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“Cinderella” Gets Sassy in Her Broadway Debut, But the Songs Still Soar

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Maybe you’ve seen the ads for Rodgers and Hammerstein’s “Cinderella.” They are everywhere, without fail. That’s because putting this show on Broadway is a first. “Cinderella” was written for TV in 1957, and then remade a couple of times. The most famous version was with Lesley Ann Warren. Now it comes to Broadway as a live show at last. I didn’t know what it would be: for children? moldy? something out of the 50s?

Well, the big surprise is that “Cinderella” has been refashioned for 2013. Douglas Carter Beane took a hacksaw to the old script and made the new one sassy, bouncy, and a little snarky. He’s still retained the romantic core. But let’s face it. We know this story by heart. And by now, to tell it straight would send adults to the sleeping bags. So Beane has inserted humor and twists, made everyone involved a little savvy, and wiser. By the time the second act finishes, you’re even feeling sympathetic toward the evil Stepmother (played to hilarious effect by the great Harriet Harris).

What this creative team did is to build a new structure of a romantic comedy around the Rodgers and Hammerstein score. The music is so lush and beautiful, the songs so catchy and sophisticated, you don’t want to do anything to them. So they stand, un-tweaked, like a great landmark building that now has a park some rides, and a fountain.

The cast is top notch. Harriet Harris and Peter Bartlett (Sebastian, who’s been running the Palace for dumb but lovable Prince Topher) are comic villains with exquisite timing. I do think Bartlett–known to TV viewers as the long suffering butler on “One Life to Live”–is playing his version of Maggic Smith as the Dowager Countess. Each of these actors tries to steal the show, and they come out to a tie.

The serious Broadway types are star Laura Osnes as Cinderella, Santino Fontana as Topher, and the amazing Victoria Clark who plays Crazy Marie and the Good Fairy. The other stars include director Mark Brokaw and costume designer William Ivey Long. “Cinderella” is worth seeing just for Long’s jaw dropping dresses, and for the sleight of hand he achieves in what can only be described as magical costume changes.

Of course, last night’s crowd loved the show–including Anjelica Huston, Cynthia Nixon and Christine Marinoni, Kyra Sedgwick, Megan Hilty and Cady Huffman. Producers Roy Furman and his daughter Jill made the opening curtain and accepted condolences for the untimely death of Roy’s wife and Jill’s beloved mother, Frieda, who passed away suddenly February 19th after battling pancreatic cancer. She was a great lady, much too young to leave us, and will be sorely missed by everyone in the theater community.

Listen– get your “Cinderella” tickets now. It’s going to be a massive hit. You know these people know what they’re doing: the curtain call included the understudies, the puppeteers, the writers, producers, director, crew and a large photo of Richard Rodgers and Oscar Hammerstein. You really felt like every i was dotted and every t was crossed. A really enjoyable, wonderfully entertaining night in the theater.

Late Night Wars, Part 3: This Time Jay Leno Is Out as NBC Sends Him a Message

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Jay Leno has survived two late night wars. But this time, he can’t win. NBC let him know– via the excellent writer Kim Masters in The Hollywood Reporter–that his retirement is nigh. Leno will get a final year–I’m surprised he’s getting that long–and end his run on the Tonight show in May 2014. A month later, Jimmy Fallon will move into his slot at 11:35pm. It had to happen. Once ABC moved Jimmy Kimmel up to 11:35pm and replaced “Nightline,” the deal was done.

Leno, of course, survived the first war when Johnny Carson retired and NBC wanted David Letterman for The Tonight Show. That war was so crazy it became a book and an HBO movie. Then came the Conan O’Brien war, in which Conan was nearly killed and Leno moved to 10pm, almost died there, and then get to a reprieve back to Tonight.

But now the moment has come. Jimmy is great, and I enjoy watching him. But Fallon has the potential really to take over late night completely. He will certainly be a worthy competitor to Kimmel, who will have the advantage of 18 months in the time slot. Kimmel is also going to host the 2014 Oscars, which will give him a huge push.

Leno must be steaming, though. Instead of giving him a chance to say something or do something, NBC let the cat out of the bag. Masters’ piece was master-ful. It’s been picked up everywhere over the weekend. Jay–notably a great game player–has been outplayed by them. He can’t go back to 10pm doing specials. His next move will either be genius, or concession.

TV Wars: 2014 Winter Olympics Could Push Oscars to First Sunday in March

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Drat! Just when the Academy Awards got a jump on the Golden Globes this year, the Olympics may undo everything. NBC has the Winter Olympics from Russia — starting February 7th and ending Sunday, February 23rd– the day the Oscars would usually be broadcast on ABC. But no one’s going up against the closing ceremonies, especially if Americans have done well in skiing and hockey, not to mention the luge.

And that puts the Oscars in a bind. CBS is likely to announce a January 26th Grammy Awards, one week earlier than usual. And the rest of January is locked up. NBC will put the Globes on January 11th, no doubt. The SAG Awards already commandeered January 18th, and the Directors Guild locked in the for the following weekend.

January, for the movie business, is also occupied by the Sundance Film Festival. “Star Trek” type transporters may have to be installed at Hollywood and Highland, and in Park City, to accommodate the need for quick back and forth trips. (What? They don’t exist? Surely Google can do it.)

Complicating matters is the Super Bowl, live from New York on Fox, is on February 2nd.

An Oscar show on March 2nd isn’t the worst thing in the world. But it will be if Oscar campaigning is restricted for the entire time between the nominations announcement and the show. One thing that keeps the movie alive is the press generated from events tied to Oscar nominations. This year there was a deadly silence from January 10th til February 24th. Ratings were strong for the Oscars show because most of the nominated films made over $100 million and were extremely popular. A real race was on, and fans wanted to see the outcome.

Right now, on the date that this new Oscars show would take place, many of the nominated films are still in theaters. “Silver Linings Playbook” made another $6 million over the weekend. If the show is March 2nd, we may see a lot of Oscar films not get wide releases until mid January, just to prolong the season.

But one thing is certain: NBC needs big ratings with those Olympics. And no one is going to get in their way during February 2014.

PS Don’t forget Jimmy Kimmel will absolutely be hosting that March 2nd on Oscars. ABC will use his show to promote the Oscars the whole month of February during the Olympics.

 

A “New” Jimi Hendrix Album? This Time, Yes, and a Great One

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Jimi Hendrix’s big moment lasted just about four years– 1967 until his death in 1970. Forty two years later, we have a “new” album painstakingly put together by his estate and his producer, Eddie Kramer. Considering how many reissues and “new” albums have come out over the years, you might be skeptical. I know I was. But “People, Hell and Angels” is an unexpected treat. I recently heard the single “Somewhere” being played on KLOS in Los Angeles and it stood out from the usual unmusical junk that clutters up today’s airwaves. I almost pulled over, I was so distracted.

“Somewhere,” like all the tracks, was unreleased, and has remained so for these four decades. Amazing. For one reason or another, all of these songs just hadn’t made it. Hendrix’s estate has always been in court. But now “People, Hell, and Angels” appears on Sony’s Legacy label in a beautiful CD package. You could download it, but the liner notes, etc are so nice to have! The histories of each track are worth reading about, believe me.

Most of the tracks were recorded with Buddy Miles on drums and Billy Cox on bass. But do listen to “Somewhere,” because Stephen Stills plays bass. Yes, it’s the Stills from Crosby Stills, and Nash. Now we get an explanation for the bluesy sound of CSN especially on the first two albums, where Crosby was folk and Nash was pop. Hendrix returned the favor and played on Stills’s first solo album in 1970.

But mostly it’s Hendrix, with superior sound, mixed up front, sounding like a champ. He’s the influence for four decades of funk, soul, jazz. There’s just so much packed into every thought and nuance of his playing you wonder what everyone would be doing now if he hadn’t existed. This is so real, and so wonderful, a gift.

New Hendrix this week, new Bowie next week? OMG as they say these days. And there are also terrific new releases from Boz Scaggs and Eric Burdon. You see, it’s not over yet!

Tommy Mottola Bringing Robert DeNiro to Broadway– As a Musical Director!

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This item originally ran on February 19th.

Oscar voting has closed, so I can say this: Robert DeNiro can do anything. And so now, the nominee for “Silver Linings Playbook” is taking on his bravest project yet. He’s going to direct the Broadway musical of “A Bronx Tale,” the movie he directed in 1993. Chazz Palminteri, who wrote the original movie and acted in and the Broadway play (which he also wrote), is writing the book for the musical now. David Bryan of Bon Jovi, who won the Tony for “Memphis,” is writing the songs. (Expect a lot of doo wop– they should call Richard Perry.) Sergio Trujillo — of Jersey Boys and Addams Family fame– is working on the choreography.

I know all this because the one and only Tommy Mottola is producing the musical, and he told me all about it yesterday. (Mottola is in partnership with Broadway’s The Dodgers.) Tommy and I were talking about his own musical memoir, the autobiography called “Hitmaker” in book stores now. Mottola called me from Miami where he’s working on two more books–including one about the Latin culture and “the whole demographic.” Mottola is also working on a musical version of Curtis Mayfield’s “Superfly,” directed by Bill T. Jones– aimed for Broadway next winter. Curtis Mayfield is hot hot hot–first “Sparkle,” now “Superfly.”

Well, Tommy is a man for all seasons. And he’s reinventing himself as a Broadway tycoon, a new David Merrick. And let me tell you, he’s going to do it, too!

How LaToya Jackson Is Making Lots of Money Off of Michael Jackson’s Kids

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This item originally ran on February 25th.

For years and years LaToya Jackson tried to make money off of her famous brother Michael. Nothing worked, even though La Toya tried publishing books, making records, and appearances. She wrote critically of Michael, too. But now she’s figured out a way to get money from Michael even though he left her nothing in his estate. La Toya is the agent-manager for Michael’s 16 year old son Prince. She’s just cut a deal for him to be in the CW revival series of “Beverly Hills 90210.”

Maybe the trade papers don’t realize that Ja-Tail is LaToya’s company. She also cut the deal for him to be on “Entertainment Tonight.” So LaToya will now be taking commissions on Prince’s work. Soon will come deals for Paris. Michael didn’t want his kids to work as children. He famous resented losing his own childhood, and feared the same for his kids. But he’s dead, and his wishes apparently matter not at all to the Jacksons.

I am told there’s a proposal making the rounds once again for some kind of reality show featuring Jacksons which Ja-Tail is likely behind. It never ends.

“Downton” News: Shirley MacLaine Returns, Mary Gets Two Suitors

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“Downton Abbey” has lost a few and gained a few. True: Sybil, Matthew and O’Brien are gone. But coming to the Abbey are a bunch of new people and one familiar face. Shirley MacLaine is returning as the American mother of Lady Cora (Elizabeth McGovern), Martha Levinson. She may even explain how she came to have a Jewish surname–did she marry a Rothschild? It’s a burning question. Martha may be bringing a black jazz musician with her from America, too.

Meanwhile, Mary gets two suitors–Julian Ovenden, and Tom Cullen will play the men vying for her hand since Matthew was literally kicked to the curb. There were will be a few others including the great British actress Harriet Walter as a friend of Maggie Smith’s Dowager Countess. Dame Kiri te Kanawa will make an appearance as an opera singer, which is what she is in real life. And of course, Charles Edwards returns as Edith’s married newspaper editor and possible lover.

“Downton” has two more seasons, I think. The mandate now is not to “jump the shark” and keep the show from becoming self-parody. If Julian Fellowes can do that– and it’s not so easy– we will all be in his debt.

Justin Bieber Tweets “Worst Birthday” on His 19th, Alone Again (Naturally)

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Justin Bieber may be getting tired of being a sock puppet. His 19th birthday would be a wake up call if he could see past the trees in his forest made up of bodyguards and publicists. Bieber is on the road, touring in the UK, and he’s alone. He was alone on his 19th birthday. He sent out a sad little Tweet just before, reminding people– especially manager Scooter Braun– that it was his birthday was coming up–tweeting ittle reminders in case anyone in his camp back home had forgotten. Early in the day he wrote “Big night ahead…Gonna be fun tonight.” But this was the result after all that:

How can you not feel bad for this kid? No family, no education, a teen life that’s been spent making money for other people. Now he turns 19, and his posse–lots of security–gets thrown out of a London club. By all accounts they wind up at McDonalds. Where’s the party? Where’s the mother? (She Tweeted a hello.) Where’s the manager, who’s made millions and millions? Braun is in LA. He Tweets:

When I saw that, I thought of Colonel Parker, who never left Elvis’s side. Brian Epstein, who went everywhere with the Beatles. Frank DiLeo with Michael Jackson. All the managers I’ve ever met on the road with their superstar clients. Troy Carter with Lady Gaga. Michael Lippman with Rob Thomas, matchbox twenty, etc. Kathy Schenker with Sting.  These managers stick like glue to their artists.

And Bieber is generating bundles of cash at a very young age. Leaving him alone, especially on a birthday, seems odd.  Bieber and Braun rarely seem to be in the same city together. Followers of Braun’s Twitter account go with him all over the world- skiing, at world seminars, raising money for his charity. The one Tweet he never seems to send out is: “Backstage with Justin Bieber.”

Braun is obviously successful– and busy now that he’s taken on a bunch of other pop acts including Tori Kelly. He also has a huge interest in his Pencils of Promise charity– which is to be applauded. Bieber travels with a childhood friend, Ryan Butler, and lots of people to protect him. But pictures from his birthday that came out in British papers were, again, sad. This scrawny little kid, trying to put on muscles, adding tattoos, wearing Ann Murray’s hair cut from 1978.  Is this a life? Something tells me that in five years we’re going to hear that he was alone, had no childhood, etc. It’s an old song, but Bieber’s going to singing it by 2019.

Jane Fonda, Women in Film, The Boob Song All Come Together

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I liked the “Boob Song” on the Oscars last Sunday, but, I’m a guy, and it seemed okay to me. Then my friend Jane Fonda, who is smarter than me especially on these subjects, explained why it was wrong on her blog.  Fonda, who stole the Oscar show in a yellow Versace gown, didn’t look too happy by the time she and Michael Douglas– who costarred in the classic film “The China Syndrome”–  presented Best Director to Ang Lee. I could see she had other things on her mind. She wrote later about the Oscars:

“What I really didn’t like was the song and dance number about seeing actresses boobs. I agree with someone who said, if they want to stoop to that, why not list all the penises we’ve seen? Better yet, remember that this is a telecast seen around the world watched by families with their children and to many this is neither appropriate or funny. I also didn’t like the remark made about Quvenzhane and Clooney, or the stuff out of Ted’s mouth and all the comments about what women do to get thin for their dresses. Waaaay too much stuff about women and bodies, as though that’s what defines us.”

And it’s not like Jane isn’t fun or into subversive humor. But she’s right, and we–Seth MacFarlane and I–are wrong. Jane was recently on Piers Morgan explaining to a substitute host why it was important to protest Violence Against Women on Valentine’s Day. The host–a woman–wanted to know what Jane thought women should buy men for Valentine’s Day gifts. I couldn’t help thinking that Jane–who again, didn’t look so pleased–must have been wondering if any progress had been made since her character in “The China Syndrome”–some 30 or so years ago–wanted to do serious news instead of cover bake offs.

Our LEAH SYDNEY covered the Women in Film gathering over Oscar weekend. Women In Film is important because they’re always trying to raise awareness of the message Hollywood sends around the world about women. Last Sunday the message was– it’s’ funny to sing about boobs. In private, maybe, or at a comedy club. In front of a billion people, no.

Leah writes:

Oscar winner Octavia Spencer and producer Cathy Schulman co-hosted Women In Film 6th Annual Cocktail Party, sponsored by Perrier-Jouet, M.A.C. Cosmetics and MaxMara at Fig & Olive.  Spencer’s “The Help” co-stars Viola Davis and later Jessica Chastain came out in support. Octavia waxed poetic about Cathy and how hard she works for women’s betterment in Hollywood.  Spencer then told the VIP crowd that, “if it wasn’t for so many women paving the way for a funny looking black girl with crooked teeth from Montgomery Alabama, I wouldn’t be here. These visionaries made it possible for me.  Hey, I’m not Halle Berry.  I like the silver linings in life.  I’m a forward thinking person, I kind of have to be.”

WIF always attracts the A list in Hollywood and this year was no exception.  Jessica Chastain, along with her beau Gian Luca Passe de Preposulo, came towards the end of the event because she encountered a traffic snafu on Sunset Blvd.  Longtime supporter David O. Russell also stopped in and caught up with Daniel Radcliffe.  Nine- year old nominee Quvenzhane Wallis, Molly Sims, Jenna Elfman, Jared Harris, Gia Mantegna, Jackie Weaver, Kate Walsh, Lucy Alibar, Stacey Sher, Ilene Kahn Power, Molly Sims, Jenna Elfman and more A listers also attended.

Cathy told us: “According to as study commissioned by the organization, in the last 11 years, only 41 of 1,100 films have been directed by women. It’s actually a horrendously terrible statistic. ”

She later told the crowd “Kathryn Bigelow’s success should be the norm, not the exception.”

 

Showtime “Vatican” Series Couldn’t Be Better Timed–Bruno Ganz Will Play (A) Pope

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The Pope and the Vatican are always ‘in’ no matter what Mel Gibson and his father say. Now, with a new pope about to be chosen, and one that retired suddently, it’s a good time for Showtime’s new series, “The Vatican.” Matthew Goode, who will star in the series, spoke with our PAULA SCHWARTZ at the press junket for his new thriller, “Stoker.” Goode said that actor Bruno Ganz (“Wings of Desire,” most famously) will likely play The Pope in the first episode. Ridley Scott is directing the show, which is a big deal. There’s no script yet, according to Goode, but it’s being written as fast as the smoke comes up out of the Vatican this week. Also, Anna Friel has joined the cast as well.

Goode, by the way, is very good, as usual, in “Stoker,” which also features a nifty turn by Nicole Kidman, who shines in what is otherwise a convoluted thriller. Matthew Goode is one of our favorites from “Match Point” and “A Single Man.”

Showbiz411: The timing for “The Vatican” couldn’t be better a journalist pointed out.

MG: Very weird because I was making my mind up between that job and another job, which I won’t disclose…and that happened that day, so that’s kind of a sign in a weird day. The casting’s really got me. I love Kyle Chandler. He’s amazing. And Sebastian Koch. Hopefully Bruno Ganz can play the Pope in the first episode (“The Counselor” and “The Reader”).

Showbiz311: The actual Pope is not busy anymore.

MG: I’m not sure how good he’d be remembering his lines.

Showbiz411: What’s the script like?

MG: This is the funny thing, I’ve never signed onto anything before where you have the pilot and it’s like, “And then we’ll write it.” What do you mean? What the hell’s my character?” It’ll be really interesting but Paul Attanasio is the writer, he’s such a cool guy, and I loved “Quiz Show” and “Donnie Brasco.” He’s a pretty extraordinary guy, so I think, even he’s like, “I don’t know what’s going to happen.” (Goode said with an American accident.) Wow! Figure that out would you? It should be exciting. Hopefully it will go to series. And it’s nice for me as a parent, it’s going to shoot in Rome the first bit, and then it’s going to move to London, so I’ll be home, which will be easier.