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Tesla hit a new all time low, dropping 11.4% from last Friday.

keep refreshing…
Tesla hit a new all time low, dropping 11.4% from last Friday.

Will Smith went on quite a bender of media last month and early this one. He went around not apologizing for anything and trying to get people to watch his $100 million movie, “Emancipation.”
It didn’t work.
The Antoine Fuqua directed black and white movie (literally) about a tragic true story of a Civil War era slave has been a bust.
On Rotten Tomatoes, critics slammed it, with a 45% rotten rating. But even worse, audiences posting to Rotten Tomatoes gave “Emancipation” a lowly 56%. No one liked it.
“Emancipation” is playing on Apple TV Plus now, long gone from theaters after its one week eligibility run. Eligible for what, one might ask? Awards groups have ignored it, and the movie will just fall into ignominy. How much is the write off? Apple will never say, but the whole thing was a disaster.
Was the film rejected solely because of Smith’s egregious behavior last spring at the Oscars? No. It was also because the movie just wasn’t good. But the reaction to it was definitely a signal that no one is willing to forgive and forget any time soon.
TODAY TUES DEC 27: Dollywood is closed today, and hopes to reopen tomorrow.
YESTERDAY: It’s 26 degrees and snowing in Pigeon Forge, Tennessee right now.
So Dollywood will only be open from 9 to 5. I’m surprised those aren’t the regular hours!
Attractions like the Mystery Mine, Lightning Rod, and the one where three office workers string up their boss to a garage door are all closing early!
Tourists will have to bundle up in their cabins or whatever. And wherever Dolly Parton is, let’s hope she’s warm and cozy!
We’re closing a bit early tonight out of an abundance of caution. Please stay safe and warm! We’ll continue to update our social media channels and website with any updated park hours this week. pic.twitter.com/HuZbQCgM5p
— Dollywood Parks & Resorts (@Dollywood) December 26, 2022
MONDAY MORNING: Disney now says the weekend came to $64 mil after a late Sunday surge.
SUNDAY NIGHT: I know $56 million sounds like a lot. But Disney and other box office prognosticators were hoping for a $65 million second weekend for “Avatar 2.” They fell short by $9 million, down 58% from last weekend.
Was the weather to blame? I’d say it was a factor.
Damien Chazelle’s “Babylon” was an expected bomb. Paramount will be writing off $100 million or more from this disaster. What’s the problem with “Babylon”? Excess. Upon excess. This could have been “L.A. Confidential” if it had a plot and a point. Instead, it was “Heaven’s Gate” meets “Ishtar.” I’d love to see a clever editor carve a movie out of that thing.
But Chazelle seems obsessed with “Singing in the Rain,” even though that movie is many years after “Babylon” occurs. I’d get rid of the orgies, they seem ridiculous and don’t add to the action. (Maybe there should be a short film of “Babylon” orgy outtakes.)
Margot Robbie exudes star power, but she looks all wrong in this film. She’s made up and dressed for a “Studio 54” film. The real key to “Babylon” is the central scene between Brad Pitt and Jean Smart.
What could “Babylon” have been? Just watch Quentin Tarantino’s “Once Upon a Time in Hollywood.” I did again last night. It’s brilliant, holds up better than ever, and should have won Best Picture.
We are closing out a very mediocre year in film. Up next is Tom Hanks in “A Man Called Otto.” I say, Notto.
Get ready. Chris Rock is not playing around.
Netflix will air its first ever global LIVE streaming event — a Chris Rock comedy special — on March 4, 2023, one week before the Academy Awards.
Will it be a slap in the face? I think the world will tune in to see what Chris has to say about Will Smith slapping him at the Oscars last year. Netflix must think so, too
The name of the special is “Selective Outrage,” and will be coming to us from Baltimore. This is the first Chris Rock comedy special on Netflix since 2018, and that one was taped.
By the way, isn’t Baltimore near Philadelphia, Will Smith’s home town?
This will definitely give Jimmy Kimmel something to riff on at the Oscars.
It’s 2:28pm. A half hour ago, two Broadway shows didn’t start their matinees. According to Twitter account BroadwayCovers, both “A Strange Loop” and “1776” had to cancel because of illness.
The shows are off tonight, too.
Many other shows, according to the BroadwayCovers watchers, are using standbys like crazy this week including “Hamilton,” “Kimberly Akimbo,” “Six,” “MJ,” and “Into the Woods.” In many cases the person replaced is the lead.
This is why Broadway must have a mask mandate in place. They should also be checking for vaccines. But the public doesn’t want it, they liked getting sick or sending the germs into the air, and onto the stage!
Most shows are off tomorrow for Christmas, so that will give everyone a day to get better!
It was two nights before Christmas and not many people went to the movies.
Of course, really, the weather is terrible. A lot of people are snowed in, or too cold to go outside.
But still…
Last night, the only two movies that drew audiences were the equivalent of carnival rides: “Avatar 2” and “Black Panther 2.” They made millions and millions.
In the case of “Wakanda Forever,” however, the end is actually coming. The take last night was just $1 million. If the whole weekend is $3 million, then the party is coming to an end at $450 million. Sounds like a lot, but that’s $250 million short of the first episode.
Meantime, the two new releases of the week did pull a few fans. “Whitney Houston” beat Brad Pitt and an all star cast in “Babylon,” but they each cleared hurdles. “I Wanna Dance with Somebody” hit $2 million including $750,000 from Thursday. “Babylon” did less well with $1.4 million including previews.
What’s going on? Lack of product from the studios, and marketing that’s turned away from getting people into theaters. Also, streaming is doing to movies what it already did to CD sales. It’s eating it from within. The digital revolution is just that. It’s sent everyone home.
Humbug.
Barack Obama’s favorite movie of the year was Steven Spielberg’s “The Fabelmans.” On his annual list of films, Obama did not include “Nope,” or “Wakanda Forever,” as well as “Whitney Houston: I Wanna Dance with Somebody.”
I don’t know if Obama– the president who preceded Joe Biden– eschewed the Black filmmakers of the year on purpose, or just forgot about them. He also steered very clear of Will Smith and “Emancipation.”
In music, Obama’s choices skipped both The Weeknd and Drake. Curiously both of those artists skip the Grammys. Maybe Obama was being pro-Recording Academy. Aside from Beyonce, Obama went for mostly music that wasn’t top 40. No Lizzo, for example, or Cardi B or Megan Thee Stallion. No Chris Brown.
Obama also issued a list of best books of 2022. His favorite was “The Light We Carry” by his wife Michelle. He writes: “I’m a bit biased on this one.”
I saw some great movies this year – here are some of my favorites. What did I miss? pic.twitter.com/vsgEmc8cn8
— Barack Obama (@BarackObama) December 23, 2022
When I saw the Whitney Houston biopic last week, I really liked it and said so.
Since then, both of the Hollywood trades — Variety and the Hollywood Reporter — agreed with me. So did a lot of major critics around the country, from places like the Chicago Tribune, the Wall Street Journal, The Boston Globe, and Rolling Stone. Not bad!
“I Wanna Dance” also scored last night with the public. Fifty five reviews were published by civilian reviewers on Rotten Tomatoes. The Kasi Lemmons movie scored a 95% with them! People love this movie.
Naomi Ackie is wonderful as Whitney, plus two performances– Tamara Tunie as Whitney’s famous mom, Cissy Houston, and Clarke Peters as her dad, John Houston — are impeccable. Stanley Tucci is a stand out as Clive Davis. It’s kind of eerie how good he is!
How many times can you see “Avatar”? It’s an animated movie! The people in Whitney are actually very animated! You will love them.
And yes Naomi does a little of her own singing, but it’s mostly Whitney. The production used rare, live performances that will have you singing along!
Mariah Carey’s long ago co-writer of her many hits says on a podcast today: “She doesn’t play anything, she doesn’t play keyboard or piano. She doesn’t understand music, she doesn’t know chord changes and music theory or anything like that. She doesn’t know a diminished chord from a minor seventh chord to a major seventh chord.”
Let’s start there. Walter Afanasieff co-wrote and produced many of Mariah Carey’s key hits back in the early 90s. But now he tells the podcast Hot Takes (click here, on iTunes) that Mariah has changed the history of the song’s origins. He’s fed up that Mariah keeps saying she wrote the song when she was a kid. He knows the truth. He wrote it.
Again, “She doesn’t understand music.”
Remember, I’ve told you many times about the countless plagiarism suits and settlements behind Mariah’s hits including “Emotions,” and many others. There was a famous legal dispute over the lyrics to “Hero,” for which Afanasieff wrote the music.
When Carey was inducted into the Songwriters Hall of Fame this year she didn’t even mention the dozens of composers who actually wrote her hits. Afanasieff wasn’t alone in the omission. Ben Margulies, who Afanasieff cites in the podcast, wrote most of her first and second albums. Others included Babyface, Dave Hall, and so on.
Afansieff says that once they finished “All I Want for Christmas,” that was the end of their relationship. Carey started taking the credit for the song. It would be twenty years before he’d hear from her again. And even then, he says on the podcast, she wanted something from him, promised to get in touch, and never contacted him again.
Afanasieff says Carey’s assertion now that she wrote “Christmas” years before they met is simply untrue. He says, “to claim that she wrote a very complicated chord-structured song with her finger on a Casio keyboard when she was a little girl, it’s kind of a tall tale.’
The podcast, from Jess Rothchild, must be listened to by all Mariah Carey fans. It’s enlightening beyond even Mariah. Afanasieff should write a book at this point. Other artists he composed for, like Celine Dion, would take cover! Afanasieff is equally unsparing about today’s pop stars like BTS. “Paul Simon never said Oh that’s that song on the radio, I’m going to write a song like that.’ He just writes whatever he wants.”
Afanasieff also criticizes Beyonce for her latest single. “It has nine songwriters. Nine!” He’s blistering about former “American Idol” star Pia Toscano and how she got screwed out of a career. (Read Toscano’s account in Billboard here.)
Compounding Carey’s problems on “All I Want for Christmas” is a lawsuit filed last year from a songwriter who says he wrote a similar song with the same title at least four years earlier, in 1990. He’s not just blowing smoke. The record was released under the name Vince Vance and the Valiants, sung by a female singer named Lisa Layne. It’s pretty clear Mariah knew the song existed when she sat down to write “Christmas” with Afanasieff.
UPDATE: The lawsuit was settled in November, officially cited as “Dismissed without prejudice.”
Afanasieff says, “Since the 90s we’ve seen the dismantling of the songwriting process.”