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“Independence Day: Resurgence” A Bust in the US, Studio Pins Hopes to China with Chinese Actors

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“Independence Day: Resurgence” is a bust in the US with a $16 million Friday opening and a predicted $40 mil weekend. It’s a $200 million movie, so that ain’t good.

But 21st Century Fox has hedged its bet. “IDR” opens in China this weekend, too. And even though China has no civil rights and dog meat eating festivals, it’s now the place where the big studios pin their hopes for making some dough on bad films.

To ensure that “IDR” will do well– even without Will Smith– the studio and the filmmakers were clever enough to feature several Asian and Chinese actors. A young actress who goes by Angelababy– her real name is Angela Wing– plays Rain, one of the movie’s stolid ingenues. Chin Han plays Commander Jiang. Ron Yuan, Grace Huang, Ben Wang, and Stephen Oyoung are also featured. There are extras too. Their presence will no doubt be played up as “IDR” opens in China and elsewhere in Asia. It’s a smart movie financially, and inadvertently helps play a part in diverse casting. Everybody wins!

If only “IDR” had a script and other actors who were memorable, the movie might have been a hit in the U.S.

Music Review: Sting, Peter Gabriel Rock Jones Beach In Seamless, Sold Out Show

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Want to see how real musicians age gracefully? Take Sting, 64, and Peter Gabriel, 66. Their “Rock Paper Scissors” tour– which launched this week in Columbus, Ohio– hit Jones Beach on Long Island with storm force last night. The two singer songwriter rockers, the heavier thinkers who were once on the Amnesty International tours together–held the stage for three hours literally without missing a beat.

They introduced themselves as “Peter and Gordon”– and then went on to mop the stage with alternating hits. Many times they sang or played on each others’ songs, or took secondary roles while the other lead. The fact that their song catalogs are incredibly deep didn’t hurt. Truly, they could play three more hours without trouble.

Sting and Gabriel are an interesting mix. They each come from groups– respectively the Police and Genesis– and then brilliant solo careers. Their songs are sophisticated, well constructed and beloved. That was certainly borne out by the sold out crowd at Jones Beach that knew all the words to everything they sang.

Highlights of the show– which moves to Madison square Garden on Monday and Coney Island later in the week– were many: Gabriel delivered a smoldering version of Sting’s “If You Love Somebody (Set them Free).” Sting turned “Roxanne” into an electronic jazz rave, then mixed in a smoking version of Bill Withers’ “Ain’t No Sunshine.” Gabriel dedicated one song to murdered member of Parliament Jo Cox, as there were a few tossed off references to the Brexit debacle in the UK.

In this new teaming, Sting is the leading man of the movie, his butterscotch voice in better shape than ever. He can quiet a stadium down to a whisper as he sings “Fragile” and rev it up again with “Desert Rose.” Gabriel is sort of a cross between a mad monk and Dr. Evil, but he also moves with disarming agility. “Solsbury Hill,” “Shock the Monkey,” and “Sledgehammer” are still killers. Gabriel also sang Sting’s “Englishman in New York” with authority. Sting sang on “Solsbury Hill” with a big grin you could see on the video screens. He’s clearly having fun.

What makes these two guys unique in 2016 is that it’s all real, it’s as spontaneous as it can be, the honesty of the musicianship is stirring in an era when everything is prepackaged. They wrote these songs, no one else did– there are no production teams. Imagine if a current pop star had a point of view, or a story to tell, and risked that vulnerability with the audience.

Great videos and production values, too, not overdone, and excellent sound. The two bands — dubbed red (Gabriel) and blue (Sting) combine nicely. Dominic Miller is still a guitar virtuoso and Jo Lawry is one of the great singers of our time. She’s matched well with Gabriel’s house singer, Jennie Abramson.

Great night too– famed concert promoter Ron Delsener was there– he turns 80 on July 15th, and of course Trudie Styler, aka Mrs. Sting. I loved that Gabriel kept calling his counterpart “Mr. Sting” all night. If you can get into MSG on Monday night, it’s worth every penny. You’ll come out humming, of not outright singing and banging anything that sounds like a drum.

Kelly Clarkson Jumps to Atlantic Records, Finally Reunited with Her Original Producer

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Kelly Clarkson is finally off of RCA. She’s moving to Atlantic Records. And this will reunite her with the man who guided her to her biggest hit– Pete Ganbarg, who trained under Clive Davis

and is now the head of A&R at Atlantic, where he’s riding high right now with the “Hamilton” original cast album.

Clarkson has had a string of hits with RCA but fought with the people there the whole time. At one time she was taking pot shots at Clive Davis over releasing her album called “My December.” It was almost her Waterloo, but Davis & Co. put her back on track with more hits. She just had a big one with “Piece by Piece.”

Even though she is contentious, Clarkson knows her mind. And she has a great voice. The original “American Idol” winner still has a big future a la Linda Ronstadt. And Atlantic– well, the Warner Music Group always needs a star on its roster. So it’s win win.

PS Pete is more modest. He says: Wish I could take credit for this one but it was all Craig [Kallman] and Julie [Greenwald] (with John Esposito in Nashville). Obviously thrilled to have her here at Atlantic; she’s an amazing talent. Also, I only did one album with her at RCA and it was “All I Ever Wanted,” not the album with “Since U Been Gone.”

Congrats to all of them!

Broadway Exclusive: Al Pacino as Tennessee Williams in “When God Looked Away”

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EXCLUSIVE kids. And I mean it. Al Pacino will star as Tennessee Williams in a new play called “When God Looked Away.” Coming to Broadway– maybe this winter, definitely next spring in time for Tony Awards consideration.

I am thrilled to tell you that Judith Light is Pacino’s co-star. She plays a longtime female friend summoned by Williams for help toward the end of his career. Light, a Tony winner, couldn’t be more terrific.

A workshop presentation will convene for rehearsal next week in Los Angeles. When it’s all sorted out, a decision will be made on the particulars.

The play is written by Dotson Rader, adapted from his 1985 biography of Williams. Robert Allan Ackerman, of Broadway and TV fame, is the director. The great Donna Granata is doing costumes. Eric Falkenstein (this year’s “Color Purple” and “Gin Game”) is lead producer.

Pacino had a bad time on Broadway this past year in David Mamet’s “China Doll.” But he is one of our finest actors, and a new recipient of the Kennedy Center Honors. This production sounds like a total winner. I can’t wait to see it.

PS If you want a little shot of Pacino in good form, try Barry Levinson’s “The Humbling” on video. A great movie, had a terrible distributor. Worth it.

“Independence Day: Resurgence” Woeful $4Mil Opening, Actors Absent from TV Talk Promotion

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A few more reviews are trickling in, but not from any major sources. The hiding and abandoning of “Independence Day: Resurgence” may turn out to be a bigger story than the movie itself.

Right now, there are only about 68 reviews posted to Rotten Tomatoes. That’s less than a third than a movie like “X Men: Apocalypse” received. It’s sitting at a 46 rating. But each new review brings a lower ranking.

Last night, “IDR” took in $4million in its pre-opening. Compare that to $11 million for the pre-opening back in 1996.

At the theater where I saw it, fewer than 200 people total may have attended screenings at various price points (2D, 3D, blindfolded).

No members of the “IDR” cast have turned up so far on any talk shows to promote the movie. Only Bill Pullman and Sela Ward have hit CBS’s “The Talk.”  Liam Hemsworth and Jeff Goldblum have each been on “Conan,” which is the Witness Protection Program of late night.

Meantime, whoever does see the movie will spot a cameo from Robert Loggia, who died last December. Loggia played General Grey in the first movie. He’s somehow painted into a scene on a reviewing stand, not looking very well. He doesn’t have any lines. It’s not his last movie. According to the imdb, he has two more appearances in films. He was a great actor and a fine fellow. So this is a nice tribute.

Also, there’s a memorial wall (a la the Vietnam Memorial) observing those who died in the original “IDR.” It goes by fast, I think they were names of characters. There may be an Easter egg in there. Let me know (showbiz411@gmail.com) if you see it.

 

Broadway Shock: Shuffle Along Closing July 24 When Audra McDonald Exits

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Big news and a surprise. SHUFFLE ALONG is closing on July 24. This is huge because it’s the latest blow. See my previous item about the closings of Fun Home and An American in Paris.

Shuffle Along has been doing decent business. But they were facing the exit of their star Audra McDonald from the start. The plan for what to do next was ill conceived, which producer Scott Rudin has grudgingly conceded.

Of course, Mc Donald was leaving from the get go. Originally she was set to depart for the UK on June 10, and perform her “Lady Day at the Emerson Grill” for three months. The producers of “Shuffle Along” knew this but proceeded to sell tickets as if the beloved six time Tony winner was really part of their show. She was not.

Then, as luck would have it, McDonald discovered she was pregnant. London was cancelled. But that still meant leaving “Shuffle Along.” And it explained her many absences during previews, which were ascribed to a “cold.”

Producers then came up with a plan to put the choreographer Savion Glover into the show even though there was no part written for him– and it might be hard to explain. They also hired a dynamite roots singer, Rhiannon Giddens, who has no theater experience per se.

On the 22nd, Giddens excitedly Tweeted: “Ok, first time taking a cab from rehearsal (walking the streets with two banjos and two bags not an option)…boy howdy is this slow!”

Today once the news broke, she wrote: “My heart is broken. Completely and utterly. Now to pick up the pieces.”

And that’s just the newest tragedy of “Shuffle Along,” which Rudin hoped would be considered a revival and win the Tony Award against “The Color Purple” (which did win) and “She Loves Me” and “Fiddler on the Roof.” Alas, the Tony committee considered “Shuffle Along” original, which meant certain death against “Hamilton.” Even Glover, who I thought might win for choreographer,  was run over by “Hamilton.”

When I saw “Shuffle Along” on April 1st, thanks to $40 tickets, it was clear what was wrong: three hours, no character development, lots of great dancing, but no coherence. George C. Wolfe did what he could– but the concept was undercooked.

Nevertheless, with Brian Stokes Mitchell, and McDonald, and Billy Porter and Brendan Dixon, there was a lot of talent.

Now, 10 of the shows listed on Broadway– roughly a third– of the shows currently playing will be gone by the end of the year. That’s a lot. Of course, new ones will come and replace them. But that’s a lot of money for marketing and production out the window.

I do hope Rudin tweaks “Shuffle Along” for a pared down, shorter, maybe off Broadway version. It would be a shame to throw the baby out with the bathwater.

REVIEW “Independence Day: Resurgence” Wasn’t Screened for a Reason–It’s Terrible

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Sad to say “Independence Day: Resurgence” is quite awful. It looks cheaply made and is mostly witless. Every possible cliche is explored. Eleven credited screenwriters and there’s no screenplay, just remnants of abandoned drafts.

Roughly 50 people showed up tonight for the first showing in Union Square. About 125 went to the next showing. And 50 more were expected for the final show. “IDR” could be a $200 million disaster if it doesn’t take off in places like China. (There are Asian characters just for that reason.)

But it’s a movie that begins in the middle, has almost no character development and looks like it was shot on a soundstage.

Missing Will Smith is just part of the disaster. The character that replaces him– Dylan– is his earnest, humorless son. This is Will Smith’s (movie) kid? I don’t think so. The actor playing him– James T. Usher– and relation to the singer Usher– is solid but dull, like all the young people in this film. Liam Hemsworth and Maika Monroe feel like they’re playing a parody of star crossed lovers. Nicolas Wright is wrong. The casting feels low grade and inexpensive.

So you also really miss Mary McDonnell as president Bill Pullman’s wife, and Margaret Colin, as Jeff Goldblum’s maybe love interest. They were adult women with strong personas. Charlotte Gainsbourg is just lost as a scientist or psychologist– it’s unclear. Like virtually all the people who file past the camera, Gainsbourg has no story or backstory.

Twenty years have passed since the first film. How could production values be worse? There’s some really laughable rear screen projection. Night or darkly lit scenes have no depth of image. The editing is clumsy. There are space ships flying and fighting that look like they’re hand held. Good grief. All the money was spent on the aliens, who are really no different than they were in 1996.

Some kinda funny moments involve Brent Spiner as the revived Dr. Okun. The actor is best known as Data from “Star Trek: The Next Generation.” He’s goofy enough to be diverting, and there’s a throwaway “Star Trek” joke, I think.

Also, in the final reel (where was the first reel? the first act? the character set ups?) Jeff Goldblum drives a yellow school bus around the desert, chased by the big alien. It could have been funnier. But at one point, Judd Hirsch leans forward to talk to him during the chase and Goldblum says, “Please stay behind the yellow line.” Shows you how strained I was for humor.

I’m so disappointed by “IDR.” I saw the first movie three times. Director Roland Emmerich really caught lightning in a bottle. He is otherwise– and has been since then– a maker of big screen schlock. He’s saddled 20th Century Fox with a huge turkey here. But no New York press screenings or premiere, publicists who ignored emails– you knew this calamity was on its way. The fairly light numbers of people at AMC Union Square last night underscored the trouble.

Too bad.

 

Broadway: 2015 Musical “American in Paris” to Close, Following “Fun Home”

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“An American in Paris” will close on Broadway on new Year’s Day. The show from 2015 won Tonys and had great reviews, but it’s too hard to maintain long runs anymore. The 2015 Tony winner “Fun Home” will close in September, after “Finding Neverland” takes its final bow.

Broadway is not for the faint of heart, kids.

Meantime. “The Humans” is moving from the tiny Helen Hayes Theater to the little larger Cort Theater. The Cort Theater is a normal size small theater. I love the actors in this play but the play itself plays like a TV show. I don’t get it.

“Bright Star” is wrapping up as well, and “American Psycho” is gone. “Long Day’s Journey” and “She Loves Me” were limited runs, and are closing soon.

But “Motown: The Musical” is coming back.

More theater news soon…

 

 

Adele’s Bestselling “25” Album Coming to Spotify Tonight, Seven Months After Release

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Adele has finally given in. Her “25” album comes to Spotify tonight at midnight. Actually, it starts in Europe and works its way west as the clock strikes 12 in each time zone. Why? Who knows? Just something to do.

Previously, Adele and her management had kept “25” off of streaming. But it’s on Amazon Prime, and it can be heard on Pandora.

Adding Spotify especially in the US makes sense. The bulk of Adele’s sales came between mid November and the end of December 2015. Since then, it’s been slow and steady. But streaming–especially as she prepares to tour the US–will give “25” a boost.

If you go to Spotify now they’ve already got “Hello,” “When We Were Young,” and “Send My Love to Your New Lover.”

PS Amazon is selling the 14 track bonus CD for $6.49 right now.

50 Cent Jokes at “Power” Premiere: “If They’d Given Me More Tickets, I’d Have Had Beyonce and Rihanna”

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50 Cent took center stage last night at the third season premiere of the Starz series “Power”– he plays Kanan, who may or not be dead in this slickly produced, entertaining show created by Courtney Kemp. Omari Hardwick stars as “Ghost,” who runs a hot nightclub and a drug syndicate. Hardwick is sort of the Idris Elba of TV right now, teetering on a film career.

But “Fiddy” or Curtis Jackson, as he was born, was in the spotlight. He has two lives– rapper is one, well dressed businessman is the other. I think he’s very interesting. At the after party at the Top of the Standard– thrown by Jason Binn, the hardest working man in show business and his DuJour Magazine– Jackson told me he’s working on a new album.

Will he release it on Jay Z’s Tidal? “Oh no,” he said. What label is he on? “I have my own label!” he said. He was wearing a very nice elegant two tone blue tailored suit. When I asked him who made it, he said, “I don’t know, maybe YSL.”

Earlier, at the screening, Jackson was very amusing during his introduction. He said, “I’m looking around and I see some of the seats are empty and it kills me because they said we didn’t have anymore tickets… didn’t have anymore tickets?… I’m happy…all these familiar faces to support me… but the deal is  if they’d given me more tickets I would have had Beyonce and Rihanna…this is devastating me, devastating…this is like a family reunion to me…I want you guys to enjoy…the first episode of season three, and I said the intensity of the finale of season two is consistent throughout the entire season you’ll see exactly what I mean. Check it out.”

PS I did ask Courtney Kemp if she’s got more shows brewing a la Shonda Rhimes– a Shondaland. “Yes!” she said, “But it will be Kemp World!” I don’t doubt it. Bring it on!

 

with Paula Schwartz