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Memphis: Celebrating Stax Records and Sam “Soul Man” Moore

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We are here in Memphis, Tennessee and have hit the ground running. The occasion is the 20th annual Blues Ball, thrown by Memphis’s doyenne of doyennes Pat Kerr Tigrett to raise money for local charities. This year, R&B legend Sam Moore is the honoree for Lifetime Achievement, and he will be performing on Saturday night in front of 2,500 formally attired Memphians.

Tigrett’s annual event is a magnet for all of Memphis’s famed musicians, and this year is no exception. Expected tomorrow night are the creme de la creme of Stax-Hi Records-Sun Records including Jerry Lee Lewis, Al Green, Ann Peebles, Carla Thomas, Marvell Thomas and so on.

When I was here filming “Only the Strong Survive” in the summer of 1999, the lot where Stax Records once stood was an empty field of weeds. The neighborhood had gone to hell in a handbasket. It was pretty bleak.

But a couple of years later thanks to brothers Andy and Staley Cates, Stax was re-born. They raised the money to build a museum and charter school and music academy on the property. A whole campus has risen around it since then, and Stax is now a focal point for the community. It’s quite an achievement.

This morning Sam and his wife Joyce were invited over for a private tour. The museum replicates the facade of Stax and the Satellite Record shop in the front. Inside, there are dozens exhibits detailing the history of soul music. They’ve also reproduced the original studio where Sam & Dave, Otis Redding, the Staples Singers and so many other Stax acts recorded their landmark hits. When we walked into the big room, a whole gang of us, Sam immediately gravitated to the spot where he sang with Dave Prater. He pointed to a spot just behind him.

“You had to be careful and not back up while you were singing.” he said. “There was a curtain here”– he motioned to the spot. “If you backed up you heard a lot of bottles fall and clink together. Those were Otis’s whiskey bottles. We knew he’d been in here the night before!”

What we also got was something very special: a show put on by the music students at Stax. They performed a medley of Stax hits, from “Soul Man” to “Knock on Wood” and a few others. These were fourteen to eighteen year olds. They were just outstanding, and a concrete example of the possibilities of renewal and growth where once everything seemed lost and abandoned.

Meantime, all anyone seems to do in this town is eat or talk about eating. It is still the barbecue capital of the south. After all the ribs and bread puddings I hope I will fit into my tuxedo on Emmy night!

“X Factor” Slaughtered by “Survivor” Return, “America’s Got Talent”

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At this point, Simon Cowell may be a little worried. Wednesday night’s “X Factor” was slaughtered in the ratings. First “Survivor” returned at 8pm on CBS for its first hour. “Survivor” had 9.73 million total viewers vs. 6.62 million for “X Factor.”

Then during its final half hour from 9pm to 9:30m, “X Factor” by “America’s Got Talent.” The Howard Stern hosted competition had 11.19 million total viewers. Yikes.

Is anyone paying attention to “X Factor”? Not really. Even the “Big Brother” season finale beat it later, at 9:30pm, with slightly more eyes.

Hugh Jackman Says Even More Intense Scenes Were Cut from “Prisoners”

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Hugh Jackman’s new film, “Prisoners,” is not ‘les miserables’ in the truest sense, but incredibly intense. In fact, there are a few times during this film about two little girls who are abducted from their suburban neighborhood when you do kind of flinch. Jackman and Terrence Howard, fathers of the missing children, exact some torture on the man they think took their kids (Paul Dano). At one point quite a few snakes slither across the screen.They are not the comedian snakes from “Snakes on a Plane,” either.

“Denis [Villeneuve, the director] actually had to cut a couple of scenes from the final version, Hugh told me at lunch yesterday at the Monkey Bar for the movie’s cast. “They were just too intense.”

Jackman, Howard and co-stars Jake Gyllenhaal, Paul Dano and Maria Bello were all on hand for one of those rare great intimate New York lunches to meet the stars and chat about the film. Michael Shannon, one of Jake’s pals, came, as did Gyllenhaal’s writer-director mother Noami Foner. Some New York actor stalwarts like Bob Dishy and Dana Ivey made the scene as well. Director Tony Gilroy (“Michael Clayton,” “Bourne Legacy”) was also Gyllenhaal’s guest. He’s producing “Nightcrawler,” written by his brother Dan Gilroy, and also starring Jake.’

I was lucky to sit across from musician and actor Ruben Blades. “Everyone thinks I died,” Blades said jokingly. “I was away for five years in Panama, helping with the arts and culture infrastructure. I actually read on the internet I was dead. But I’m back, and I’m making a couple of new albums.”

Blades also has a small role in “The Counselor” with Michael Fassbender, due next month. Over lunch he and Maria Bello had a long serious talk about micro-financing–how he does it in Panama, and she in Haiti. At the other end of the table, Shannon and Gyllenhaal were talking about Syria. And you thought Hollywood types were shallow!

 

Tupac Shakur Life Story Finally Coming to the Big Screen

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The life of Tupac Shakur is coming to the big screen. His mother has cut a deal with Morgan Creek, at last. The press release follows. Remember I said this: Michael B. Jordan. Just remember.

Press release:

Los Angeles, CA (September 19, 2013) – Morgan Creek Productions and Emmett Furla Films are in final negotiations to partner on the TUPAC biopic, it was announced today by Morgan Creek and EFF.

TUPAC will be produced by James G. Robinson, David Robinson & LT Hutton along with Randall Emmett and George Furla.  The film will be executive produced by Tupac’s mother, Afeni Shakur.  Production is scheduled to begin next year in Atlanta.

TUPAC centers on the life of the charismatic yet controversial artist.  Rapper, poet, actor and political activist, TUPAC shot to fame with 2Pacalypse Now, lauded for its seminal underground vibe and still an inspiration for major artists today.  Tupac’s politically charged lyrics, inspired by his parents’ activism as Black Panthers in the 60s & early 70s, condemned governmental intrusion in black communities.  Tupac’s increased participation in the East Coast-West Coast Rap rivalry became well documented and avidly followed by his fans. On September 7, 1996 he was gunned down on a street corner in Las Vegas, where he died 6 days later.  His murder was never solved.

Golden Globes Non-Profit Foundation: No Federal Tax Return Filed Since November 2011

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The Hollywood Foreign Press Association still hasn’t filed a federal tax return for 2011. Forget 2012. The last time the group that puts on the Golden Globes filed a federal tax return? Guidestar, which monitors all not-for-profits, has the 2010 return stamped, received on November 21, 2011 for the fiscal year ending June 30, 2011. That’s almost two years ago. No return has been filed for fiscal year ending June 30, 2012.

The HFPA announced at their had their big annual ceremony in the summer of 2012  $1.2 million in donations to other charities. But so far there’s no record of it, and since then they’ve had another annual ceremony — this summer– announcing another $1.6 million in donations.

HFPA collects a $7 million fee every year from NBC. To qualify for non profit status they give away an average of $1.3 million each year to film schools, to Martin Scorsese’s film preservation charity, and a few other groups. The rest they spend on travel and expenses, even though the movie studios pick up their tabs in most locations.

Several HFPA members were seen at the Toronto Film Festival this month. And the HFPA put on a lackluster party with InStyle magazine that attracted a swath of B list stars. (A-listers like Julia Roberts and Taylor Swift went to The Weinstein Company party.) HFPA members travel the globe to see movies they could view back in Los Angeles. In Cannes, special cars take them around to various destinations.

I called the HFPA’s CPA, a man named Alex Hershtik of a firm called The CPA Advantage to ask why no Form 990 was filed in 2012 for 2011. No filing has shown up yet as well for 2012. He said, excitedly, that he couldn’t talk to me and that only the HFPA could answer those questions.

HFPA has spent the better part of the last three or four years in legal trouble with lawsuits filed against Dick Clark Productions as well as with their former publicist. Last summer I reported that they spent three times more on legal fees than on charitable donations in 2010-2011 according to their last available tax filing.

A spokesman for the HFPA says they have filed the 2011-2012 tax return. But requests for it or any information about it have so far produced nothing.

Public charities are required to turn over their filings upon request according to GuideStar. This is what they’ve posted on their website:

“The IRS states that under IRC 6104 nonprofit organizations must make their three most recent annual returns publicly available. Congress’s reasoning behind this law was to allow the general public access to the returns of organizations and trusts that accept donations from the public.The penalty for not disclosing an annual return is $20 per day for as long as the failure to comply continues, up to a maximum of $10,000 maximum fee per return not disclosed. There is no maximum fee for failure to provide the application for exemption.”

 

Carole King Will Be 2014 Grammy-MusiCares Person of the Year

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UPDATE: Carole King was named Person of the Year. James Taylor, of course, will perform for her, as well as the Dixie Chicks, Lady Gaga, Bette Midler, Jason Mraz, and Steven Tyler. This lines up with Carole’s upcoming Broadway musical about her life with Gerry Goffin, Barry Mann and Cynthia Weil. So it’s no coincidence. I said earlier (below) the honoree had to be someone with an amazing catalog. Well, you could sing Carole King songs all night, for hours. For fun they should dig up Little Eva (if she’s alive) for “The Loco Motion.”

EARLIER: MusiCares will announce its annual Person of the Year today– the music honoree for its big fundraising event on the Friday night before the Grammy Awards. So many big stars have already had the honor– Paul McCartney, Elton John, Sting, Aretha Franklin, and last year Bruce Springsteen. So while we wait for the announcement, here are some choices:

Jon Bon Jovi– incredibly charitable at home in New Jersey and in Philadelphia with his Soul Kitchen, always there for any emergency

The Rolling Stones– Mick and Keith performed at the Concert for New York in 20o1, plus they recently did some Hurricane Sandy donations from concerts. Plus who wouldn’t want to listen to a night of other stars performing their music?

Lionel Richie– He did co-write “We Are the World” with Michael Jackson. And he also has a great catalog of songs for the big night.

Diana Ross– not publicly charitable per se, but she’d be a big draw.

The honoree has to be a superstar with a real catalog–because the theme of the night is lots of different performers getting up and singing their songs.

MusiCares Person of the Year is one of the great nights in the music biz. Can’t wait to see who it is. Check for updates…

 

 

 

Magician Penn Jillette (of Penn & Teller) Seeks $1Mil for Film from Crowdfunding

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I thought if you were Penn & Teller and you needed a million dollars, you just waved a magic wand. Apparently not. Penn Jillette is raising $1 million on crowdfunding site FundAnything.com. The money’s for a movie called “Director’s Cut,” directed by Adam Rifkin, who made “Look” and its Showtime series.

Jillette promises to put the name of every investor on the end credits of the movie. He says in a press release: “Crowdfunding through FundAnything.com is a great way to grab art away from Hollywood and give fans the power to help create this movie.”

The crowdfunding craze with films by names in the business got its start with the “Veronica Mars” movie. Then Zach Braff used it to launch his new film. Sometimes it works and sometimes it doesn’t. James Franco tried to raise a half million dollars this summer on Indiegogo.com for three indies and only realized 66% of his goal.

Superstar Linda Ronstadt on American Idol, The Voice: “I’ve Never Seen Any of those Show”

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EXCLUSIVE Linda Ronstadt has never seen “American Idol” or “The Voice.” “I don’t watch those kinds of shows,” she told me after a rare appearance Wednesday night at the 92nd St. Y. Her long time friend, former New York Times music critic John Rockwell, conducted an interview on stage, followed by questions from the audience — all adoring fans.

Afterwards, I asked Ronstadt, who’s incredibly knowledgeable about singing and music in general of all genres, not just pop, whether she’d consider being a judge or a mentor on one of those shows. After saying she’d never seen them, she added: “I don’t believe in competition in the arts. Competition is for horses, for horse racing. And even they don’t like it.”

Ronstadt is promoting her new memoir, “Simple Dreams,” which tells a lot about her music career and a little about her personal life. It’s a good read that sometimes invokes the name of her longest term well known boyfriend, California governor Jerry Brown.

Last night during the public Q&A, Ronstadt was a little more revealing about Brown while telling an anecdote about another singer, Rosemary Clooney, who’d invited Ronstadt to dinner. Brown asked if he could come along, and said they should bring something to Rosie’s house. He noticed that Ronstadt had received roses from someone, and decided to re-gift them to Clooney.

“Jerry Brown is really cheap,” Ronstadt said. “That’s one thing about him. He said, We can take these. I said, They’re mine! They had a card on them and everything. But we took them and we were laughing about it on the way over.”

Ronstadt looked pretty damn good for someone who’s recently been diagnosed with Parkinson’s Disease. She said she might have had it for eight years or more without realizing it. And for the six months she waited for a real diagnosis, she pretended she didn’t have it. “It was like a Get out of Jail free card,” she said.

During the talk with Rockwell, she invoked names of singer friends who’d passed away, like Phoebe Snow and Nicolette Larson, and talked about singing with Emmylou Harris and not singing with Bonnie Raitt. She reminded me a lot of Doris Day, very private and shy, not particularly interested in revealing too much or taking much credit for the fine work she’s done. But a class act, all the way.

 

photo of Linda

c2013 Showbiz411

 

UPDATE Michael Shannon “Elvis and Nixon” Gets a Director and Maybe a Co-Star

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Exclusive I told you last week about Michael Shannon playing Elvis Presley in “Elvis and Nixon.” Shannon can do anything, he’ll be a great Elvis circa 1971. Now I’m told that the movie has a director– Liza Johnson. Her Kristen Wiig movie, “Hateship Loveship” just got a distributor– IFC Films– out of Toronto. Guy Pearce and Hallie Steinfeld co-star.

Johnson’s “Return” with Linda Cardellini was one of the hidden gems of 2011, produced by Meredith Vieira. Now she’ll take on the historic meeting between Elvis and the only president who had to resign in disgrace. I am told that another great actor, Danny Huston, may be up for the Nixon role. The project, produced by Holly Wiersma and Logan Levy, sounds ever more intriguing and promising…

Great Music Releases This Week: Elvis Costello & The Roots, Garland Jeffreys

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Is it 1980? I am not a total curmudgeon about music. I love Katy Perry’s “Roar,” and Justin Timberlake wailing away on that “Holy Grail.” But this week recalls, by coincidence, two music stars who’ve survived and grown since their debuts circa 1977– Elvis Costello and Garland Jeffreys. One is from England, the other from Brooklyn. They appeared around the same time 36 years ago and kept getting lumped together in reviews. Who’da thunk they’d be back in the same review three and a half decades later?

Elvis Costello and The Roots have made a moody, incredibly catchy album with “Wise Up Ghost.” It’s Costello’s best album since before “National Ransom” and “Momofuko.” Costello always does well when bass and rhythm come into play. The Roots give him a groove, and the album recalls the best of “Get Happy!” and “Trust.” Don Was, running Blue Note at EMI- Universal, had a lot to do with this.

Costello remains king of clever of wordplay– “What you going to say to me?/Will be betraying me?” He’s back! (I wish the booklet weren’t printed in smaller type than a phone book.) “Come the Meantimes” is only one of the delights. Frankly, the more I’ve played “Wise Up Ghost,” the more each track has found its own place in my heart very much like Costello of yore. “Wake Me Up” and “Tripwire” are simply addictive. But the bell and the “right now” refrain, punctuated by Roots bass, make “Come the Meantimes” a potential concert classic. I think I am most in love right now with “Cinco Minutos Con Vos,” and incantatory duet with Costello and La Marisoul that amounts to their own operetta.

And then there’s the great Garland Jeffreys. His “Truth Serum” follows up a near perfect album called “The King of In Between.” Jeffreys puts out his own albums now after years and years with A&M. He recently celebrated his 70th birthday. His mixture of R&B and reggae and a little rock and roll never fails to have a New York sound, indescribably urban and pop. I’ve been mixing back and forth between Costello and Jeffreys all week. If someone in radio land would pick up Jeffreys’ “Is This the Real World?” I’d be very happy.

If you’re in New York on September 23rd, Jeffreys plays an album launch party at the Rockwood Music Hall. Don’t miss it.

Two great albums in one week. And next Tuesday– Sting, and Elton John. Real music. What a relief. No samples or “interpolations.” I am grinning from ear to ear.

PS You must listen to these albums on a stereo, with great speakers, and not through ear buds or on a computer. Wired speakers, not Bluetooth. Please, I beg you. Real music should not be compressed except for long trips.

Listen to Garland’s “Any Rain”: