Friday, December 19, 2025
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Broadway: Kinky Boots Breaks Record, Popular Press Agent Leaves, Pippin Recoups

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A big Broadway day: over the weekend Cyndi Lauper and Harvey Fierstein’s “Kinky Boots” broke a house record at the Hirschfield Theater. They took in almost $2 million from Thursday- Sunday. Tony winning “Kinky Boots” is booming. They’re going to have an excellent Christmas holiday season. Everybody say yeah!

…We’re sad to say goodbye to Michael Hartman. The eternally youthful press agent has decided to wrap up 20 years of his press company, The Hartman Group, and head home to Texas. Michael and his husband are going to start a family, and Michael’s joining the famous Amy’s Ice Creams in Austin, Texas. The Hartman Group was one of the great bastions of civility on Broadway. Michael’s integrity and honesty made him a pleasure to work with. His staff is terrific. I hope to see them in new jobs quickly along the Great Black and White Way…

…The Diane Paulus revival of “Pippin” has recouped its initial investment. The show is a hit, and one of the most enjoyable uplifting experiences in Broadway history. Paulus goes on now to help “Finding Neverland” to Broadway. And “Pippin” will be a Weinstein Company movie in the next couple of years…

Oscar Race Waits for 3 Hour “Wolf” With Anticipation and Antipathy

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Is “The Wolf of Wall Street”  any good? Martin Scorsese has delivered a three hour movie, and the entertainment press won’t see it until Friday. By then we’ll have had awards announced by the New York Film Critics Circle and the National Board of Review, er, Fans (they’re a paid membership non professional group).

Last week, Scorsese screened the film for Paramount execs and friends with a dinner afterwards at ’21’. Over the weekend, Paramount screened “Wolf” for members of the Screen Actors Guild in Los Angeles. It’s hard to say what’s going on here exactly. “Wolf” will be a box office hit. But is it Oscar material or just outrageous, over the top fun?

So now we narrow down the lists without really knowing much about “Wolf of Wall Street.” So it has to stay out of the mix for now. Here’s what I like going into the week.

Best Picture: 12 Years a Slave and Gravity are cinches. So are August Osage County and Philomena. Blue Jasmine remains solid. American Hustle is too good to be left off the list. That’s six films right there. I am still hanging in for The Butler, Nebraska, and Inside Llewyn Davis. That’s nine. The toss ups are Saving Mr. Banks, which isn’t the cinch some think it is, and Dallas Buyers Club. That’s eleven. On the outside: Wolf, plus Lone Survivor, and Her, a movie I really adore. That leaves out Mandela, although not Idris Elba. All is Lost is lost, but not Robert Redford.

Best Actress: Easy peasy. Cate Blanchett, Meryl Streep, Emma Thompson, Judi Dench, Sandra Bullock. Strong sixth place goes to Amy Adams for “American Hustle.”

Best Actor: Without Leo the list is still rough and tumble: Chiwetel Ejiofor and Robert Redford are the killers. Bruce Dern comes in right behind them. Then what? I like Forest Whitaker. And Oscar Isaac. But Matthew McConnaughey is hot. And Idris Elba gave a “towering performance” according to the New York Times. That begs the question about Tom Hanks, whose performance in “Captain Phillips” is as good as anything this two time Oscar winner has done.

Best Supporting Actor: Jared Leto probably has it sewn up from “Dallas Buyers Club.” But there’s Tom Hanks again, from Saving Mr. Banks. And Michael Fassbender from 12 years. Will Forte from “Nebraska.” Barkhad Abdi from “Captain Phillips” is also strong. I also liked Bobby Cannavale from “Blue Jasmine,” David Oyelowo from “The Butler,” and who knows? George Clooney may sneak in from “Gravity.” And don’t forget Chris Cooper’s beautiful work in “August Osage County.”

Best Supporting Actress: Oprah, Oprah Oprah. You can’t beat that performance in “The Butler.” But there’s Lupita N’yongo from “12 Years.” Octavia Spencer and Melonie Diaz from “Fruitvale Station.” June Squibb from “Nebraska.” Sally Hawkins in “Blue Jasmine.” Jennifer Lawrence from “American Hustle.”

Stay tuned, kids. It’s going to be wild couple of weeks.

 

Box Office: “Catching Fire” Ablaze With $296.5 Mil In 10 Days, $573 Mil Worldwide

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What a weekend for “Hunger Games: Catching Fire.” A $74 million weekend in the US brought its total to $296.5 domestic in just 10 days. Including the US, worldwide “Catching Fire” has $573 million. Here’s a funny idea: may be now Lions Gate will peel off a couple million from that extraordinary success and re-release George Tillman Jr’s “The Inevitable Defeat of Mister and Pete,” its highly praised only other current release. Imagine the good press! Just a thought…

The bulldozing effect of “Catching Fire” masks the reality of another new release, “Homefront,” written and produced by Sylvester Stallone, with Jason Statham starring and featuring the unlikely presences of James Franco and Winona Ryder. The widely panned movie took in just less than $7 million. Good night, and good luck.

Elsewhere, awards season can’t come fast enough for a trio of potential Oscar nominees. “12 Years a Slave,” “Nebraska,” and “All is Lost” need the publicity buzz generated this by the respected New York Film Critics Circle and the faux award entity National Board of Review.

The big art house success of the weekend: “Philomena” starring Judi Dench and Steve Coogan. Everyone loves “Philomena.”

I’m still guessing the latter group will go for “Gravity” in a big way since it has all their ingredients for success including Warner Bros. and George Clooney. Plus, it’s easy to understand. “12 Years a Slave” seems more NYFCC than NBR, which mostly ignored “Precious” and “Dreamgirls” when they were around.

NBR also gives lots of honorary awards so big stars come to their event and studios pay for tables. If Robert Redford doesn’t win Best Actor, they’ll give him a Special Achievement thing. Same for “Gravity” director Alfonso Cuaron. The NBR will also find some way to get praise to “August Osage County” because Clooney produced it.

 

 

“American Hustle” Director David O. Russell: “I Think Women are Smarter Than Men”

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At the American Hustle Screening Friday night at the DGA in West Hollywood. Guests included Harvey Weinstein, Sally Kellerman, agents and VIPS.  It was quite literally a “packed house.” Long lines of people wanting to see David O. Russell’s newest film formed outside. Unfortunately, many were turned away.

“Mad Men” creator Matthew Weiner moderated the Q and A panel afterwards, which included writer/director David O. Russell and actors Bradley Cooper, Amy Adams, Jeremy Renner and Elisabeth Rohm.

Sally Kellerman told me: “Amy’s speaking about David is the way I spoke about Altman.  They are similar filmmakers.  I was blown away by this film.  I just loved every second.” 

Here are some notes from the Q&A:

Weiner: “I just saw the movie with the rest of you.  What an attentive audience.  And no one is hungry and leaving.  This movie is really amazing.  I felt like I was in the period like ‘Dog Day Afternoon,’ or ‘Falcon and the Snowman.’  It wasn’t kitschy.  I just loved it.”

Russell: Having you moderate Matt is a treat for me.

Weiner then asked what was most important to him as a director?

Russell: Nothing is greater than the trust I have with my actors.  Without that trust risk and heart of the actors we don’t have a movie. They’ve all done things they have never done before.  I mean Jeremy singing “Delihah” is priceless.

Weiner: They should trust you.  These are killer parts.  And the music is spot on. How did Christian [Bale] come aboard?

Russell: Christian and I were interested in the bigger ideas. That we all have to believe our own narrative, that everybody is living that invention of themselves.

Cooper: The great thing about David is the form of collaboration.  His script is pained over and beautiful, but it’s also inspired that day, it’s written one way and then we move it deeper and deeper.  I love that and I hunger for that as an actor. To me it’s the best way to make movies.

Renner: David writes scripts so well.  Shooting a scene, there are no rules.  David is a storyteller that focuses on character.

Amy Adams: We’re all actors and actresses pretending in life from one moment to the next.  It’s all depends on how well we do it.  My character was hard for me to play; she was on the edge emotionally. She’s in the midst of survival.

Russell: I’m very into strong women characters (prompting applause.) It all started with Amy in ‘The Fighter,’ I do think women are smarter than men.  They express their intelligence, which comes out in a way that totally baffles men.  That’s in the movie.  Jennifer does her logic as only she can it and comes out as crazy but it’s all truthful.

Weiner: The honestly of the movie is that everyone has a reason for what they’re doing; it’s such a textured film.  I didn’t know what was going to happen because the people are so real.  A lot of people surviving.  Everybody has two characters going on.

Matt: You guys got it right.  God bless New Jersey; it’s the most interesting place.  And Robert DeNiro, how great was he?  I mean we have seen him kill a million people.

Russell: Jersey is  a treasure trove.

Weiner: What’s  is our cultural obsession with criminals?  I love me my criminals.

Russell: I’m interested in the hearts of these people, they weren’t just gangsters.  They were trying to live and love their lives.

Weiner: This movie is very romantic.  A lot of pathos and personal habits in there.  These characters had a whole life, which we got to check in on.

Russell: Their emotional world interested me.  The theme of re-invention I love.

Cooper: David doesn’t settle. He gets home runs.  He always strives for magic.  There is no set like David’s set.

 

Paul Walker and Driver Bonded Two Years Ago Over Car They Died In

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Reports say that the driver in the Paul Walker crash was former race car driver and banker Roger Rodas, who was 38 years old. Rodas was a wealth management executive for Merrill Lynch-Bank of America.

From the Merrill Lynch website, there is an irony: the pair “bonded” when they met two years ago over Rodas’s Porsche GT3, the car in which they ultimately perished.

It was at the track of a California race club that Walker met his Merrill Lynch Financial Advisor, Roger Rodas of The Rodas Group. The two struck up a conversation when Walker noticed Rodas driving a Porsche GT3 he had previously owned. Soon the two were racing side by side, as when they teamed recently with two professional drivers in a pro-am 25-hour endurance race in Thunder Hill, Calif.

As their friendship developed, Walker occasionally asked Rodas for financial advice, and they began working together formally as client and Financial Advisor in 2007. The first item on their agenda was reorganizing Walker’s portfolio, a hodgepodge of personal investments. Rodas suggested a diversified, relatively conservative portfolio of stocks, bonds, cash and alternative investments, aimed mostly at preserving capital. And because an actor’s income is sporadic, each time Walker completes another film, he and Rodas meet to re-evaluate his financial strategy to help make sure his long-term goals stay on track.

Meanwhile, Rodas helped Walker find a creative solution for maintaining his passion for cars and racing without having them become a financial burden. Maintaining and transporting his fleet requires several full-time professionals, and Walker had been funding the operation out of his own pocket. Rodas suggested an alternative: that Walker create an incorporated race shop that is bonded and insured, and that brings in income by also doing work for other drivers. “Paul said that what he saved in expenses covered all of his racing costs last year,” Rodas notes.

Meanwhile: many stories overnight noted that the event Walker and Rodas were at was a fundraiser for Philippine typhoon survivors via a charity Walker started with Rodas. But so far, Reach Out Worldwide LLC, according to its Form 990 for 2011, hadn’t actually disbursed money to anyone. It was holding $607,000 in assets.

Paul Walker, Star of “Fast and Furious,” Dead at 40 in Car Crash: “Speed Was a Factor”

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Paul Walker, handsome and enigmatic star of the “Fast and the Furious” movie series, died yesterday afternoon in a car crash in Santa Clarita, California. He was 40 years old. Walker and a friend perished in friend’s Porsche Carrera GT after attending a fundraiser for the Philippines typhoon survivors. TMZ has an interview with one of his friends who tried to save him from the wreck.

Here’s the Facebook announcement. https://www.facebook.com/PaulWalker/posts/690316711002596. Walker leaves behind a 15 year old daughter. Condolences to his family and many friends.

The LA Sheriff’s Department has issued this statement: “Patrol deputies from Santa Clarita Valley Sheriff’s Station responded to a report of a traffic collision at approximately 3:30PM in the 28300 block of Rye Canyon Loop, Valencia, on Saturday, November 30, 2013.

When they arrived, deputies found the vehicle engulfed in flames. The Los Angeles County Fire Department responded, extinguished the fire and subsequently located two victims inside the vehicle. The victims were pronounced dead at the scene.

The cause of the collision is under investigation. The Coroner’s Office will determine the identities and the cause of death of the victims.”

All together, Walker had made five of the six “Fast and Furious” movies, with a seventh one just completing production. (He wasn’t in the third installment.) The series kicked off in 2001 and was very popular. Otherwise, his movies comprised direct to video action films including three in 2013 alone– Vehicle 19, Hours, and Pawn Shop Chronicles. He had a cult following from those films and a massive number of fans around the world.

His longest running co-star, Vin Diesel, posted this on Twitter:

 

“Hunger Games: Catching Fire” Will Close Weekend with $500 Mil Worldwide

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If you haven’t taken up archery yet, you still have a couple of days. “The Hunger Games: Catching Fire” will finish the weekend with $500 million worldwide. Half of that comes from the U.S., where Jennifer Lawrence and co. have racked up big numbers in the last few days. Last night the movie made $31.25 million on its 8th day of release. That brought the American total to $253 mil and counting. That’s a record or two right there.

The animated Disney movie, “Frozen,” with rave reviews, is up to $54 million, also in 8 days of release.

“Mandela” opened in 4 theatres yesterday and scored an impressive $30,000. This is just a very limited release until December 25th. Idris Elba’s performance has gotten such glowing reviews, expected to see him nominated for Best Actor.

That category is very, very tight now, with Robert Redford, Chewitel Ejiofor, Bruce Dern, Forest Whitaker, Tom Hanks, Oscar Isaac, Christian Bale, and maybe Leonardo DiCaprio all circling. But Elba clearly looks like he’s in. They’re going to need 7 slots!

 

Remembering Peter Kaplan, World Class Editor, Great Friend

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We’re waking up to a sad morning in New York: one of our own is gone. Peter Kaplan died yesterday at age 59. He was best known as the editor of the New York Observer from 1994 to 2009. A lot of writers who he trained and mentored are on Twitter already expressing their grief about his death and gratitude for knowing him.

I met Peter long before his run at the Observer. In fact, it was 30 years ago. He’d been a writer for New Times magazine. But I was at Ballantine Books, starting out as a publicist. Peter, who was getting married, had edited a trade paperback called “Single States.” It was a series of essays, serious and funny, about dating. It was one of the first books I’d been given the task of promoting.

We became fast friends. The book was cheesy but we had fun with it, and I sent Peter off to do a lot of local TV and radio. I remember we made small placards out of the cover and anointed various bars on his tour as the best Single States places to meet people. I’ve got to tell you, it seems like yesterday. It was 1983.

Peter was a character. He’d been roommates at Harvard with Bobby Kennedy Jr. and was plugged into that world. But coming from West Orange, New Jersey he was fascinated with the lore and history of New York. When I told him that I’d met the legendary Kitty Carlisle Hart he lit up like a neon sign on Broadway. His favorite book was Moss Hart’s “Act One.” All he wanted to do was meet Kitty Carlisle and convince her to let him write “Act Two.” I think we actually broached this to her, and her answer was no thanks. But the whole thing was done with Peter’s incredible charm and youthful naivete that anything was possible.

Peter and his wife Audrey lived not far from me, and I used to have breakfast with them sometimes at the famous Joe Jr’s. This was before they decamped from Greenwich Village. Peter was hired at the Times to write culture pieces. His first big ‘get’ was writing a piece about Grant Tinker, who’d become the head of NBC after his amazing run creating MTM and “The Mary Tyler Moore Show.” Tinker was very cool at the moment, and Peter was over the moon, the way a young reporter is when you score a timely subject whom you also admire. It’s a big high. http://www.nytimes.com/1984/09/30/arts/nbc-s-head-says-tv-viewers-spurn-quality-shows.html

For a couple of years in the late 80s, after running the very hip Manhattan Inc. magazine, Peter worked as Charlie Rose’s executive producer in the early days of his PBS show. Charlie loved him, although Peter had his own ideas and really needed to be the captain of his own ship. That was the Observer. I wrote several pieces for him in the mid 90s.

There’s a picture today of Peter in the Times, sitting in his Observer office. That’s the groomed version. When I think of visiting him at the offices in that crazy townhouse on East 64th St. I can see him in those clothes– the blue Oxford shirt, chinos, etc. But he used to emerge from his rabbit hole of an office hair standing straight up, shirt untucked, glasses askew. He looked like Fred MacMurray after a failed experiment in “Flubber.” It was hilarious.

But he was busy running a weekly paper that meant something in New York. The Observer was great– and I mean, great– then. From Charles Bagli and Peter Stevenson on the front page, to Candace Bushnell, and Frank DiGiacomo, Craig Unger and Joe Conason–every week, there was so much to read. And you gobbled it up.

Arthur Carter, publisher of the Observer, loved Peter. But when he sold the paper to Jared Kushner, things weren’t so good. Peter, who always seemed eternally young, was now showing 30 year old Kushner the ropes. He left to become editorial director at Fairchild within Conde Nast. And last year he started M Magazine, for men’s fashions.

You never forget the people you meet when you’re starting out. No matter where we went in life, Peter and I always knew each other from an early time. That kind of relationship is a touchstone in your memory. As various people came and went, we could see each other across the room at a publishing party and reunite with a warm handshake and a real smile. (He was a good smiler.) We were still here.

Last March I saw him at the Observer’s 25th anniversary party. A buzz cut had replaced his usual mop of hair. I thought it was a fashion statement. But it was cancer. And we exchanged emails. I apologized for making a joke about his hair. He let me off the hook with a lovely reply. He wrote:

“Dear Roger
Please do not be silly—it was a completely reasonable thing to say!
And thanks so much I feel pretty well.
You know I have real affection for you and I always will.”
The same here, Peter. I would have so enjoyed us sharing laughs about “Single States” and everything else well into our golden years. A great friend, gone way too soon.

 

photo courtesy of Patrick McMullan

Van Morrison Brings “Glad Tidings” But No Encore and Few Hits to the Beacon

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I do have to laugh: I stopped going to Van Morrison shows a few years ago because they were so frustrating. He rarely sang recognizable songs. He was off in his own world. The whole thing was interesting for about half an hour. And this from a devoted fan who has every album and knows every note. His performances were coloring my love of the records.

So back I went on Tuesday to the Beacon Theater. The place was full. Shana Morrison, Van’s foxy 43 year old daughter, opened the show and sang “And It Stoned Me.” She has a wonderful voice and could have been a star in her own right. But she works in the family store.

Van: He sure is a stout little guy, a fireplug in a tight suit and a big brimmed hat clamped down on his head. To get a good picture of him you have to wait until he turns his cherubic face to the key light above him and shoot fast. Van Morrison does not like too much light.

The band is sweet. They are big too, with a lot of independent horns, not a horn section per se. The players are gifted and soulful. Van plays his own memorable horn pieces, too. And the band swings under his own direction. Jazz and big band are his true source material, and their intersection with country, R&B, Irish traditional music makes for his unique sound.

We were lucky: He sings “Moondance,” or kind of mumbles it. He rushes “Tupelo Honey” into a medley with the less well known “Tupelo Honey.” That’s it for hits. If you’ve come for “Gloria,” “Brown Eyed Girl,” or “Jackie Wilson Said,” you are out of luck.

An hilarious moment: someone has convinced Van to sing “Glad Tidings” from “Moondance.” It was used in a Sopranos episode. “I need the lyrics!” he shouts. “Where are the lyrics.” An assistant hands him a piece of paper, he puts it on a music stand. “Glad Tidings” lives, gloriously.

There are guest stars: 92 year old jazz legend Jon Hendricks, famous for Lambert Hendricks & Ross, comes out with his daughter Aria and talented vocalist Kevin Burke. During the 90 minute show they do a two or three numbers with Van including Hendricks’ famous “Centerpiece.” Van looks thrilled and the results are historic. Beautiful.

I’ve looked back at Van’s set lists since he started out on this set of gigs a couple of weeks ago. It’s catch as catch can. It’s whatever he feels like. And there are no encores. So after he did “In the Garden,” he said Goodnight and left the Beacon stage. The audience, many of whom spent hundreds of bucks to see him, was shocked and disappointed. I just laughed. I knew the way it would end. But it was beautiful for a few moments.

Van, you won’t read this but here’s an idea: you released a new album last year. Why not sing it on tour? Just a thought.

 

Monty Python Now Up to 10 Dates in London, More to Come

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I did tell you that the Monty Python reunion would add up to around 100 shows before it was all done. A few people told me I was crazy, that the Pythons would never pull it off. But here we are: they’ve got 10 shows booked the O2 Arena outside of London after adding five more dates tonight. The shows now run July 1st-5th, and 15th-20th. Will there be more? Absolutely. Then look for dates in New York and Los Angeles for early September. AEG Live is supposedly handling the tour, which will spread out in the U.S. before heading to Europe, Australia, and so on. Python-mania is upon us!