Friday, December 19, 2025
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David Letterman Announces Final Guests, But So Far No Regis or Teri Garr

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David Letterman has announced the final guests for his show before his May 20th finale. These guests will be spread over the last 28 shows, and more will be added. So far, no mention of Regis Philbin, although I could see him being on the very last installment. Also, if it’s possible, it would be great to see Teri Garr come back. But her health issues may not permit it.  The other Letterman guest that I’m sure he would like is Mary Tyler Moore, who gave him his start with her short lived variety show. Again, health issues are involved.

I do think music wise, there will be surprises still to be announced. Bruce Springsteen? Sting? Paul McCartney?

Here’s the list they put out today: George Clooney, Robert Downey, Jr., Will Ferrell, Tina Fey, Tom Hanks, Jack Hanna, Scarlett Johansson, Michael Keaton, Steve Martin, Bill Murray, Sarah Jessica Parker, Don Rickles, Julia Roberts, Ray Romano, Paul Rudd, Jerry Seinfeld, Martin Short, Howard Stern, John Travolta, Bruce Willis, Oprah Winfrey, The Avett Brothers and Brandi Carlisle, Elvis Costello, Dave Matthews Band, Emmylou Harris, Norah Jones, Mumford and Sons, Ralph Stanley and Amos Lee.

Cannes Film Festival Announces First Ever Opening Night by Female Director, Emmanuelle Bercot

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The Cannes Film Festival will open with a film for the first time by a female director. Emmanuelle Bercot will debut on May 13th with “La Tete Haute” starring Catherine Denueve.

“The choice of this film may seem surprising, given the rules generally applied to the Festival de Cannes Opening Ceremony,” explains Thierry Frémaux, General delegate of the Event. “It is a clear reflection of our desire to see the Festival start with a different piece, which is both bold and moving. Emmanuelle Bercot’s film makes important statements about contemporary society, in keeping with modern cinema. It focusses on universal social issues, making it a perfect fit for the global audience at Cannes.”

According to a press release, “La Tête Haute” tells the story of a juvenile delinquent, Malony, and his upbringing from childhood to adulthood, as a children’s judge and social worker try to save him. It was filmed in the Nord-Pas de Calais, Rhône-Alpes and Paris area regions, In addition to Deneuve, the movie stars Benoît Magimel, Sara Forestier and Rod Paradot, who plays the main character.

“Mad Men”: Inside Joke About Manson, Inside Scare About Death, Plus: Mimi Rogers

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What timing! Just when Tom Cruise is in the news regarding Scientology, his first wife, Mimi Rogers, makes a startling appearance on “Mad Men” as a sex hustling avant garde photographer with a streak of Susan Sontag grey in her hair. Wow. And like all “Mad Men” sort of stunt casting, Rogers was excellent. Good to see her. Also good to see Don’s former lover, Sylvia, and husband, Arnold are still together and still living in the same apartment.

The second episode of season 7.2 was a winner, dense with plot and story and intent on tidying up loose ends. Megan returned to get her things and brought her mother and sister. Mom (Julia Ormond) connected with Roger, Megan discovered their affair, and there’s a chance Mama is staying with Roger. Is that an end game?

One end game that looks like it won’t happen is Don ending with waitress Diana or “Di” as she called herself last week. Elizabeth Reaser, sort of channeling Rosemarie DeWitt’s Midge from earlier seasons, was alternately sultry, sad, and scary. Don’s interest in her is peculiar and self indulgent– who does she remind him of? The scent of death is all over her, from her name to the story of her child, and her abandonment of her family. What happens? Don thinks he wants “Di” but ultimately walks away from her. (Too Derrida? I don’t know. Stick around.)

Meanwhile, Betty is back. She’s decided to become a psychologist. This is a hoot. She’s crazy, as we all know. Can you imagine what she will say to patients about her children? But she’s still with Henry, and at least she didn’t yell at the boys about making a mess with the milk shake.

By the end of the episode, Don is stripped down. Not only has he given Megan a whopping settlement of $1 million, she’s taken (via Mama ) all of his furniture. He arrives at a totally empty living room. He’s got to start over. But what if, as Pete asks him on the way to golf, it’s not possible?’

Finally, Matt Weiner has fun with the audience. Don’s secretary — waiting for a meeting to start– says she doesn’t want to go to California because she might encounter “the Manson brothers.” The Manson family? Don asks, “Are they coming?” No, they’re not, but this was a weird rumor that plagued “Mad Men” about Megan maybe being Sharon Tate or something a couple of seasons ago. Very clever.

Exclusive: “Girl with Dragon Tattoo” Noomi Rapace Headed for Shainberg’s “Rupture”

Here’s the word over the weekend: I’m told that Noomi Rapace, so startling in “The Girl with the Dragon Tattoo”– the original Swedish movie– is getting ready for another startling turn. She’ll play Renee, a mother whose son has been kidnapped by a shady organization (not Scientology).

Steve Shainberg, known far and wide for two great, out there movies– “Secretary” and “Fur: An Imaginary Portrait of Diane Arbus “– will direct. It’s his first feature directing assignment since “Fur” in 2006. Andrew Lazar is producing after having a monster hit with “American Sniper.”

In 2012, Lazar was going to produce a Shainberg movie called “The Big Shoe” starring Susan Sarandon and Jim Sturgess. I guess it never happened. Sturgess has been making UK films since then, but this could bring him back to the US. Thanks to the folks in Canada who keep abreast of these things.

Broadway: “American In Paris” Is First Big Potential Tony Nominee of the Season

Goldie Hawn, Dame Helen Mirren and director husband  Taylor Hackford were among the stars who turned out Sunday night for the triple home run, 21 gun salute debut the Gershwins’ “An American in Paris” on Broadway at the famed Palace Theater.

You read that right. “An American in Paris” was a Gershwin movie with Gene Kelly, Leslie Caron, Nina Foch, and Oscar Levant in 1951. It was never a movie. It always featured major ballet dancing, it never had a real story, and the songs were fungible. There were ten Gershwin numbers including “I Got Rhythm” and the ten minute “American in Paris” instrumental ballet. It was never turned into a stage show, although many of its songs were parceled out to other made up Gershwin shows like “Crazy for You” and “Nice Work If You Can Get It.”

At last, “AIP” is a Broadway musical, completely reinvented by ballet director Christopher Wheeldon, playwright Craig Lucas, with sets and costumes by Bob Crowley and about a million investors and producers. Wheeldon brought in young, good looking ballet stars Robert Fairchild and Leanne Cope, plus Broadway stars Veanne Cox, Jill Paice, Brandon Uranowitz, and Max von Essen.

What can I say? The show soars. I’ve never been in the Palace Theater to hear and see this kind of thunderous ovation at the end of a new musical. And it’s not because this was an opening night. “AIP” has already played 40 performances in Paris at the Theatre du Chatelet, and 30 previews here. The word was always good, but who knew how good? Everyone involved is headed to the Tonys, with Wheeldon hands down taking choreography.

Wheeldon has invented new ballets from the movie’s numbers, including the title sequence that just takes your breath away.  Lucas has written an actual story, amplifying the movie’s meager plot points and weaving together an enjoyable plot you actually have to follow. The sets and costumes are extraordinary that they make nostalgia seem new.

The performances are uniformly strong among the principles with obvious kudos to Fairchild and Cope, who never sang before, anywhere.  Supporting nods go to Veanne Cox and Max von Essen (who’s also the son of former NYFD chief Thomas Von Essen during 9/11). Brandon Urbanowitz and Jill Paice are sensational, as well.

In many ways, this is the equivalent of the great “Anything Goes” revival of a few seasons ago with Sutton Foster. The main difference is that this is original, and it features an entire ballet within a Broadway musical.

Who else was there?  Gloria Estefan, Mikhail Baryshnikov, Zachary Quinto and Mamie Gummer, Patina Miller, Tommy Tune, Michael Eisner, “Lion King” writer Irene Mecchi, the whole Gershwin family, record exec John Titta, “60 Minutes” producer Ruth Streeter, and former “Knots Landing” star Constance McCashin (she played Laura Avery) with husband, film director Sam Weisman. Contance is a psychotherapist now outside Boston. Talk about going full circle– or cul de sac!

The Tony Awards are tightening up, that’s for sure. It’s a hot year with five strong original musicals: “American in Paris,” “Finding Neverland,” “Fun Home,” “Something Rotten,” and “The Last Ship” from earlier in the season. All the scores are very strong.

John Dickerson Replaces Bob Schieffer on “Face the Nation”– His Mom Was First Female Correspondent on CBS

CBS has named John Dickerson to replace Bob Schieffer as host of “Face the Nation.” Dickerson’s mother, Nancy Dickerson, was the first female correspondent on CBS News. He’s been political director for CBS News and writes for Slate.com. Dickerson also wrote a book about his mother called “On Her Trail.” I’m sure John Dickerson is just the right person for this job, but the fact that he’s white, blonde, good looking and male is just so Broadcast News. By network standards, he’s the Face of the Nation. If they only knew…Anyway, congrats !

Revelation: Candice Bergen’s Mother Had an Affair with Her Husband Louis Malle’s Older Brother

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These Hollywood people. They really are different from you and me. I’m such a fan of Candice Bergen that I downloaded her new book, “A Fine Romance,” for Kindle. And guess what? In the middle of a wrenching recollection of how the urbane, gorgeous Bergen nursed her wonderful husband, French director Louis Malle, during his terminal illness, comes this revelation: Frances Bergen, Candice’s equally gorgeous mother, had an affair with Louis’s older brother, Jean-Francois. This is a little nutty since Louis Malle’s most famous movie, “Murmur of the Heart,” was about incest between a mother and son. And his last movie, “Damage,” was about a father who beds his son’s girlfriend. Bergen writes about this in the context of Malle’s funeral in 1995:

“My mother, I realized, had come to Paris for the funeral primarily because it would give her an opportunity to see Louis’s brother, Jean-François. In one of the weirder chapters in our marriage, Louis and I had introduced Mom to Jean-François, thinking he would be someone she would enjoy having lunch with once in a while in New York City. But we forgot that Jean-François was a notorious ladies’ man, a handsome, smooth, rakish devil. A Harvard graduate, a racehorse owner, and head of Lehman’s in Europe, he’d left a trail of broken hearts in his path. My mother’s was now at the end of the list.

During their affair Mom had lost twenty years. She wore a ponytail for the first time. She had a spring in her step; she was girlish. She went to Paris to visit him, frequenting a famous club, Les Bains, ate at his favorite haunts. Jean-François had taunted Louis at the time: “I’m going to have an affair with your mother-in-law. I’m going to marry her and then I’ll become your father-in-law and then I’m going to cut you off!” This was, unfortunately for my hard-hit mother, a joke . Jean-François , characteristically, moved on. My mother was devastated. “He was the one,” she announced.

Frankly, it was, as moments go, slightly awkward, somewhat too close to a Louis Malle film. Too close for Louis Malle, in fact, who never mentioned it once during the entire few months of their affair. But now we were at the reception and my mother, looking elegant and demure in a dress and a chapeau, was sitting down next to Jean-François, who had just lost his little brother and who looked wrecked. He now proceeded to get more wrecked, and now his brother’s mother-in-law was confronting him about who the hell knows what, and frankly, Mom, it was not the time.”

Okay! Frances, of course, had long been married to Candice’s famous ventriloquist father, Edgar Bergen. No judgments! The rest of “A Fine Romance” is witty, disarming, sometimes laugh out loud funny and poignant. Last week, news outlets jumped on a passing reference Candy made about being fat and not caring. But the book is much, much more. And certainly worth the $14.99!

PS I met Louis Malle, I think, in 1987 or 1988. John Guare brought him to a screening I hosted. I can’t remember what movie it was but I think it was John Sayles’ “Matewan.” We always stayed in touch, and in 1992 I wrote a piece for The New York Observer about Louis’s movie, “Damage” getting an absurd NC-17 rating. Candice’s book is as much a tribute to him as anything else, and it’s beautiful. He was a great man, and died much too soon.

 

Rebel Smart: Madonna’s “Jimmy Fallon” Show Revives Album from the Dead on iTunes, Amazon

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Now, you can say it, kids: Madonna is back. Her appearance on Jimmy Fallon’s “Tonight” show was a confirmed success. Her album, “Rebel Heart,” was just about dead on the charts. But this afternoon, “Rebel Heart” is number 20 on iTunes with a bullet, moving from around number 84 to 32 to where it is now. Well played.

There’s more: The original “Rebel Heart” EP of five songs, released in a hurry after Madonna was “pirated” early on, is at number 42. And the song she cleverly performed “Bitch I’m Madonna” is at number 107 out of nowhere. My guess is the song will pick up momentum and perhaps become an unqualified hit. Wouldn’t that be something?

(A friend suggests that they just release the Fallon performance as a video, and skip Madonna’s usual $10 million follies.)

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Even more interesting: The digital download of “Rebel Heart” on Amazon.com is number 37 and rising fast. This means that Amazon customers, who usually like the physical CD, had a big impulse buy after Fallon and just wanted the album. They couldn’t wait for the mail.

click here for my Rocky Horror Picture Show exclusive from March 9th

Madonna and manager Guy Oseary took a page from Barbra Streisand and manager Marty Erlichman. Streisand’s Fallon show propelled her duets CD, “Partners” into the stratosphere. Madonna’s Fallon segment was crafted similarly— Madonna was dressed in accessible way, no crazy nudity or sex talk, just fun, witty stuff. Her comedy routine was a dud, but it was in good fun so no one cared.

Game of Thrones author on who will die this season

The “Holiday” segment– performing her old hit live with Jimmy and the Roots– was a home run. But the coup de grace was the choreographed version of “Bitch” through the NBC hallways. It was ebullient and infectious. The old Madonna is back!
And yes, that’s Madonna’s 14 year old son Rocco in the video:

Scott Eastwood Says He Knows What Broke Up Demi Moore and Ashton Kutcher

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Scott Eastwood looks like he’s going to be a lot of fun. On Andy Cohen’s show last night– which is live, and features alcohol– Clint Eastwood’s hot as a pistol actor son told Andy and Jon Cryer that Kutcher slept with one of Eastwood’s girlfriends. “It was the catalyst” for breaking up Ashton and Demi, Scott said. Scott will be invited back again, and often.

Madonna Gets It Just Right on Jimmy Fallon (Watch Videos) Gets Boost on Charts

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Madonna is not a great stand up comedian. But she’s willing to try anything. Her appearance over night on the Tonight Show starring Jimmy Fallon was pitch perfect. She sang “Holiday” unplugged with Jimmy and the Roots on toy instruments. (All pop artists should do this with Jimmy– they come off great!)

She also put on a great version of “Bitch I’m Madonna” that landed just right. I’m impressed, and I’m not kidding. Ironically, “Rebel Heart” is out of the top 100 on iTunes. But this performance gave the album a little boost on iTunes back to Number 32 from almost off the chart.