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L’Wren Scott Buried in Tacky Hollywood Cemetery with Gift Shop

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L’Wren Scott was a Mormon and she was from Utah. She was, however, buried in a Hollywood cemetery that has a gift shop, no religious affiliation, and no family meaning for her. It’s the end of a very strange story.

Hollywood Forever Cemetery is the home to miscellaneous stars, big and small, known and forgotten. It’s the kind of place that sells maps to stars’ graves. On their web page there are instructions for booking events.

Classy? No. Kitschy? Yes.

Two of the Ramones from the punk rock group are there. Johnny Ramone’s has a headstone of him playing guitar. Viva Las Vegas. Both Douglas Fairbanks Sr. and Jr. are in Hollywood Forever. So is Fay Wray of “King Kong” fame, Mel Blanc, voice of Bugs Bunny. His epitaph on his tombstone: “That’s all, folks!”

It’s a cemetery with a Hall of Fame. Director Cecil B. DeMille, actors Peter Finch and Janet Gaynor, movie mogul Harry Cohn, gangster Bugsy Siegel, and silent film star Rudolph Valentino all live on in memory in the opulent mausoleums and crypts.

Hollywood Forever seems like a place that might have been a good idea in the early part of the movie industry’s history when no one had a past and everything was sort of imagined as a celluloid fantasy.

What is L’Wren Scott doing there? She had nothing to do with old Hollywood or the actual movie business other than dressing some stars.  She’s far from home, not near anyone from the fashion business or her family. It’s not like Mick Jagger will ever go back for a visit, as he lives in London, New York, and Mustique. It’s unlikely any of her movie star clients will use this as a final resting place. None of them would be caught dead there, frankly.

Weird, weird, weird.

PS They host concerts there regularly, and have a regular Movie Night.

L’Wren, try and rest in peace.

Mick Jagger, Nicole Kidman, Family, Friends Say Goodbye to L’Wren Scott at Private Funeral

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L’Wren Scott was laid to rest today in Los Angeles, eight days after her tragic suicide. Everyone continues to wonder what happened. Look at the picture of Mick Jagger that went out around the world Tuesday. This man looks shattered, to use a word. What a terrible ending for everyone involved.

Besides Jagger, there were members of his family and Scott’s, as well as actress Ellen Barkin, Nicole Kidman and Keith Urban. There was a reception following at the very chic Sunset Tower Hotel.

None of the Rolling Stones went to the service– no Keith, Ronnie, Charlie Watts. The Stones’ quotes last week about the “situation” never mentioned L’Wren or her passing, just their support for Mick and willingness to get back on tour.

But Mick’s kids and grandkids did turn out in full force. Scott was buried in a cemetery with the tackiest name possible– “Hollywood Forever.” Only in L.A., kids, only in L.A.

Here’s the note from Jagger’s publicist which every outlet used as if they’d done the actual reporting. The note didn’t include Kidman or Urban’s names or any other friends.

A small private gathering of family and close friends attended a funeral service for L’Wren Scott today at Hollywood Forever Funeral Home in Los Angeles.

The service with blessings and prayers led by Reverend Ed Bacon (All Saints Church in Pasadena, California) included memories and words of tribute from Mick Jagger, her brother Randy Bambrough, Justinian Kfoury, Ira M. Hammons-Glass and Adam Glassman.

Poems were shared by Jagger’s daughter Karis, as well as Ellen Barkin. Mick’s daughter, Jade, read Psalm 139, and his grandchildren, Mazie and Zak, read Psalm 23.

Randy’s daughter Hannah read Shakespeare Sonnet 18.

 

 “Will the Circle be Unbroken” was sung by Bernard Fowler with Dave Stewart on guitar.

Gwyneth Paltrow Announces Separation on Her Website, and Crashes It

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Goop! Oscar winning actress Gwyneth Paltrow announced her separation — er, “uncoupling”– from Coldplay rocker Chris Martin tonight while I was at the theater. Isn’t it always the way? Anyway, GP posted her news on her website. www.goop.com. And the site crashed. You still can’t get into it at 10:45pm. Always check your bandwidth before making a life announcement.

Surprised? No, no one is surprised. Rockers aren’t made for marriage. Actors aren’t far behind. No one’s in the same place at the same time. And when they’re not, they’re where they shouldn’t be. Plus, it must have been hard to get a cheeseburger, fries, or Oreo’s in that house. That adds to the tension considerably.

Uncoupling means divorce in the real world, which is always sad. Chris recently signed on to do “The Voice.” Gwyneth has more “Iron Man” movies to do. Since winning the Oscar for “Shakespeare in Love” in 1999, she hasn’t done a single serious film. Maybe this news will refocus her attentions. She’s quite capable of winning more Oscars.

PS I hate to say it, but now it does seem that Vanity Fair had been on the trail of something after all.

Horror: Madonna Is Being Allowed to Direct Yet Another Movie

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This is insane: Madonna is going to direct another movie. Why? Cronyism. There’s no other explanation. Her “W.E.” was one of the great embarrassments in movie history. If you saw that piece of whatever, you remember the Duchess of Windsor dancing to punk music in front of the Duke’s death bed.

Now Madonna will direct a movie based on a novel by Rebecca Walker, the daughter of “Color Purple” author Alice Walker. Madonna will bring all her subtlety to the story of “Ade,” described on amazon thusly:

“When Farida, a sophisticated college student, falls in love with Adé, a young Swahili man living on an idyllic island off the coast of Kenya, the two plan to marry and envision a simple life together—free of worldly possessions and concerns. But when Farida contracts malaria and finds herself caught in the middle of a civil war, reality crashes in around them. The lovers’ solitude is interrupted by a world in the throes of massive upheaval that threatens to tear them apart, along with all they cherish.”

I mean, under Madonna’s eye, hilarity will ensue. What’s the deal here? First Anna Wintour puts Kanye and the wife on the cover of Vogue, now this. The general public must hear these things and wonder if everyone’s gone mad.

And it’s not just that Madonna can’t act and can’t direct. Financially, why would anyone get involved in this? Her last movie cost over $15 million. It made only $582,075 in the US and $285,000 abroad. Even the Brits didn’t want to see it. And this new movie is set in Africa, setting for Madonna’s hilariously stupid documentary “I Am Because We Are.”

Blame it on the Polar Vortex, I guess!

Broadway: An Old Fashioned Sardi’s Night for Tyne Daly in “Mothers and Sons”

“Cagney and Lacey” was long in the past last night as Tyne Daly took hold of the stage at the Golden Theater. She stars in Terrence McNally’s sort of new 90 minute one act play, “Mothers and Sons,” with Frederick Weller and Bobby Steggert. The audience that showed up was the kind you don’t always see in one place– Bernadette Peters, opera legend Marilyn Horne, Marilu Henner, Tim Daly (Tyne’s brother), Doris Roberts (of “Everyone Loves Raymond” fame), Amy Brennerman, Elaine May and Stanley Donen, Nathan Lane, Elizabeth Ashley, and the immortal Liz Smith and Iris Love among others.

At Sardi’s after Tyne’s magnificent performance, it was like an old fashioned night on the Rialto, a flashback to a showbiz New York that is just flickering in memory. When Doris Roberts came over to Liz’s table, producer Lorraine Boyle– widow of actor Peter Boyle– jumped up and cried, “Peter’s other wife!” They embraced.

Nathan Lane whispered some secrets in Liz’s ear. Oscar winning actor F. Murray Abraham came over and said, “Liz is a Texas girl!” Abraham– who everyone thinks is from Brooklyn– told Liz he was raised in El Paso, Texas. “The place for divorces!” Liz –who’s from Fort Worth– declared. “What else?” shrugged Murray.  Elaine May and I changed seats so she could talk to Liz, and I could talk to Stanley, who’s 90, and you know, directed “Singing in the Rain” among many classic movie musicals.

All the while, most of these people were represented by their famed caricatures on the Sardi’s walls, and everyone was pointing to this one and that one who were also in the room. Meanwhile. Ben Brantley’s review in the Times was good, so a nice relief spread through the crowd. Tyne Daly will get a Tony nomination, and so will Frederick Weller. And while the play isn’t perfect, it’s very affecting thanks to Ms. Daly, who carves unexpected sympathy out of her character and leaves the audience surprised that she did.

Now that’s entertainment!

James Rebhorn Left His Own Obituary: Here it Is

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James Rebhorn wrote his own obituary. It was posted to his church’s website. Everyone’s run it, but it was so moving I wanted to put it here, too. On Sunday morning, when I first wrote about Rebhorn passing, there were few mentions on the web. Since then, there’s been an outpouring of obits and notices. How wonderful. I doubt he had any idea so many people were aware of him. Even crazier is that he lived with melanoma for 22 years until recently. He did his best work, and no one knew he was ill. Notice that the obit says nothing really about acting. It’s all about his family.

Here’s the obit, and a salute:

James Robert Rebhorn was born on Sept. 1, 1948, in Philadelphia, PA. His mother, Ardell Frances Rebhorn, nee Hoch, loved him very much and supported all his dreams. She taught him the value of good manners and courtesy, and that hospitality is no small thing. His father, James Harry Rebhorn, was no less devoted to him. From him, Jim learned that there is no excuse for poor craftsmanship. A job well done rarely takes more or less time than a job poorly done. They gave him his faith and wisely encouraged him to stay in touch with God.

He is survived by his sister, Janice Barbara Galbraith, of Myrtle Beach, SC. She was his friend, his confidant, and, more often than either of them would like to admit, his bridge over troubled waters.

He is also survived by his wife, Rebecca Fulton Linn, and his two daughters, Emma Rebecca Rebhorn and Hannah Linn Rebhorn. They anchored his life and gave him the freedom to live it. Without them, always at the center of his being, his life would have been little more than a vapor. Rebecca loved him with all his flaws, and in her the concept of ceaseless love could find no better example.

His children made him immensely proud. Their dedication to improving our species and making the world a better place gave him hope for the future. They deal with grief differently, and they should each manage it as they see fit. He hopes, however, that they will grieve his passing only as long as necessary. They have much good work to do, and they should get busy doing it. Time is flying by. His son-in-law, Ben, also survives him. Jim loved Ben, who was as a son to Jim, especially through these last months.

His aunts Jean, Dorothy and Florence, numerous cousins and their families, and many devoted friends also survive Jim. He loved them all, and he knows they loved him.

Jim received his BA at Wittenberg University and his MFA at Columbia. He was a member of Lambda Chi Alpha Nu Zeta 624, a life-long Lutheran, and a longtime member of both the AMC and ACLU.

Jim was fortunate enough to earn his living doing what he loved. He was a professional actor. His unions were always there for him, and he will remain forever grateful for the benefits he gained as a result of the union struggle. Without his exceptional teachers and the representation of the best agents in the business, he wouldn’t have had much of a career. He was a lucky man in every way.

–Jim Rebhorn, March 2014

Broadway: “Bridges” May Be Burning, “Rocky” Getting Sucker Punched

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The Tony Awards are on June 8th– which looks like a date far away in the future to some people on Broadway.

Two original musicals– “The Bridges of Madison County” and “Rocky”– are not having an easy time of it.

Of the two, “Bridges” looks like it’s in danger of collapsing well before the theater season is over. Last week, the musical, based on the book and movie of the same name, was down 13% from the prior week. The show is playing at 65% of its audience capacity, and took in just $385.5 K for the week.

I can’t say I’m surprised. Despite wonderful performances by Kelli O’Hara and Stephen Pasquale, “Bridges” is a hard go. The songs are tuneless, and there is no covered bridge on the stage. Plus, I’ll bet a lot of men in the audience didn’t care for the set up of the story. I was with the husband, played by Hunter Foster. He’s a nice attentive guy  and still his wife cheats on him. Basta!

“Rocky” is doing better than “Bridges,” but still it’s getting sucker punched. The musical based on the Oscar winning movie from Sylvester Stallone certainly has the physical production– like a boxing ring that moves. But last week “Rocky” was rocky after it’s big opening, down 3% and selling only 79.5% of its capacity, Like “Bridges,” the show is heavily discounted at TKTS and on websites.

This situation was not what brought last year’s “Kinky Boots,” “Matilda,” and “Pippin” in as hits.

Meantime, “Beautiful” and “After Midnight” are doing great, as is “Gentleman’s Guide,” as are “Aladdin,” “Bullets over Broadway,” and — this is an understatement–“If/Then,” when Adele Dazeem aka Idina Menzel, is printing money.

“The Good Wife” Creators Write Letter to Fans: The “Gut Punch” of Actor’s Decision

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Robert and Michelle King, creators of “The Good Wife,” posted this letter on cbs.com last night. It was to explain the shocking twist at the end of last night’s episode. They made up a word (“irredeemability”) but otherwise were straightforward about their actions. Hey: they do this on soap operas all the time. Maybe Josh Charles can come back as his lookalike cousin.

A Letter From Robert & Michelle King: Episode 515

Dear Loyal Good Wife Fans,

We, like you, mourn the loss of Will Gardner. And while Will is gone, our beloved Josh Charles is very much alive and remains an integral part of our family.

The Good Wife, at its heart, is the “Education of Alicia Florrick.” To us, there always was a tragedy at the center of Will and Alicia’s relationship: the tragedy of bad timing. And when faced with the gut punch of Josh’s decision, made over a year ago, to move on to other creative endeavors, we had a major choice to make.

We could “send him off to Seattle,” he could be disbarred, or get married, or go off to Borneo to do good works. But there was something in the passion that Will and Alicia shared that made distance a meager hurdle. The brutal honesty and reality of death speaks to the truth and tragedy of bad timing for these two characters. Will’s death propels Alicia into her newest incarnation.

Death also created a new dramatic “hub” for the show. We’re always looking for these turning points—some event midway through the season that will spin everybody’s lives in new directions. These turning points keep the show from slipping into a numbing sameness, and keep the characters fresh: because you see how they react to a completely new status quo. Will’s death in many ways becomes a hub for the whole series, violently spinning everybody in new directions.

Finally, we chose the tragic route for Will’s send-off for personal reasons. We’ve all experienced the sudden death of a loved one in our lives. It’s terrifying how a perfectly normal and sunny day can suddenly explode with tragedy. Television, in our opinion, doesn’t deal with this enough: the irredeemability [sic] of death. Your last time with the loved one will always remain your last time. The Good Wife is a show about human behavior and emotion, and death, as sad and unfair as it can be, is a part of the human experience that we want to share.

Thank you for listening…and watching and caring and inspiring us to rise to the level of your passion and intelligence. There are seven wonderful episodes to follow this season and Josh will be directing one of them. We think you will enjoy them. It’s not all tears — there is comedy too. Michael J. Fox is back for four episodes. Dylan Baker. Dallas Roberts. Stockard Channing, as well as amazing new guest actors. And of course, Julianna does some of the best work of her life. Archie, Christine, Alan, Chris and Matt as well. Life does go on.

We’ve always taken as a guiding principle of this show that drama isn’t in the event; it’s in the aftermath of the event. We think you’ll find that true of this episode

Thank you for your devotion to the show – we are continually grateful.

With all our thanks,

Robert & Michelle King

SPOILER ALERT: “The Good Wife” Joins “Homeland,” “Game of Thrones” with Shocking Plot Twist– Plus Mel Brooks and Carl Reiner Liked It

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SPOILER SPOILER SPOILER

Remember when you could count on most of the characters in a TV series making to at least the final season if not final episode? Well, those days are over. “Homeland” killed off Brody. “Game of Thrones” had the red wedding. “Man Men” hung Jared Harris on a coat hook. And now “The Good Wife” has shot Will Gardner in the back.

That’s right. Josh Charles is out after four seasons and 15 episodes. His character Will’s murderous client, played by Hunter Parrish, did the deed. So long, Will. Now he won’t be able to testify about the stuffed ballot box, and Chris Noth’s Governor Florrick is off his own hook.

No one knew. I started getting text messages during the premiere of “Les Miserables” that Will Gardner was dead. I didn’t even know who he was. Well, actually I did– Josh Charles’s character. Josh is such a good actor. But apparently he says he was ready to go. So the show’s creators, Robert and Michelle King, killed him.

I haven’t seen “The Good Wife” in a while, but I watched it when I got home. Wow, what a cast! Vince Curatola played a judge, Matthew Goode was the prosecutor. Alan Cumming is on there. And Christine Baranski, who’s amazing in whatever she does. Who knew? Of course, there’s also Julianna Margulies. She’s not exactly chopped liver.

The show will go on. Hopefully Josh Charles will get his own show. He should have one. And “The Good Wife”? You got our attention, that’s for sure.
Also Mel Brooks and Carl Reiner liked it

Broadway: New Jean Valjean of “Les Miz” Says TSA Searches His Luggage “All the Time”

“Les Miz” is back on Broadway, better than ever. Last night the overstuffed Imperial Theater was rocking as Ramin Karimloo–  a big star in London and Toronto– made his Broadway debut as Jean Valjean, Victor Hugo’s tortured hero on the French revolutions.

The cast is bursting with talents–Will Swenson as Javert, Nikki James as Eponine, Keala Settle as Madame Thenardier, and Kyle Scatliffe making his debut– a memorable one– as Enjolas, one of the student fighters. Standing ovations? But of course. For real, though. Producer Cameron Mackintosh, Emperor of “Les Miz” for 27 years plus, told me, “It’s the best ensemble we’ve ever had.”

Karimloo is hot stuff. By the time he finishes “Bring Him Home,” Jean Valjean’s lullaby of a ballad, the audience is eating out of his hand. In London he’s been there before, earning high praise in “Les Miz” and “Phantom” and “Sunset Boulevard’ and so on. He’s had offers to come to Broadway before, but nothing was ever right. And then there’s the matter of travel: Karimloo travels on a Canadian passport. But because his name is Iranian, he says there’s never been a time when his luggage hasn’t been searched.

“Every time I’ve opened my bags, I found the note saying it’s been gone through,” he says. “Every single time.”

Can you imagine Jean Valjean standing for that?

Maybe now that Ramin will be in New York for a long time, he won’t have to worry about that. Karimloo will be in competition for Best Actor in a Musical with, at least, Jefferson Mays from “Gentleman’s Guide,” Andy Karl from “Rocky” and Adam Jacobs from “Aladdin.” He has a good shot at winning, too.

This “Les Miz” is going to find a lot of action in awards season for all those I named above. In the audience last night before the swell party at the Metropolitan Club: Audra McDonald cheering on husband Will Swenson, who brings a very emotional Javert to the stage; original Jean Valjean Colm Wilkinson; the great Norm Lewis, who’s played both Javert and Jean Valjean, and needs to be back on Broadway soon; Neil Patrick Harris, looking skinny from previewing “Hedwig and the Angry Inch,” and Meredith Vieira, who was just having fun.

Keala, nominated last year for “Hands on a Hardbody,” told me she’s already lost over 15 pounds playing the hilarious Madame Thenardier. “It’s the Les Miz diet,” she laughed. “All I do is run around on stage in that heavy costume.”

As for Ramin Karimloo: “After this no more musicals. And nothing dark. I want to try comedy!”