Friday, December 19, 2025
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Broadway Review: “Hand to God” Writer Takes His Own Bow– “I am an American playwright!”

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The path to the Tony Award season took a curve last night as Richard Askins’ original play, “Hand to God,” was such a hit that it took everyone by surprise. Most surprised, I think, was playwright Askins, who jumped on stage during the standing ovation at the end of opening and made a very off the cuff, not usually seen speech to the audience.

The gist of it was “I am an American playwright,” and “this is an American play.” At a time when British imports like Peter Morgan’s “The Audience” and Simon Stephens’  “The Curious Incident of the Dog in the Night” are the hits of the pre-Tony season, Askins– from Texas– is an anomaly. Raised in a Christian family, and more recently a bartender in Williamsburg, Brooklyn, Askins is a live wire who realizes he’s written a bit of genius. “Hand to God” is totally original, funny and angry and sad, and sure to leave a mark not only this spring but for some time to come.

To say no one really knew what was coming– can be underscored by the fact that few celebs showed up in the rain for opening night. I saw Andrew Rannells, and Jennifer Westfeldt, Daphne Rubin Vega and producer Jean Doumanian. Let me put it this way: Shubert head Bob Wankel and Nederlander chief James Nederlander Jr. had a lot of time to chat with each other.

But this morning, just wait while publicist Rick Miramontez is fielding calls from famous people who “must” see this show. Steven Boyer, the nominal star, is a very likely Tony nominee. He is just stunning as Jason, the put upon teen son of Margery (also stunning Broadway debut from Geneva Carr) who teaches puppetry at the local church. In her puppet class are Timothy (Michael Oberholtzer) and Jessica  (Sarah Stiles), respectively a sullen good looking kid and a sullen, introverted girl. The church is run by Pastor Greg (the always good Marc Kudisch) who has a thing for Margery.

There is one more character: Tyrone, a blue grey sock puppet worn by Jason. Tyrone is inanimate but he takes on a life of his own. Think Mel Gibson in “The Beaver” if that movie had been any good. At one point Tyrone, operated by Jason, and a female puppet created by Jessica, have quite graphic full on, soup to nuts sex on stage while their humans have a completely separate conversation. The play deserves awards just for this scene. I doubt it can be shown on TV. But it’s a show stopper.

“Hand to God” is hilarious, so don’t think otherwise. But it’s also a full three act (well, two acts) play, with fully realized ideas about religion and mortality, Big Ideas and small ones that are philosophical and mordant. It’s not a glib play, though. Director Moritz von Stuelpnagel very adroitly steers away from clownishness or scenery chewing. He’s got this extraordinary ensemble on a tight leash and never lets up.

The Tony season really gets more clarified now as all these actors, the play, and the director will be a big part of the mix. Boyer is going to be up against Alex Sharp, Bradley Cooper, Nathan Lane and Bill Nighy for Best Actor in a Play at the very least.  And we haven’t even seen “Wolf Hall” yet.

The Problem with Bio-Pics: You Can’t Make ‘Em with The Heirs, and You Can’t Make ‘Em WIthout Them

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I don’t know what happened today exactly to force John Singleton (following Antoine Fuqua) off the Tupac Shakur film. But I can guess since Tupac’s mom is listed as a producer of the film. She controls the rights and maybe the likeness of her little boy. And even though he had a violent life, and cursed a lot, he’s dead now, and of sainted memory. You can throw veracity out the window. In Mrs. Shakur’s mind, Tupac should probably be played by Carlton from “The Fresh Prince.”

For years and years now, different groups of people have tried to make films about Jeff Buckley, Janis Joplin, Otis Redding, Jackie Wilson, and many others. What stopped them?  The heirs. They don’t want the “real” story told about their iconic family members.

Of course, the “warts and all” is what made “Ray” by Taylor Hackford so great. Can you imagine if Ray just said he had a headache, and took some aspirin? If the artist or their family is realistic, then the movie can work. Tina Turner was disarmingly so for “What’s Love Got to Do With It.” The Sinatra family was surprisingly open about Frank for HBO’s current Alex Gibney movie, which is why it’s so good.

But when the facts of life are too much to take, a film goes sour. That’s what happened to the James Brown, “Get On Up.” Great performances, but the story was so watered down it made no sense.

This doesn’t happen for historical figures. But for musicians, where music rights are necessary, this is a problem. Ronnie Spector will probably never be able to tell her life story because Phil Spector controls the music that would go along with it. And when that happens– all too frequently– it’s off to Lifetime or wherever. We never did see the Marvin Gaye story, “Sexual Healing,” because the producers couldn’t get Marvin’s Motown hits. Playing the title track over and over would get monotonous.

This is even a problem on Broadway. Berry Gordy got to tell his “Motown” story because he owned the rights to all the music. Yoko Ono made up a story for her “Lennon” music and had all the songs because she had her rights– but the story was preposterous and the show died. The Beatles control their music, so “Beatlemania” and “Let it Be” jukebox musicals tour with their imprimatur. If Paul McCartney didn’t like the shows, they’d be gone. You have to give Carole King credit for allowing “Beautiful” to be made, even if some major plot points are missing.

It’s too bad. The things that make superstars break from the pack and transcend the culture are the elements that make a great story. But once the Wonder Bread and mayonnaise come out, you can pretty much forget it. I hope Carl Franklin enjoys his run.

 

Grammy Redux: Billboard Music Awards Are the Exact Same Names as Grammys, AMAs, etc

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Just in case you missed the Grammy Awards or, God forbid, the American Music Awards, here’s another awards show congratulating the exact same people yet again. The Billboard Music Awards, coming just after the I Heart Radio Music Awards, are daring enough to tout Taylor Swift, Katy Perry, Sam Smith, Pharrell, One Direction, and so on.

This was a challenge– look at the charts, and write down the names. The show is May 17th from Las Vegas, where all these people will be playing Caesars Palace in 10 years. This way, they can get familiar with the neighborhood. The BMAs have a top Social Award. This is for the “artist” who socializes the most. The winner must be Justin Bieber, who is not nominated for anything to do with music. You’ll always find him in the kitchen at parties.

Not nominated: anyone imaginative, different, cutting edge or indie. This way, the music business remains in quicksand. Zayn Malik is being considered for the Lifetime Achievement Award (just kidding!)

PS It seems fitting that I just received this press release: Kelly Clarkson has just released a new line greeting cards, and she’s selling them in Wal Mart. So Joni Mitchell of her…

 

Top Artist:

Ariana Grande

One Direction

Katy Perry

Sam Smith

Taylor Swift

 

Top New Artist:

5 Seconds of Summer

Iggy Azalea

Hozier

Sam Smith

Meghan Trainor

 

Top Male Artist:

Drake

Pharrell Williams

Ed Sheeran

Sam Smith

Justin Timberlake

 

Top Female Artist:

Iggy Azalea

Ariana Grande

Katy Perry

Taylor Swift

Meghan Trainor

 

Top Duo/Group:

5 Seconds of Summer

Florida Georgia Line

MAGIC!

Maroon 5

One Direction

 

Top Billboard 200 Artist:

One Direction

Pentatonix

Ed Sheeran

Sam Smith

Taylor Swift

 

Top Hot 100 Artist:

Iggy Azalea

Ariana Grande

Sam Smith

Taylor Swift

Meghan Trainor

 

Top Digital Songs Artist:

Iggy Azalea

Ed Sheeran

Sam Smith

Taylor Swift

Meghan Trainor

 

Top Radio Songs Artist:

John Legend

Maroon 5

Ed Sheeran

Sam Smith

Taylor Swift

 

Top Touring Artist:

Lady Gaga

One Direction

Katy Perry

The Rolling Stones

Justin Timberlake

 

Top Social Artist:

Justin Bieber

Miley Cyrus

Selena Gomez

Ariana Grande

Taylor Swift

 

Top Streaming Artist:

Iggy Azalea

Ariana Grande

Nicki Minaj

Taylor Swift

Meghan Trainor

 

Top R&B Artist:

Beyoncé

Chris Brown

John Legend

Trey Songz

Pharrell Williams

 

Top Rap Artist:

Iggy Azalea

J. Cole

Drake

Nicki Minaj

Rae Sremmurd

 

Top Country Artist:

Jason Aldean

Luke Bryan

Florida Georgia Line

Brantley Gilbert

Blake Shelton

 

Top Rock Artist:

Bastille

Coldplay

Fall Out Boy

Hozier

Lorde
Top Latin Artist

J Balvin

Juan Gabriel

Enrique Iglesias

Prince Royce

Romeo Santos

 

Top Dance/Electronic Artist

Avicii

Clean Bandit

Disclosure

Calvin Harris

Lindsey Stirling

 

Top Christian Artist

Casting Crowns

Hillsong United

Lecrae

MercyMe

Newsboys

 

 

ALBUM AWARDS

 

Top Billboard 200 Album:

Maroon 5 “V”

Pentatonix “That’s Christmas to Me”

Ed Sheeran “x”

Sam Smith “In the Lonely Hour”

Taylor Swift “1989”

 

Top Soundtrack:

“The Fault in Our Stars”

“Fifty Shades of Grey”

“Frozen”

“Guardians of the Galaxy: Awesome Mix: Vol. 1”

“Into the Woods”

 

Top R&B Album

Beyoncé “Beyoncé”

Chris Brown “X”

Michael Jackson “Xscape”

John Legend “Love in the Future”

Pharrell Williams “G I R L”

 

Top Rap Album:

J. Cole “2014 Forest Hills Drive”

Drake “If You’re Reading This It’s Too Late”

Nicki Minaj “The Pinkprint”

Iggy Azalea “The New Classic”

Eminem “The Marshall Mathers LP 2”

 

Top Country Album:

Jason Aldean “Old Boots, New Dirt”

Garth Brooks “Man Against Machine”

Luke Bryan “Crash My Party”

Brantley Gilbert “Just As I Am”

Miranda Lambert “Platinum”

 

Top Rock Album:

AC/DC “Rock or Bust”

The Black Keys “Turn Blue”

Coldplay “Ghost Stories”

Hozier “Hozier”

Lorde “Pure Heroine”

 

Top Latin Album:

Juan Gabriel “Los Dúo”

Enrique Iglesias “Sex and Love”

Romeo Santos “Formula: Vol. 2”

Santana “Corazon”

Marc Anthony “3.0”

 

Top Dance/Electronic Album

Avicii “True”

Disclosure “Settle”

Calvin Harris “Motion”

Skrillex “Recess”

Lindsey Stirling “Shatter Me”

 

Top Christian Album:

Lecrae “Anomaly”

Casting Crowns “Thrive”

MercyMe “Welcome to the New”

NEEDTOBREATHE “Rivers in the Wasteland”

Chris Tomlin “Love Ran Red”

 

 

SONG AWARDS

 

Top Hot 100 Song:

Iggy Azalea Feat. Charli XCX “Fancy”

John Legend “All of Me”

Sam Smith “Stay With Me”

Taylor Swift “Shake It Off”

Meghan Trainor “All About That Bass”

 

Top Digital Song:

Mark Ronson Featuring Bruno Mars “Uptown Funk!”

Sam Smith “Stay With Me”

Taylor Swift “Shake It Off”

Meghan Trainor “All About That Bass”

Pharrell Williams “Happy”
Top Radio Song:

John Legend “All of Me”

MAGIC! “Rude”

Nico & Vinz “Am I Wrong”

Sam Smith “Stay With Me”

Pharrell Williams “Happy”
Top Streaming Song (Audio):

Iggy Azalea Feat. Charli XCX “Fancy”

Hozier “Take Me to Church”

John Legend “All of Me”

Sam Smith “Stay With Me”

Tove Lo “Habits (Stay High)”

 

Top Streaming Song (Video):

Idina Menzel “Let It Go”

Bobby Shmurda “Hot Boy”

Taylor Swift “Blank Space”

Taylor Swift “Shake It Off”

Meghan Trainor “All About That Bass”

 

Top R&B Song:

Chris Brown Featuring Lil Wayne, French Montana, Too $hort & Tyga “Loyal”

Jason Derulo Feat. 2 Chainz “Talk Dirty”

Jeremih Featuring YG “Don’t Tell ‘Em”

John Legend “All of Me”

Pharrell Williams “Happy”

 

Top Rap Song:

Iggy Azalea Feat. Charli XCX “Fancy”

Iggy Azalea Feat. Rita Ora “Black Widow”

Big Sean Featuring E-40 “I Don’t F**k With You”

Nicki Minaj “Anaconda”

Bobby Shmurda “Hot Boy”

 

Top Country Song:

Jason Aldean “Burnin’ It Down”

Luke Bryan “Play It Again”

Sam Hunt “Leave the Night On”

Florida Georgia Line Featuring Luke Bryan “This Is How We Roll”

Florida Georgia Line “Dirt”

 

Top Rock Song:

Bastille “Pompeii”

Coldplay “A Sky Full of Stars”

Fall Out Boy “Centuries”

Hozier “Take Me to Church”

Paramore “Ain’t It Fun”

 

Top Latin Song:

J Balvin Featuring Farruko “6 AM”

Enrique Iglesias Featuring Descemer Bueno & Gente de Zona “Bailando”

Romeo Santos “Eres Mía”

Romeo Santos Featuring Drake “Odio”

Romeo Santos “Propuesta Indecente”

 

Top Dance/Electronic Song:

Clean Bandit Featuring Jess Glynne “Rather Be”

Disclosure Featuring Sam Smith “Latch”

DJ Snake & Lil Jon “Turn Down For What”

Ariana Grande Featuring Zedd “Break Free”

Calvin Harris “Summer”

 

Top Christian Song:

Francesca Battistelli “He Knows My Name”

Hillsong United “Oceans (Where Feet May Fail)”

MercyMe “Greater”

Newsboys “We Believe”

Carrie Underwood “Something In The Water”

 

 

FAN VOTED AWARD

 

Billboard Chart Achievement Award presented by Samsung:

Iggy Azalea

Taylor Swift

Meghan Trainor

 

Tupac Film: John Singleton Out and Carl Franklin In as Director of Troubled Biopic?

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EXCLUSIVE Will the biopic of Tupac Shakur ever get to the screen? It does seem like respected producer-director- writer John Singleton is out as director. And replacing him is Carl Franklin.  Astounding news because Singleton has been working on the film and the script for a long time. We talked about it just six weeks ago at the Oscars at length. But on Thursday he told XXL Magazine the movie was “on hold.”

Now, this morning, Franklin’s name is attached to the casting call for Tupac himself. Frankling is the much respected director of terrific films and more recently classy TV shows like “Homeland” and “The Leftovers.” But the switch is stunning.

In the XXL article, Singleton may have tipped his hand about the disagreements backstage: “I think the picture is not going to be good unless it’s offensive to some people. So, whenever you make a movie, you always have different elements that people have their say about. But when I’m making my movies, John Singleton movies, it’s really just my voice. So I can’t be listening to all the other suggestions of all these other people and shyt. So we’re not going to pull the trigger on that until it’s right. If somebody else wants to do something different then they can do something different. But if it’s going to be right, it’s going to be right. It’s going to be something that potentially adorns ‘Pac’s legacy.”

The Tupac movie is coming from Morgan Creek, a company with a long history of divisiveness. So keep reading, because more will be said soon, no doubt…

 

Exclusive: “Veep” Star Julia Louis-Dreyfus Taking Six Month Break to Be With Family

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Exclusive: Don’t count Julia Louis Dreyfus in for the US film version of “Force Majeure” so fast. JLD told me last night she’s taking six months off, starting now, from any work in Hollywood at all. What about the movie? “Uhn’t uh, I’m not doing anything. I’ve got to spend time with my family.” She means it, too, because her very nice husband Brad Hall and their two grown sons were with her last night at HBO’s splashy premiere of Julia’s hit show “Veep.” (It’s back on HBO April 12 at 10:30pm. Yay!)

Julia is one of those rare nice people you meet in the TV world. She talks to everyone, is lovely, funny, and keeps her cool. She was right at home last night at Gotham Hall with “Veep” cast members, friends of the show, and of HBO, all of which there were many. It doesn’t hurt that the first two episodes of “Veep” are LOL hilarious in their usual, sublime way. JLD’s Selina is now, improbably, President of the United States. What could be funnier?

A big part of this season is a mystery. Hugh Laurie joins the cast, but no one will say what his role is. Speculation has him as Vice President. It does feel like the new Veep is not long for this post, so anything is possible. Meanwhile, a more fleshed out role is Selina’s daughter, Katherine, played by Sarah Sutherland (grand-daughter of Donald, daughter of Kiefer). In the second episode, Katherine has to deal with being subjected to a popularity poll. It’s not pretty.

At the party last night, making rare East Coast appearances: Gary Cole, Kevin Dunn, Timothy Simons, Matt Walsh and the glowing Anna Chlumsky, who’s about to open on Broadway in “Living on Love” with opera star Renee Fleming in a non singing role. Famously, Anna starred with Macaulay Culkin in the movie “My Girl” twenty years ago. Does she talk to him now? “No!” she said, laughing but not meanly. “Do you talk to anyone you knew when you were 12?” She’s got a point.

As for JLD: does she ever watch the old “Seinfeld” episodes, I asked? She hesitated. “A little, sometimes. It’s like watching yourself grow up on TV.” I told her my favorite episode is “The Yada Yada” aka “The Anti Dentite” in which also Bryan Cranston plays Dr. Tim Watley, the dentist who wants to be Jewish for the jokes. “And I was very pregnant with that six foot five kid you just met,” she said, pointing to her 17 year old son. “You wouldn’t believe it,” she said. (And you wouldn’t because she looks mostly the same as she did 20 years ago.)

PS Guests at the party included Katie Couric, Pablo Schreiber, “Empire” writer and “Girls” actor Danny Strong, HBO’s West Coast chief and style impresaria Nancy Lesser, and “Boardwalk Empire” creator Terry Winter. Everyone was very excited to welcome famed Four Seasons Hotel manager Mehdi Eftekari to New York from Beverly Hills. Mehdi is one of the most popular and coolest Angelenos– he’s going to make the Four Seasons here the in spot! Also great to see my old pal Tammy Haddad, media queen of Washington DC. I knew her when she produced Larry King’s show from the capital. She was 6 and I was 8. Precocious!

More on “Veep” right before it premieres…

Mad Men Dedicates Show to Mike Nichols, Offers Teaser Spoilers for Next Three Episodes (With Titles)

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“Mad Men” is playing it pretty close to the vest with any spoilers or info about the last six episodes. Watching the coming attractions is kind of an inside joke at this point. But here are the tidbits that have surfaced about the next three episodes. The fun part is trying to figure out if they mean anything at all. It will also be interesting to see if the show sticks to a timeline of spring-summer 1970 as we know they just finished April 20, 1970. Look at these: do Peggy and Pete not agree on finding their child? Does Roger make Don go to my bar mitzvah? (June 13, 1970, don’t think they were invited.) Wait and see. More to come…

Meantime, how very classy that they dedicated the show last night to the memory of Mike Nichols.

Episode #7.9– New Business
Don receives unwanted advice from Roger; Peggy and Stan do not agree on an account’s personnel.

Episode #7.10–The Forecast

Roger pawns off a project on Don; Joan goes on a business trip; Peggy and Pete cannot agree.

Episode #7.11–Time & Life

Don comes up with a big idea; Roger asks Joan to help him fix a clerical error.

“Mad Men” Returns, Jumps from Summer 1969 to Spring 1970: Don Dreams of Mortality

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“Mad Men” returned tonight and jumped from the summer of 1969 to April 1970. How do we know? Don listens to Richard Nixon withdraw 150,000 troops from Southeast Asia on April 20th. During the episode titled “Severance” it seems like it might still be 1969, because Peggy Lee is singing “Is That All There Is?” and Joan is talking about L’Eggs stockings taking over the market. But the men’s hair styles have changed, and they all look like Sergeant Pepper. All except Don.

Oh, yes, Don: while all fashions change, Don remains the same. It’s on purpose. He doesn’t adapt at all to changing times. The world just whooshes around him. And while he’s certainly accepted the sexual revolution, that’s it. Life marches on around Don. And he dreams of his mortality. He has a dream about Rachel Katz (Maggie Siff) an old lover, only to discover subsequently that she’s died from leukemia. He sees a waitress in a diner who looks like her, and they have sex. Her name is “Di,” short for Diana. Oh my. Very David Lynch.

The other plots of “Severance” involve Ken Cosgrove, who is fired but gets revenge. He doesn’t need “Severance” and now he’s going to make the lives at Sterling Cooper very difficult. Peggy gets the other story; she tries to have a good time. She and Joan also disagree about the miserable way they’re treated by the men at McCann Erickson.

Mortality surrounds Don, and adds fuel to the fire that he’ll die in the end. Matthew Weiner likes playing with the audience, so who really knows? Meantime, the ads on AMC were pretty interesting: they took an ad for Showtime’s “Happyish” on a competing cable network. Weird.

Is that all there is, my friend?

David Lynch Pulls Plug on “Twin Peaks” Reboot, Says Showtime is Too Cheap

There will be no “Twin Peaks” revival this fall. David Lynch says he’s pulled the plug because he can’t reach a deal with Showtime. I know some people will be disappointed. I feel bad for the actors who planned on returning to their roles; it was good work. But the Laura Palmer mystery took up all the energy in “Twin Peaks” back in 1989. Once it was over, so was the show. Let’s remember it fondly and move on to new material. A revival would never have matched expectations. Fire, walk with me.

Showtime’s statement: “We were saddened to read David Lynch’s statement today since we believed we were working towards solutions with David and his reps on the few remaining deal points. SHOWTIME also loves the world of Twin Peaks and we continue to hold out hope that we can bring it back in all its glory with both of its extraordinary creators, David Lynch and Mark Frost, at its helm.”
 

“Mad Men” Returns Tonight But AMC Almost Blew It After the 4th Season

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“Mad Men” comes back tonight for its final 7 episodes. But the show almost ended completely back in the winter of 2011. After the fourth season ended, the show was renewed by AMC, but they had no agreement with series creator Matt Weiner.

The ordeal dragged on from mid January through April 1, 2011. “Mad Men” missed its start date for a 5th season. The result was an almost 18 month break between seasons. Lower ratings ensued despite the show being better than ever.

But AMC was to networks what the old American Motors Corporation was to automobiles. You’ll note, they are not around anymore. AMC was just lucky: HBO passed on “Mad Men,” and they were the default place to go. “Breaking Bad” broke out behind “Mad Men,” and AMC got its watered down sequel “Better Call Saul.” “Walking Dead” is their last shot, and if they’re not careful, well…

AMC put fans, Weiner, and the “Mad Men” cast and crew through an unnecessary wait in 2011. And it was weird. Weiner didn’t hear from them for months. They had the hottest show on TV and didn’t really care. Since that time, most of the AMC team that brought their three hit shows to the air are said to be gone.

The 2011 break delivered “Mad Men” its fourth Emmy in a row that fall for Best Drama. But “Mad Men” has never earned a single acting Emmy. Jon Hamm has been nominated over and over but never won. John Slattery has been screwed over 7 times. Elisabeth Moss and Christina Hendricks, ditto. It doesn’t seem possible. But overall the show has a record for being the Susan Lucci of Drama shows. AMC has never been able to pull off a win for any actor.

Not a lot happens on tonight’s show– I’ll write about it when it ends. It’s more about time and tempo than plot. Don is getting his divorce from Megan and running into old girlfriends (Maggie Siff). Peggy’s trying to get her life together. At Sterling Cooper, Ken is getting the last laugh. Fans will love it. But it leaves just six episodes to wrap up the show. We’ll see if AMC can give it the same organic send off “Breaking Bad” had.

Tonight’s song is Peggy Lee’s “Is That All There Is?”

“Furious 7” Scores 9th Biggest Opening Weekend Ever with $143.6 Million

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It was a fast and furious weekend for the late Paul Walker, Vin Diesel and friends. They scored $143.6 million for “Fast and Furious 7” and landed with the 9th biggest opening weekend ever. They also screeched into a worldwide finish too with a total of $384,023,000 internationally. Nothing else came close, including all 6 of the previous installments. Universal Pictures is having a booming 2015 so far because “Fifty Shades of Grey” was the fast and furious of lite bondage films. They should do a mashup where they tie someone to a speeding car. (Just kidding!)

In other news: Fidel Castro appeared in public yesterday for the first time in a year.