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New David Bowie Video Features Gary Oldman and Marion Cotillard (See It Here)

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It’s a good thing David Bowie doesn’t need money. He’s spent a fortune ( or someone has) on a video for the song “The Next Day.” It’s beautifully filmed, with Gary Oldman and Marion Cotillard. But what a waste: the song has no chorus really. The video is only two minutes and 58 seconds. If Bowie had really wanted a hit single from the album of the same name he might have chosen “Valentine’s Day” or “I’d Rather Be High”– they are very catchy. But why try and have an actual hit when you can indulge yourself?

Valentine’s Day:

I’d Rather Be High:

“Gotti” Movie Back on Track? Levinson and Toback Replaced, They Say

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Is the “Gotti”movie back on track? Not so fast, Hollywood Reporter. THR reports Tuesday night that “Gotti” is back. But it isn’t much different than it was before. This is where we left it: producer Marc Fiore, real name Marco Fiore, a convicted federal felon who did time at Allenwood, brought in John Travolta and director Nick Cassavetes.

Then Cassavetes got out, and Fiore replaced him with Barry Levinson. Levinson brought in James Toback, who wrote a new script, and Al Pacino. Fiore, Levinson and co. came to Cannes in 2011 to sell the movie. But there was no money. Fiore enlisted Salvatore Carpanzano, another ex-Allenwood inmate, who represented foreign money. He named Carpanzano and Toback executive producers. But Fiore fell out with Carpanzano, whatever money there was disappeared. Fiore managed to get to Ted Field of Radar Pictures. But nothing happened. The whole thing fell apart.

That was the back story. Bada bing.

Now THR says Fiore is back, with Travolta and Field. They say Relativity Media is involved. Why? Who knows? And Fiore is still Fiore. His main backer is a guy named Thomas “Fay” Devlin, who owns a company called Eurotech. Fay Devlin is a huge financial supporter of Sinn Fein in Ireland. He was born there. Just Google him and Sinn Fein. It’s serious.

Oh and let’s not forget that Fiore and friends had to settle with Joe Pesci, who’d been promised a role that was reneged. Pesci sued them.

Levinson, Toback and Pacino are gone. The new director, they say, is Joe Johnston. Devlin and his partner Michael Froch are still mentioned, although now Fay is called Thomas. Fiore has gone back to his original script, by actor Leo Rossi, with revisions by Lem Dobbs, whose credits include “The Limey” and Robert Redford’s current “The Company You Keep.” They say they’re going to back to the Cannes sales market again, this time with IM Global and Stuart Ford et al. Stuart Ford has to be too smart for this.

And someone had better tell Fiore to update his website, which still plays Madonna’s “Hollywood” when you click on it. At www.fiorefilmsllc.com Levinson and crew are still making the movie.

 

Michael Jackson Protege Changes Story, Files Sexual Molestation Claim

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Both CNN and TMZ say they have papers filed with the Michael Jackson estate by Wade Robson saying he was sexually molested by Michael Jackson when he was a child. The filing is to get money from the estate posthumously. Robson, however, testified at Jackson’s child molestation trial in 2005 that nothing ever happened. His mother has also testified, and the family went on the record defending Jackson. So it’s a day late and a dollar short, as they say. But what is going on here?

Robson was the connection between Jackson and Britney Spears and NSync. Robson not only knew Jackson, but he was part of the boy band scene when he was very young. He did choreography for both Britney and Timberlake. He now works as a choreographer and for singer Demi Lovato.

The timing of Robson’s claim is curious at best. The Jackson family is suing AEG Live for all the money in the world. The trial is going on now, and both sides have warned about slinging mud.

But Robson’s claim doesn’t hold water. He has done many tributes to Jackson, and also was a guest at the Staples Center funeral in 2005.

On the stand in 2005, Robson underwent really severe questioning from Assistant District Attorney Ron Zonen about whether or nor he’d been abused by Jackson in the past. Tom Mesereau had put Robson on the stand as a defense witness.

Here’s what I wrote back then: Mesereau responded to a challenge from Deputy District Attorney Ron Zonen, who asked Robson, on cross-examination, what he thought of a person — meaning Jackson — who was obsessed with sexually explicit material.

Mesereau countered by offering that Jackson merely had copies of Playboy and Penthouse magazines. And that’s when things slipped out of control.

Zonen, looking like Monte Hall from “Let’s Make a Deal,” rushed to the clerk’s desk and began opening brown paper bags filled with magazines and books that had been confiscated from Neverland, Jackson’s home. They were graphic and of a homosexual nature.

With Robson on the stand, the usually mild-mannered Zonen started a rapid-fire presentation that was exhausting and exhilarating.

He kept bringing more and more material to the witness stand, asking Robson, in effect, over and over: “Would you let your 12-year-old son sleep with a man who owned this material?”

All of the books and magazines featured naked boys with exposed genitalia, with Zonen emphasizing the words “naked” and “genitalia.”

One book, Zonen said, “depicted a series of photos of sodomy,” which he then defined for the room. He handed Robson a book and said, “Strum through it.”

Robson, to his credit, held his own for most of the time.

Of one publication, he said, “It’s not a pornographic book,” but his resolve was shaken as the examples got worse.

One book was called “Boys Will Be Boys,” another “Men: A Sexual Study.” There was also “Hard Rock Affair” and “Before the Hand of Man.”

While Robson, with no objections from Mesereau, paged through these things, he tried to minimize the idea of Jackson, a modern Peter Pan, as a hoarder of male-oriented pornography.

Things got so bad that when the questioning returned to Mesereau, the defense lawyer actually pointed out Robson’s fiancée and said, “You’re straight, aren’t you?”

By then, all of Robson’s good intentions to help Jackson seemed like they’d faded.

Shaking his head, Robson said, “I can’t imagine people around the world are watching me do this.”

Mesereau did his best to correct the many negative impressions the jury was now suddenly saddled with.

“When you were a child, did Mr. Jackson ever show you sexually explicit material?” he asked.

The answer was no.

Had he seen any depictions in all the books Zonen had shown him of an adult having sex with a child?

Again, Robson said no.

Knowing all this, had Robson changed his mind about Jackson?

No again.

“The Butler” Trailer Arrives– A Black “Forrest Gump”– Raves from Two Sneak Screenings

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Lee Daniels’ “The Butler” is coming. And if you don’t think this is Oscar material, you are sorely mistaken. Last week in New York there were two very private advance screenings of an early cut of this all -star film– and I do mean all star– Forest Whitaker and Oprah Winfrey head a cast that everyone would die for. The movie is said to be the “black Forrest Gump.”

The screenings: one for a focus group, mostly African American, recruited from “the street” as it were. “They loved it,” says a source who was there. “The cards were all Very goods with some Excellents.”

Second screening for Daniels and Harvey Weinstein close pals. I heard that Julian Schnabel was there, and many other Weinstein intimates. Again, through the roof, although Vogue’s Andre Leon Talley “gave some notes,” as did others. Still, Jane Fonda as Nancy Reagan as “magnificent,” they said.

You know the story here? “The Butler” is based on the story of Eugene Allen, who served eight US presidents from 1952 to 1986. He’s played by Oscar winner Forest Whitaker. It’s his story and it features all those presidents and their wives– from Eisenhower to Reagan. Danny Strong wrote the screenplay. The Allens have been renaimed “Gaines.” Oprah is Mrs. Gaines.  Robin Williams is Eisenhower. James Marsden is JFK. Liev Schreiber is LBJ. John Cusack is Nixon.

Not only that: there are like 25 producers including Warner Music owner and Russian billionaire Len Blavatnik. The Weinstein Company is pulling out all the stops on this one. We’ll see some kind of clip or clips in Cannes. But trust me, one look at that trailer and you know it worked out. Danny Strong told me the other day that the cut at those two screenings has been refined. “It’s even better since then,” he said.

The people I spoke to raved about Whitaker, Oprah, Fonda, everyone. These people are going to clog up the supporting actor categories, I was warned.

Bookmark this column. Remember it in the fall. “The Butler” is about to serve us big time. Harvey Weinstein is going all the way with this one. We are well beyond the days of “sex lies and videotape” and even “The Artist.” This is that big time epic sentimental sweeping film that everyone will want to see.

Elton John AIDS Foundation Gives $850K in First 2013 Grants

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I like the Elton John AIDS Foundation because they’re extremely press friendly and very “transparent” when it comes to their contributions. They’re the Cadillac in this field. They’ve just announced a new round of grants totaling $850,000, They usually do three or four of these a year. Kudos to David Furnish, Scott Campbell and of course Sir Elton.

May 2013 Grants

AIDS United, $300,000
Now in its 4th year, AIDS United’s Access to Care Initiative is supporting 15 local partners in 14 cities to demonstrate innovative approaches to ensuring ongoing full access to medical care for people living with HIV/AIDS.  This grant from EJAF will help the Access to Care Initiative to provide funding along with technical and evaluation support to all 15 programs.

During the past three years, EJAF has allocated support for Puerto Rican organizations through AIDS United.  Now, in 2013, the full implementation of national health reform stands to drastically change the way healthcare providers and organizations do business and what kinds of government funds are available for HIV programs. EJAF funding will help organizations adapt to the changing healthcare system and to support the continuation of programs in Puerto Rico focused on preventing HIV transmission and increasing access to high quality medical care and social support services.

HarborPath Common HIV Patient Assistance Program Portal, $250,000
HarborPath’s mission is to centralize and streamline the program application process for people living with HIV/AIDS who are uninsured and have no other access to HIV medications.  HarborPath operates a central website where case managers and patient advocates can go to access HIV medications and process HIV patient assistance program applications.  This process eliminates burdensome, duplicative paperwork normally required to submit individual patient assistance program applications and ensures that medications are dispensed and delivered to patients in a coordinated and efficient manner.

SERO Project, $75,000
HIV criminalization – the use of criminal law to prosecute and extend imprisonment of people with HIV for consensual and no-risk behavior – is a discriminatory practice based in fear and shame rather than science and epidemiology. The SERO Project tracks current HIV-specific criminal cases, engages and supports those who have been wrongly prosecuted, educates communities and policy-makers, and raises broad public awareness by sharing short videos of compelling personal stories of those who have been prosecuted.

How to Survive a Plague Engagement Campaign, $125,000
The film How To Survive A Plague has received numerous awards and positive reviews, including an Academy Award nomination.  Very few documentary films reach this level of potential to touch national and global audiences.  There is now a strong demand throughout the United States for further educational screenings of the film.  This EJAF grant will support an outreach and engagement campaign to ensure that How to Survive a Plague reaches and engages the widest possible audience, especially students and young activists, to know the history of AIDS activism and to understand what it takes to make progressive social change in a democracy.

New York City AIDS Memorial, $100,000
Thirty years into the AIDS epidemic, it is critical for New York City, one of the major epicenters of the epidemic in the U.S., to finally create a significant AIDS Memorial. As one of the largest HIV/AIDS foundations in New York City and the U.S., EJAF is making a leadership grant in support of the New York City AIDS Memorial.  This grant will be divided between support for the creation of the memorial and the development of educational programs associated with the memorial.

Fleetwood Mac Has Four New Songs Out (It’s a Secret…Shhhhh….)

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Fleetwood Mac, a group I listened to with great interest in 1975, has a new album out. Or rather four songs they’ve put on iTunes. You can hear them on Soundcloud and iTunes. They released these tracks themselves, bypassing their old label Warner Bros. Records. If they used a publicist, it was probably Stealth PR, the same company that’s handling Rod Stewart. So shhh…. Maybe they’re just counting on everyone to find the songs. I really like “Sad Angel.” If radio still existed, this very nice Lindsay Buckingham song would be a hit.

And here’s my Fleetwood Mac:

Mariah Carey Will Sing Medley of Hits on “American Idol” Finale

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This is an update of a piece I wrote over the weekend: Mariah Carey will sing a medley of her hits– and there are a lot of them– on the season finale of “American Idol” on May 16th. Carey hasn’t performed on “Idol” this season yet. But she will debut her new single featuring Miguel, called “#Beautiful,” on Wednesday’s “Idol” May 8th. The single is already a huge hit after just a day or more in release. “Beautiful” was picked up 65 Top 40 stations and a bunch more today. You can hear it literally in every major market right now, which means by the “Idol” finale “Beautiful” may be another Mariah Carey number 1 song.

 

Broadway Smash “Pippin” Will Be A Weinstein Movie

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“Pippin,” just revived on Broadway after 40 years, and a smash hit, is going to the movies. Harvey Weinstein, unbeknownst to anyone, has owned the right for the last ten years. (Who knew?) So today he’s announced that James Ponsoldt (“Smashed” ) will write a screenplay. “Pippin” in its revived state features Cirque du Soleil type performers. It also comes with Bob Fosse choreography that is now legendary–it’s arguably where Michael Jackson got a lot of his moves. And the Stephen Schwartz score has a bunch of hits including “Corner of the Sky.” I wouldn’t be surprised if this were the Weinstein Company’s first 3D movie because “Pippin” is almost begging for that treatment. Stay tuned…And oh yes: you know Ben Vereen will make a cameo appearance. But start casting now…PS The show that just opened on Broadway, must-see, is playing at just about 100% capacity…

Elton John Offers Rod Stewart an Olive Branch at MS Dinner

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Elton John and Rod Stewart were best friends once upon a time, until they weren’t. So it was startling to see them in the same room this past Friday night at the 20th Annual Race to Erase MS at the Hyatt Regency Century Plaza in Century City. It was even nicer when Sir Elton, during a seven song mini concert, gave Rod the Sod a shout out.

“Rod and I have been battling around for 40 years or so, and we’re still around and at the top of our game,” Elton declared. “I love him very much, we’ve had our differences, but in the heart we’re great mates.”

Elton entertained the star studded crowd with many of his hits including “Don’t Let The Sun Go Down On Me,’  “I’m Still Standing,” “Circle Of Life,” and ended with “Can You Feel The Love Tonight” as well as “Your Song,” “I Guess That’s Why They Call It The Blues,'”and “Rocket Man.”

Honored at the event were Elton’s friend of 35 years, Sharon Osborne and her son, Jack, newly diagnosed with Multiple Sclerosis. The intrepid Nancy Davis, who founded the group and is also afflicted with MS, has been unstoppable to find a cure, and as she told the VIP crowd, “Ten years ago there were no drugs on the market, now there are nine drugs with FDA approval. This is a disease that can be cured and everyone wants to join in on the miracle.”

The biggest applause Nancy Davis got was when she introduced her much beloved, “amazing adorable mother Barbara Davis.” Kelly Osborne introduced her own mother Sharon who quipped, “I always wanted a medal on a ribbon, who thought it would come from MS?  I thought it would come from The Queen.”  Jack said, “Wow, this is like the bar mitzvah I never had.” There was no mention of the missing Osbourne, Ozzy, who is battling his own demons at the moment.

Others attending were a smattering of local celebs from Cybill Shepherd, Ray Romano, Anne Heche, and Amy Yasbeck to “Dallas” star Linda Gray, Josh Hopkins, new “Mad Men” star Harry Hamlin with wife Lisa Rinna, Nikki Haskell, Cat Deeley, and so on. The dinner raised $1.8 million for MS research.

Daft Punk: Real Punk Rockers Laugh at Anna Wintour’s Met Ball Theme Tonight

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UPDATE: My spies say that mingled in with all the ingenues are indeed Debbie Harry and Chris Stein of Blondie, and Marky Ramone. It could be a punk night after all!

Earlier: Anna Wintour hosts the annual Costume Ball Institute Ball tonight at the Met. The theme is Punk Rock, which is especially hilarious as Wintour and Vogue ignored punk when it thrived in the 70s. Anna Wintour and punk rock are about as comfortable together as pastrami and mayonnaise. Suffice to say that there will be no actual punk rockers at the Ball tonight.

If anyone spots Patti Smith, Joan Jett, Debbie Harry or Blondie, Richard Hell, Richard Lloyd, Johnny Rotten, or Marky Ramone, please let me know. While Wintour is embracing the Hollywood fashion crowd it’s doubtful Elvis Costello, The Stranglers, The Cramps, The Cure, or The Dickies will be waltzing up the Met steps to the big show and dinner.I haven’t heard about David Johansson aka Buster Poindexter providing the entertainment.

Wintour wasn’t the editor of Vogue in 1977, when punk was at its peak. But she was exactly what punk rockers were rebelling against in the UK. And in America, actual punk rockers wouldn’t have been caught dead reading Vogue, then edited by Grace Mirabella.

But Anna does have a punk past. During the mid to late 70s her boyfriend was French record producer Michel Esteban. He was the e in Ze Records. Michael Zilkha was the Z. Their Ze Records introduced Kid Creole and the Coconuts, Was (Not Was), The Waitresses (I Know What Boys Like), and Lydia Lunch, among others. Esteban was definitely in the cutting edge of punk in New York. Maybe she wore Stiff Records buttons. But I do not recall seeing her at CBGB or the Mudd Club.

Anyway, neither Legs McNeil nor Gillian McCain, who wrote “Please Kill Me,” the oral history of punk, were invited tonight. McCain did sneak into the preview today and posted pics and observations at www.pleasekillme.com. Otherwise, you can read Suzy Menkes’ take on the Punk show at http://www.nytimes.com/2013/05/07/fashion/07iht-fpunk07.html?pagewanted=all&_r=1& We’ll check WireImage for pictures and see if Anna wears a Mohawk or anything spiked besides a drink.

Menkes writes: “The true punks — those who lived and survived that moment — should find an exquisite irony in the idea that their no-future kick at a dead-end society should, 40 years on, have moved from a defiant statement from society’s impoverished and self-proclaimed social outcasts to a display of clothes for global celebrities and the super-rich having a ball” Amen.