Monday, December 15, 2025
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Worse Than “Spider Man”: Elton John’s 2006 Broadway “Lestat”

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Elton John has been getting might testy lately. First he went after Billy Joel for his drinking. Then on Saturday Night Live he took a poke at his “Lion King” collaborator Julie Taymor and her “Spider Man: Turn off the Dark.”  He sang a funny parody with the line “Can you smell a bomb tonight?” to the famous “Lion King” song he wrote. 

But Elton has a short memory. Far worse and a bigger bomb than “Spider Man” was his 2006 musical, “Lestat.” Based on “Interview with the Vampire,” this staggeringly awful stinker played 33 previews and 6 actual performances before being shut down–its coffin nailed down tightly. To this day I cannot think of a show this bad. It was beyond. During the intermission of the previews performance I saw, literally everyone left. I had to buy a friend a drink to make him stay with me so I could review the show.

While “Spider Man” is at least filling seats and taking in around $1.3 mil a week–sometimes more–“Lestat” lost its total investment and was put away, never to be heard from again. The show may have flushed as much as $12 million down the drain. And like “Spider Man” there were last minute changes, and lots of nasty gossip. Unlike “Spider Man,” it did not have an overriding vision or framework that could sustain changes.

To wit: “I guess that’s why they called it a flop.”

Charlie Sheen Show Disaster: Will Live Nation Pull the Plug?

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Defeat is an option.

Charlie Sheen’s opening night of “Torpedoes of Truth” was a disaster in Detroit. Audience members, according to several reports from news sources and audience members, starting leaving soon after show began at the Fox Theater. Snoop Dogg didn’t show. Appearances by Rob Patterson, and Simon Rex didn’t help. Neither did the fact that Sheen, as I wrote here when this was announced, has no show. He just expected to get up on stage. rant against CBS and Chuck Lorre, and accept accolades. Apparently not only the show end abruptly, but Sheen, I’m told, skipped the $500 plus after show meet and greet. Mostly people were heard demanding their money be returned.

How long before Live Nation pulls the plug? I’d say, not long, because what they don’t want is an avalanche of ticket refund requests and cancellations in every city. Bad publicity in one city is one thing, but tonight is Chicago and by Friday Sheen is supposed to play Radio City Music Hall. And once the plug is pulled, what about Sheen? A drug addict on a high three weeks ago, he is really just a broken guy who needs help ASAP. Maybe he can invoke force majeure and head to rehab. If tonight goes the same the way as Detroit, the party–which really ended about two weeks ago–is over. No tweets or word from Sheen since the debacle, but hundreds from irate fans.

Elvis Costello, Facing 57, Rocks Like It’s 1979

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Elvis Costello and two Attractions–Steve Nieve and Pete Thomas–with one Imposter, Davey Faragher–put on the hottest, tightest rock show anyone’s seen in a long time on Friday night. To warm up, Costello jumped into the Secret Sisters show at Irving Plaza, did a song, then went to Madison Square Garden to do three numbers opening for The Strokes as a surprise. Then the piece de resistance, the big show at the Gramercy Theater, a former movie house that is really a shithouse of a rock club. It was like old times. Three performances on April Fool’s Day, just like in 1979.

The quartet kicked in right at 11pm, with a floor full of adults standing like sardines as if it were the Ritz circa 1979, and a bunch of less intrepid folk in seats angled upward in what used to be the movie theatre’s balcony. It is a strange place, where dried food is stuck to the seats. It was perfect. Costello and cohorts just whipped into “I Hope You’re Happy Now” and “Uncomplicated” from 1985 like they were slicing down trees with electric saws. “Possession”– 1979-80– with the great verses:

“Now you’re sending me your best wishes/Signed with love and vicious kisses/You lack lust, you’re so lacklustre/Is that all the strength you can muster
Possession”
and
“So I see us lying back to back/My case is closed my case is packed
I’ll get out before the violence/Or the tears or the silence
Possession”

There were almost no breaks during the two hour set, not even for applause. Three songs from “Trust” (1982) made cut for this one off show before Costello and band start a tour that brings them back to New York in late May: “Clubland,” “Luxembourg,” and “New Lace Sleeves” (“good manners and bad breath will get you nowhere”). “Radio Radio”–ever so prescient 30 years ago–was rapturous. “Watching the Detectives,” “So Like Candy,” “Beyond Belief,” “(I Don’t Want to Go to) Chelsea,” “Oliver’s Army,” “What’s So Funny ‘Bout Peace, Love and Understanding,” “Pump it Up”– were each refreshed and energized by the band’s attack, Steve Nieve’s punctuating keyboards embroidering melodies he knows by heart, and so on. Even the less well known songs–“American Gangster,” “Stella Hurt,” “Monkey to A Man,” “National Ransom” came alive, Special guests were the Secret Sisters, who helped Costello on “Josephine.”

In the audience: Costello’s famous wife, Diana Krall, and Mary Louise Parker, a smattering of friends and family, and some shocked young people raised on Britney, NSync, and Justin Bieber who should heed these words: “Radio is in the hands of such a lot of fools trying to anesthetize the way that we feel.”

A classic night. Send more. We need it.

http://www.youtube.com/watch?v=–y_TaofYek&NR=1&feature=fvwp

Elvis Costello Goes Back 32 Years Tonight in NYC

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Tonight, Elvis Costello goes back 32 years and plays a club show  on April Fools Day in New York. He’s supposed to be on stage at the Gramercy Park Theater at 11pm. This is very much what he did in 1979.

If you were in New York City in 1979, you’ll recall it was a great year for music. For the whole year, as an experiment, WPIX FM played New Wave hits mixed with R&B classics 24 hours a day. It was like a dream. The Clash, The Temptations, The Jam, Sam & Dave, Elvis Costello, and so on. There was no rap, no processed American cheese pop. There was no Auto Tune. Disco was very popular: “I Will Survive” was number 1. In New York, New Wave/Power Pop, which had started in the US with the Ramones, then bounced to London, was back and bigger than ever.

On April 1st, Elvis Costello and the Attractions, promoting their third US release, called “Armed Forces,” announced three shows in one night. They would start at the Lone Star Roadhouse on Fifth Avenue and 13th St., where a giant iguana was perched on the roof. Then he’d go to the Bottom Line on West 4th St. and wind up at Great Gildersleeve’s on the Bowery. All three clubs are gone now, thanks to greedy landlords and NYU.

I went to the Bottom Line show. It was spring time weather, almost warm. No rain, snow, sleet or freezing cold temperatures. What I remember most is getting a spot by the stage, and that Joe Jackson–who was really big right then with “Look Sharp,” came in and stood nearby.  The set was a frenzy of hits from Costello’s three albums and the place was packed. I had my colored vinyl copy of “Armed Forces,” also known as “Emotional Fascism.” When the show was over, I remember getting a collectible single–either “My Funny Valentine” or the EP “Live at Hollywood High.” In 1979, this was extremely exciting.

Can 32 years have really passed? Most of New York’s key clubs are gone, pop and rock have nearly disappeared, no one ever came along to succeed the New Wave generation. Music was corporatized–oh it’s too depressing! Maybe Elvis will reproduce the set list from 1979–“Riot Act,” “What’s So Funny,” “Watching the Detectives.” How about “American Squirm”? It’s going to be a great night–if I can just stay awake!

“Mad Men” Gets 3 Year Renewal, Deal Done, Hallelujah

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Our long period of national suffering is over. Matt Weiner has a three year deal, “Mad Men” goes back into production, and we get three more seasons of the show. The deal was announced right after I went in to see Robin Williams in “Bengal Tiger” on Broadway, of course. It turns out that’s what the vibrating was about.

I started writing about the “Mad Men” ordeal months ago, everyone else jumped in the pool, and by the time it came to an end a publicist was involved who made everything just a little bit worse.

But it’s good news because “Mad Men” will return a year from now, and then again maybe in the fall of 2012, and the spring of 2013. Don Draper will be wearing mutton chop sideburns by the time it’s all over, and bell bottoms. Sally Draper will be Patty Hearst, and — good news–Betty will burn her bra. My prediction: the show will end at my bar mitzvah, June 13, 1970, with Don and Betty, reunited, as part of the candle lighting. Note to Matt Weiner: the band played “Sunshine of Your Love” all the kids drank screw drivers.

Kabbalah Leader Warns Against “Those Who Have Turned Against Us”

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Karen Berg, leader of the Kabbalah Centre, sent a private note out last night to her followers. That would mean Madonna, Demi Moore and Ashton Kutcher, Lucy Liu, James van der Beek, and all the celebrities who’ve been roped into being part of her for profit “religion.” Berg–who is being investigated by a grand jury and is in the middle a scandal about her Raising Malawi foundation–signed the email herself. There is no mention of her husband, Philip Berg, with whom she founded the organization. She does make mention of “those who have turned against us.” She also warns about “an internet blogger who regularly trafficks in rumors about the entertainment industry…”

I think she means this column. Anyway, it makes it seem like Kabbalah is part of the entertainment industry. I thought it was a religion.

Here’s her letter, and it’s unlike anything Jews, Christians or Muslims have ever received from their religious groups:

Dear all,

I appreciate the opportunity to give you an update on the recent news and rumors you might have heard recently regarding the Kabbalah Centre. It is especially painful and disappointing that there appears to be a small group of individuals who are trying to discredit The Kabbalah Centre.

We consider all our students to be part of our family—including those who have now turned against us. We have faced many challenges in the past and we will also face this one with dignity.

The Kabbalah Centre, the teachers, the Rav and I know the meaning of challenges. In sharing Kabbalah with the world for the last 40 years, we learned the many ways chaos and darkness can manifest themselves. And although it is very difficult, we understand that the darkest part of the night is just before the dawn.

The removal of pain and suffering from the world has always been the Rav’s dream. And no matter what we have faced in the past, his unshakable certainty and conviction gave him the power to accomplish what kabbalists have sought to achieve for centuries.

Today, as in all the times before, I receive my strength from the Rav’s words and wisdom. Only a few days ago, the Rav said to one of our teachers, “All that we see happening around us is giving us an opportunity to take more responsibility.”

As for The Centre, we will keep on pushing to bring more Light from the darkness that exists in this world.

We are working hard these days, maybe more than ever before, to share Kabbalah. We have all been travelling the world over—the teachers, Yehuda, Michael and I—from London to Mexico, from Brazil to Moscow. During our travels, we have been meeting many new students, reaching people in areas where there are no physical Centres. We have been giving out free books and Zohars; giving people access to the wisdom so that they can turn the Light on in their own lives.

We are thankful for this new challenge, because through it we will build our strength and certainty. When the storm passes, we will see the truth.

The Rav and I understand that it is a test for you as well, of your certainty and conviction. We understand how hard it must be for you and we want you to know that we are with you, as I know you are with us. We all face it together, as did the generation of kabbalists before us.

Please remember that in every difficult situation there is potential value—a gift. Believe this and begin looking for it.

With regard to the other issues, we wanted to inform you of the following:

First, a new Board of Directors has been appointed to manage the Raising Malawi International Foundation. Moving forward, this new Board and Raising Malawi’s management team—the Global Philanthropy Group—will be managing the activities of the Foundation. The transition of the new board has been a completely cooperative effort. The Kabbalah Centre will maintain a strong relationship with the new Board. Although The Kabbalah Centre’s formal role with Raising Malawi has come to a conclusion, we are all very proud of the work that the Foundation has already accomplished. Thousands of children have and will continue to receive daily nutritious meals, access to clean water, secondary school support, and life-saving medical treatment as a result of the work. There is still much more to be done, and Raising Malawi is resolute in its commitment to ending the extreme poverty and hardship endured by Malawi’s orphans and vulnerable children.

Second, an internet blogger, who regularly trafficks in rumors about the entertainment industry, has written that there is a federal inquiry underway that involves The Kabbalah Centre. We have received no formal or official notification from the government of any such investigation, but we fully intend to work cooperatively to support an examination of our activities so that we may come through this, even stronger and sounder.

If you have any questions, please do not hesitate to contact us; your teachers, The Kabbalah Centre staff is here for you always.

Thank you all for your endless support and understanding.

Robin Williams Lets Real Tiger Blood Loose on Broadway

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Robin Williams has a stunning hit on Broadway: he’s the star and main character in “Bengal Tiger in the Baghdad Zoo.” He opened Thursday night to rave reviews and thunderous applause from friends like Billy and Janice Crystal, Sting and Trudie Styler, Bob Balaban and Lynn Grossman, Peter Asher and wife Wendy, Barry Levinson and wife Diana, Susan Sarandon, Neil Simon and Elaine Joyce and dozens of wowed theatergoers who didn’t know what to expect including The New Yorker’s veteran writer, Lillian Ross. Moises Kaufman directed this experimental and cool new play by Rajhiv Joseph, and it’s a thing of beauty. “Bengal Tiger” takes place in 2003 in Bahgdad, in a zoo, as American soliders are searching in vain for weapons of mass destruction.

Most of the characters including Robin’s, are ghosts. But Robin is also a tiger. And very very funny while the play delivers multiple images and layers with anti-war statement. At the party afterwards, Billy Crystal could not stop kvelling, And it was a big deal for him, too. “I missed opening day at Yankee Stadium,” he conceded. “But I know you have to stay up late for Broadway!” Williams was overwhelmed, I think. When someone told him the review in the New York Times was a rave, he said: “I guess that will be good for business.” An understatement. The Tony Award nominations for Best Actor in a Play are going to be wild this year, with Williams facing off against at least Al Pacino, Brian Cox, and a bunch more big names on their way!

Don Hill, Owner of Famed West SoHo Rock Club, Passes Away

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Word is just getting out that Don Hill, who ran his self-named famed rock club on Spring St. for almost twenty years, died today. There’s a memorial at midnight, 12 am Friday. No official word has come out yet but everyone from Moby to Bebe Buell is spreading the news with great sadness. Don was somewhere, I’d guess, between 65 and 75. He was ageless, though. With the end of CBGB and the Bottom Line and dozens of other clubs, Don Hill’s was the last original rock club. Recently Nur Khan and Paul Sevigny bought in and spruced the place up, but it was still Don Hill’s. All the great and legendary restaurateurs and club owners, from Elaine Kaufman to Don Hill, are disappearing now. We are at the end of not just an era, but maybe an eon. Rock on, Don.

Billy Joel Pulls Memoir, Tells Publisher at Last Minute

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Billy Joel pulled the plug on his memoir this morning. He told his publisher, Harper Collins, simultaneous to releasing a short statement. The book company is gob-smacked, as they say.  The book was scheduled for a Jule release. It was all but signed off on, completely edited and ready to go. There aren’t too many instances of this sort of thing happening. Years ago Oprah Winfrey did the same thing to Knopf. More recently, movie producer and former hairstylist Jon Peters did the same thing. What it generally means is that the subject of the book has been too candid, and is too young to live with the repercussions of telling the truth about their lives. That last read through of the galleys says it all. In Billy’s case, he’s had a tough few years personally with his daughter, Alexa, his own bad marriage to Katie Lee, accidents and rehab. The last straw may have been Elton John’s odd, unprovoked attack recently, calling Billy out for his drinking. Joel probably didn’t want to hit the interview circuit to defend himself. It’s his decision. What I wish Billy would do is channel all that energy into a new collection of songs. An autobiography can wait a while, like until he’s in his 70s. Billy, stay just the way you are. But give us some music!

John Travolta Plans Another Career Ending Movie

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John Travolta has career longevity, that’s for sure. Just when you think he’s finished–with stuff like “Battlefield: Earth”–he comes bouncing back with an off the wall hit like “Wild Hogs.” Scientology, gay rumors, toupees, the National Enquirer–it’s all there, but Travolta just bounces along. Now he’s announcing a new film that’s his latest career ender: he’s going to play John Gotti in a film about the dead, disgusting mobster and his living, disgusting son. Yikes. Someone–maybe former comic and husband of Shirley Jones, Marty Ingles; or Jonathan Krane, Travolta’s sometime manager–has convinced Vinnie Barbarino that this will be his “Godfather.” You can hear the pitch–look at what this kind of thing did for Brando! Ahem. A couple of differences. “The Godfather” was put together by a Dream Team, and director by Francis Ford Coppola. “Gotti” is going to be directed by Nick Cassavetes, who’s lacking in the success department. Also, “The Godfather” was a solid bestselling novel by Mario Puzo. It was fiction, so we could distance ourselves from it. The Gotti’s are real, and really horrendous. There’s no upside to this story, no morality tale, and no poetry. The people killed by Gotti had relatives in real life. I can’t wait for that premiere. I guess the main thing for Travolta is that he can lose his wig toward the end. Some movies should not have been made. Recently, “Valkyrie” and “The Beaver” are on that last. Here comes the next one.