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Michael Jackson’s Kids: Biologically No, But In Every Other Way

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TMZ is all excited today about some papers that were filed in the Michael Jackson wrongful death suit. The papers say the Jacksons want to exclude discussion of the paternity of Michael Jackson’s kids. Listen: I wrote about this on May 31, 2005– during the child molestation trial one of Jackson’s attorneys, Robert Sanger, said to Judge Rodney Melville: “The circumstances that relate to the birth of the children wouldn’t be admitted for the truth of the matter. Only his love of the children.”

We made a big deal at the time out of my scoop– that Prince and Paris were carried by Debbie Rowe after she’d used a sperm bank. Later, Michael did use his DNA and chose a surrogate for Blanket. Prince and Paris are not stupid kids. and they know they don’t look anything like the Jacksons. I’m sure this has all been explained to them.

But they are Michael Jackson’s kids, no matter whose DNA they are carrying. He raised them. And crazy as we thought he was — with the masks and keeping them out of the public— those kids have turned out to be extremely bright, well behaved, sophisticated, literate, and considerate. Last year they saved their grandmother from the greedy clutches of relatives. They were heroes.

They are one half Debbie, and one half Michael. And the combination worked. Anything else is meaningless now. Just read Paris’s Twitter feed. She never ceases to impress. And she’s funny. Prince is already working. They comport themselves beautifully. So let’s concede that they are Michael’s children, and that he did a much better job than anyone could have predicted.

My column from May 31, 2005:

When the defense rested in Michael Jackson‘s child molestation case on Friday, a very important issue that had been raised was lost. Defense attorney Robert Sanger as much as conceded that the pop star’s children may not be his own.

Just before playing a taped police interview with Jackson’s then 13-year-old accuser, both sides debated several motions in front of Judge Rodney Melville.

One of them involved what is known in court as the “Outtakes Tape.” This is the video that Jackson’s cameraman Hamid Moslehi made of Martin Bashir as he was filming his documentary, “Living With Michael Jackson.”

During breaks in the Bashir filming, Moslehi let the cameras roll. With his guard down, Jackson discussed his children and his plastic surgery with Moslehi.

In each case, courtroom observers got to hear Jackson tell Bashir that not only were his children born of his own DNA, but that he had slept with Debbie Rowe to conceive the two oldest, Prince and Paris. He said for the third child, known as Blanket, he had used a surrogate whose egg had been fertilized with his own sperm.

As we told you in our April 27 column, our sources have confirmed a tabloid story that Jackson’s children are not his biologically. But in court, this suddenly became critical, as the prosecution and defense argued about allowing the “outtake” statements to be entered as evidence.

That was when Sanger, quite startlingly, uttered these words on the record: “The circumstances that relate to the birth of the children wouldn’t be admitted for the truth of the matter. Only his love of the children.”

In a veiled threat, District Attorney Tom Sneddon told the judge that if statements made by Jackson from the “outtakes” were allowed in, he would call “experts” during the rebuttal stage of the trial.

He didn’t specify, but certainly Sanger and anyone who was paying attention knew that Sneddon might show that Jackson had lied not only about his paternity, but also about his cosmetic surgeries, of which he says he has only had two.

There was, however, little question what Sanger meant about “the births of the children.” If the circumstances as Jackson had described them could not be held out as true, then there could be only one other explanation: They were false.

Bobbie Smith of the Spinners, Sang “I’ll Be Around” and “Could It Be I’m Falling in Love”

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Bobbie Smith, one of the lead singers of The Spinners, died on March 16th. He was the absolutely sterling lead vocalist on the magnificent records — and dare I say major hits– “I’ll Be Around” and “Could It Be I’m Falling in Love”– as well many others. They were originally The Detroit Spinners, and were signed to Motown from 1964 to 1971. But The Detroit Spinners never really enjoyed the careers of The Temptations, Miracles, or Four Tops. It was only in 1970 that they finally had a smash hit with “It’s A Shame,” written and produced by Stevie Wonder with Syreeta Wright.

Fellow Detroiter Aretha Franklin recommended they move to Atlantic in 1972, and that’s when The Spinners exploded with hit after hit from “I’ll Be Around” and “Could It Be” to “Rubberband Man,” “Games People Play,” “Mighty Love,” and “One of A Kind (Love Affair).” Some of the those leads were sung by Phillippe Wynne, who died in 1984. But Smith is on most of them, changing off with Wynne. Smith’s voice is that reedy, sharp tenor with which those Spinners songs, as well “Then Came You” with Dionne Warwick, are associated.

The Spinners were somehow never in sync with their surroundings. They were on Motown, but didn’t really fit in. When they moved to Atlantic, their sound really came from the Philly Soul movement of Gamble and Huff, Thom Bell, etc. But in the end they were as big as any of their peers. Bobbie Smith was a major reason that they recorded music which will last forever. Justin Timberlake is imitating that sound now. But Bobbie Smith and The Spinners were the real, real thing.
In these videos, check out Bobbie- he’s in the center, no beard (that’s Phillippe), and watch him execute those leads. Beautiful.


 

Jay Leno Calls NBC Execs “Snakes” in Monologue: War Over Retirement Is Getting Hotter

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Don’t believe these new stories about Jay Leno v. NBC being about criticism of his network jokes. Last night Leno called NBC executives “Snakes” in his monologue (see video). And it wasn’t because NBC chief Robert Greenblatt recently emailed Leno about jokes criticizing the network’s lousy ratings. This is ALL about NBC putting out the word recently that it wants to retire Leno at the end of the 2014 season and replace him with the younger Jimmy Fallon. Leno is an ace game player and knows exactly what he’s doing. When the Fallon story became absolutely HUGE ten days ago, he did not respond right away on his show.

Instead, he started taking pot shots at the network. The New York Times reported that Greenblatt sent Leno an email asking him to knock it off. Of course, that story was leaked.

And now this: “You know the legend of St. Patrick, right? St Patrick drove all the snakes out of Ireland. Then they came into the United States and became NBC executives.” Leno vs. NBC is going to go one for a year and change now. Get ready.

Charlie Sheen Comeback Movie Made $35K, Then Disappeared

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Here’s if not a first, something unusual. The ticket sales for Roman Coppola’s film, “A Glimpse Inside the Mind of Charles Swan III” were so bad–actually almost non-existent, that its distributor only reported results once. The film, intended to show that star Charlie Sheen still had drawing power and fans after his personal crash in 2011, was sent to theaters. But no one came.

After the first week on February 8th, fledgling studio A24 Pictures reported earnings of $12,000. The second week, initially there were no reports. This column inquired, and was told that by February 17th, the movie had made $35,000. That was the last anyone heard from “Charles Swan III” or Charlie Sheen.

Since then, A24 has released “Ginger and Rosa,” a good little film, to poor results. But they may have a real success with Harmony Korine’s “Spring Breakers,” which got great reviews and broke indie art house records last weekend in New York and L.A. It will go into more cities this weekend, and features a knockout performance by James Franco.

But “Charles Swan” is gone. Bill Murray, Patricia Arquette, and Jason Schwartzman–the director’s cousin– are all in it. So is Sheen, who could probably absorb the whole loss and not miss it. But millions have been squandered. And it’s pretty clear that Sheen does not have an automatic audience pining to see him on the big screen.

The film, by the way, was entirely unwatchable. Just in case you wondered.

Broadway: Tom Hanks Play Beats Musical “Spider Man” at Box Office

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Broadway: yes, perennials “The Lion King,” “Book of Mormon,” and “Wicked” were the top three highest grossers last week on the Great White Way. But number 4? It wasn’t “Spider Man: Turn off the Dark.” The flying side effects machine took 5th place. It lost, by $30,000, to a regular play– “Lucky Guy” with Tom Hanks, written by the late Nora Ephron. “Lucky Guy” is bursting at the seams with standing room only tickets. Celebrities can’t even get in. The Broadhurst is filled to capacity and then some. “Lucky Guy” took in $1.294 million last week, compared to $1.264 for “Spider Man.” Consider that “Spider Man’ has 748 more seats to sell as well at the Foxwoods Theater. And none of the “Lucky Guy” cast flies. They do soar, however.

This is a fruitful new season on Broadway. Not only is “Lucky Guy” a hit but so are Cyndi Lauper’s “Kinky Boots,” and “Hands on a Hard Body” with Keith Carradine. “Vanya, Sonia, Masha and Spike” with Sigourney Weaver (which cannot be missed) is picking up nicely. Newcomers “Cinderella” and “Motown” each did well over $1 million last week. “Phantom of the Opera,” unaccountably, is selling tickets to someone. Last season’s Tony winner for Best Musical, “Once” is also over a million a week. Next week a new cast comes in. And audiences are very taken with “Ann” at Lincoln Center, starring Holland Taylor.

Just a note about Holland Taylor. When I was backstage at “Lucky Guy” on Friday night I asked Tom Hanks and Peter Scolari what they thought about their old “Bosom Buddies” boss being on Broadway at the same time. What were the chances 30 years later that they’d all be on track for Tony Awards? I wish I had had a camera for their answer. They responded like 22 year olds, with huge smiles and shouted, “Isn’t it amazing????” I don’t think they could have been happier. So funny. So nice.

Lindsay Lohan’s Benefactor Revealed: Chinese Billionaire Behind “Mr Pink” Drink, Major Obama Backer and Celebrity Chaser

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EXCLUSIVE Lindsay Lohan — and some other B list celebs like LaToya Jackson– has found a new source of money from a China billionaire transplanted to Los Angeles. On Monday morning, Lohan Tweeted a thank you to  “Mr Pink” for getting her a private plane from New York to her court date in Los Angeles. Mr. Pink is a California-only distributed ginseng drink that is owned, sources tell me, by a Chinese billionaire and former entertainer who has money to burn.

My source says that last fall, Poe Qui Ying Wangsuo of Monterey Park, California– alleged to be the enigmatic owner of Mr Pink–threw a lavish promotional party in Beverly Hills for the product just because he could. Mr Pink, my source says, paid Lohan over $75,000 to come to the product presentation. The company also paid $21,000 for her private plane to LA. That’s also what he paid on Monday morning to fly Lohan in for the court date.

All the money is negligible to Wangsuo. A source says: “He spent half a million dollars for the party, and $3 million to date to launch Mr Pink, and it’s only available in California. They just want to go out and party. [As far as marketing and selling a new drink] they have no idea what they’re doing.”

Mr. Pink is owned by Wangsuo but run by him and three men under the name Kings Investment Group LLC. They are all based in LA. Their names are Artur Arenyan, Kaine Wen, and Farhad Novanian. Arenyan, who works in the beverage business, got Wang Sou into Mr Pink, I am told.

mr-pink-wangsou and monica gaborWangsuo  loves celebrities, my sources say. To rub shoulders with the rich and famous, he donated $35,800to the Obama Victory Fund in 2011 at a Hollywood fundraiser. But Wangsou keeps a low profile. He leaves the high life to his Romanian girlfriend, known as Monica Gabor. But he counts among his pals Hockey legend Wayne Gretzky, with whom Wangsuo hoped to launch Mr Pink in Canada.

Lohan’s involvement is key.  With little work and bills to pay, she must rely on her notoriety to make money. Mr Pink doesn’t seem to mind. It gets his brand attention even if you can only buy it on the west coast. “It’s a vanity product,” says a source, “It’s not meant to be a success. Wangsuo has $2.7 billion. He wants to party and be with celebrities.”

After Lohan arrived in LA this morning, she Tweeted both Mr Pink and WangSou’s party planner, Sheeraz Hasan.

Hasan has a couple of websites including one called www.hollywood.tv. (Hasan didn’t respond to my emails.)  However, one look at the website and you see that Hasan has had his picture taken with every living celebrity and famous politician. Most of the shots look like standard set ups– he waits on lines, has a standard picture taken with Barack Obama, Hillary Clinton and then posts the pictures to make it seem like he’s their best friend. Maybe he is, who knows? I won’t deny him those relationships.

According to his website, Sheeraz Hasan’s customized services include: Creating the coolness factor for your brand, something called Paparazzi On Call, and Celebrity Booking for Private Engagements, parties, events, etc. He also gives Investment Advice. You’ll be happy to know that:

“Sheeraz, Inc. has the Hollywood paparazzi on direct dial any time of the day. Whether you happen to be in Los Angeles, London, or Miami, we are able to create a paparazzi media frenzy to highlight and publicize your profile to the mass media. This service is available 24 hours a day.”
And Hollywood.tv– it’s sort of a lower rent version of TMZ (that’s like penny slots vs. nickel slots).

Prince, Paris, and Blanket probably didn’t realize when they endorsed Mr. Pink that it’s tied to Hollywood.tv, and that the site keeps up a famous amateur video of their father being removed by ambulance from their house after he died.

Preview: Tom Hanks, With 2 Oscars, Will Make Stunning Transition to Broadway

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Nora Ephron did a lot of things but she didn’t write plays. She did write, with her sister Delia, the omnibus “Love, Loss and What I Wore.” It was spoken, with scripts, by five women who sat on stools and didn’t really have characters or interaction. Nora wrote screenplays, of course, and a funny, funny novel (“Heartburn’), but never a proper two act piece of drama so polished it could just appear on Broadway.

But that’s what “Lucky Guy” is. I did get to see a preview of “Lucky Guy”– which opens on April 1st– on Friday night at the Broadhurst Theater. Tom Hanks, star of Ephron’s two greatest movies– “Sleepless in Seattle” and “You’ve Got Mail”– simply steals the Broadway season as late New York tabloid reporter Mike McAlary. I can’t think of any other movie actor in recent history who makes a Broadway debut like this one. And the playwright: Nothing Nora ever did prepares you for this as her last act, or maybe everything does. All her close friends talk about the perfect little gifts she used to give them. This is one of those gifts.

First of all, the play is unexpectedly greater than just “great.” To think that Ephron wrote this play when she was so ill makes you pause right there. It’s not jokey or constructed of memorable one liners. It’s actually an honest, beautifully wrought tragicomedy about a larger than life guy who burned too brightly. Some of it has been dramatized or condensed from McAlary’s life. But believe me, you get the important stuff.

There’s a person-for-person breathtaking cast that includes Peter Scolari, Maura Tierney, Peter Gerety, and Richard Masur. Then there’s George C. Wolfe, who stages this piece. I can’t get out of my mind at least two scenes where he rises above his already vaunted career highs.

McAlary wrote and reported for the Daily News, the New York Post, and New York Newsday, In the mid 90s, his career turned into a frenzy of headlines — and some were about him. There was still no internet, and the three tabs were in a deathcage match. Editors and reporters went back and forth among the papers as loyalties kept changing. So did the papers’ owners. There was a strike at the News, and then a public showdown at the Post. It was a wild time. At the Intelligencer column in New York magazine, circa 1994-1995, Pat Wechsler and I wrote a lot of stories just about the daily New York media games. A lot of them took place in bars. And at Elaine’s. And it’s all here.

Ephron, who’d worked at the Post in the 70s, and had written for New York, lays all of this out in “Lucky Guy.” I felt like I was watching a hologram of history. And then into this comes McAlary– his successes, failures, his famous car crash, and his cancer. And all those stories, not the least of which was Abner Louima, who was sodomized with a broomstick by rogue cops. McAlary broke that story and won the Pulitzer. And then he died.

Ephron, Hanks and Wolfe really capture what would be the last great hurrah of New York newspapering. This isn’t “The Front Page” and Hanks knows it. Somehow, even though he never knew McAlary, he gets the whole gestalt of what was going on. With his mustache he somehow looks like McAlary on stage.

I don’t know how all the people who will want to see “Lucky Guy” with Hanks will get in there before he’s supposed to leave on May 26. Maybe he’ll extend into the summer. Also Hanks should try and make it past the Tony Awards. With some luck the play will keep going for a while with a replacement. It’s too good not to let it not have a real life in the theater.

And as for Tonys, as much as I love Chris Durang’s “Vanya, Sonia, Masha and Spike,” “Lucky Guy” is headed to Best Drama, Actor, Director, and several supporting acting nods. It’s going to be a bittersweet experience, I imagine, for everyone involved.

Justin Timberlake Has A SECOND Album Ready for Fall, But His Faux Soul Sparks Debate

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So: Justin Timberlake has 1o more songs, a “20/20 Experience, Pt. 2,” ready for fall release. On a web forum, Questlove of the Roots made the announcement today in response to criticism that’s come up about Timberlake’s “faux soul.” Indeed, this whole marketing scheme of Timberlake’s for “The 20/20 Experience” is a mixed cultural reference. He either sees himself as a Rat Packer– Dean Martin?– singing 70s soul with a 16 piece band. Or, I don’t know what. Because no soul singer, not even Marvin Gaye, or Jackie Wilson, performed like this. Maybe Nat King Cole, who was dead before the 70s soul revival.

The hit single from “20/20” is “Suit and Tie.” It’s largely sampled and reworked from a 70s track by a group called Sly, Slick and Wicked. The record was called “Sho Nuff.” Here’s a weird story. There were two Sly, Slick and Wicked groups. One was from Los Angeles, the other from Cleveland. The LA group was first. The Cleveland group came after them, and had the hits like “Sho Nuff.” The Cleveland group actually sued the LA group over the name and lost. Still, they have to be paid for the “Sho Nuff” sample, which now called an “interpolation”– haha–Timberlake and co. just rewrote the song. Nevertheless, good job.

This whole excavation and archeology project of ripping off obscure songs started more than 25 years ago. At first it was called sampling. Now, as the songs have become whole “tributes” to a sound, it’s “interpolation.” Alicia Keys has been in the forefront of this, which always surprised me since she was capable of writing new songs. This past year Bruno Mars made a whole “tribute” to Sting and the Police from his “Locked Out of Heaven.” Some people may actually call these things “rip off.” Even John Legend did it, renaming the 60s hit “Spooky” by Dennis Yost and the Classics IV as his “Save Time.”

“The 20/20 Experience” is clearly a tribute to Philly Soul, Gamble and Huff. And it has tons more “interpolations” and samples than just “Suit and Tie.” We can only guess how many more will be lodged in Part Deux.

 

TV: One “Real Housewife” Says She Knows Who Will Go and Who Will Stay

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One of the Real Housewives of New York–women who are not and never have been housewives– says she knows which ones will go and which will stay when filming for their next season commences. Mind you, I have never written a word ever about any of the Real Housewives shows. I have never seen a minute of any of the editions, even when I accidentally appeared in the first episode of the Beverly Hills show when Kelsey Grammer got filmed during his premiere of “La Cage aux Folles” on Broadway a couple of years ago.

But over the weekend, I did meet Sonja Tremont Morgan, who is on the New York show, and is trying to market a Toaster Oven. So far, the Toaster Oven has not appeared, and even though she explained to me all her marketing ideas, I’m still not sure why GE or DeLonghi or Sunbeam hasn’t come along and branded one of their existing Toaster Ovens with her name. It would make a lot of sense, no?

In my life I have actually known two women who became “housewives.” I knew Bethany Frankel, slightly, before she got on the show. And I’ve known the wonderful Carole Radziwill a long time– even though I’ve never seen her on the show. I would rather be forced to watch The Knitting Channel.

Anyway, Ms. Morgan was a delightful dinner companion. She told me she’d been married to the great great grandson of John Quincy Adams, who was also descended from J.P. Morgan. Right away, this is pretty amazing. She is, by checking, 50 years old this year. She looks 40. However, Mr. Morgan is 83. Their marriage produced a child, but was brief. “He had a car accident, almost died, was in a coma,” she told me. “When he woke up, he had amnesia and didn’t remember me or his daughter.”

Wow! Isn’t that a screenplay? Why hasn’t she produced that movie, or sold the rights, I wondered? It turns out she once did promise to produce a movie, didn’t do it, and was sued by the people involved. She lost millions.

Anyway, back to “Real Housewives.” I didn’t know who they were, but Sonja Morgan says she could guess who will be ‘out’ for the next season. “LuAnn and Heather,” she said. LuAnn is a Berlin, Connecticut girl who married a real life Count, named deLesseps. He divorced her, however. Now she is known as Countess LuAnn deLesseps.  And Heather is a woman who is suing the owner of Spanx, the form fitting underwear, for allegedly stealing her idea. Heather Thomson has a company called “Yummie Tummies.”

We are not at the Oscars anymore, you dig?

A friend of mine insists: “This is big, big news.” So I am telling you. It’s Sunday and the Yankees have already played. So I have time for this.

Please, someone, make this Toaster Oven. Sonja has whole lines of things she’s ready to license: aprons, napkins, blenders, etc. We are ready. John Quincy Adams is ready. So is J.P. Morgan.

 

One More Time: On “The View,” Brooke Shields Is In, Elisabeth Hasselbeck Is Out

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Either the folks at Page Six are talking to the wrong people, or they just don’t get it. Just so we’re all on the same page. As I told you last week, Elisabeth Hasselbeck will exit The View when the season ends for summer. Hasselbeck will make her announcement later this spring. Brooke Shields is set to take over one of the two open spots. Joy Behar is leaving, but it wasn’t because she was found “too polarizing.”

Behar told Barbara Walters and ABC “quite a while ago” that she wanted to go. As the lovable– and I think still to have another big talk success–Behar told friends recently: she had a great run, got her family settled, bought three houses, and got married. She wants to do other things. As for Hasselbeck, she’s out of step even with conservatives, she’s not bright (it’s not like they have Mary Matalin representing the right).

The View will need a journalist and someone a little more in the center to balance out the group, someone in her 30s. George Stephanopolous’s talented wife, Alexandra Wentworth, I am told does not want the job although she likes occassionally filling when someone is out. Hey–by next fall Nicki Minaj might be free!