Thursday, December 18, 2025
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Justin Bieber Makes Religious, Social and Grammatical Faux Pax in Japan

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Poor Justin Bieber. Wherever he goes, social problems follow. Remember when he went to the Anne Frank house in Amsterdam? He wrote that he knew the most famous victim of the Holocaust would have been a “Belieber.”

Now Justin’s in Japan, where he stopped by a shrine to World War II military criminals. Of course, he offered prayers– to criminals– then sent the whole thing out on Instagram.

He later replaced the picture of him bowing his head in front of the shrine with a snapshot of a Time magazine headline.

Bieber then wrote on Instagram:

“While in Japan I asked my driver to pull over for which I saw a beautiful shrine. I was mislead to think the Shrines were only a place of prayer. To anyone I have offended I am extremely sorry. I love you China and I love you Japan”

The first sentence is not written in grammatical English. “For which I saw”– what is that? Then “I was mislead”? Does he mean “misled”? Sayonara, Justin.

Japanese fans were not amused by all this.

Here’s one example:

hermione_mqy @sammyk8gelinas ,as a Chinese ,it’s really hurt.if he was a little mature,he wouldn’t walk into that place casually.that place is forbidden for guests as far as I know.maybe I’m too tired to love him.a childish boy,wish him to be a more mature man.
Here’s another:
charlene_yeo @rara0691 I think when he already knew the picture offended so many people all over the world, he should apologize.but he just deleted it and posted another pic with some guy in the shrine. That s the point that I think we are mad about him
And:
moeishida that particular shrine honours all the people who lost their lives because of the war…its not just for the war criminals. among the many people honoured are children and women, people who didn’t directly take part in the fighting.
bieber_shrine1

Broadway: Neil Patrick Harris Will Get The Tony Award Everyone Wants to Give Him

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The Tony Awards and the Broadway cognoscenti want to give Neil Patrick Harris a Tony Award so badly you actually hear it whispered in the wind near the Booth Theater. Just close your eyes and the chatter gets louder. He’s hosted the Tonys a few times, he’s a song and dance man, he can play just about every position the show business ballfield. This year it would take Zero Mostel resurrected from the grave to block the former Doogie Howser, MD from getting the Best Actor in a Musical award for “Hedwig and the Angry Inch.”

The revival of “Hedwig” opened last night; I saw it on Saturday night because of a scheduling conflict. The audience, with few exceptions, went wild through the whole show– and there’s no intermission. The original 1998 show has been amended and padded out to make it a Broadway length– roughly 100 minutes. There are plenty of fresh topical references, as well as a long history of the Belasco Theater explained by Hedwig. It makes no sense, since Hedwig is supposed to be a gender bending gay punk star in East Berlin circa 1988. So suspend disbelief.

The new Hedwig script also entails a long ramble about the Shuberts and their leader, Bob Wankel. It’s funny, I guess, if you know inside theater stuff. Otherwise, it’s one of too many odd digressions.

“Hedwig” rises and falls on Harris. He’s the whole show, and has no understudy. The crowd outside to greet him after the show and get an autograph is deep and unyielding. This is How I Met Your Musical Comedy Star.

“Hedwig” is LOUD. Really LOUD. The songs are good rock songs, very catchy. But some of them are so loud, so faux punk, you have no idea what Hedwig is singing about. I will tell you: on his way to being transgender, Hedwig was disgendered surgically. His ‘angry inch’ is a former penis that is not a vagina. That’s Hedwig’s story and he/she’s sticking to it. And that is the whole story.

Or maybe the whole story is about fitting in and finding yourself. This is all Hedwig wants. Harris is not as moving as the show’s creator, John Cameron Mitchell, was years ago. But times have changed, too. Harris plays it as Hedwig’s right, and dammit, he’s going to have everything. He even sings a bit of the defiant anthem “I Am Woman.”

There are a lot of people in the Broadway theater community who want Jefferson Mays to win Best Actor in a Musical for “A Gentleman’s Guide to Love and Murder.” Good luck with that. Harris is headed to a coronation, unless something goes very wrong.

Friars Roast Burned: Gilbert Gottfried’s Dirtiest Joke Ever Sends Legend Shecky Greene Out the Door

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Last night’s Friars dinner for legendary comics Freddy Roman and Stewie Stone made history.

Nasal comedian Gilbert Gottfried told a joke “so dirty and disgusting” — according to sources– that legendary comic Shecky Greene up and left. He left not only the Pierre Hotel ballroom, but possibly the Friars Club as well. Joy Behar, who was in the audience, was asked to sub for him. “And she did a great job,” my source said.

I’m waiting now for Shecky to check in.

But sources say Greene was on deck after Gottfried finished up. Gottfried, relieved of his duties as the voice of the AFLAC duck after another controversy, couldn’t resist. Apparently the joke he told was much much worse than the “Aristocrats,” a joke so filthy that a whole documentary was made about it.

I can’t really reprint the joke here. It has to do with hemorrhoids. And something else.

“People were throwing up, especially the older people,” says my source.

Greene, in his late 80s, was horrified. He’s so mad that he left the hotel and vowed to quit the Friars. Today he missed eating lunch with another legend, Larry Storch, 91, and former star of “F Troop.”

Storch was consoled by pals Stewie Stone, and the great Norm Crosby, who were already lunching at the Friars.

Other comic greats at the dinner included Robert Klein, Dick Capri and Lainie Kazan. Sopranos star Dominic Chianese and singer Tony Orlando also attended.

Broadway: Hollywood Stars Denzel, Franco, Radcliffe Snubbed by Outer Critics Circle Awards

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Denzel Washington, James Franco, and Daniel Radcliffe came to Broadway looking for love. But the Outer Critics Circle, the first group to hand out nominations for this season, didn’t give it to them. None of them were nominated. Neither were Daniel Craig nor Rachel Weisz for “Betrayal.”

A few Hollywood types did make the cut. Bryan Cranston was nominated for playing LBJ. Neil Patrick Harris made the cut for “Hedwig and the Angry Inch.” Michelle Williams got a nod for “Cabaret.” Audra McDonald, who’s really from Broadway but has a TV resume too now, was nominated for playing Billie Holliday.

Idina Menzel was ‘frozen’ out of Best Actress in a Musical for “If/Then.”

Woody Allen’s “Bullets over Broadway” did not make the cut for Best Original Musical. The revival of “A Raisin in the Sun” as well didn’t find favor with the large and influential critics group. But some of the actors from both shows made it in.

OUTSTANDING NEW BROADWAY PLAY
Act One
All The Way
Casa Valentina
Outside Mullingar
The Realistic Joneses

OUTSTANDING NEW BROADWAY MUSICAL
After Midnight
Aladdin
Beautiful: The Carole King Musical
A Gentleman’s Guide to Love and Murder
Rocky

OUTSTANDING NEW OFF-BROADWAY PLAY
Appropriate
Choir Boy
The Explorer’s Club
The Heir Apparent
Stage Kiss

OUTSTANDING NEW OFF-BROADWAY MUSICAL
Far From Heaven
Fun Home
Murder For Two
Storyville
What’s It All About? Bacharach Reimagined

OUTSTANDING BOOK OF A MUSICAL (Broadway or Off-Broadway)
Aladdin
Beautiful: The Carole King Musical
Fun Home
A Gentleman’s Guide to Love and Murder
Rocky

OUTSTANDING NEW SCORE (Broadway or Off-Broadway)
Aladdin
The Bridges of Madison County
Fun Home
A Gentleman’s Guide to Love and Murder
If/Then

OUTSTANDING REVIVAL OF A PLAY (Broadway or Off-Broadway)
The Cripple of Inishmaan
The Glass Menagerie
Machinal
Twelfth Night
The Winslow Boy

OUTSTANDING REVIVAL OF A MUSICAL (Broadway or Off-Broadway)
Cabaret
Hedwig and the Angry Inch
Lady Day at Emerson’s Bar and Grill
Les Misérables
Violet

OUTSTANDING DIRECTOR OF A PLAY
Tim Carroll, Twelfth Night
Michael Grandage, The Cripple of Inishmaan
Lindsay Posner, The Winslow Boy
Bill Rauch, All The Way
Lyndsey Turner, Machinal

OUTSTANDING DIRECTOR OF A MUSICAL
Warren Carlyle, After Midnight
Laurence Connor and James Powell, Les Misérables
Sam Gold, Fun Home
Alex Timbers, Rocky
Dark Tresnjak, A Gentleman’s Guide to Love and Murder

OUTSTANDING CHOREOGRAPHER
Warren Carlyle, After Midnight
Peggy Hickey, A Gentleman’s Guide to Love and Murder
Steven Hoggett and Kelly Devine, Rocky
Casey Nicholaw, Aladdin
Susan Stroman, Bullets Over Broadway

OUTSTANDING SET DESIGN
(Play or Musical)
Christopher Barreca, Rocky
Beowulf Boritt, Act One
Bob Crowley, Aladdin
Es Devlin, Machinal
Alexander Dodge, A Gentleman’s Guide to Love and Murder

OUTSTANDING COSTUME DESIGN
(Play or Musical)
Gregg Barnes, Aladdin
Linda Cho, A Gentleman’s Guide to Love and Murder
William Ivey Long, Bullets Over Broadway
Jenny Tiramani, Twelfth Night
Isabel Toledo, After Midnight

OUTSTANDING LIGHTING DESIGN
(Play or Musical)
Kevin Adams, Hedwig and the Angry Inch
Howell Binkley, After Midnight
Paule Constable, Les Misérables
Natasha Katz, Aladdin
Philip S. Rosenberg, A Gentleman’s Guide to Love and Murder

OUTSTANDING ACTOR IN A PLAY
Bryan Cranston, All The Way
Ian McKellen, No Man’s Land
Brían F. O’Byrne, Outside Mullingar
Mark Rylance, Twelfth Night
Tony Shalhoub, Act One

OUTSTANDING ACTRESS IN A PLAY
Tyne Daly, Mothers and Sons
Rebecca Hall, Machinal
Jessica Hecht, Stage Kiss
Cherry Jones, The Glass Menagerie
Estelle Parsons, The Velocity of Autumn

OUTSTANDING ACTOR IN A MUSICAL
Michael Cerveris, Fun Home
Neil Patrick Harris, Hedwig and the Angry Inch
Andy Karl, Rocky
Jefferson Mays, A Gentleman’s Guide to Love and Murder
Bryce Pinkham, A Gentleman’s Guide to Love and Murder

OUTSTANDING ACTRESS IN A MUSICAL
Sutton Foster, Violet
Audra McDonald, Lady Day at Emerson’s Bar and Grill
Jessie Mueller, Beautiful: The Carole King Musical
Kelli O’Hara, The Bridges of Madison County
Michelle Williams, Cabaret

OUTSTANDING FEATURED ACTOR IN A PLAY
Paul Chahidi, Twelfth Night
Michael Cyril Creighton, Stage Kiss
John McMartin, All The Way
Alessandro Nivola, The Winslow Boy
Brian J. Smith, The Glass Menagerie

OUTSTANDING FEATURED ACTRESS IN A PLAY
Barbara Barrie, I Remember Mama
Andrea Martin, Act One
Sophie Okonedo, A Raisin in the Sun
Anika Noni Rose, A Raisin in the Sun
Mare Winningham, Casa Valentina

OUTSTANDING FEATURED ACTOR IN A MUSICAL
Danny Burstein, Cabaret
Nick Cordero, Bullets Over Broadway
Joshua Henry, Violet
James Monroe Iglehart, Aladdin
Jarrod Spector, Beautiful: The Carole King Musical

OUTSTANDING FEATURED ACTRESS IN A MUSICAL
Judy Kuhn, Fun Home
Anika Larsen, Beautiful: The Carole King Musical
Sydney Lucas, Fun Home
Marin Mazzie, Bullets Over Broadway
Lisa O’Hare, A Gentleman’s Guide to Love and Murder

OUTSTANDING SOLO PERFORMANCE
Jim Brochu, Character Man
Debra Jo Rupp, Becoming Dr. Ruth
Ruben Santiago-Hudson, How I Learned What I Learned
Alexandra Silber, Arlington
John Douglas Thompson, Satchmo at the Waldorf

JOHN GASSNER AWARD
(Presented for an American play, preferably by a new playwright)
Scott Z. Burns, The Library
Eric Dufault , Year of the Rooster
Madeleine George, The (Curious Case of the) Watson Intelligence
Steven Levenson, The Unavoidable Disappearance of Tom Durnin
Lauren Yee, The Hatmaker’s Wife

Michael Jackson Was in Business with One of the “X Men” Pedophile Defendants (Exclusive)

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EXCLUSIVE I know. You’re thinking: Is this possible? But in the mid 90s Michael Jackson went into business with Gary Goddard, now one of the defendants announced today in the so-called “X Men” pedophile cases. The business was Landmark Entertainment, and it was designed to build theme parks. Jackson, Goddard, and Prince Alwaleed of Saudi Arabia were all partners in it.

Goddard has a picture of himself, Jackson and the Prince in a three way handshake at the time of the consummation of their deals.

This was during a time also in the mid 1990s when the Prince and his main aide, Tarak Ben Ammar, were managing Michael’s career. It’s the same time, coincidentally, when Goddard, then working with the Prince and Michael Jackson, is accused of allegedly being involved in parties with underage boys.

At that time, Jackson was in a kind of career limbo, between his scandals and the 2001 release of “Invincible.” He was also going broke quickly and hoping the Prince would bail him out. Kingdom Entertainment–an outgrowth of the Prince’s Landmark Entertainment– was supposed to do that but it didn’t.

Soon after all this, Michael’s best friend and adviser became Marc Schaffel, a producer of gay pornography.

Simply by coincidence, Michael Jackson was arrested for, and acquitted of, child molestation a few years later. Rumors even in the mid 90s of Jackson’s problems with boys never fazed Prince Alwaleed.

Now Goddard– who according to his website is still in business with Prince Alwaleed– is accused by Michael Egan III of plying him with drugs and participating in sex parties, even though Egan was about 14 or 15. The events are alleged to have taken place in the homes of a convicted child molester.

 Here’s a video well worth watching of Jackson, et al:

 

“X Men” Lawsuit Widens: Accuser’s Lawyer Names Names Including Broadway Producer, Disney and CNN Ex-Producers

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Attorney Jeff Herman at presser today at Four Seasons Hotel. He filed lawsuits today against three men who allegedly gave Michael Egan III drugs and threw sex parties where he was attacked. The men are Garth Ancier, Gary Goddard, and David Neuman. All of the allegations concerning sex and drugs at Hawaii parties where Egan was abused are alleged.

Ancier is the biggest name. He ran two of the three biggest broadcast networks. He’s former chairman of BBC America.  David Neuman is a former Disney president and chief programmer at CNN. Goddard has an entertainment company. He produced the Broadway revival of “Hair” and several other Broadway shows. His original company was Landmark Entertainment.

Obviously, in these lawsuits everyone named is innocent until proven guilty. But Herman has created a tsunami in Hollywood. He brought Egan’s mother, Bonnie Mound, a very believable potential witness who has a lot of evidence and ammunition not only against the defendants but about FBI agents whom she says ignored her.

The allegations and lawsuit against Singer are so bad that 20th Century Fox has removed Singer from all “X Men” publicity.

Herman told the press that threats of lawsuits from Marty Singer, professional Hollywood bulldog. “I won’t be bullied and I’m not going to be scared,” he said.

Last week Herman sued “X Men” director Bryan Singer (no relation to his lawyer, Marty) for allegedly raping and giving drugs to Egan when he was a teenager. The events took place at parties in Los Angeles and Hawaii, at a home owned by convicted pedophile Marc Collins-Rector.

Broadway Shows Post Huge Easter Week Numbers, “Rocky” Finally Takes Off

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Broadway shows really benefited from the Passover-Easter holiday. All the shows got big numbers at the box office. The big news is that “Rocky” finally took off and had a huge week. They did over $1 million, as did “Beautiful.” I do think both of those shows are in the running for Best Original Musical now. “Rocky” may not have the best songs, but it has the best set and the most exciting conclusion. The folks at the Winter Garden must be very very happy.

Of course “The Lion King” and “Wicked” were up over $2 million for the week. Coming in third is “Kinky Boots,” which has really turned into a money machine. It’s one of the few times you can you’re happy that show is a big hit. Good for Cyndi Lauper.

“Book of Mormon, “Cinderella,” and “Matilda” all did very well, too, posting in the $1.5 million region. My go to show, “Pippin,” is holding strong at just under $900 million for the week. “Bullets Over Broadway” is just under $1 million for the week. See these shows!

The one show that will likely close right after May 1st is the interminable “Bridges of Madison County.” With few to no awards nominations coming their way, “Bridges” will be washed out soon. They’re playing at 64% capacity and made just $345K last week. It can’t be over soon enough.

Best original musicals, my picks: Bullets over Broadway, Rocky, Beautiful, Gentleman’s Guide, and After Midnight.

“Mad Men” Gets Optimistic, of All Things, but no Betty or Megan for Valentine’s Day 1969

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“Mad Men” episode 2, season 7 is called “A Day’s Work” But it really should have been titled “This Will Be Our Year,” the song by the Zombies that closes the episode. “Mad Men” seemed actually optimistic last night. It begins with Don alone in bed, none of his women around him.

The episode takes place on Valentine’s Day 1969, but neither Megan nor Betty is featured. Don is alone. But by the end of the episode he’s reached some kind of new and better understand with his 14 year daughter, Sally.

It’s the second episode in a row with a structure of a start and a pay off. Last week, we saw Freddie Rumson begin pitching ad ideas like a genius. At the end we realize he’s fronting for Don.

“A Day’s Work” also functioned as a way to get Joan up on the executive floor, out of her job as head of personnel. And in a crazy game of Human Resources dominoes, the two black secretaries– Dawn and Shirley– finally get somewhere. In the office, though, Lou– who’s replaced Don– gets worse and worse, and is maybe being set up for some kind of nasty demise.

Pete, in California, now has a girlfriend who — I’m not sure if this is intentional– is Betty Draper’s doppelganger from 10 years earlier. The only difference is, she stands up for herself and has a business.

This week’s guest star from an old TV show is David James Elliott, of “JAG” fame, who works for Wells, Rich and Greene and lunches with Don. Nice to see him.

Meantime, Harry Hamlin gets more and more interesting as Jim. With sniveling maybe-gay Bob Benson seemingly gone, Jim has pivoted into the role of strange engima. What does he want? He kind of threatens Roger in the elevator, very subtly.

The real winner of this episode is Kiernan Shipka, aka Sally. You do realize she is still 14 in real life, and shot some of this when she was 13. She is a little mind blower.

The other 60s song featured is “Elenore” by the Turtles.

 

Johnny Depp Bombs in “Transcendence” with Shocking $11.5 Mil weekend: Career Imperiled after “Lone Ranger”

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Johnny Depp’s “Transcendence” bombed last night as expected, taking in just $11.5 million. That’s a disaster for a $150 million movie.

This is Depp’s second major flop at the box office, following the catastrophic “Lone Ranger.” And now this poses an important question: can Depp open a movie that isn’t “Pirates of the Caribbean”? The answer is No. He’s made zillions from the Disney adventure movies.

But Depp has so limited himself as Jack Sparrow that he’s not known for anything else. His last real movie that was a hit and brought him some critical acclaim was “Finding Neverland” some ten years ago.

Other than that his resume is a list of “almosts”– “Public Enemies” and “Sweeney Todd” fit that bill. His work with Tim Burton is spotty– “Alice in Wonderland” was a big hit, but not just because of Depp. “Dark Shadows” was awful.

He (and Leonardo DiCaprio) are among a small group of very precious leading men who don’t do romantic comedies. When he did try to do something in that vein, Depp failed miserably with “The Tourist.”

Depp’s other big outing this year will be in the fall when he plays the Wolf in Rob Marshall’s “Into the Woods” musical film adaptation. The next time Depp is seen after that will be in 2015 as mobster Whitey Bulger in “Black Mass.”

Sexy Sofia Vergara: “I’m Not Going to Play a Scientist or an Astronaut”

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Imagine John Turturro portraying a sexual dynamo for hire whose expertise is satisfying the emotional and sensual needs of lonely middle-aged women. They are portrayed, no less, by Sofia Vergara, Sharon Stone and Vanessa Paradis.

You buy this premise in “Fading Gigolo,” which Turturro also wrote and directed, because his character, Fioravante, an underemployed florist turned gigolo, is such a sweet and lovable character., Fioravante’s skill is less in sexual technique than in really listening to what women want.

Add to the wacky plot that Woody Allen is cast as a former bookstore proprietor turned sexual procurer, who goes by the porn name Dan Bongo. He calls Turturro’s character his ‘ho.’

This past week, Turturro, Paradis and Turturro participated in a press conference at the Crosby Street Hotel to promote “Fading Gigolo.” Journalists were e-mailed beforehand not to bring up Woody Allen’s personal life or anything to do with Mia Farrow, and to just stick to his role in the film.

It turns out “Fading Gigolo” came about in an offhand remark Turturro made to his barber, who he shares with Allen. He told the barber he wanted to make a movie where he played a prostitute and Woody Allen played his pimp. The barber relayed the movie suggestion to Allen, who called him soon afterwards and told him he was in.

“He just told me to write the draft and he would give me his feedback,” Turturro explained. “I didn’t know what that meant exactly and then when I received it, I was like, “Whoa! Wow! This is feedback!” It was brutal basically, but it was a first stab at something and I hadn’t really kind of gotten into the world personally yet.”

Turturro said Allen had a lot of ideas that were broad but not specific. “Right after that he said, ‘Don’t you want to do something more sophisticated?’ and I said yes, but he didn’t’ tell me how to do that, so I had to find my own way and basically I would do another draft and he would say, “This works, and you should develop that,’ whatever.’ He made some very good comments without telling me what to do.”

Allen’s big contribution was suggestions on how make the film more nuanced. Then in the middle of the project Turturro, who worked on and off on the film for two years, directed one of Allen’s one-act plays on Broadway and they became closer. “You see some of our relationship in the movie in an imaginary circumstance and that wouldn’t have been if we hadn’t gotten to know each other that way.”

The first day on set Allen flubbed his lines and Turturro freaked a little. “And I was thinking, ‘Oh my God!’ he skipped like three paragraphs and my first note to him after cut was, ‘I think you jumped from here to here and he was like, ‘Oh God!’ and so, I was looking a him thinking, I have to actually tell Woody Allen what to do.” After about 30 minutes, Turturro said, it was ok. “He was really easy to work with and he was good with everyone. And he was good off camera.”

The movie is shot on film, Turturro said, because he wanted the softness and sensuality of the skin tones and the vivacity of the cultural and racial diversity of New York City. In another quirky twist, Allen’s character is married to an African-American woman (Tonya Pinkins) and they have a trio of boisterous children.

“He was great with those kids because they treated him like, they didn’t know who he was,” Turturro said. “They were like, you’re just an old man. One of the kids, Isaiah (Clifton), would step on Woody’s foot whenever Woody would forget any lines and Woody would yell, ‘Why are you stepping on my foot?”

“Fading Gigolo” also stars Sofia Vergara – gorgeous from every angle – wore sky-high stilettos that elicited “Oohs and aahs” from journalists from the moment she shimmied into the press conference.

Vergara was asked how she got into character to play a sexy woman who finds her perfect man. (She plays best friend to Sharon Stone’s character, a successful dermatologist who feels a sexual spark missing from her marriage and suggests a ménage a trois with her and Turturro.)

“I don’t think we were looking for the right man. We were praying for the right man,” Vergara replied. “I don’t that we were putting too much thought into it. It was like handed to them and personally for me it’s chemistry, and I think these women were a little bit, they needed maybe to do this in their life because they have a little emptiness, something, even though you see that they’re powerful, beautiful. They’re successful, worldly. I think when you need to do something like this it’s because you’re lacking something and I guess – I don’t want to judge them – I think if this was what they needed at the moment in their life and they had the money and they could afford it, why not?”

“Good answer,” Turturro added.

Paradis (Johnny Depp’s ex, with whom she has two children) was asked the same question. In another offbeat casting choice, she play Avigal, a widowed Crown Heights Hasidic woman with six children, who is lonely and yearns for something missing in her life that she finds in Fioravante, introduced to her by Bongo. (Liev Schreiber plays a bumbling neighborhood Hasidic cop who secretly has a crush on her.)

“My character is not looking for it, but Woody Allen’s character, starts to inform her that there’s something else in her that she’s seeking, in the character that I’m playing,” Paradis said, “She’s really interested in knowing what’s there, five miles away” in Manhattan. She’s motivated by “curiosity and wanting to be happy.”

Vergara, who’s as much of a live wire in real life as the character she plays in the hit sitcom “Modern Family,” was asked if she didn’t feel boxed in by her sexy, funny, bombshell parts. Maybe she yearned for really dramatic roles, in black-and-white films?

“I don’t think like this,” Vergara replied. “I don’t think I can play a scientist or an astronaut.”

“Maybe an astronaut,” Turturro laughed.

“I think you know, you have to know your limitations. Of course I’m not going to tell my agent, you have to let them see me, they’re casting ‘Schindler’s List,’ I want to be in that movie.”

“I know where I can have fun and do a good job and I met John and I knew, I’m very insecure about the acting because I’ve never done it until recently and I knew I like to be directed and he told me exactly what he wanted from me and he was a lot of fun I think you have to be grateful,” she said. “After all the opportunities like this movie that I have gotten I don’t think I have to be complaining, oh they don’t let me cry or let me raped in a movie.”

As for the threesome, Stone and Vergara are dressed more modestly than Turturro, who wore black bikini underpants. Vergara admitted she had some qualms about the scene.

“I’ve never done anything like that, so I was coming a little nervous, but I think he was more nervous than I so once I saw him so nervous I got relaxed.”

At the end of the conference the actors posed for group shots.

“My boobs are going to move,” Vergara laughed when Turturro hugged her.

Ever the director, he told a photographer, “That’s not a good angle. Too much over there. You should never shoot from a low angle with ladies.”