Bruno — the skanky, over-publicized and underwritten gag character — is a bust at the boxoffice.
After 12 days in release, Sacha Baron Cohen’s sometimes funny, often not gay send up with Mel Brooks overtones (and not the good ones) has grossed. just $52 million domestically.
By contrast, “Borat,” Bruno’s older, wiser, smarter cousin, had $72 million in the till at the end of its 12th day. “Borat” went on to earn a total of $128 million in the U.S. “Bruno” will be lucky to hit $75 million–very lucky.
Of course, “Bruno” is not the spectacular dud that “I Love You, Beth Cooper” has turned out to be with only $11.5 million in ticket sales for the same time period. I’ve rarely seen such brutal reviews as there were for this misguided enterprise. And there’s also “Land of the Lost,” with less than $50 million after 50 days.
But “Bruno” will be one for the study classes. Cohen overhyped this thing beyond any and all expectations. Months before “Bruno” was released, you felt like you’d already seen it. And then when you did see it, it was coarse, vulgar, in bad taste, and really just bad. “Borat” was all those things, too, but it had heart, and structure. “Bruno” lacked direction. It was just a battering ram to the senses. And a disgusting one.
Where was all the sublime wink-wink undercurrent of “Borat”? In “Bruno” you felt the desperation once Cohen launched himself onto Eminem at the MTV Movie Awards. Wasn’t that what Howard Stern did years ago? Wasn’t Cohen supposed to be more sophisticated than that? One of the many great moves with “Borat” was that it just snuck up on us. There was no overkill. First in Cannes it was a cult hit. It was cool. Then it came to America with some buzz. With “Bruno,” not to make a sick joke, it was just forced down our throats.
Maybe it’s time for Cohen to just do some acting, as he did in “Sweeney Todd,” and give the candid camera thing a rest. We get it. People are stupid. They fall for tricks easily. There are plenty of hicks, racists, and idiots out there. And now not only have we seen them, we feel sorry for them.

John Michael Higgins — here’s a good interview I just read promoting his part in “The Ugly Truth,” opening Friday. Higgins — his friends call him Michael — is one of the good guys. He’s also part of Christopher Guest’s remarkable repertory company that includes Catherine O’Hara, Michael McKean, Jane Lynch, Jennifer Coolidge, Harry Shearer, and Eugene Levy.
Those Rock and Roll Hall of Fame shows set for October at Madison Square Garden: they’re already causing controversy.
The audience, as you might imagine, was stocked with the top folks in broadcast journalism. From CBS: Don Hewitt, Les Moonves, Harry Smith, Katie Couric, Bob Schieffer, Morley Safer, Russ Mitchell, Bill Plante, and Dan Rather. Connie Chung, John Roberts, ex of CBS, now of CNN, and Jeff Greenfield were there. From NBC: Tom Brokaw (with wife Meredith), Matt Lauer, Meredith Vieira, Lester Holt, Brian Williams. From ABC: Diane Sawyer as well as Charlie Gibson and Barbara Walters (pictured). I think Walter would have been amused to see Jerry Stiller and Ann Meara, and former Mayor David Dinkins.
Alas, there will be no major Diva Face Off at the next Grammy Awards.