Thursday, April 2, 2026
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Matt Lauer’s Likely Replacement is Willie Geist, It May Already Be In His NBC Contract

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Matt Lauer is gone, and his likely replacement is not going to be Megyn Kelly. She must be smoking something great if she thinks that could happen.

No, the likely successor is Willie Geist, who is the current host of “Sunday Today.” Indeed, “Sunday Today” was created for Geist after Lauer’s last contract renewal. That show was designed to give Willie something to do until Lauer left, possibly in 2018 when his contract was up.

Lauer has had two tough re-negs in the last few years, Each time, Geist was waiting patiently.

But now Geist is ready, and he will be warmly welcomed. In fact, I’m told it may be in his NBC contract that he’s Lauer’s successor. That’s the happiest sounding agreement in history.

Geist is the son of former New York Times star writer William Geist, who still appears on “CBS Sunday Morning.” He’s a nice guy, much liked and not remotely like Lauer. With Savannah Guthrie and Hoda Kotb on either side, he’ll be just fine. Also, he lives with his family and is no player. That will be a headline for NBC.

I don’t think NBC will wait too long to make the announcement. And why wait? Geist has been with NBC for over a decade. The audience already likes him, and he has the bona fides.

Watch Joy Behar on “The View” Get the Flynn-Mueller News Live While Audience Cheers

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Watch Joy Behar get the news live on “The View” about Michael Flynn pleading guilty. The audience cheers. It’s quite a moment. Merry Xmas!

TV Legend Norman Lear, Age 95, Shooting New Pilot About Life, Sex in Nursing Home

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Norman Lear, age 95 and about to be honored by the Kennedy Center, never stops. He is some kind of living miracle. Today a casting call went out for his new series. His NEW series. In the 1970s, Lear produced landmark comedies like “All in the Family,” “Maude,” “The Jeffersons,” “Good Times.”

Lear already has a hit Latino version of his 70s sitcom “One Day at a Time” on Netflix. But he’s not going to stop there.

Now, with TV veteran Peter Tolan, he’s got “Guess Who’s Dead?” a droll comedy set in a Palm Springs nursing home with frisky post “Golden Girl” types. There are also young people as regulars, so the whole thing isn’t liver spots. The show comes from NBC and Sony.

Last year at the Austin Film Festival, Lear and Tolan tested out a reading of a pilot script. Robert Walden (from “Lou Grant”) and Oscar nominee June Squibb (“Nebraska”) played Murray and Patricia, a Jew and an Irish Catholic who fall in love when Murray’s wife who’s also her sister, dies. You can see a clip here:

U2 Returns with Best Album Since 2000, Proving Rock Isn’t Dead And It’s Still Possible to Make Great Music

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U2 hit the world last night at midnight with “Songs of Experience,” their best album since 2000’s “All That You Can’t Leave Behind.” Remember that album? “Beautiful Day” and all that?

Of course, saying this isn’t saying much. After “All,” U2 gave us “How to Dismantle a Bomb” in 2004 with “Vertigo” — good album with “City of Blinding Lights” and “Original of the Species.”

But then came “No Line on the Horizon” which had no hits and was kind of bomb that wasn’t dismantled, back in 2009.

Five years later, in 2014, “Songs of Innocence” came next, a big mess because it was forced onto Apple devices, which caused a backlash. The only song I ever remember from it is “Sleep Like a Baby Tonight.”

“Songs of Experience” was announced then, and was ready to go. But Bono and Edge pulled it back at the last minute saying the political climate had changed with Trump. They wanted to reconsider. That may have been true. Also, the album may just not have been right.

Well, it’s all right now. “Experience” clicks on every cylinder, and it’s a beautiful day. It’s absolutely terrific. Every track is listenable, catchy, in the sweet spot.

I read some review last night that sloughed it off. You know? It’s really, really hard to make an album like this, where you get hit after hit of substantial tracks. It proves you can still make great music in 2017. I thought after listening to this years’ worth of junk that it wasn’t possible.

Where an album like “No Line” sounded dreary, and like work, “Experience” brims with Cliff Notes. U2 always verges on the ponderous. Avoiding that is their toughest challenge after 40 years in business. (Yes, forty years!) The trick to hit music is to keep it upbeat even when serving bad news, and that’s what the group has done here. Two songs have “love” in the title.  One of them– “You’re the Best Thing About Me”– is an all out love song. And some, like “The Showman (Little More Better),” are out and out fun.

All of the songs are made for touring, and for singing along. That’s important because U2 is about touring at this point. (Everything is about touring for everyone.) In a stadium or arena, “The Blackout” is going to be HUGE. Even a political song like “Red Flag Day,” will be popular, and a companion to “New Year’s Day” and “In the Name of Love.”

The old formula in albums was make the first four songs dynamite, and then you could do anything. “Experience” follows that formula to the letter. The album opens with the short, plaintive, optimistic “Love is All We Have Left,” a knowing suggestion that even though things look bad now, it’s going to be ok. The production is spare, and Bono’s voice ethereally mixed forward signals we’re safe from a lecture. You know he’s going to open shows with this one. “A baby cries on a doorstep/ Love is all we have left.” Whew!

Then: The Edge, Larry, and Adam come crashing in with “Lights of Home.” “I believe my best days are ahead of me.” Really? We thought everything sucked. Bono says no. Again, it’s going to be okay. Whew! “I can see the lights in front of me.”

“You’re the Best Thing” is number 3, key spot on any album. Everyone on your feet. We’re in love and we’re dancing! Whew! Trump is not going to kill us. Poverty and homelessness are things we care about but not right now! Everyone clap! If there was still radio, this would be number 1.

And then the clean up batter– “Get Out of Your Own Way.” “You’ve got to fight back! The promised land is there for those who need it most/Lincoln’s ghost says get out of your own way.” Lincoln’s ghost. You can’t make this up. It’s brilliant, not corny. Imagine 50,000 people singing that together. And it works!

So, four songs, four hits, and we’re not yet at “The Showman.” Everything else is gravy.

I say, waive “Experience” into the January Grammys. We need it badly. And thank you, U2.

 

 

Broadway: Uma Thurman Shows She Has the Chops in a Watery New Play from “House of Cards” Writer

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Don’t get me wrong– I really like Beau Willimon’s writing. “Ides of March” is a terrific movie. The first few seasons of “House of Cards” are excellent.

But now Willimon has brought “The Parisian Woman” to Broadway and it’s — eh, sort of like a “House of Cards” re-tread that doesn’t work. But the good news is — and I will fight anyone on this– Uma Thurman has a real stage presence. Even though this play doesn’t work, Uma will be back. She has stature, the voice, and she is funny.

In “The Parisian Woman”– the title remains inexplicable, she’s basically playing scheming Clairet Underwood, Robin Wright’s character on “Cards.” She’s a kind of Lady MacBeth, scheming to get her husband (Josh Lucas, very engaging) a position in the Trump administration. To do this, Uma’s  Chloe is having affairs (hetero and lesbian) to gain leverage over various people. This includes Peter, played by Martin Csokas, who bears a close resemblance to Kevin Spacey (Claire’s husband, Francis).

You can’t blame Willimon. “House of Cards” is on his mind. It’s hard to separate from your great creation. Unfortunately, “The Parisian Woman” lives in the shadow of the TV series. It’s also poorly directed or not directed at all by Pam McKinnon. It feels as though she just handed out the script, put out some chairs and said to the cast, “Say these lines.” A little direction and work might have helped.

Anyway, Uma does fine. And she’s only going to get better and better after this debut. Shout out to Blair Brown, who’s damn good in everything. Phillippa Soo, Tony winner from “Hamilton” and late of “Amelie,” is lovely as always but she should be in a musical. Why deny us that voice?

In the audience: Brian D’Arcy James, Gretchen Mol and director husband Todd Williams, 94 year old legendary Lincoln Center producer Bernie Gersten, Debra Messing, Michael Kelly.

Taylor Swift, With Sales of New Album Tapering Down, Gives in to Streaming on Spotify, Other Outlets

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Well, Taylor Swift learned her lesson, swiftly.

Her new album, “Reputation,” has finally landed on streaming services tonight. Spotify, et al now have the pop singer’s latest collection after three weeks of release.

Swift initially stayed off streaming. Her first week of release was huge– 1.3 million. But then sales dropped off fast. This week she’ll come in around 120,000. The party is pooping fast. And tonight, she’s already been knocked off her perch at number 1 on iTunes by U2.

Buzz Angle says she’s sold a total of 1.6 million through Wednesday.

Adding the streaming services should breathe some new life in “Reputation.” But this whole story should serve as a lesson. The “new” cycle even for a star as big as Swift is faster than ever. You basically have one or two weeks on the charts to make your money.

New York Film Critics: Lady Bird, Willem Dafoe, Tiffany Haddish, “Get Out” Best 1st Feature, “Faces Places” Non Fiction, “Coco” Animated (Keep Refreshing)

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The New York Film Critics are voting right now so we’re getting their results in real time. Keep refreshing…PS I’m laughing. Before Twitter, someone would come out of the room, tell the publicist, with whom I was on the line all day.

Best First Feature– “Get Out,” Jordan Peele

Best Non Fiction Film– “Faces Places,” Agnes Varda

Best Foreign Language Film– “Beats Per Minute”

Best Film– Lady Bird

Best Actor-Timothee Chalamet

Best Actress–Saorise Ronan

Best Supporting Actress– Tiffany Haddish– “Girls Trip”

Best Supporting Actor–Willem Dafoe- ” Florida Project”

Best Director–Sean Baker

Best Screenplay–Paul Thomas Anderson

Best Animated Film– “Coco”

Cinematography– Rachel Morrison, “Mudbound”

Christie Brinkley Says Matt Lauer “Has His Own Issues with Women” Recalls Ambush During 2012 Interview

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Matt Lauer is not going to find much sympathy back in the Hamptons, where his wife and kids live most of the time without him.

In 2012, Lauer seemed to attack his neighbor, Christie Brinkley, on air when she intended to give him an exclusive interview only about her return to Broadway’s “Chicago.” But Lauer ambushed her and only talked about her bitter much publicized divorce and custody battle with ex husband Peter Cook, who was discovered to be cheating on Brinkley with an underage girl and watching porn on his kids’ computers.

In the interview, which I stumbled on this morning, Lauer seems to turn on Brinkley and starts making her sound like the guilty party. Lauer changed the subject, leaving little time to talk about “Chicago.” It’s instructive to watch now because he seemed to have no sympathy for her but plenty for Cook. At 4:21 in the video below, Lauer says: “There are two sides to every story. What I keep thinking about is you’ve got kids together…I’m trying to think of this poisonous atmosphere,” he says, as if she caused the situation.

In the end, Brinkley– who came for a Broadway plug– starts to cry. Nice work, Matt.

I reached out to Christie this morning for a comment. She said:  “I was on the Today show to talk about my role in the musical Chicago. But Matt Lauer had other ideas. His aggressive treatment of me that day seems to speak more about his own issues with women.”

Matt Lauer Apology: “There is enough truth in these stories to make me feel embarrassed or ashamed”

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Matt Lauer issued an apology to his fans today after being fired from the Today Show just short of his 21st anniversary with the program as host. Lauer, according to reports, exposed himself to at least one female employee, sexually harassed another at the 2016 Olympic Games, and summoned a female employee to his office for sex, where he had a “panic button” under his desk that locked the door.

Here’s the apology:

“There are no words to express my sorrow and regret for the pain I have caused others by words and actions. To the people I have hurt, I am truly sorry. As I am writing this I realize the depth of the damage and disappointment I have left behind at home and at NBC.

“Some of what is being said about me is untrue or mischaracterized, but there is enough truth in these stories to make me feel embarrassed and ashamed. I regret that my shame is now shared by the people I cherish dearly.

“Repairing the damage will take a lot of time and soul searching and I’m committed to beginning that effort. It is now my full time job. The last two days have forced me to take a very hard look at my own troubling flaws. It’s been humbling. I am blessed to be surrounded by the people I love. I thank them for their patience and grace.”

Geraldo Rivera Defense of Matt Lauer Reignites Bette Midler Claim of Being Groped by Him and Producer

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Geraldo Rivera took to Twitter this afternoon defending Matt Lauer. But that provoked a Twitter surge from Bette Midler fans who recalled the famed actress-singer telling Barbara Walters in 2001 interview thte Rivera once groped her and pushed a ‘popper– amyl nitrate– under her nose.

Geraldo:
Geraldo_Rivera_(@GeraldoRivera)_Twitter_-_2017-11-29_18.21.49

Bette and Barbara: