Thursday, December 18, 2025
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Toldya! National Board of Review Goes for A Warner Bros Film, Snubs “12 Years”

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I did tell you the kooky National Board of Review would go for a Warner Bros. film didn’t I? I thought it would be “Gravity.” They zagged and went for Spike Jonze’s “Her.” Annie Schulhof and her group of non-reviewers are nothing if not predictable. Didn’t I say they’d do a special prize for “Gravity”?

They chose Bruce Dern for Best Actor and Will Forte for Best Supporting Actor.

It’s not that I disagree with these choices, but the NBR– blunted by the New York Film Critics with their Robert Redford-Jared Leto choices– were stuck. And they were certainly not going for Chiwetel Ejiofor. You knew that going in. The NBR stayed away from “12 Years a Slave” and “The Butler.” Their “black” movie was “Fruitvale Station,” guaranteeing them that the Weinstein Company would pay for one or two tables.

Best Actress went to Emma Thompson for “Saving Mr. Banks.” Best Screenplay went, strangely, to Terence Winter for “The Wolf of Wall Street.” Huh? Their Best Picture, “Her,” actually is the best written of these movies. But they had to get Scorsese in. Plus, they’re giving Marty and a special award, just to get them onto the show. Laughable. Do the actors and directors not get this?

Best Ensemble, “Prisoners”? WTF? The characters are rarely in the same scenes together. “August Osage County,” “Inside Llewyn Davis,” “The Butler,” “American Hustle”– but not “Prisoners,” yet another … wait for it.. Warner Bros. That Annie, she sure loves Warner Bros.

These dopes didn’t even include “American Hustle” in their Top 10.  Urgggh. And now, their dinner, at $600 a pop.

BEST PICTURE
“Her”

BEST DIRECTOR
Spike Jonze, “Her”

BEST ACTOR
Bruce Dern, “Nebraska”

BEST ACTRESS
Emma Thompson, “Saving Mr. Banks”

BEST SUPPORTING ACTOR
Will Forte, “Nebraska”

BEST SUPPORTING ACTRESS
Octavia Spencer, “Fruitvale Station”

BEST ORIGINAL SCREENPLAY
Joel and Ethan Coen, “Inside Llewyn Davis”

BEST ADAPTED SCREENPLAY
Terence Winter, “The Wolf of Wall Street”

BEST ENSEMBLE
“Prisoners”

BEST ANIMATED FEATURE
“The Wind Rises”

BEST FOREIGN LANGUAGE FILM
“The Past”

BEST DOCUMENTARY
“Stories We Tell”

SPOTLIGHT AWARD
Career collaboration of Martin Scorsese and Leonardo DiCaprio

BREAKTHROUGH PERFORMANCES
Adele Exarchopoulos, “#Blue is the Warmest Colo#r”
Michael B. Jordan, “Fruitvale Station”

DEBUT DIRECTOR
Ryan Coogler, “Fruitvale Station”

CREATIVE INNOVATION IN FILMMAKING
“Gravity”

FREEDOM OF EXPRESSION
“Wadjda”

BEST PICTURE NOMINEES (alphabetical)
“12 Years a Slave”
“Fruitvale Station”
“Gravity”
“Inside Llewyn Davis”
“Lone Survivor”
“Nebraska”
“Prisoners”
“Saving Mr. Banks”
“The Secret Life of Walter Mitty”
“The Wolf of Wall Street”

BEST FOREIGN LANGUAGE NOMINEES (alphabetical)
“Beyond the Hills”
“Gloria”
“The Grandmaster”
“A Hijacking”
“The Hunt”

BEST DOCUMENTARY NOMINEES (alphabetical)
“20 Feet from Stardom”
“The Act of Killing”
“After Tiller”
“Casting By”
“The Square”

BEST INDEPENDENT FILMS (alphabetical)
“Ain’t Them Bodies Saints”
“Dallas Buyers Club”
“In a World…”
“Mother of George”
“Much Ado About Nothing”
“Mud”
“The Place Beyond the Pines”
“Short Term 12”
“Sightseers”
“The Spectacular Now”

Lee Daniels’ “The Butler” Back in Theatres Friday for Oscar Run

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Good news: Lee Daniels’ “The Butler” is coming back to theaters this Friday for its Oscar run in 1007 theaters. The film has made $115 million domestically. It should be a Best Picture nominee, with actor nods to Forest Whitaker, Oprah Winfrey and David Oyelowo. Lee Daniels is in the mix for Best Director, and Danny Strong wrote one of the best screenplays of 2013. I don’t know what happened to Gladys Knight’s song written by Lenny Kravitz–that should be up for Best Song just to have Gladys on the Academy Awards. “The Butler” has a strong following in the Academy. It’s also a potential SAG ensemble nominee. And Oprah, as I said when I first saw “The Butler,” should be the Best Supporting Actress of the Year. Since I wrote that, people have said to me, Oh, she’s Oprah, she has everything, she doesn’t need it. This is ridiculous. Nothing can touch that performance!

Paul Walker’s Relief Charity Was Well Intentioned But Cash Poor

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Before everyone starts sending money to Reach Out World Wide, Paul Walker’s charity, you might want to rethink it and send the money in his name to the Red Cross. Reach Out World Wide’s two tax filings, for 2010 and 2011, aren’t that encouraging.

It’s a little unclear how ROWW was doing business since Walker did go on rescue missions to the Philippines in 2011, and helped out after disasters in Chile and Oklahoma. There are seven videos posted to YouTube showing him and his “team” on the ground.

In 2011, according to IRS documents scanned a year ago into their system by Guide Star, Reach Out World Wide had $83,783 in expenses. Only $7,085 of that was for “Rescue Equipment.” They spent $28,500 on “rent, parking and utilities.”

In fact, ROWW in its second year of operation was wobbly. They had received  $607,776 in securities from Always Evolving, the company run by Roger Rodas, the race car driver who was killed with Walker last week in the terrible accident. But the reality was just over $3,744 in cash on hand.

There was no donation from Walker, but he may have just been spending his own cash without notating it. The 2012 tax filing, which still hasn’t been posted, may reveal more details.

 

Gotham Awards: Jared Leto Gets Pelted, Oscar Isaac Wants Sex Scenes with Jessica Lange

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A weird scene in the press room Monday night at the Gotham Awards: Somebody who worked for the vodka sponsor threw a fur hat at Jared Leto’s head to get him to turn his head a particular direction for a photograph. At first we didn’t realize it was a soft item and everyone gasped. The “Dallas Buyers Club” actor was very cool. He also has quite a mane of hair, so it didn’t hurt. The publicist in the room was understandably furious at the guy who threw the hat and chewed him out..

Cate Blanchett dropped off the press list. Bummed out journalists told me as soon I arrived on the red carpet at the Gotham Awards Monday night at Cipriani Wall Street. The “Blue Jasmine” star was to lose out anyway in the Best Actress category to the stunned and bubbly Brie Larson for her subtle star turn as a social worker in “Short Term 12.’

Other notable no-shows were Ethan and Joel Coen, who won the Best Feature Film award for “Inside Llewyn Davis.” Oscar Isaac, who stars in the title role as a talented but doomed-to-fail 1969’s folk singer, picked up the glass trophy instead for the absent brothers.

Isaac, who was also nominated for Best Actor, lost out to Matthew McConaughey for “Dallas Buyers Club.”

But McConaughey also didn’t make it to the Gotham Awards, so Jared Leto, who co-stars in “Dallas Buyers Club,” picked up the prize for McConaughey instead and even tried to call him from the stage to give him the good news.

In the pressroom Leto told me of McConaughey, “Alas he couldn’t be here. He’s working so I just thought I should try and call him and, you know,” he laughed, “it didn’t work out so well but he was laughing on the phone so it was kind of fun to be a small part of it. You know, it’s his award. I’m just happy that I could be here to kind of shepherd it and hide it from him.”

 McConaughey’s got a good out; he’s on the film set of the hotly anticipated Christopher Nolan sci-fi thriller, “Interstellar,” co-starring Jessica Chastain and Anne Hathaway

 Leto has added a lot of facial hair and a some weight since last year when he was at the Gothams to pick up an award for his documentary film “Artifact.” Leto was in the middle of shooting “Dallas Buyers Club,” in which he played the transgender Rayon, who is wasting away from AIDS, and he was so emaciated no one in the pressroom even recognized him. He’s still very skinny but at least now he doesn’t have to lean on anyone for support to keep from falling over from hunger. Also his eyebrows grew back.

“Last year everybody was wondering what the hell I was doing with no eyebrows, right?” Leto cracked before he exited the pressroom.

Meanwhile Oscar Isaac was just coming into the pressroom to pose with the Coen brothers trophy and chat with the press. He told he didn’t get a chance yet to tak to the famously awards-adverse brothers. “No, No, I just got off stage and talking to you now.”

  Asked what he liked about working with Ethan and Joel, Isaac said, “They make a community of artists and so everyone is encouraged to give all their ideas and we’re all making it together. It really reflects what it was like in the Village in the 60’s you know.” 

  “There’s no vanity. There’s no ego to the thing that they do and they really examine existence,” he said.

  Isaac told me the most challenging part about his role was how internal the character is. “He doesn’t show his emotions and he doesn’t ask to be liked. He doesn’t use charm, so to still convey a sympathetic human being as someone that deserves your attention without using those traditional means of warmth or extraversion, that was a challenge.”

Unlike Llewyn, Isaac is very charming and outgoing, especially when I asked him about his next film, which is set in 1860’s Paris and co-stars Elizabeth Olsen. It’s based on the Zola novel “Thérèse Raquin” about a sexually repressed young woman trapped in a loveless marriage with her sickly cousin Camille (Tom Felton). Jessica Lange plays Thérèse’s domineering aunt. At the “Oldboy” junket recently Olsen told me Isaac was terrific as Laurent, her passionate lover.

I asked Isaac what he could tell me about the film.

“I think Jessica Lange in incredible in the movie,” he said enthusiastically, “and she’s been one of my favorite actresses and so to get to work with her was incredible.”

 And for once he gets to have some sexy love scenes I pointed out.

 “I only wish it was with Jessica Lange, I can say that.”

 

TV: “Dallas” Plans a Big Wedding, But Will All The Vets Be There?

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The reboot of “Dallas” is coming for a third season on TNT in February. It’s the first time “Dallas” is being attempted without Larry Hagman as its driving force, JR Ewing. I was told a couple of weeks ago that the show is shooting a big wedding episode–maybe for JR’s son, John Ross.

But will all the Ewings be there? Yesterday after her beautiful reading at Julie Harris’s memorial service, I asked Joan van Ark, who played Valene Ewing on “Dallas” and “Knots Landing” for nigh on 20 years, if she’d be on the groom’s side.

“Ted [Shackelford, who plays Gary Ewing] and I were not invited to the wedding,” van Ark told me. “We were on ‘Dallas’ last year. Ted’s not sure if we’re ever going back. But I’m convinced we are. I’d like to mix it up with Sue Ellen (Linda Gray) some more. And the fans love the original characters.”

I hope she’s right. So far “Dallas” re-booter Cynthia Cidre’s done a good job keeping “Dallas” in line with its roots. The fans want to see the original characters as much as possible and that means all the Ewings since JR is sadly gone.

van Ark, by the way, does an amazing amount of voice over work. You can hear her sultry tones on a lot of commercials!

 

Tonight’s “Out of the Furnace” Premiere: Public Tickets Available, in Bulk

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I don’t know who or what is putting together tonight’s premiere of “Out of the Furnace.” But the “Deer Hunter” like movie’s producers must be nervous their invited guests aren’t coming. Or something. The public is welcome to buy tickets to the “Furnace” premiere in person or online at the Landmark Sunshine on Houston Street. I’ve managed twice this morning to reserve a group of 10. All I had to do was give my credit card. Sadly, I will be at Elton John’s sold out show tonight at Madison Square Garden. But if you’re interested in seeing Scott Cooper’s brutal vision along with stars like Casey Affleck and Christian Bale, then $13.50 is your way in. Scott Cooper will be there for a Q&A after the show. “Out of the Furnace,” by the way, has a respectable 70% on rottentomatoes.com

A “Knots Landing” Reunion and All Star Send Off for 6 Time Tony Winner Julie Harris

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Six time Tony Award winner Julie Harris, first lady of the American theater, got an all-star send off this afternoon from a bunch of stars in a packed Broadway theater. Convening at the Bernard Jacobs Theater on West 45th St. to say their goodbyes were no less than Christopher Plummer, Joan van Ark, Hal Holbook, Rosemary Harris, Cherry Jones, and Zoe Caldwell among others.

There were plenty of stars in the audience, too, including Jane Alexander and Joan Copeland, and two more of Harris’s “Knots Landing” co-stars besides van Ark– Donna Mills and Michele Lee, who’d each flown in especially to pay tribute to their amazing friend.

After the show, all the speakers– including organizer Francesca James, playwright Bill Luce (“The Belle of Amherst”), producer Biff Liff, and actors Jennifer Harmon and Roberta Maxwell– threw a big lunch upstairs at Sardi’s with lots of toasts and anecdotes about the generous shopaholic Harris who doted on her friends.

Famed theater producer Liz McCann recalled how CBS once cut a Harris tribute with Meryl Streep presenting an award to her from a Tony Awards broadcast.

At one point the memorial could have gotten its own Tony award considering the murderer’s row of actors who appeared one after another. van Ark told the story of how Harris, then the only female graduate of Yale Drama School, got the young actress admitted, making her the second female graduate of Yale Drama School. Years later by coincidence, Harris was hired to play van Ark’s mother on “Knots Landing.”

Holbrook, who was born the same year as Harris, called her acting “simple truth.”

A tape was played from a Charlie Rose interview in which Dames Maggie Smith and Judi Dench claimed the only performance they couldn’t top was Harris in “A Member of the Wedding.”

van Ark told me at Sardi’s that the Knots Landing gang– still extremely close after 14 seasons on CBS– have started a Julie Harris Scholarship at Yale Drama. “Alec Baldwin put in the first $25,000,” van Ark said of her one time TV brother. “That’s what gave it legitimacy.”

Check it out at drama.yale.edu/julieharrisscholarship or contact deborah.herman@yale.edu for more information

Oscars: Doc Short List Includes Blackfish, Lance Armstrong Expose, Darlene Love Story

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Here are the 15 documentaries on the Oscar shortlist. Five lucky nominees will be culled from this list. They are each very good films, from “The Square,” by our old pal Jehane Noujaim, to Alex Gibney’s startling take on Lance Armstrong. “The Act of Killing” is a film I heard about a long time ago; that’s the one I’d put my money on right now.

 

“The Act of Killing,” Final Cut for Real
“The Armstrong Lie,” The Kennedy/Marshall Company
“Blackfish,” Our Turn Productions
“The Crash Reel,” KP Rides Again
“Cutie and the Boxer,” Ex Lion Tamer and Cine Mosaic
“Dirty Wars,” Civic Bakery
“First Cousin Once Removed,” Experiments in Time, Light & Motion
“God Loves Uganda,” Full Credit Productions
“Life According to Sam,” Fine Films
“Pussy Riot: A Punk Prayer,” Roast Beef Productions
“The Square,” Noujaim Films and Maktube Productions
“Stories We Tell,” National Film Board of Canada
“Tim’s Vermeer,” High Delft Pictures
“20 Feet from Stardom,” Gil Friesen Productions and Tremolo Productions
“Which Way Is the Front Line from Here? The Life and Time of Tim Hetherington,” Tripoli Street

Review: “Philomena” with Judi Dench Scores $5 Mil in 11 Days

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The breakout small film of the 2013 race? Stephen Frears’s “Philomena,” a dramatic comedy  starring the almost 79 year old Judi Dench, (her birthday is December 9th, and Steve Coogan, (who co-wrote and also produces the film). This is a quite simply, a gem of a film.  And after 11 days, the $5 million it has in the till is nothing. “Philomena” is the surprise hit of the season.

The movie is based on the book by the BBC correspondent and investigative reporter Martin Sixsmith, “The Lost Child of Philomena Lee.”  Sixsmith recounted the injustice of church doctrine in Ireland which condoned the sale of Lee’s baby as an unwed teen fifty years ago.  She was an unwed teen who’s parents forced into a convent to give birth, then forced to watch as her 3 year old baby was taken from her.  She also had no idea then that he was sold to a wealthy couple in to the Untied States.

To make matters worse for Lee, she was then forced to sign a document that would not allow her to find him/or vice versa. Now it’s 50 years later and Sixsmith, played by Coogan, reluctantly meets her and then joins her on her quest to find her son.  Her story is deeply emotional and her long hidden torment heartbreaking.

The divine Dench is just perfect as Philomena, and Coogan, plays her intellectual, snobbish and quite cynical partner with his usual comic brilliance.  His  extreme disdain for the Church overwhelms him and as the story progresses, so does his respect and affection for her.

Dench usually plays classy upper crust roles, like Queen Elizabeth, Evelyn Greenslade in ‘The Best Exotic Marigold Hotel,’  and even ‘M’ in the James Bond movies.  But here she plays a working class nurse, salt of the earth, albeit naive woman, who was carrying this unfathomable burden in her heart for half a century. Dame Judi  touches every acting chord with sincerity and respect.  Her feelings, reactions and timing are priceless and pure acting gold.

Kudos to Frears and Coogan. This story could have easily slipped into the mushy, sappy and sentimental category. Thankfully it doesn’t.   Instead, you are captivated by her story, angered by the injustice that was done to her, and admiring of her indomitable faith.  Not one word in this poignant and clever script is wasted or extraneous.

Famed Director Stanley Donen, 89, May Direct First Feature Film in 30 Years (Exclusive)

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EXCLUSIVE: Stanley Donen, who will turn 90 next April, is considering a directing comeback after 30 years. The legendary director of movie musicals including “Singing in the Rain” has written a script with his significant other, the great and equally legendary Elaine May. The movie, a comedy, would be produced by Mike Nichols.

Yes, you are reading all this correctly. This is like the group from Mount Rushmore coming back for one new hurrah.

I can tell you that a couple of weeks ago there was a private reading for investors of the Donen-May script. Among the cast were Christopher Walken, Charles Grodin, Ron Rifkin, and Jeannie Berlin, the supremely talented daughter of Elaine May. Some NYU acting students also participated.

The movie is supposed to be about the making of a movie and everything that goes wrong, sources say. “The humor is very wry,” says my source.

Is Stanley Donen really going to direct this movie, I asked incredulously? “Knowing those three,” an insider quipped about Nichols, May and Donen, “they’ll all direct it!

Donen’s last feature was “Blame it on Rio” in 1984. He also directed another movie parody, the gem “Movie Movie” (1978).

By the way, Elaine May directed one of the greatest comedies of all time, “The Heartbreak Kid,” written by Neil Simon (1972). Just FYI.