Wednesday, May 20, 2026

Oscar Ratings Drop 9% from Last Year to 17.9 Million, Down 2 Million from 2025 with Better Movies But More Somber Show

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The Oscar ratings tumbled on Sunday night.

Down 9% from last year, or by 2 million viewers, to 17.9 million.

This was the biggest drop since 2022.

While it was a well produced show, it was also lackluster. As I predicted, the cutting of three current Best Song nominees, plus a lack of Hollywood glam, really did them in.

Also, as predicted, the show was very somber because of all the In Memoriams that had to be addressed.

It was also a predictable year from the outset. Having the Oscars so late — none of the nominated movies are still in theaters — killed the excitement. For months we’ve known that “One Battle After Another” was the winner. “Sinners” was always the runner up. We knew all the acting winners, too.

The Oscars cannot go beyond February 28th. March 15th was a mistake.

It wasn’t Conan O’Brien’s fault, but even he felt subdued. After all, he was an unwitting part of the Rob Reiner tragedy that was not so long ago. In his promos, Conan seemed a little off. Who could blame him?

Not having five songs didn’t help. The Academy’s decision to feature only two of the nominated songs was nearsighted.

My other peeve about Sunday’s show was the set. It was so dull and lifeless. Where did Hollywood go? I felt like I was at suburban mall spa. Trees? What?

Still, TV expert Joe Adalian points out that the Oscars were held after the change to daylight sayings time, unlike previous years. They started early, and a lot of competitio including World Baseball Classic.

We can nitpick forever, but I do think the real issue is waiting too long. And, personally, maybe not rely on influencers for promotion. Social media didn’t help at all.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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