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Talk of the Rolling Stones Is Buzz of the Barclay Arena

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Well, everyone who works at the Barclay Arena in Brooklyn knows the Rolling Stones are coming. They’re just sure when. Everyone I spoke to said the same thing: the dates are not firm. Even with tickets going on sale soon for London and Newark, the Brooklyn arrangements have not been finalized.

So what’s the Barclay like? It’s beautiful. The staff could not be nicer. So nice, too nice. You know you’ve left New York. There’s a great vibe. People are happy to be there. They have excellent free WiFi, and have deals in place with all the major phone carriers. The food is good, too.

You can go there by subway. Many trains arrive underneath the Barclay. I took the B train from 42nd St. and Sixth Avenue. It was a 22 minute ride.

But going home is another story. After the initial rush, the trains back to Planet Earth–aka Manhattan–do not come often. There was a long, long wait. And no guarantee of getting the train that brought you there. The Barclay-Atlantic Ave subway station could also use some more escalators.

All in all, though, the Nets fans will be happy. And the Rolling Stones will find no doom or gloom there. Book it already!

PS Sound was excellent. Bands will be very happy. Even Rush.

Streisand Gets Political in Her Brooklyn Singing Return

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At her Barclays Center return to Brooklyn, Barbra Streisand got a little political tonight. The renowned liberal said, “I hope no one tells Mitt Romney how to get to Sesame Street. Or Pennsylvania Avenue.” She added: “He’s quite an actor. A chameleon really.”

also read http://www.showbiz411.com/2012/10/12/streisand-backstage-chatter-elliott-gould-had-no-idea-son-jason-is-now-a-performer

Quipping and singing her hits, Streisand is utterly charming. She’s also battling a cold and had some chicken broth on stage. The fans are gaga. Among the many stars here are ex husband Elliott Gould, Sting, Trudie Styler, Woody Allen, Barbara Walters, Rosie O’Donnell and Michelle Rounds, Gerard Butler, and Ralph Lauren, Calvin Klein, and bff Donna Karan. Barbara’s husband James Brolin was very much in attendance as was his daughter Molly, and Barbara’s sister Roslyn Kind.

Some people have paid hundreds and thousands of dollars for their tickets. They were not disappointed. Streisand is the ultimate pro, whether she’s performing hits like The Way We Were or Enough is Enough, or classics from the Broadway songbook. She’s also extremely adept at delivering a well written, comic show with lots of endearing shtick. The show contains a memorial to Marvin Hamlisch similar to the one Barbra prepared for his recent memorial.

And her voice? Started hoarse, But warmed up. At 70 she still has ‘it’– and lots of it. The show is also meticulously arranged, like a living room. The songs and patter are pieces of really great furniture. And you’re very comfortable.

The show also featured Il Volo, a surprise singing appearance by Streisand’s son Jason Gould (proud and I think a little stunned dad Elliott Gould was in the audience), and several solos and duets with trumpetmeister Chris Botti, who was celebrating his 50th birthday as the clock struck midnight. Botti proved the perfect foil for Streisand, and almost a great co-host. Later, backstage, he met Rosie O’Donnell, who complimented him on his hosting skills. He also blew a mean trumpet.

Streisand finished the show wearing the second of two Donna Karan gowns. They worked beautifully in the arena, where she was backed by about a 40 piece orchestra. She sang “People,” came back for a couple of encores including a sensational rendition of “Happy Days Are Here Again.” Very happy in the audience were Alan and Marilyn Bergman, who wrote the lyrics to several of the songs Barbra sang, as well as famed actress Phyllis Newman, whose legendary late husband Adolph Green wrote some of the songs, and Jule Styne’s widow, Margaret, who also got to hear some familiar songs. “We were just kvelling,” Phyllis trilled.

Mostly, you watch Barbra Streisand run that show for three hours and you get it– the perfectionism, the skill, the instrument. Even though she has a lot of help from five decade old manager Marty Ehrlichman and music producer Jay Landers, it’s always on Barbra to make sure this thing goes right. She’s only done 83 shows in her whole life–this was number 83. Total. Period. For years she didn’t tour or perform live from the 60s til 1994. And now you’re amazed to see her pull it off. It’s like being captain of the QEII.

PS The night ended with a little more political speechifying–no candidate mentioned, just Barbra saying if we want healthcare and jobs and education, we know who to vote for. In Brooklyn, you didn’t have to guess who she was talking about.

Doom and Gloom? Rolling Stones New Single Only Makes Number 76 on iTunes

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Yikes! My Rolling Stones are having some trouble today. They released a new single for downloading on iTunes today. And it’s only made it to number 76. When Adele released “Skyfall” last week it also immediately vaulted to number 1. Same for Taylor Swift’s last four disposable concoctions. But the Stones did things a little strangely. They released “Doom and Gloom” for release at 3:15am Eastern Time with very little advance notice. It’s also not what you’d call a consumer friendly song. It’s not a big ballad, it’s not sentimental, it’s not for a 2012 crowd. It’s rough and raunchy. It has the word ‘fracking’ in it. It has no memorable chorus. The confluence of all these things has meant a blunted impact. But the Rolling Stones will always run counter to expectations. That’s what’s so cool about them. And “Doom and Gloom” is a more interesting, sophisticated take than anything on radio right now. Unfortunately, this is not the generation for interesting and sophisticated.

Source: New ‘Variety’ Not Aiming to Become Gossip-Entertainment Mag

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Well, well. It’s very fluid in the whole Variety-Deadline/Penske story. Yesterday Jay Penske met with the Variety to reassure them no immediate changes would be made except that the ridiculous internet pay wall was coming down. The other big news is that he didn’t allow Dominic Patten, a reporter for Deadline, which Penske owns, into the meeting. Nikki Finke and Patten then reported this on the Deadline site. Wow. Who knows what that’s all about? Also, Nikki only announced a few days ago she was going on vacation. But since no one ever sees her, how would you know?

More: my sources now tell me that the scenario I floated–of Bonnie Fuller taking over as editor of Variety–are off base. As much as Bonnie has made HollywoodLife.com, another Penske site, a success, she’s not in the running for Tim Gray’s job. Neither is Nikki Finke, from what I’m told. “Why does anyone think it would be someone from inside and not an entirely new person?” was the question posed to me. So there.

Frankly, Tim Gray has been a great editor of Variety. The paywall was what was killing him. So maybe without it, and some added resources, Gray will just stay the course. But one thing’s for certain: says my source, “Variety is not going to become a gossip-entertainment magazine.” Got that?

Tom Hanks Officially Starring in Broadway Play by Nora Ephron

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I feel like deja vu all over again. I’ve written this before, but today they sent out the official release about Tom Hanks in the play “Lucky Guy.” This was Nora Ephron’s final play and/or work, and it will be directed by George C. Wolfe. “Lucky Guy” opens April 1st. Hanks plays late New York Post reporter Mike McAlary. The announcement says casting will be announced shortly for the other roles. I told you exclusively already who those characters would be: http://www.showbiz411.com/2012/09/28/nora-ephrons-mike-mcalary-play-stars-tom-hanks-features-lots-of-real-new-york-characters. It’s unclear who will stand in for Nora during rehearsal and rewrites. But you can bet this is the main event of the coming theater season, at least in plays. In musicals, it will be Barry Levinson’s adaptation of his movie, “Diner,” with music by Sheryl Crow. I’m also looking forward to “Hands on a Hard Body.”

Spike Lee’s Michael Jackson Documentary Coming to Theaters This Month

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Spike Lee’s Michael Jackson documentary, “Bad 25,” is getting a short theatrical run before its airing on ABC. “Bad 25” will play for one week in New York beginning October 19th, and one week in Los Angeles starting October 26th. These will be qualifying runs for the Academy Awards. The TV date is Thanksgiving. The New York theater is AMC at 66 Third Avenue. The LA venue is Chinese 6 in Hollywood. The film is another part of the “Bad 25” campaign that already includes the boxed set and the various CD/DVD configurations. If you don’t have the “Bad 25” double CD with the remastered original album and the demos album, you’re really missing something. And then the DVD of the Wembley Stadium show is a rare Jackson live performance. The “Bad25” has been nicely done by the Jackson estate but a little under-marketed by Sony. The demos are particularly great–something Sony has not capitalized on for some reason.

Streisand Returns to Brooklyn Tonight–Some People Paid $22K for Tickets

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Barbra Streisand returns to Brooklyn tonight. She’s playing the first of two shows at the new Barclays Center. Are the shows sold out? Let me put it this way: People who like people who like Barbra have stripped the place to the walls. There are a meager 750 tickets left on Stubhub.com, the secondary ticket seller (aka scalper). Most everything decent is gone. Prices are through the roof. For the front sections, people are paying thousands of dollars. For Saturday night’ shows, Stubhub is selling a few seats in Section Floor 1, right in front of the stage, for $22,000. That’s twenty two thousand dollars per ticket. And they will sell. They sold out for tonight. On Saturday Stubhub does have some cheaper seats for around $10,000.

A note on the secondary market: it is a strange place. Streisand is not doing this, but in some instances acts have been accused of collaborating with the scalpers, and taking kickbacks. There’s a fascinating piece of work done by a Nashville TV correspondent, Phil Williams, about Justin Bieber scalping his own tickets. http://www.newschannel5.com/story/19616981/documents-show-bieber-is-scalping-his-own-tickets. If you take time to read the documents Williams uncovered, it’s mindblowing. I am told there’s a distinct possibility that when the Rolling Stones tickets go on sale, they’re going straight to the secondary market. And the prices will be high.

Paul Newman Suit Mystery Solved: It Was a Costume from “The Color of Money”

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A young man named Peter Gamlen found a Henry Stewart custom suit in a New Haven basement this week. A name tag inside of it said “Paul Newman, 1986.” No one could figure it out. Newman lived in Westport, 30 miles southwest of New Haven. He also didn’t wear a lot of fancy clothes. News reports I read were dumbfounded. http://www.nydailynews.com/entertainment/tv-movies/man-stumbles-paul-newman-suit-connecticut-basement-article-1.1179101

How could this have happened? Duh! Here’s my exclusive: Newman shot Martin Scorsese’s “The Color of Money” in 1986. Stewart made him the clothes for the film. How they wound up in New Haven is anyone’s guess–someone bought them from a movie prop auction probably.

http://tinyurl.com/8fwqmjr

In a 1997 New York Magazine article, Stewart’s protege, Frank Shattuck, says Newman loved the “Color of Money” clothes so much he gave Stewart a $2000 tip.

Listen: in the 1980s people really had money and burned through it without thinking twice. It was the height of the Reagan era. The late Steven Greenberg, my friend and boss who owned Fame magazine, lived in Henry Stewart suits. They cost $3,500 for the standard blue pinstripe. This was the “Bonfire of the Vanities” era. People were living it up. Then came the stock market crash in 1987 and it was back to sample sales.

Newman had quite a lovely wardrobe from “The Color of Money.” Here’s a photo example. It’s not the same suit Gamlen found, but looks just as nice if not better.

Shattuck is still in business. http://www.fshattuck.com/home.html  His suits start at $5,800. Stewart is dead. So is the the costume designer for “The Color of Money.” But nowadays, you go to Saint Laurie on West 32nd St. for suits like this–they make all the custom clothes for period piece movies like “Revolutionary Road” and “The Great Gatsby.” Check ’em out. And their suits start around $1,700.

 

Henry Stewart/Paul Newman photo courtesy of AP.

Rolling Stones: New Punk-Like Single “Doom and Gloom” Watch Here

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Here’s the new single from the Rolling Stones, “Doom and Gloom”–look below on this home page for the video. The song has the word ‘fracking’ in it! “D&G” debuted at 3:15am Eastern time on BBC Radio 2. It’s written by Mick Jagger. It has a hot guitar riff from Keith Richards. Basically, it’s a stomp, with Jagger doing a blues shout.  The other single the group approved for its upcoming retrospective “Grrrr…” album of hits is a Richards song, called “One More Shot,” which will come with the album. The songs were produced by Don Was. A melody or an actual song would have been nice, but this at least has a lot of youthful energy. It’s actually a little punk.

Also: the venues and cities for the Stones dates in our prior item are correct. The dates come straight from the horses’ mouths. So if one or two of them is off by a day, we’re doing our best. The Stones have had uneasy negotiations with all venues. But the tickets are going on sale, everything is happening. And no matter what you’ve read, we scooped the dates, the places, and the cities before anyone. Rock on!

http://www.showbiz411.com/2012/10/11/rolling-stones-update-new-single-doom-and-gloom-a-jagger-original

http://www.showbiz411.com/2012/10/05/exclusive-rolling-stones-will-play-prudential-center-in-newark

http://www.showbiz411.com/2012/08/30/exclusive-rolling-stones-will-get-25mil-for-four-shows

http://www.showbiz411.com/2012/08/30/exclusive-rolling-stones-dates-in-new-york-and-london

 

Exclusive Update: Rolling Stones Concert Tix Will Go on Sale Next Week

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Exclusive UPDATE: The Rolling Stones will indeed play a few 50th anniversary concerts. And I am told they will go on sale next week— a press release will go out on Monday I am told. Ticketmaster will handle the sales. All hell is going to break loose, too. This is an update from my earlier post about sales this weekend. What’s the hold up? “Not everything is done,” my source says. Even the documentary, “Crossfire Hurricane,” is not completely ready for the London Film Festival debut next week. So be patient.

read also: http://www.showbiz411.com/2012/10/11/rolling-stones-update-new-single-doom-and-gloom-a-jagger-original

What I’m told: confirmed dates are the last week of November at the O2 Arena in London. Approximately December 15th and 16th– or thereabouts– are set for the Prudential Center in Newark, New Jersey. The dates for the Barclays Center in Brooklyn are coming, but not agreed to yet.

This column was first to break the Prudential Center news two weeks ago. We were also first to tell you about Barclays and O2.

So what’s been the delay? Money, money, money. The Stones want it. Richard Branson is putting up $25 million to make all this happen with the concert promoter Paul Dainty.

Once all the London-New York shows are sold, look for more dates. You know that Los Angeles and a few other big cities are guaranteed in 2013. It’s only rock and roll, but we like it!

Meantime, HBO has a premiere scheduled for the Stones documentary “Crossfire Hurricane” by Brett Morgan set for November 13th in New York.

Keep refreshing, stay tuned…And PS, everyone is very healthy…