Friday, December 19, 2025
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Legendary Woodstock Singer Joe Cocker is Dead at Age 70– Hits Included “Feelin’ Alright” and “You Are So Beautiful”

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Joe Cocker has reportedly died at age 70. The great British singer rose to fame in the 60s with his album “Mad Dog and Englishmen.” He was one of the stars of the Woodstock Music Festival in 1969, and went on to score his biggest hit with Billy Preston’s “You Are So Beautiful.” His other gigantic hit was Up Where we Belong, from the movie An Officer and a Gentleman, with Jennifer Warnes.

Cocker was often imitated but he was an original. His gravelly voice was unparalleled and so were his performances. I can’t even begin to tell you how important “Mad Dogs” was and continues to be, a live album that included a ton of other rock stars and the key performances by Cocker of “The Letter,” “Feelin’ Alright” and “With a Little Help From My Friends.” If you’re young and don’t know what this is, just download the album or better yet, buy it ASAP. Classic rock stations will be playing it all night.

Condolences have already come in from “Soul Man” Sam Moore and his wife Joyce, who were old friends. Joyce Moore writes: “DEVASTATED… I had the great pleasure of knowing Joe. Was lucky enough to have had him participate in the Presidentual Inaugural I produced for President George H.W. Bush in 1989. Billy Preston was the Musical Director of that event so there was Joe Cocker singing the song Official: Billy Preston wrote to honor his mother to 1st Lady Barbara Bush.
Sam Moore and I hung out with Joe in Wales at the Celebration of Queen Elizabeth’s Golden Anniversary.
Being the manager and business partner of Billy Preston who wrote “You Are So Beautiful To Me” I am posting this in Billy’s memory for Joe, for my husband Sam Moore who had the honor of recording that song with Billy. Ironically it was the last song Billy ever recorded on Oct 19, 2005, and myself.
Joe sang “Beautiful” at Billy’s funeral.
Prayers to Joe’s family and a wish that he and Billy find each other in heaven.
Peace be with you Joe.”

Martin Lewis writes from the UK:

“Everyone knows that Joe Cocker first came to fame in 1968 with his cover of “With A
Little Help From My Friends”

He’d actually been around as a singer since 1964 in his native Sheffield (a
working class steel town in Yorkshire in the north of England. The British
equivalent of Allentown).

What is not often recalled is that his very first single was also a Beatles
cover. In September 1964 he released a cover of “I’ll Cry Instead” (from side 2
of the UK A Hard Day’s Night album). On that recording his session guitarist was the
very young Jimmy Page!

VERY short. Only 1 minute and 40 seconds.

But it hints at what was to come.

Quite heavy for 1964.”

Broadway: Watch Sting, Last Ship and Jersey Boys Cast Xmas Caroling for Coat Drive

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Sting, his cast from “The Last Ship” and their across the street neighbors from “Jersey Boys” raised money and received coat donations on Saturday night before their shows’s curtains went up. “The Last Ship” was just named Best New Musical of 2014 by the very astute Elysa Gardner of USA Today.

Madonna Puts “Rebel Heart”– Not Due Til March– At #1 on iTunes After 1 Day, 6 Tracks into Top 20

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Savvy Madonna and her manager Guy Oseary– they’ve made their “Rebel Heart” album number 1 on iTunes even though it can only be pre-ordered until its release 11 weeks.

And the six tracks from “Rebel Heart” that became available Saturday at midnight? They are all in the iTunes top 20, with one of them at number 7.

So listen, this wasn’t accomplished in 24 hours. When Madonna’s tracks were “leaked” it came from her camp as part of a marketing plan. When she scolded fans on Instagram, that was part of the plan.

There’s no such as a coincidence, you know.

Give her credit. Madonna and Oseary had to do something unusual after the “MDNA” dud followed a couple of failed albums. Oseary just recently had another surprise for music fans with the U2-Apple deal in which that album —
Songs of Innocence”– was shoved down the throats of millions of people.

Meanwhile, Beyonce can take credit for starting the Surprise Release trend.

How long can Madonna hold at number 1? Eleven weeks is a long time. She’ll drop out and down, and then she’ll be back. But she’s certainly gotten everyone’s attention. Good move.

LOL: Downton Abbey Cast Spoof The Show with George Clooney, Joanna Lumley, Jeremy Piven

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Really laughing– For a British charity called Text Santa, Julian Fellowes and the whole “Downton Abbey” cast spoof the show in two videos. George Clooney stars Lord Oceans Gravity aka Lord Hollywood. Joanna Lumley is an angel who shows Lord Grantham what Downton Abbey would be like without him. Jeremy Piven plays his Mr. Selfridge character. For Abbey fans, the whole thing is a riot. I don’t know what Text Santa is, but I will send them money having watched these videos. Merry Xmas! (I love it when Mary tells her father not to go for a spin in the car!)

Stephen Colbert Report Ended with “Strangelove” Song Sung by Dozens of Celebs

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Randy Newman plays the piano, and celebs include everyone from Henry Kissinger and James Franco to Elliot Spitzer and Gloria Steinem. Yes, that’s Michael Stipe from REM, Alan Alda, Cyndi Lauper and Barry Manilow, and that may be Elijah Wood in the background. Vera Lynn sang “We’ll Meet Again” at the end of “Dr. Strangelove” as the world exploded. Seems appropriate.

Sony Gets a New Threat– “Anonymous” Says Hackers Aren’t Korean, Release Film Or More Hacks Coming

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A new threat against Sony came tonight on Pastebin.com from a group identifying itself as Anonymous. Is it legit? They’re telling Sony now to release “The Interview” or else– more hacks coming from their databases. The letter threatens both Sony and CEO Michael Lynton. So now what? Release, don’t release. It’s as if “The Interview” were a serious political movie. It’s not. I can’t believe so many people are fighting over it. Meanwhile, on amazon, “Team America” is up to number 179 and rising. Paramount and the “South Park” are getting a good laugh.
Here’s how it appears on pastebin.com:
NOTE: I am not the creator of this document. I take no responsibility for any damages caused by this document. This is merely a backup of the original copy, just in case it gets taken down or whatever. The original copy can be viewed here: http://pastebin.com/xEmKN3ui
 
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I Dear Mr. Michael Lynton (CEO of Sony Entertainment),
 
We shall first-off begin this message with an expression of sympathy as you have failed to release “The Interview” as you believe that hackers shall carry out a new operation to cause malicious damage within your organisation.
 
I would like to inform you that we all know the hacks didn’t come from North Korea (we think everybody knows about this already).
 
What we would like to say is that by not releasing “The Interview”, you are denying us the privilege of the Freedom Of Information Act (1966).
 
Unfortunately, due to your organisation panicking at first sight of trouble, we find this very cowardly of both yourself and your organisation (Sony Entertainment).
 
We know that Mr. Paulo Coelho has offered Sony Entertainment a sum of $100,000 for the rights of the movie; where he shall then be able to upload the movie onto BitTorrent.
 
Obviously, you shall not be responding to his generous offer – so please respond to ours with a public conference, we wish to offer you a deal…
 
Release “The Interview” as planned, or we shall carry out as many hacks as we are capable of to both Sony Entertainment, and yourself.
 
Obviously, this document was only created by a group of 25 – 30 Anons, but there are more of us on the internet than you can possibly imagine.
 
 
We are Anonymous,
We are Legion,
We do not forgive,
We do not forget,
Expect us.

The Hobbit, Hobbled, or Desolation of Sequel: Third Installment Running $23 Mil Behind

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It’s a good thing this is the last “Hobbit” movie. “Battle of the Five Armies” should have been called “Take Five.” Numero three is running $23 million behind “The Desolation of Smaug” and even more lag from the first “Hobbit” movie. After six Tolkien movies, audiences are finally exhausted. Apparently so is this thin story stretched over three films. People are having Middle Earth fatigue.

After its third day of release, the “Unexpected Journey” had made around $85 mil compared to “Armies” $50 million. “Smaug” had about $73 million comparably. Please God, there’s no origins movie or biopic about Tolkien, or heaven forbid, a reboot of the whole thing with Adam Driver as Frodo.

Meantime, Sony suffers. “Annie” made $5.3 million in its very wide opening. Unless it really improves Saturday and Sunday afternoon with kid and family audiences, this will be a bust. The sun will not come out on Monday.

Madonna Pulls a Beyonce Surprise, Releases 6 New Tracks to iTunes– Same Ones She Said Were “Leaked”

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Madonna lied. She said those tracks that came out the other day were “leaked.” Well, this morning they were put on iTunes– haha, we were duped. Well, they’re great anyway. She didn’t include my favorite “Addicted to the One Who Got Away.” She and manager Guy Oseary included “Unapologetic Bitch,” “Devil Pray,” “Ghosttown,” “Illuminati,” “Living for Love,” and “Bitch I’m Madonna,” featuring Nicki Minaj. The album is called “Rebel Heart,” and you can pre-order the rest of it right now. The album comes on March 10, 2015. Congrats Madonna, these are great tracks. A nice early Christmas present.

Standing Ovation for Robert Altman’s Masterpiece “Nashville” 40 Years Later

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Kids, I know there’s a TV show called “Nashville.” But 40 years ago, Robert Altman released his masterwork called “Nashville,” a stunning satiric tragicomedy that defined ensemble movies for all time. Last night the Museum of Modern Art celebrated the film’s 40th anniversary with the director’s widow, Kathryn Reed Altman, screenwriter Joan Tewksbury, plus cast members Ronee Blakely, Michael Murphy, and Allan Nicholls. Also in the audience were Harris Yulin (widower of Gwen Welles), the great Joel Grey, jazz great Annie Ross, and New York Times columnist Maureen Dowd.

It was nominated for Best Picture and Altman for Best Director in 1976 after a release on June 11, 1975. Ronee Blakely and Lily Tomlin were each nominated for Best Supporting Actress. All of them won a bunch of other awards including the New York Film Critics. Henry Gibson was robbed of a Best Supporting Actor nomination. Altman lost the Oscars to “One Flew Over the Cuckoo’s Nest” and Milos Forman. Lee Grant won Supporting Actress for “Shampoo.”

Watching “Nashville” again on a big screen, properly restored, is one of the great thrills of cinema. The movie is so richly textured, and dimensional, that you almost can’t believe it was pulled off so seamlessly. Nothing I’ve seen in 2014– with the possible exception of “Boyhood”– equals its stature.

“Nashville” is set up on two levels, basically. One is the whole country music world, where Gibson reins as a sort of Conway Twitty eminence gris. Blakely and Karen Black are competing superstars, sort of Loretta Lynn and Tammy Wynette. And the there’s a raft of fascinating supporting characters including Carradine (who’s a visiting James Taylor type but bedding women left and right), wannabes like Gwen Welles’s poignant waitress Sueleen, and Geraldine Chaplin’s hilarious BBC reporter trying to make a documentary. Tomlin plays Linnea, an in-demand studio singer who sings with a black gospel group and is raising two deaf children with Ned Beatty.

And then there’s the political satire. Altman and Tewksbury invented a pre- Tanner candidate called Hal Phillip Walker. He’s running for President in the Tennessee primary on the Replacement Party ticket. You never see him, we just hear his voice booming from megaphones affixed to his campaign van. Murphy is his advance man, trying to set up a rally and country concert. Eventually all these people collide, and Altman’s vision of celebrity, politics, the American dream— all of it comes together quite stunningly.

There’s also memorable support work from Shelley Duvall, Keenan Wynn, Scott Glenn, Barbara Baxley, and Barbara Harris. (Where is she? Does anyone know? She was 40 in this film and looked like she was 28.)

“Nashville” was incredibly prescient about not only all that, but stalking, gun violence, the nature of fame. It was five years before John Lennon’s assassination. Altman and Tewksbury called it then. The Kennedy assassinations hang heavy over the film, too, and the filmmakers– in retrospect- saw the transfer of violence from elected officials to stars.

But “Nashville” is cinematic achievement too. On a purely artistic level, you can feel it in the original music (written by Blakely, Carradine, and Black mostly) and the gorgeous camera work. Watch Altman move in and out on Blakely (who’s almost more Linda Ronstadt than she is Loretta Lynn) or the famous moving-in shot of Tomlin in the bar watching Carradine sing. Nothing made now comes close to it. Imagine a movie in which several songs are performed in their entirety without cuts or shaky cameras or any other nonsense. It boggles the mind. My mind is boggled. Thank you, Robert Altman.

And like my title says, there was a massive standing ovation when the film ended last night. As it should have been.

Obama Didn’t Like Race Joke Emails, Even Though Sony Execs Were Big Dem Donors– Calls Out James “Flacco”

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President Obama essentially sold out Sony this afternoon at a press conference. Instead of backing Sony execs Amy Pascal and Michael Lynton for pulling “The Interview,” he basically kicked them to the curb. Ouch.

Obama was obviously not happy with the race joke emails that came out in the hack, particularly the one between Pascal and producer Scott Rudin about which movies he liked. The two joked that Obama probably went for “Django Unchained,” “The Butler” and other black themed movies.

Obama’s public repudiation came at a price. Pascal has been a heavy Democratic donor. In 2008, she gave the Democratic National Committee $26,200. In 2011, she gave them $35,800. She also donated $5,000 to Obama. Michael Lynton donated $20,000 to the DSCC last May. He’s given $50,800 since 2011 to the DNC.

All that money didn’t matter. In one fell swoop (as they used to say) Obama told the execs what he thought of their private email exchanges. He may have also gotten a little zetz in for Denzel Washington, who was treated shabbily as well.