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ABC Prepares “General Hospital” for Its End By Killing Off Main Character

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ABC Daytime is just about over. They announced today that they’re writing out a major “General Hospital” character. Kimberly McCullough, 33,  has been on the show on and off since 1985, starting as a child.McCullough’s character, Robin Scorpio, became infected with HIV in the late 1980s from her boyfriend. Now it seems “GH” will likely kill her off from AIDS–and this should make everyone everywhere pretty angry since AIDS deaths have been reduced greatly over the years. The Robin character was a symbol of hope.

McCullough joins Jonathan Jackson, another young actor with a long history on the show, heading for the exits. “General Hospital” is only weeks away from its cancellation notice, as it will be replaced by Katie Couric‘s talk show in September 2012. ABC has successfully destroyed its fifty year history of soaps in the afternoon, loyal viewers, and consistency. “All My Children” is gone. “One Life to Live,” which has had a big resurgence this year, ends on January 13, 2012.

Congratulations to Brian Frons, the ABC exec who over saw the dismantling. He masterfully figured out ways to drive fans from the shows in order to lower their ratings, and kill them. The good news is, whoever’s left watching ABC daytime will know how to cook a chicken and how to execute a wine reduction. This is valuable information.

The question now is where Prospect Park Productions–run by Jeff Kwatinetz and Rich Frank–will ever be able to bring any of the ABC soaps to the internet as promised and planned. Recent reports indicate that they don’t have the funding to pull it off. “All My Children” star Susan Lucci says no one from Prospect Park has contacted her since September 8th. It may be that Prospect Park never had the money to back up their plans.

Travolta “Gotti” Movie Gets New Producer to Look for Dough

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The long aborning movie about John Gotti, starring John Travolta, is still in financial turmoil. There are some new twists and turns, however. “Gotti” producer Marc Fiore, aka Marco Fiore, has apparently decided to take a new secondary role in the film’s financing. He’s turning over his lead position to film and record producer Ted Field, heir to the Marshall Field department stores and the man who gave us the original Interscope Records. Field was running Radar Pictures. Field’s said to be worth about $1 billion, which means he’s been able to take losses on such flops as “All About Steve,” “Twelve,” “The Invention of Lying” and other films that fell short of awards buzz like the dreadful but profitable “Bad Teacher.”

Field is a nice guy, though, and could possibly raise the money to resurrect “Gotti” from its current state of rigid morbidity. As I reported exclusively here, Fiore–an ex-con–has not had much luck getting “Gotti” together. And Fiore has other problems. He’s still being sued by actor Joe Pesci over a promised role. But even worse: he ran afoul of the man he named exec producer, one Salvatore Carpanzano, whom Fiore billed as a “successful international businessman.” Carpanzano’s financial backers committed to “Gotti.” But there are said to be a trail of significant snags that have embittered the players. Of course, there’s still the issue of Fiore’s other backer, Irish Sinn Fein backer Fay Devlin. There’s still enmity among all the players. Field will have his hands full, that’s for sure.

read also: http://www.showbiz411.com/2011/10/05/john-travolta-gotti-movie-on-hold-after-all

Scorsese’s “Hugo” Could Be Huge Since Changes Made

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Martin Scorsese’s “Hugo” had its official premiere last night, and there’s good news. After a mixed response to the work in progress version at the New York Film Festival, the finished “Hugo” is pretty great. Scorsese and his Oscar winning editor Thelma Schoonmaker went in and really worked on the picture. They got a more nimble, accessible film. Starring Sir Ben Kingsley, Sacha Baron Cohen, Emily Mortimer, Michael Stuhlbarg, Chloe Moretz and Asa Butterfield (who seems to have grown about a foot since filming), “Hugo” is a 3D treat, a real extravaganza that tells a great story and incorporates Scorsese’s love of film history and preservation.

For families, “Hugo” is a Thanksgiving weekend must. But it’s also for smart adults and kids who want to see masterful storytelling. Plus, Howard Shore’s score is out of this world. Paramount loves it. They threw Scorsese a major New York premiere at the Ziegfeld, with a party following at the Metropolitan Club. Besides the principals, Vera Farmiga, Steve Buscemi, Patricia Clarkson, Courtney Love, Montego Glover, Alessandro Nivola, Julie Taymor and Elliot Goldenthal, and James Toback were just a few of Scorsese’s pals who came out to support him.

Not only that: Scorsese’s middle daughter, Domenica, was there with her husband of one week. They got married last week in Chicago, where Scorsese proudly gave the bride away. Time has flown!

Meanwhile, Sacha Baron Cohen, who’ll always be “Borat” in my heart, nearly steals “Hugo” with his charming and snappy scenes with Emily Mortimer. Some of it is very funny. Cohen admitted that he ad-libbed quite a few of his lines, rewriting them with one of his co-writers. Cohen is finishing up his own film, “The Dictator,” and a cameo role in Quentin Tarantino’s “Django Unchained.” Is there a Borat reunion on his mind? Cohen would only say, “People really miss Borat.” I did tell him that Borat’s aide de camp, Azamat, aka actor Ken Davitian, has a small part in the great new film, “The Artist.” “Oh yes, Azamat,” Cohen said, as if Borat really missed him.

PS “Hugo” is all about French filmmaker Georges Melies’ early silent films. See our video box below for Melies’ famous “A Trip to the Moon.”

 

Doris Day, Bruce Springsteen, Cole Porter Added to Grammy Hall of Fame

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Doris Day got her third hit single inducted into the Grammy Hall of Fame today–“Que Sera Sera” follows “Sentimental Journey” and “Secret Love.” Bruce Springsteen’s “Born to Run” album gets in as does the score to Cole Porter’s immortal “Anything Goes” and albums by the Rolling Stones, Paul Simon, and Tina Turner among others. Why? Who knows? It’s all random. Every year it’s like a random shuffle of hits. Also in this year are Dr. Martin Luther King’s “I Have a Dream” speech and Grandmaster Flash.

 

ANTHOLOGY OF AMERICAN
FOLK MUSIC
Various Artists
Folkways (1952)
Folk (Album)

“ANYTHING GOES”
Cole Porter
(Cole Porter)
His Master’s Voice (1934)
Pop (Single)

BORN IN THE U.S.A.
Bruce Springsteen
Columbia (1984)
Rock (Album)

“DEEP IN THE HEART OF TEXAS”
Gene Autry
(June Hershey & Don Swander)
Decca (1942)
Country (Single)

DÉJÀ VU
Crosby, Stills, Nash & Young
Atlantic (1970)
Rock (Album)

EXILE ON MAIN ST.
The Rolling Stones
Rolling Stones/Atlantic (1972)
Rock (Album)

“FIXIN’ TO DIE”
Bukka White
(Bukka White)
Okeh (1940)
Blues (Single)

FOGGY MOUNTAIN JAMBOREE
Lester Flatt And Earl Scruggs
Columbia (1957)
Bluegrass (Album)

GRACELAND
Paul Simon
Warner Bros. (1986)
Pop (Album)

HERB ALPERT PRESENTS SERGIO MENDES & BRASIL ’66
Sergio Mendes & Brasil ’66
A&M (1966)
Pop (Album)

“HOW LONG, HOW LONG BLUES”
Leroy Carr
(Leroy Carr)
Vocalion (1928)
Blues (Single)

“I HAVE A DREAM”
Dr. Martin Luther King Jr.
Freedom March On Washington
20th Century Fox (1963)
Spoken Word (Track)

I STARTED OUT AS A CHILD
Bill Cosby
Warner Bros. (1964)
Comedy (Album)

“I WILL SURVIVE”
Gloria Gaynor
(Freddie Perren & Dino Fekaris)
Polydor (1978)
Disco (Single)

“KASSIE JONES”
Furry Lewis
(Walter “Furry” Lewis)
Victor (1928)
Blues (Single)

“KEY TO THE HIGHWAY”
Big Bill Broonzy
(Big Bill Broonzy & Charles Segar)
Okeh (1941)
Blues (Single)

“THE MESSAGE”
Grandmaster Flash & The Furious Five
Featuring Melle Mel And Duke Bootee
(Jiggs Chase, Melvin Glover, Sylvia Robinson & Edward Fletcher)
Sugar Hill (1982)
Rap (Single)

MEXICANTOS
Los Panchos
Coda (1945)
Latin (Album)

“PRECIOUS LORD, TAKE MY HAND”
Mahalia Jackson
(Thomas A. Dorsey)
Columbia (1956)
Gospel (Single)

“QUE SERA, SERA (WHATEVER WILL BE, WILL BE)”
Doris Day
(Jay Livingston & Ray Evans)
Columbia (1956)
Pop (Single)

ROY HARRIS SYMPHONY NO. 3
Serge Koussevitzky, cond.
Boston Symphony Orchestra
RCA Victor (1940)
Classical (Album)

SANTANA
Santana
Columbia (1969)
Rock (Album)

ST. LOUIS WOMAN
Original Broadway Cast
Capitol (1946)
Musical Show (Album)

“WASTED DAYS AND WASTED NIGHTS”
Freddy Fender
(Freddy Fender & Wayne Duncan)
ABC-Dot (1975)
Country (Single)

“WHAT’S LOVE GOT TO DO WITH IT”
Tina Turner
(Terry Britten & Graham Lyle)
Capitol (1984)
Pop (Single)

Exclusive: NY Film Critics Date Change to Tues Nov 29th

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Exclusive: The New York Film Critics Circle is putting off its vote by one day. They’re moving to November 29th from November 28th. The reason is to make sure every film that’s possibly eligible has been seen by everyone. Originally the NYFCC was set to vote on Monday. Either way, they beat the less serious National Board of Review, the Golden Globes and other groups. Some films, like Stephen Daldry’s “Extremely Loud and Incredibly Close,” have been stragglers this awards season. Complicating that is the Thanksgiving holiday.

VH-1 Soul Divas Ignores Legacy Artists for…Kelly Clarkson?

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VH-1 has just announced all of its acts for its “Soul Divas” show– and there is perhaps one actual Soul Diva–Chaka Khan.

The show, which will air in mid December, shows VH-1’s utter ignorance of real soul, frankly. Here’s who’s not on the show: Aretha Franklin, Tina Turner, Dionne Warwick, Gladys Knight, Mary Wilson, Diana Ross, Patti Labelle (or Nona Hendryx or Sarah Dash), Valerie Simpson, Kim Weston, Freda Payne, Martha Reeves, Carla Thomas, Ann Peebles, Brenda Holloway, Fontana Bass, Brenda Russell, Oleta Adams, the Emotions, Marilyn McCoo, Betty Wright, Cissy Houston–even Whitney Houston or Mariah Carey– or any other women from the classic era of soul.

On the male side: Sam Moore, Al Green, Eddie Floyd, Mack Rice, Smokey Robinson, Stevie Wonder, or anyone connected to original Motown or Stax.

The scheduled group includes Kelly Clarkson, who’s really a country and pop singer. Also: Erykah Badu, Sharon Jones & The Dap-Kings, Boyz II Men, Estelle, Marsha Ambrosius and Travie McCoy in addition to Mary J. Blige, Jennifer Hudson, Jill Scott, someone named Jessie J. and the famed soul group–ha ha– Florence and the Machine.

All the aforementioned people? I guess they’re old. Who needs ’em? (Anyway, they’d better give Sharon Jones a real segment.)

Mel Gibson’s Personal Church Now Worth $67 Million

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Mel Gibson’s personal church, Holy Family, which he built for a select group of rogue Catholics, is now worth $68 million. The latest filing for Gibson’s tax free AP Reilly Foundation shows that he added another $6.8 million to the foundation’s coffers. The foundation supports Holy Family, a so-called Catholic church that is not recognized by the Arch Diocese and itself does not recognize the Pope or the Vatican. Holy Family is based on Mel and his father, Hutton Gibson’s, belief that Catholic Church reforms of 1965–called Vatican II–are irrelevant. About seventy families are said to belong to Holy Family, built on a hill top in Agoura Hills, California near Malibu.

Gibson’s ex wife, Robyn, has been removed from the list of the church’s directors.

Interestingly, no other church members besides Gibson have ever contributed a dime to AP Reilly. The church is supported entirely by Gibson. And the foundation, with those assets, makes no grants to individuals or other charitable groups. You can listen here to Hutton Gibson–noted anti-Semite and writer for neo-Nazi publications, talk about church heresy here: http://www.youtube.com/watch?v=H5dVWUKJ8b4&noredirect=1

Read also: http://www.christophernoxon.com/nyt_sub_pope.html

Who is Alan Rickman Playing? New Play Has Everyone Guessing

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It was only a few minutes into “Seminar,” Theresa Rebeck’s new hit Broadway comedy, when I realized who Alan Rickman was playing: the famed book editor and writing teacher Gordon Lish. After I picked my jaw up off the floor, I said as much to Rebecca Romijn, wife of actor Jerry O’Connell, sitting next to me. I whispered it. She replied, “I heard it was David Milch,” referring to the TV writer known for “Hill Street Blues,” other dramas, and HBO’s upcoming “Luck” with Dustin Hoffman.

Rebeck herself told me after the play last night that she’d never met Lish, but “I’d had friends who took his course.” She admitted to having been a writing student once of Milch. Like all writers of roman a clef, Rebeck insisted Rickman’s Leonard–a brilliant writer/teacher/editor who sleeps with his female students and is utterly self-involved–was pure fiction.

Well, that may be. But Leonard is as much Gordon Lish as actress Lily Rabe, the real star of this show, is the daughter of playwright David Rabe and the late great actress Jill Clayburgh. Lish, wherever he is, should be happy: though the invented Leonard was once labelled a plagiarist (something Lish never was by any means–this is total fiction), he is brilliant. And while he does sleep with both female students in his $5,000 writing seminar held in a private apartment, he is also the last of the Mohicans–the real thing in literature. For Lish, who made the careers of Raymond Carver, Harold Brodkey and countless others, “Seminar” is flattering.

All that aside, the “Seminar” premiere was a fun night because Angelica Huston and Judith Light were in the audience, as well as David Rabe and producer Amy Robinson, plus Hollywood’s Paula Weinberg and Rick Nicita and New York’s ICM chief Adam Schweitzer. Designer Cynthia Rowley and husband Bill Power joined Romijn, who caught me up on her and O’Connell’s nearly three year old twin girls. They’re adjusting to New York by hitting the Natural History museum, among other places. “We’re staying in Jerry’s parents’ apartment, where Jerry grew up,” Rebecca told me. The parents have been banished to California. But O’Connell gave the entire cast and producers framed copies of a drawing his dad, Michael O’Connell, did of them. Very nice touch.

Hamish Linklater and Hettienne Park round out the cast of “Seminar.” There is nudity, kids. Park bares her breasts, and Rabe shows her bottom. “They share nudity duties,” quipped one insider. “Seminar” is 90 minutes of fun, no intermission. It joins “Private Lives,” “Venus in Fur” and “Other Desert Cities” as part of this fall’s bumper crop season of excellent plays.

And while they’re all good, this is Lily Rabe’s breakthrough moment. She’s ready, Hollywood. You wonder where the next Oscar nominees will come from. Lily Rabe will be head of the next class.

 

Hollywood Scandal: Lana Turner-Johnny Stompanato Murder Comes to Life

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I just finished watching the 48 Hours Mystery special on CBS produced by Graydon Carter and Vanity Fair: it was the most entertaining hour I’ve seen on TV in a long time. The show covered three famous Hollywood scandals: the murder of Johnny Stompanato by Cheryl Crane, daughter of Lana Turner; the death of Natalie Wood, a story now suddenly everywhere after 30 years; and the great saga of Miranda Grovener, the woman who suckered a lot of Hollywood stars.

Of all three, though, the one that was mesmerizing was the Stompanato story. Crane actually spoke to “48 Hours” on camera, and happily exclaimed that she killed Stompanato. Then Stompanato’s son–who knew he had a son?– appeared, and took issue with the whole story of how his young father met his demise in 1958 in the home of Hollywood legend Lana Turner. Writer Patti Bosworth, always so good, did the late Dominick Dunne proud on this one. Crane got off back in 1958–she was just 14 and it was ruled justifiable homicide. Today she’s a mystery writer. Now there’s a Hollywood ending! Her exultant confession was too much to take. And she also denies that her mother really committed the crime, taking the rap for her. Bravo to 48 Hours’ Susan Zirinsky!

As for Miranda Grovener: the two guys who did go on camera I know very well–record producer Richard Perry and writer/actor Buck Henry. I remember this Vanity Fair story. It worked a little better on paper than on TV because Miranda would not appear. This was a true story, though, of a woman who purred over the phone like a kitten to VIPS and told them that she was a young, leggy blonde. As Perry found out, this was not the case. I couldn’t but think that the faux-documentary “Catfish” was somehow inspired by this saga.

And Natalie Wood? Dennis Davern and Marti Rulli have been trotting out their theories for years, and making money off of them. It’s a great story–Robert Wagner killed Natalie Wood, or somehow was responsible for it. But it’s also highly implausible that Wagner would let the woman he married twice, mother of his daughter, Courtney, die a miserable death at his hands. He would have to be a psychopath to have done it, and to have lived 30 years with the story. So while Sam Kashner does an intriguing job of assembling the puzzle pieces, they don’t really fit.

Still, a great hour!

Vampires Breaking Record: Twilight $72 Million Friday

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A sucker is born every minute. Who said that? PT Barnum? Stephenie Meyer? “Twilight: Breaking Dawn, Pt.1” has taken in $72 million since midnight Thursday. That breaks some kind of record, for the most people willing to see something awful during a recession. Something like that. Well, congrats to Summit Entertainment. They’ve effectively turned film into product. The only good thing to be said for “Breaking Dawn” is that Bill Condon directed it. He’s gone from an Oscar for “Gods and Monsters” to “Chicago” to “Dreamgirls” to this and at least given Meyer’s oeuvre some respectability. Give the people what they want! In other news, Johnny Depp’s “Rum Diary” is dead and dying with $12 million, and Adam Sandler’s “Jack and Jill” is bottoming out with a total of $34 million by the end of tomorrow. Maybe they should have included vampires. Vampires! Where is George Hamilton when you need him? It’s time for “Love at First Bite, Breaking Wind, Pt. 1,” George.