everyone swore off dessert at dinner.

I’ve waited to see if “Don’t Worry Darling” would pick up at all or develop “legs” at the box office. Unfortunately, it hasn’t.

Even Harry Styles’s fans have stayed away. The total box office is just over $34 million Every day this week has been one of declines. Wednesday, typically a good day for adult movie going, was down another 52% from Tuesday, and so on and so forth.

The saving grace is that “Don’t Worry Darling” cost between $35 and $40 million. The bad news is that even coming close to that doesn’t help. The movie has to make around twice its cost, and that’s not going to happen.

The bad publicity subverted the old adage that “all press is good press.” On set affairs, rumored spitting at press conferences, Harry’s and Chris Pine’s lack of interest at press conferences, Florence Pugh’s feuding with director Olivia Wilde, it was all too much.

The only winner here is Styles, who returns to his massive pop career, and is next up in “My Policeman,” although after “Bros” tanking who knows how that one will be received?