Thursday, December 18, 2025
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Justin Timberlake, Mila Kunis Are Friends Without A Plot

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The premiere of “Friends with Benefits” was called for 7:30 pm last night. When Justin Timberlake finally appeared at the Ziegfeld Theater at 8:22pm, we knew it would be a long night. Mila Kunis, Emma Stone, Jenna Elfman and director Will Gluck had already done their interviews on the red carpet. Timberlake jumped out of his SUV and shook hands with throngs of fans lined up on the sidewalk. Then he entered the VIP tent and took pictures with Sony execs. The curtain didn’t go up until 8:15, not a record for lateness but pretty damn close.

I may be too old to appreciate “Friends with Benefits.” The screenplay–which had many chefs in the kitchen–is really schizophrenic. It’s coarse and vulgar about sex, with the main characters–Justin Timberlake‘s Dylan and Milas Kunis‘s Jamie–bantering in graphic, playground terms a lot of sex and sexual acts. It’s just TMI– too much information and a lot of actual bathroom “jokes.” The two stars have chemistry and fun.

Timberlake’s acting style reminded me of Frank Sinatra’s. He’s a singer and performer first, so his acting kind of swings. When it lands, every so often, Timberlake is very good. Kunis, coming from “Black Swan,” is much better here. She’s the next Julia Roberts/Cameron Diaz/Meg Ryan–America’s sweetheart. She’s sassy and vulnerable.

Of course, they are also naked and getting it on about as much as Jake Gyllenhaal and Anne Hathaway in “Love and other Drugs” earlier this year. Oy vey. Enough already. And enough, please of the soundtrack. The constant, ceaseless music behind every scene in “Friends with Benefits” is relentless and loud. It’s also irrelevant, but it’s there to make up for what’s missing: a plot.

The story is that Dylan and Jamie decide to just screw constantly without emotional ties. Thanks to director and co-screenwriter Will Gluck there’s nothing sexy about their intimacies. It’s more about grappling. Gluck directs these two –who have a lot of charm and chemistry–as if it’s World Wrestling.

There’s no plot but a lot of story. Many stories. One involves Patricia Clarkson as Jamie’s nutty mother. She’s excellent of course. Another is Richard Jenkins as Dylan’s dad, slowing succumbing to dementia. Clarkson and Jenkins simply raise the level of this entire enterprise.

But what an odd movie. Some of it is written cloyingly, with lots of “meta” references to cinema, cultural history, etc. There are swipes at Harry Potter (they keeping calling it gay), Nora Ephron, “Seinfeld,” and so on. There’s also a movie within a movie starring Rashida Jones and Jason Segel. It’s as if Gluck wanted to make “FOB” a “Scary Movie” for rom coms. But then, while upending cliches, he invokes them all over the place.

On the positive side, Timberlake fans–and there are plenty of young girls still listening to his now “classic” music from 2006–will enjoy his good natured sending up of his own singing and of 90s hip hop.  On the negative they may not get the whole “flash mob” thing. And New Yorkers will scratch their heads at the fantasy city depicted here. You can film in New York and use our locations, but please get a reality check.

 

 

Meryl Streep’s Actress Daughter Mamie Ties the Knot

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Congratulations to actress Mamie Gummer and fiancee Ben Walker, star of Broadway’s “Bloody Bloody Andrew Jackson.” the couple tied the knot over the weekend, sources say, at a very small and private wedding at the home of Meryl Streep and Don Gummer, Mamie’s acting, sculpting parents. There aren’t a lot of details except that there weren’t any celebrities, it was mostly family and close friends. Mamie’s sisters were the bridesmaids. There was a regular wedding band, no Aerosmith or Tony Bennett flown in for the occasion. I do know the wedding was held outdoors at the Gummers’ Connecticut summer home. Walker has just finished “Abraham Lincoln: Vampire Hunter.” Gummer, who’ll be 28 next month, is on a tear doing TV (“Off the Map,” “The Good Wife”) and New York theater. It’s unlikely they’ll be selling wedding pictures to the tabloids. I will say that I spent time with this couple at Vanity Fair’s Oscar party this year, and they are just super. They’re even registered at Restoration Hardware if you want to send a gift. Here’s to a lot of happiness!

Maria Bello, Mariska Hargitay Raise Big Bucks for Haiti in Hamptons

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What a Sunday afternoon in East Hampton: actress Maria Bello, about to blow everyone away in the American TV version of “Prime Suspect,” organized a hot event in a cool space for Haiti fundraising at the Ross School. Donna Karan and Urban Zen helped sponsor the music and art get together for Maria’s WeAdvance.org charity, an outgrowth from the actress’s work on Paul Haggis‘s Artists for Peace and Justice and Sean Penn and Diana Jenkins’s JP/HRO group. Mariska Hargitay and Patricia Arquette through in their considerable help, and heavyweights like Liev Schreiber and Fisher Stevens showed up to join the fight, as well as director Doug Liman and cashmere king Christopher Fischer with his beautiful wife/partner Joni. The latter gave out their luscious scarves in the goodie bag. The highlight of the day: a knockout performance by the glorious Melky Jean, the ebullient and talented singer sister of Wyclef Jean. That is one talented family! Check out her fantastic song “Better” about Haiti at www.melkyjean.com

The other highlight: Nicole Ross, the drop dead beautiful blonde 28 year old daughter of Courtney Sale Ross and the late Steve Ross, founder of Warner Communications. The Ross School was created for Nicole when she was in grade school by her mother. That’s about 20 years ago. Now it’s a thriving educational institution. And what about Nicole? She could be a model or an actress. She could have gone the route of Paris Hilton, and made a spectacle of herself with sex tapes and DUIs. But not this amazing young lady. She’s been working in Haiti for a long time, delivering babies and organizing relief efforts. This fall she starts at NYU to become a nurse practitioner so she can really help with aid. Bravo! What a nice story. How lucky for the people of Haiti.

Paul McCartney Animated Feature on the Horizon

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Exclusive: Now that Paul McCartney‘s two night stand at Yankee Stadium is over, more news from the ex Beatle.

I am told that McCartney has a new project in the works. Sources say that former New Line honchos Michael Lynn and Bob Shaye‘s Unique Films has been on the inside track for an animated musical film based on McCartney’s children’s book, “High in the Clouds.” The book, co-written with Geoff Dunbar and Philip Ardagh, was published in 2005 by Faber and Faber. It’s described on Wikipedia thusly: “When the characters’ home, Woodland, is attacked by human development, a young squirrel (Wirral) is left without a home and without his mother. Guided by his mother’s final words and aided by his fellow animal friends he meets on his journey, Wirral goes on a quest for the secret island sanctuary of Animalia. Wirral finds himself in an epic journey filled with evil realities and wild dreams. He and his friends experience tragedy, war, joy and victory, all in the name of freedom and peace.” I’ve heard that McCartney has written several songs already and that work may be commencing soon. He can always throw in “Mary Had a Little Lamb” from the early 70s, too. But a McCartney animated children’s movie? That’s gold, kids.

By the way, Billy Joel did show up on Saturday night as I promised. Irrepressible Billy recreated his guest spot from 2009 on “I Saw Her Standing There.” Friday vs. Saturday: the first night got “Hello Goodbye,” the second “Magical Mystery Tour” as openers. First night: “I’ve Just Seen a Face.” Saturday: “I’m Looking Through You.” One reviewer from a major outlet must have fallen asleep at some point. “Let it Be” comes toward the end, not in the middle, of the show. McCartney’s enthusiasm and unflagging work ethic are astonishing. Next June he turns 70, and you know there will be a blow out show somewhere to commemorate it. In the coming year he may also get married to the very lovely Nancy Shevell.

Singer Josh Groban Makes Film Debut with Steve Carell

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A couple of things about Steve Carell‘s new romantic comedy, “Crazy Stupid Love.” First, singer Josh Groban makes his film debut as the sleazy, nerdy lawyer who’s dating Emma Stone‘s character. It can’t be a coincidence that Groban records for Warner Music and this is a Warner movie, even though the two companies are severed. Still, Groban is very good. Now a new audience will see him not just as a powerful singer but in a new realm.  Maybe he’s heading down Justin Timberlake‘s path.

Second, Ryan Gosling, so good an actor in “Half Nelson,” “Lars and the Real Girl,” “Blue Valentine,” and the upcoming “Drive,” is used as a sex symbol showing off his well sculpted physique. I don’t understand– we used to go to the same gym! My results were quite, uh, different. As Emma Stone exclaims when Gosling removes his shirt, he must have been Photoshopped!

Anyway, the movie is uneven but funny and entertaining thanks to a stellar cast including long ago “As the World Turns” castmates Julianne Moore and Marisa Tomei, plus a woefully underused Kevin Bacon. (Note to SAG: Kevin Bacon should get the Lifetime Achievement Award next year.) “Crazy Stupid Love,” unusually, has two directors–Glenn Ficara and John Requa–which may explain the schizo tones. The movie also marks the producing debut of Vance DeGeneres, brother of Ellen.

Formula comedy? Yes, but this the entertainment that big studios do well. This is a movie for adults, without question. We should be grateful Warner Bros. made it and put it out this summer. And WARNING there is a big plot twist toward the end that makes “As the World Turns” look tame. But it works. Just don’t tell anyone what it is after you’ve seen it.

Rupert Murdoch’s Wife, Wendi, Hosts Weekend Film Screening in Hamptons

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Rupert Murdoch‘s top employee (now former) Rebekah Brooks was arrested on Sunday. The top police officer in the UK resigned because of Murdoch’s hacking scandal. But none of this deterred Murdoch’s gracious and beautiful third wife, Wendi Deng, from showing her film to the A list on Saturday in the Hamptons. In the middle of the scandal that may topple Murdoch’s empire it’s important to point out that Wendi is one of the nicest people you could meet, she’s sweet and genuine.

Deng warmly greeted guests like Barbara Walters, Rudy and Judi Nathan Giuiliani, former Sotheby’s chief Alfred Taubman, Sony’s Rob Wiesenthal, and Warner Music’s Lyor Cohen and designer Tory Burch at the Southampton UA theater. The movie, Wayne Wang‘s “Snow Flower and the Secret Fan,” is a beautifully made if painstakingly slow adaptation of a novel that cuts between present day China and the 1800s. The film features Rupert Murdoch’s fellow Aussie, Hugh Jackman, singing, dancing, and swooning.

Reviews for “Snow Flower” have been so so, but you can’t fault the production qualities. After the screening, Deng and Wang were interviewed by Martha Stewart about shooting a film in China and the ancient tradition of foot binding (painfully shown in the movie). It did seem a little disingenuous when Deng told the audience that the movie’s budget was tight and that there were times they didn’t have money for coffee. “Snow Flower” is released by Fox Searchlight, part of the News Corp/20th Century Fox/ Murdoch empire. It was released to 24 theaters this past weekend and made $136,000. The budget is said to be between $6-$8 million.

After the screening, some guests (not this one) were invited to what was described as the “enormous” home of Jay and Kelly Sugarman for dinner in Southampton. Hosts and guests included Andrea Glimcher (who hosted for the Pace Gallery’s Beijing branch), husband Marc, and his parents, famed Pace Gallery owners Arne and Millie Glimcher, designer Vera Wang, and ABC’s “20/20” anchor Chris Cuomo. One guest said it was the biggest home they’d ever seen, set on a bluff overlooking the ocean. The 4.5 acre property once included a pool house where tennis great Vitas Geruliatis died accidentally of carbon monoxide poisoning (under different owners).

QVC Shops a Lie to the Press about Jane Fonda Cancellation

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QVC issued a statement on Sunday about the cancellation of Jane Fonda for their Saturday 10am spot. Fonda was supposed to appear live from 10am to noon Eastern on QVC to promote her new book, “Prime Time.” Fonda signed 7,000 books in anticipation of the appearance. But when the two time Oscar winner arrived in Philadelphia, she was informed that the segment was cut. Unofficially the reason was that QVC had caved into the histrionics of a few phone callers who harrassed the network with cries of “Hanoi Jane.” Fonda, dumbfounded and then angry, flew to Atlanta where she keeps a home and runs a foundation designed to educate teenage girls about pregnancy. She was, by all accounts, quite upset and posted a blog about it. QVC’s response that this was merely a “programming change.” This is laughable. Fonda was replaced by two hours of miscellaneous pitches including one about a “magic” cloth that when dipped in water miraculously cleans set in stains. It was a hastily assembled bit. QVC should be ashamed. Read the stories I posted over the weekend. The home shopping group fell for internet myths instead of asking for the truth. They obviously can’t take the truth.

Jane Fonda Responds to QVC Cancellation: “I Love My Country”

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Here’s what Jane Fonda has written this morning on her blog in response to being cancelled by QVC:

“I was to have been on QVC today to introduce my book, “Prime Time,” about aging and the life cycle. The network said they got a lot of calls yesterday criticizing me for my opposition to the Vietnam War and threatening to boycott the show if I was allowed to appear. I am, to say the least, deeply disappointed that QVC caved to this kind of insane pressure by some well funded and organized political extremist groups. And that they did it without talking to me first. I have never shied away from talking about this as I have nothing to hide. I could have pointed out that threats of boycotts are nothing new for me and have never prevented me from having best selling books and exercise DVDs, films, and a Broadway play. Most people don’t buy into the far right lies. Many people have reached out to express how excited they were about my going onto QVC and hearing about my book.

Bottom line, this has gone on far too long, this spreading of lies about me! None of it is true. NONE OF IT! I love my country. I have never done anything to hurt my country or the men and women who have fought and continue to fight for us. I do not understand what the far right stands to gain by continuing with these myths. In this case, they denied a lot of people the chance to hear about a book that can help make life better, easier and more fulfilling. I am deeply grateful for all of the support I have been getting since this happened, including from my Vietnam Veterans friends.”

 

Paul McCartney Hits It out of the Park at Yankee Stadium

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You know, Paul McCartney–who wrote “Love Me Do” at 15 and “Yesterday” not much later, is now astonishingly youthful 69. He’s five years past his song “When I’m 64.” It doesn’t seem possible. But just to prove that he looks and sounds better than ever, the former and always Beatle played a packed, sold out Yankee Stadium on Friday night. The main celebrity guest was Mayor Mike Bloomberg, but also thought to be in the audience were former Wings musician Denny Laine (also of the Moody Blues) and Chevy Chase. McCartney is man of great contradictions. He seems to love his talented band but doesn’t introduce them by name or give them their due. He wears beautifully tailored clothes, but uses snap on suspenders (braces). There are two TelePrompters hooked up in the audience on which someone is closed-captioning the show with McCartney’s famous lyrics. It’s weird.

But just when McCartney seems confounding, he sings “I Will” from the White Album, or the first instance in concert of “The Night Before” from the Help! album, and it’s magic. He also tells a lot of stories, some of which he thinks will not even interest the audience. His shows have become chatty and autobiographical, which is nice if you’re a long time fan. He wants to tell us stuff, but he’s not sure if it’s good. Trust me, Paul, it is. He also has his failings. Why sing the god awful “Let ‘Em In” when he could be giving us “Another Day” or “Daytime Nighttime Suffering”?

Sometimes he is not his best editor. “Mrs. Vanderbilt” begins abruptly. “Band on the Run” is nearly thrown away. “Jet” could stand a mini retirement. Where are “Too Many People,” “My Love,” and “My Brave Face”? Where is any reference to highly praised albums like “Flaming Pie,” “Chaos and Creation,” the song “My Ever Present Past”? And why, oh why, isn’t “A Day in the Life” performed all the way through, instead of being jack hammered with “Give Peace a Chance”?  Mysteries.

But that’s Paul. Lots of mysteries. He’s the surviving Beatle, the one with the songs. He runs hot and cold, but when he’s hot, it’s a treat. He looks tired at the end of almost three hours, but no more so than a man half his age. And when he starts the run to the end — “Let it Be,” “Live and Let Die,” “Hey Jude,” “Yesterday” — he is simply unmatched. And PS– Yankee Stadium, home of the hot dog, was turned veggie last night from top to bottom in every luxury suite. Somewhere in heaven, Linda McCartney was smiling.

Exclusive: Jane Fonda Cancelled by QVC: Shopping Channel Gives in to Bogus Internet Stories

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Jane Fonda was supposed to be on QVC this morning– Saturday–to promote her new book, “Prime Time.” But I am told that QVC abruptly cancelled the appearance. Why? Because the shopping network said it received calls protesting Fonda’s past political life. Really, this is unbelievable.

This cancellation and a couple of others Fonda has endured this year stem from a nasty internet campaign created from pure fiction.

Years ago, on Fox News of all places, I tried to debunk numerous urban myths about the two time Oscar winner‘s controversial 1972 trip to Hanoi. So much of the fringe right wing propagated lies about Fonda, and those lies became stories on the internet. That QVC would capitulate to such stupidity is just beyond me. John Malone and Liberty Media are too smart to let this happen.  By the way, Jane signed 7000 copies of “Prime Time,” an extraordinary look at aging in America. They’re ready to go. We should all call QVC and demand to buy “Prime Time.”

I am told that QVC didn’t even bother to ask Jane about this, or tell her the reason why they cancelled her appearance. And they obviously weren’t smart enough to check the internet for this story, which I wrote 10 years ago and am happy to reprint here.

Here’s my story from 2001, “Jane Fonda and the Urban Myth of Hanoi Jane,” originally published and still found on Fox news.com:

The question of Jane Fonda’s actions during her visit to Hanoi in 1972 still raises a lot of emotion. Over the weekend, this column received several dozen e-mails calling her a traitor.

There were also several dozen e-mails, however, that cited Fonda’s actual activities in Hanoi. These e-mails were erroneous in the opinion of some former POWs and the U.S. government. Fonda — in error for posing for photos on tanks, etc. — is innocent of most of the accusations leveled at her in these missives.

I alert you first to a very good Web site run by an American Legion post in Arizona. The address is www.post44.org/misc/fonda.html. From that site it is also possible to email the POWs who have become part of the stories and ask them what happened. Also please read this website posting by Mike McGrath of the POW-MIA organization. http://www.military-money-matters.com/nam-pows.html It’s time for Google and Bing to clean their search engines of these false stories once and for all.

To wit: Although Fonda did go to Hanoi, participated in a staged press conference with American POWs and posed for some regrettable pictures, she did not — I repeat did not-– turn in the names of American POWs to the North Vietnamese military. There was no passing of pieces of crumpled paper from Americans to her. Her main speech, the text of which follows, simply describes her observations of the North Vietnamese people as fellow human beings.

Stanley Karnow, a highly respected journalist and author of the impressively reviewed Vietnam: A History, told me when I asked him about the urban myths about Fonda’s visit to Hanoi: “I’ve never heard of any of this.”

Because they didn’t happen.

Fonda never came in contact with someone named Col. Larry Carrigan. She also was never spat at by a POW, who in turn was tortured as punishment for his actions.

In fact, Cora Weiss –-a fringe anti-war activist who organized trips to Hanoi in those days — said in a previously published interview: “We asked Jane if she wanted to meet American POW pilots and she declined.”

The point of this? As time has passed and the Internet has become a breeding ground for falsehoods, the story of Fonda’s trip has been turned inside out.

Was it wrong for her to go to Hanoi? Yes. Does she regret it? Again, yes.

Fonda first apologized during an interview with Barbara Walters in 1988. Fonda said, “I would like to say something, not just to Vietnam veterans in New England, but to men who were in Vietnam, who I hurt, or whose pain I caused to deepen because of things that I said or did,” she began. “I was trying to help end the killing and the war, but there were times when I was thoughtless and careless about it and I’m very sorry that I hurt them. And I want to apologize to them and their families.”

Last summer, in Oprah Winfrey‘s magazine, O, Fonda reiterated her apology: “I will go to my grave regretting the photograph of me in an anti-aircraft carrier, which looks like I was trying to shoot at American planes. It hurt so many soldiers. It galvanized such hostility. It was the most horrible thing I could possibly have done. It was just thoughtless.”

Indeed, Fonda’s contrition was manifested when she produced a much-praised movie in 1977, Coming Home, which highlighted the plight of returning American servicemen, especially those who had been wounded. And it wasn’t like this was fashionable at the time.

What did Fonda actually say during her famous radio broadcast from Hanoi? Here is the text, in full. It comes from a transcript made by the U.S. Congress House Committee on Internal Security, Travel to Hostile Areas, HR 16742, 19-25 Sept., 1972, page 7671. Read it carefully; the committee did. It did not find Fonda to be in any way committing treason.

What’s most interesting about it is that Fonda never once blames American soldiers in her speech. She blames then President Richard Nixon for waging a war against the North Vietnamese and using civilians as targets. The anger and resentment toward Fonda and others who went to Hanoi will never be forgotten by those who were in the military or who had relatives who served in Vietnam. But to cloud what really happened with falsehoods only makes the truth less powerful.

Finally, let’s not forget that Jane Fonda is not the person who sent the U.S. military to Southeast Asia or continued to send them there despite countless domestic protests. She was not a member of the Joint Chiefs of Staff or President of the United States or a member of his Cabinet. It’s quite possible Fonda’s reputation suffers in part from anger displacement.

Herewith is her famous speech:

“This is Jane Fonda. During my two week visit in the Democratic Republic of Vietnam, I’ve had the opportunity to visit a great many places and speak to a large number of people from all walks of life — workers, peasants, students, artists and dancers, historians, journalists, film actresses, soldiers, militia girls, members of the women’s union, writers.

I visited the (Dam Xuac) agricultural coop, where the silk worms are also raised and thread is made. I visited a textile factory, a kindergarten in Hanoi. The beautiful Temple of Literature was where I saw traditional dances and heard songs of resistance. I also saw unforgettable ballet about the guerrillas training bees in the South to attack enemy soldiers. The bees were danced by women, and they did their job well.

In the shadow of the Temple of Literature I saw Vietnamese actors and actresses perform the second act of Arthur Miller’s play All My Sons, and this was very moving to me, the fact that artists here are translating and performing American plays while U.S. imperialists are bombing their country.

I cherish the memory of the blushing militia girls on the roof of their factory, encouraging one of their sisters as she sang a song praising the blue sky of Vietnam, these women, who are so gentle and poetic, whose voices are so beautiful, but who, when American planes are bombing their city, become such good fighters.

I cherish the way a farmer evacuated from Hanoi, without hesitation offered me, an American, their best individual bomb shelter while U.S. bombs fell nearby. The daughter and I, in fact, shared the shelter wrapped in each others arms, cheek against cheek. It was on the road back from Nam Dinh, where I had witnessed the systematic destruction of civilian targets — schools, hospitals, pagodas, the factories, houses, and the dike system.

As I left the United States two weeks ago, Nixon was again telling the American people that he was winding down the war, but in the rubble-strewn streets of Nam Dinh, his words echoed with sinister (words indistinct) of a true killer. And like the young Vietnamese woman I held in my arms clinging to me tightly, and I pressed my cheek against hers, I thought, this is a war against Vietnam perhaps, but the tragedy is America’s.

One thing that I have learned beyond a shadow of a doubt since I’ve been in this country is that Nixon will never be able to break the spirit of these people; he’ll never be able to turn Vietnam, North and South, into a neo-colony of the United States by bombing, by invading, by attacking in any way. One has only to go into the countryside and listen to the peasants describe the lives they led before the revolution to understand why every bomb that is dropped only strengthens their determination to resist.

I’ve spoken to many peasants who talked about the days when their parents had to sell themselves to landlords as virtually slaves, when there were very few schools and much illiteracy, inadequate medical care, when they were not masters of their own lives.

But now, despite the bombs, despite the crimes being created , being committed against them by Richard Nixon, these people own their own land, build their own schools –the children learning, literacy–illiteracy is being wiped out, there is no more prostitution as there was during the time when this was a French colony. In other words, the people have taken power into their own hands, and they are controlling their own lives.

And after 4,000 years of struggling against nature and foreign invaders, and the last 25 years, prior to the revolution, of struggling against French colonialism, I don’t think that the people of Vietnam are about to compromise in any way, shape or form about the freedom and independence of their country, and I think Richard Nixon would do well to read Vietnamese history, particularly their poetry, and particularly the poetry written by Ho Chi Minh.”