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Marvel Studios Has Its Lowest Opening Day Ever with “The Marvels,” Breaking a Record It Didn’t Want

Last night, Marvel Studios broke a record. It was one they didn’t want.

“The Marvels” opened to around $14.5 million, and had the lowest Thurs-Fri opening ever for a Disney-Marvel release with $21.3 million. (In 2008, “The Incredible Hulk” opened to $200K less, but it was at Universal and pre- the Disney MCU run.)

If the superhero sequel makes $50 million for the weekend, they’ll be lucky.

It’s an ironic turn of events since “Captain Marvel,” its predecessor, was the highest grossing female superhero action film.

But everything has gone wrong here, it seems, from the idea to the execution.

What’s really upsetting for Disney-Marvel is that “The Marvels” cost $200 million. It will never break even but it will lose a lot of money.

No one can blame star Brie Larson. The strike prevented her from doing any publicity until late this week. She appeared on the Tonight show and turned up at a theater last night to meet fans.

Disney should have held “The Marvels” until it could be properly promoted. Even if it wasn’t the best Marvel Universe film ever, it wouldn’t have bombed so precipitously.

Now Disney will get to feel the way DC/Warner’s has so many times. And that’s all, folks!

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Taylor Swift’s “1989” Remake Drops 85% from Last Week But Noses Out BTS Singer’s New Hit

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The numbers are in for the week. The number 1 album? Taylor Swift’s redo of “1989.”

Swift’s album dropped 85% in sales from its stunning opening week at 1.5 million. But it still nosed out Jung Kook’s “Golden” album by 38,000 copies.

The BTS singer came in at 202K vs. Swift’s 240K.

All the hoopla about Jung Kook is just that, I’m afraid. If he were a real phenom, “Golden would have glowed.

One thing both acts have in common: their fans wanted CDs, LPs, and downloads more than they wanted to stream the albums. That’s good news since that’s where the real money is in the music biz (see my Beatles story).

Swift has 9 albums on the top 50 this week. Jimmy Buffet’s posthumous record, called “Equal Strain on All Parts,” sold around 53,000 copies — the average number for beloved legacy acts releasing late in career albums.

The Beatles Earned How Much This Week from Spotify Streaming “Now and Then”? Answer Will Shock You

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The Beatles released “Now and Then” 8 days ago, and the song went to number 1 everywhere.

In the UK, they’re listing it on their official charts as number 1 for the week. The same may be true next week for Billboard. Despite the feverish fans of Jung Kook constantly pressing BUY on iTunes, “Now and Then” has been a big hit.

So what’s going on over at Spotify? According to the site, the song has been streamed 17.6 million times. For a band like the Beatles, whose fans would rather have the record or download it than stream, 17 million sounds pretty good.

You’d think the group would be making a fortune, right? But according to Spotify’s revenue calculator, it’s not so much.

Grand total for 17.6 million streams? Drum roll please:

$42,000. That’s forty two thousand dollars. Not millon, or billion. Thousand!

For the Beatles, $42,000 is pocket change. It’s what Paul spends flying to the UK, what Ringo pays for dinner.

But that is the cold, hard reality of Spotify. There’s no money it. Once the Beatles split that money in four and pay taxes on it, and fees to various people, they will literally have enough for lunch and a movie.

And they’re THE BEATLES!

Imagine if they were just a little band, or a middling act whose song people like. This means those acts get chicken feed.

Now you know why Paul and Ringo are each on tour right now. Pass the hat!

By the way, the Beatles’ biggest streaming song is “Here Comes the Sun” with 1.2 billion streams. It was added to the service 8 years ago. Estimated earnings $3-$5 million, before taxes and fees. “Now and Then” has a ways to go!

What a Soap Opera! Daytime Emmy Awards Will Air December 15th on CBS After Six Months Delay

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This was a long story line delayed from six months ago.

The Daytime Emmy Awards will air on December 15th on CBS. This is because the strike is over, and all is well. They were supposed to air in June but the Writers Guild strike put a wrench in this plan.

General Hospital has the most nominations among soap operas. Here’s the original story from last spring.

Read the nominees below:

UPDATING Daytime Emmy Nominations General Hospital Leads the Pack Including the Late Sonya Eddy, Finola Hughes in Lead, Jennifer Hudson’s Debut Year Is In

Morgan Wallen Remains a Pariah with the Grammy Awards, CBS, Despite Selling 5 Million Copies of New Album This Year

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Morgan Wallen is still in the dog house.

The Grammy Awards are ignoring him despite his “One Thing at a Time” album selling 5 million copies since March.

Wallen was discovered using the “n” on a video two years ago. His fans didn’t care and kept buying his records. His “Dangerous Double Album” has sold 2 million copies in 2023. (Numbers are mostly from streaming equivalent.)

But the Grammys are not so forgiving — and neither is CBS. Wallen may have been welcomed back by his record company and agents, but the main music awards and the Tiffany network don’t want him on their air. He remains a pariah. A song he sang is nominated for Best Country Song, but Wallen himself is not nominated. (At least they didn’t punish the writers of “Last Night.”)

The incident happened on February 3, 2021, when Wallen was video’d on a front door camera, drunk, using the word to describe his friend. The video went viral instantly.

Wallen apologized, but apparently that’s not enough — not in cancel culture. You can’t imagine Black artists in the Grammy audience watching him perform. So it’s not going to happen — probably never. It’s just as well.

Box Office: “The Marvels” Has Disappointing Preview Night, May Be Lowest Grossing Marvel Movie

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“The Marvels” made $6.6 million last night. It’s a big disappointment, but not unexpected.

Other Marvel movies this year started each with $17.5 million. “The Marvels” could be the lowest grossing Marvel movie yet.

This is despite being a sort of sequel to “Captain Marvel” starring Oscar winner Brie Larson. That was a hit but this one has been marked by delays and changes and an obvious lack of vision. What is it? Reviewers don’t see to know, either. “The Marvels” has a very poor 61% among critics and bloggers.

Me? I’ll watch Brie Larson read the phone book. She’s so talented. But she’s also spent too much time doing car commercials. It’s time to get back to serious movies.

Grammy Awards Rescue Jon Batiste Flop Album, World Music Radio, After Almost No Copies Sold

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The Grammy Awards are loyal, let’s say that.

They’ve rescued Jon Batiste’s non event album, “World Music Radio,” after no one bought it.

The album has a Grammy nomination for Album of the Year after selling 21,000 copies. That’s it. It was Dead on Arrival. Now it’s got a nomination.

The song, “Butterfly,” is also nominated for Record of the Year. It also made no noise upon release.

Batiste is the only male performer to score noms in those categories.

Bizarre, yes. But Batiste is one of the few men under a certain age to release a record this year. He’s also a past winner. Two years ago his “We Are” won Album of the Year quite unexpectedly.

But a lot of time and money goes into the Batiste machine. He’s the star of a Netflix documentary called “American Symphony,” which debuts November 29th. Batiste’s personal story is dramatic– his wife, formerly his girlfriend, Suleika, was battling leukemia as he was winning awards and writing a symphony. The movie is very well made, and a pleasure to watch knowing that Suleika’s winning her battle so far.

But Batiste really the only male nominee? It’s a head scratcher, that’s for sure. Aside from Ed Sheeran, there are few candidates with releases. I guess Noel Kahan could have been better represented in the awards. Otherwise the charts are dominated by women and hip hop. Men either don’t know what to sing about, or no one cares about what they have to say anymore. There are no new James Taylors or al Greens or Jackson Brownes. Sad.

UPDATING Grammy Awards Snub 99% of Male Performers in Pop Nominations, Album of the Year, Record of the Year

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Jon Batiste has a new distinction: he’s the only male Grammy nominee in the pop categories for 2024. Everyone else is proudly female.

That’s right. In Album, Song, Record of the Year, as well as Pop Solo or Duo Performance it’s 99% women. Batiste pulled off noms for Album and Record of the Year. Otherwise, it’s all women!

Miley Cyrus, Taylor Swift, SZA, Boygenius, Victoria Monet, Janelle Monae, Lana Del Rey, and Billie Eilish swamped the top awards categories.

A few man got scattered noms in Rock and Country categories. But otherwise, the Grammys on February 4th will be ladies night. I guess this is sweet revenge for years of the guys getting all the attention.

Were there actually no pop songs from men this year?
Record Of The Year
“Worship” — Jon Batiste
“Not Strong Enough” — boygenius
“Flowers” — Miley Cyrus
“What Was I Made For?” [From The Motion Picture Barbie] — Billie Eilish
“On My Mama” — Victoria Monét
“vampire” — Olivia Rodrigo
“Anti-Hero” — Taylor Swift
“Kill Bill” — SZA

Album Of The Year
World Music Radio — Jon Batiste
the record — boygenius
Endless Summer Vacation — Miley Cyrus
Did you know that there’s a tunnel under Ocean Blvd — Lana Del Rey
The Age of Pleasure — Janelle Monáe
GUTS — Olivia Rodrigo
Midnights — Taylor Swift
SOS — SZA

Song Of The Year
“A&W” — Jack Antonoff, Lana Del Rey & Sam Dew, songwriters (Lana Del Rey)
“Anti-Hero” — Jack Antonoff & Taylor Swift, songwriters (Taylor Swift)
“Butterfly” — Jon Batiste & Dan Wilson, songwriters (Jon Batiste)
“Dance The Night” (From Barbie The Album) — Caroline Ailin, Dua Lipa, Mark Ronson & Andrew Wyatt, songwriters (Dua Lipa)
“Flowers” — Miley Cyrus, Gregory Aldae Hein & Michael Pollack, songwriters (Miley Cyrus)
“Kill Bill” — Rob Bisel, Carter Lang & Solána Rowe, songwriters (SZA)
“vampire” ­— Daniel Nigro & Olivia Rodrigo, songwriters (Oliva Rodrigo)
“What Was I Made For?” [From The Motion Picture Barbie] — Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish)

Best New Artist
Gracie Abrams
Fred again..
Ice Spice
Jelly Roll
Coco Jones
Noah Kahan
Victoria Monét
The War and Treaty

Producer Of The Year, Non-Classical
Jack Antonoff
Dernst “D’Mile” Emile II
Hit-Boy
Metro Boomin
Daniel Nigro

Songwriter Of The Year, Non-Classical
Edgar Barrera
Jessie Jo Dillon
Shane McAnally
Theron Thomas
Justin Tranter

Best Pop Vocal Album
chemistry — Kelly Clarkson
Endless Summer Vacation — Miley Cyrus
GUTS — Olivia Rodrigo
– (Subtract) — Ed Sheeran
Midnights — Taylor Swift

Best Pop Dance Recording
“Baby Don’t Hurt Me” — David Guetta, Anne-Marie & Coi Leray
“Miracle” — Calvin Harris Featuring Ellie Goulding
“Padam Padam” — Kylie Minogue
“One in a Million” — Bebe Rexha & David Guetta
“Rush” — Troye Sivan

Best Dance/Electronic Music Album
Playing Robots Into Heaven — James Blake
For That Beautiful Feeling — The Chemical Brothers
Actual Life 3 (January 1 – September 9 2022) — Fred again..
Kx5 — Kx5
Quest For Fire — Skrillex

Best Rock Album
But Here We Are — Foo Fighters
Starcatcher — Greta Van Fleet
72 Seasons — Metallica
This Is Why — Paramore
In Times New Roman… — Queens of the Stone Age

Best Alternative Music Album
The Car — Arctic Monkeys
the record — boygenius
Did you know that there’s a tunnel under Ocean Blvd — Lana Del Rey
Cracker Island — Gorillaz
I Inside the Old Year Dying — PJ Harvey

Best R&B Album
Girls Night Out — Babyface
What I Didn’t Tell You (Deluxe) — Coco Jones
Special Occasion — Emily King
JAGUAR II — Victoria Monét
CLEAR 2: SOFT LIFE EP — Summer Walker

Best Melodic Rap Performance
“Sittin’ On Top Of The World” — Burna Boy Featuring 21 Savage
“Attention” — Doja Cat
“Spin Bout U” — Drake & 21 Savage
“All My Life” — Lil Durk Featuring J. Cole
“Low” — SZA

Best Rap Song
“Attention” — Rogét Chahayed, Amala Zandile Dlamini & Ari Starace, songwriters (Doja Cat)
“Barbie World” [From Barbie The Album] — Isis Naija Gaston, Ephrem Louis Lopez Jr. & Onika Maraj, songwriters (Nicki Minaj & Ice Spice Featuring Aqua)
“Just Wanna Rock” — Mohamad Camara, Symere Woods & Javier Mercado, songwriters (Lil Uzi Vert)
“Rich Flex” — Brytavious Chambers, Isaac “Zac” De Boni, Aubrey Graham, J. Gwin, Anderson Hernandez, Michael “Finatik” Mule & Shéyaa Bin Abraham-Joseph, songwriters (Drake & 21 Savage)
“SCIENTISTS & ENGINEERS” — Andre Benjamin, Paul Beauregard, James Blake, Michael Render, Tim Moore & Dion Wilson, songwriters (Killer Mike Featuring André 3000, Future & Eryn Allen Kane)

Best Alternative Jazz Album
Love In Exile — Arooj Aftab, Vijay Iyer, Shahzad Ismaily
Quality Over Opinion — Louis Cole
SuperBlue: The Iridescent Spree — Kurt Elling, Charlie Hunter, SuperBlue
Live At The Piano — Cory Henry
The Omnichord Real Book — Meshell Ndegeocello

Best Country Album
Rolling Up the Welcome Mat — Kelsea Ballerini
Brothers Osborne — Brothers Osborne
Zach Bryan — Zach Bryan
Rustin’ In The Rain — Tyler Childers
Bell Bottom Country — Lainey Wilson

Best Americana Album
Brandy Clark — Brandy Clark
The Chicago Sessions — Rodney Crowell
You’re the One — Rhiannon Giddens
Weathervanes — Jason Isbell and the 400 Unit
The Returner — Allison Russell

Best Música Mexicana Album (Including Tejano)
Bordado a Mano — Ana Bárbara
La Sánchez — Lila Downs
Motherflower — Flor de Toloache
Amor Como en las Películas de Antes — Lupita Infante
GÉNESIS — Peso Pluma

Best African Music Performance
“Amapiano” — ASAKE & Olamide
“City Boys” — Burna Boy
“UNAVAILABLE” — Davido Featuring Musa Keys
“Rush” — Ayra Starr
“Water” — Tyla

Best Score Soundtrack For Visual Media (Includes Film And Television)
Barbie — Mark Ronson & Andrew Wyatt, composers
Black Panther: Wakanda Forever — Ludwig Göransson, composer
The Fabelmans — John Williams, composer
Indiana Jones and the Dial of Destiny — John Williams, composer
Oppenheimer — Ludwig Göransson, composer

An Elon Musk Movie from Darren Aronofsky: “The Whale” Star Brendan Fraser Would Have Inside Track

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So who should play Elon Musk in a movie?

Reports today from newsletter Puck that “The Whale” director Darren Aronofsky will direct the film about the Tesla and SpaceX founder. Aronofsky is famous for a kind of sophisticated horror film. Think of “Black Swan” or “Mother.” Or even “Requiem for a Dream.”

What actor should play the portly menace who has overturned Twitter into X? Why, “The Whale” star Brendan Fraser is the obvious answer. He won Best Actor this year under Aronofsky. There is no doubt they’ve discussed it. Fraser has an outsized cameo right now in “Killers of the Flower Moon.” His girth could be digitally altered to show Elon when he had elan to when he started using musk to father 73 children.

And Grimes? The mother of recent Musk children could surely be handled by Natalie Portman. It’s unclear who would wear the Tesla costumes.