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Grammys Rev Up Mainstream Stars (Gaga, Pink, Little Big Town), Broadway Tribute (Patti Lupone) to Soften Night of Rap Nominees

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The Grammy Awards are stocking up on mainstream stars to soft the blow of a night of rappers.

When the Grammy nominations were announced in November, I told you producer Ken Ehrlich and CBS’s Jack Sussman would be apoplectic — four of the five Album of the Year nods went to rappers and hip hoppers. The fifth spot went to Lorde, who has now attracted her own controversy by boycotting Israel.

So what to do? Stock the show with performers who CBS viewers will like: Lady Gaga, Pink, country stars Little Big Town, and a Broadway tribute from Patti Lupone and new star Ben Platt.

They have also selected Childish Gambino aka Donald Glover, star of FX’s much awarded “Atlanta.” Gambino’s album is one of the nominees.

Bruno Mars should be next, as his album is also nominated. He’ll be a key player for the Grammys because the multi-talented performer cuts across most demographics. Taylor Swift seems likely, too. But her pal, Ed Sheeran, isn’t expected as he received no main nominations. Sheeran can take solace in having the best selling single and album of the year, however.

More Grammy performers will be announced shortly, so look for more country and mainstream pop acts to ameliorate Jay Z, Kendrick Lamar, “Despacito,” and other performers– like Khalid– who should be and must be on the show.

 

“Girls Trip” Star Tiffany Haddish Steals NY Film Critics Dinner, Declares: “I Want to Star in a Japanese Soap Opera!”

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If there’s been a recent breakout star anywhere, it’s comedian Tiffany Haddish. She made a huge splash on “Saturday Night Live” this fall after starring in Malcolm Lee’s “Girls Trip,” which turned out to be a $100 million comedy– a rarity.

Last night Haddish literally stole the New York Film Critics dinner at Tao Downtown, upstaging everything and everyone when she accepted the award for Best Supporting Actress in “Girls Trip.” She was a bold choice since Laurie Metcalf and Allison Janney are in the lead for the Golden Globes and the Academy Awards. Tiffany didn’t even merit a Globe nod.

But this wise, canny, and spicy 37 year old “overnight sensation” took the stage and held forth with a 20 minute performance piece that was alternately hilarious and moving. She labeled the custom drink she was holding throughout the speech her “Tiffanycity-tini.” She said, “It’s delicious. I’ve had two, and I do feel like magic.” I have some excerpts below.

After the show, or rather during the show, Tiffany escaped to the ladies’ room and that’s where she stayed for the rest of the night. When the show was over, I found her back there in the lounge. She stayed longer than any of the winners — Greta Gerwig, Saorise Ronan, Willem Dafoe, etc — and then some. Her long time stylist Dionne was with her, as well as a bunch of friends, and “Get Out” actress Betty Gabriel (a shy beauty).

Tiffany was literally the only one of the NYFCC winners who wasn’t going to the Golden Globes but she took it in stride. “I’ve got to get back on tour!” she declared. “I’m a stand up comedian!”

What does she really want to do? “I want to star in a Japanese soap opera,” she said. Not an American one? “No way! I can speak Japanese!” She demonstrated for us, impressively. Her knowledge, I think, comes from an ex boyfriend. Then there was another ex, British, whom she performed a DNA test on to determine, well, it’s too complicated here…

Tiffany Haddish is the anti-M’Onique, although she did ask, a couple of times, “Does a check come with this?” referring to the award. Later she told me, “I just found out how important this award is. I can’t believe it!”

Attention Academy Awards: if Tiffany Haddish doesn’t get an Oscar nomination, she’d better be a presenter. She’ll get ratings, and we will all be better for it!

 

Tiffany excerpts:

She did talk about the crowd in front of her: “So now that I get to meet the critics, first off, thank you, guys. I don’t even—I don’t read reviews. I don’t. The most reviews you’ll see me read is something that either my publicist sends me and says, “Read this,” and I’m like, “You read it,” because if it hurt my feelings I’m going to cuss their ass out in my soul, and then I’m going to pray for them, and I’ll laugh. Because I’m super-sensitive. I don’t mean to be so sensitive, but that’s just who I am. And I’m not afraid to admit it.”

On her childhood in South Central L.A. “When you’re a little kid going through the [foster-care] system, you wonder, “Does anybody even know I’m alive?” To be able to be this example to so many youth—there’s so many people like me that you guys have no clue about. But they coming. Because I kicked the fucking door open.”

ON a raunchy scene that didn’t make “Girls Trip”: “So, there’s a scene where I tell Regina [Hall] all the things I would do for her, that I got her back, no matter what. I’m like, no matter what, I got your back. I’m talking Timberland boots, hot bricks—I don’t care. We’re going to give him some Ambien, night night. And then, when he sleep, we’re going to burn your name in his dick. And then we’re going to put mud and salt on it so it can keloid over, and then it will be ribbed for your pleasure. And then when he wake up, we’ll look him dead in his eyes, and we’ll tell him right to his face to keep your name out these bitches’ mouths.”

New Trump Book Turns Washington Upside Down: Michael Wolff’s “Fire and Fury” Hits Number 1 Days Before Publication

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Wednesday was a wild day for Donald Trump. While he was busy tweeting inanities to distract the media, a ticking bomb went off that changed everything.

Excerpts from Michael Wolff’s forthcoming book, “The Fire and The Fury,” exploded like landmines everywhere Trump wasn’t looking: The Guardian, New York Magazine, and so on. In a matter of an hour, everyone knew what was going on. Steve Bannon, Trump’s former right hand man and political philosopher, had done him in interviews with Wolff.

The worst of it: Bannon had created a tagline no one would forget. The Line had to do with Donald Trump Jr.’s meeting with the Russians. Bannon said that when Junior was finally interrogated, he’d crack like an egg. Specifically: “They’re going to crack Don Junior like an egg on national TV.”

Bannon also called the meetings “treasonous.” He told Wolff: “You realize where this is going. This is all about money laundering. Mueller chose (senior prosecutor Andrew) Weissmann first and he is a money-laundering guy. Their path to f—ing Trump goes right through Paul Manafort, Don Jr and Jared Kushner … It’s as plain as a hair on your face.”

This sent the book to number 1 on Amazon, Barnes & Noble, and anywhere else books could be pre-ordered. When it’s released on January 9th, “The Fire the Fury” is going to send Sarah Huckabee Sanders and Kellyanne Conway into convulsions.

Plus, the Donald himself didn’t help matters as he disowned Bannon, claiming — as he’s done with Manafort, The Mooch, and Michael Flynn– that he never really knew him or worked with him– all lies,  as everyone, even the grandchildren know.

Trump tried to wiggle out of this mess with a statement that will haunt him:

Steve Bannon has nothing to do with me or my Presidency. When he was fired, he not only lost his job, he lost his mind. Steve was a staffer who worked for me after I had already won the nomination by defeating seventeen candidates, often described as the most talented field ever assembled in the Republican party.

Now that he is on his own, Steve is learning that winning isn’t as easy as I make it look. Steve had very little to do with our historic victory, which was delivered by the forgotten men and women of this country. Yet Steve had everything to do with the loss of a Senate seat in Alabama held for more than thirty years by Republicans. Steve doesn’t represent my base—he’s only in it for himself.

Steve pretends to be at war with the media, which he calls the opposition party, yet he spent his time at the White House leaking false information to the media to make himself seem far more important than he was. It is the only thing he does well. Steve was rarely in a one-on-one meeting with me and only pretends to have had influence to fool a few people with no access and no clue, whom he helped write phony books.

We have many great Republican members of Congress and candidates who are very supportive of the Make America Great Again agenda. Like me, they love the United States of America and are helping to finally take our country back and build it up, rather than simply seeking to burn it all down.

Justin Timberlake Update: Four Videos Will Drop Before Album Release, First One on Friday

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So here’s more on Justin Timberlake’s “Man of the Woods” album. A first single and video drop on Friday, they’re called “Filthy.” I don’t know if this is because you get filthy if you walk in the woods. Wipe your feet on the mat before coming inside…

Then starting January 18th, for three Fridays, there will be three more singles with videos. No titles yet. But in keeping with the woods theme, I hope JT has updated Fleetwood Mac’s “Bare Trees.”

Guests on the album include Alicia Keys, Timbaland, Pharrell and the Neptunes, and country superstar Chris Stapleton.

According to a press release: The colorful, futuristic music video for “Filthy” was directed by groundbreaking and multiple award-winning director Mark Romanek.  The dance heavy video features Timberlake as a modern day inventor presenting his latest creation to the world.  This is the second time Timberlake and Romanek have teamed up for a one-of-a-kind video.

I read one interesting take on JT’s announcement so far claiming that he was “rebranding as a white man.” This sounded good, and was clickbait, but with Alicia, Timbaland and Pharrell involved, I don’t think that’s going to stand up. We’ll see…

No word on whether “Can’t Stop the Feeling” will be an album extra, etc. But you can bet that will be a big part of JT’s Super Bowl show on February 4th– and should send that single right back to the top of the charts by the end of the evening!

 

Justin Timberlake Adds New Album “Man of the Woods” to Super Bowl Weekend February 2nd

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Justin Timberlake has announced his new album, called “Man of the Woods.” It’s coming February 2nd, a new single hits this Friday. Justin’s “Can’t Stop the Feeling” was the biggest chart hit of 2016. Timberlake’s timing is exceptional. He will headline the Super Bowl two days later, on February 4th. Last year, Lady Gaga’s Super Bowl performance sent all of her records onto the charts and radio. It made a hit of her “Joanne” album, which had languished for several weeks. So circle Monday February 5th, when all the news will be about Justin Timberlake (not to mentions something from Janet Jackson).

A Today Show First: Hoda Kotb Named Co-Anchor with Savannah Guthrie

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NBC News and the Today Show made a great decision this morning. It’s not a broadcast first but a first for the Today Show certainly. They named Hoda Kotb as co-anchor of the Today Show, with Savannah Guthrie. It’s the first time two women have anchored a morning show together since Robin Roberts and Diane Sawyer on “Good Morning America.”

Barbara Walters must be smiling. She was the first female co-anchor of Today or any show pretty much. She fought like crazy to get that distinction and gained it in 1974 after 13 years with the show. Other women followed Walters including Jane Pauley, Deborah Norville, Katie Couric, Meredith Vieira, and Savannah Guthrie. But two women, no male anchor? It took the firing of Matt Lauer for it to happen.

Hoda, who is wildly popular, will also continue to co-host the 10am hour with Kathie Lee Gifford. This means Kotb, 53, and a recent mother, is now the most powerful woman at NBC News. And that’s really good news for a change.

Unhappy New Years Day: “Last Jedi” Knocked Off Number 1 by “Jumanji” Reboot

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It seems like New Years Day was an unhappy one for “The Last Jedi.”

On its 18th day of release, the latest “Star Wars” movie was supplanted at number 1 on the box office chart by the reboot of “Jumanji.”

“Jedi” took in $15.7 million. “Jumanji” scored over $16.1 million. “Jumanji” is in its 13th day of release.

For “Jedi,” losing number 1 less than three weeks after release is a little surprising. But as I’ve told you right along, the new “Star Wars” movie hasn’t been keeping pace with its predecessor, “The Force Awakens.”

The older movie was at $750 million by its 18th day. “Jedi” is at $533,089,000.

Meanwhile, one Oscar-buzzed movie that’s booming is Steven Spielberg’s “The Post.” Still in limited release, “The Post” had made $2 million in 9 theaters in 11 days. It won’t go wide until after the Golden Globes this Sunday, when the Meryl Streep-Tom Hanks hit should do very well.

“Star Wars” Good News, Bad News: Crosses $1 Bil Mark Worldwide, But Still $225 Mil Behind “Force Awakens”

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A hard year at the box office ends tonight with good news and bad news for “Star Wars.”

“The Last Jedi” has crossed the $1 billion mark worldwide, divided evenly between US and international box office.

That’s the good news.

The bad news is that “The Last Jedi” is now $225 million off the mark of “The Force Awakens.” That’s a lot of money, the cost of a whole “Star Wars” movie really.

The gap will grow wider as January tickets slow, everyone goes back to school and work, and thoughts turn to saving the 2018 box office.

Of course, there’s still tomorrow, New Year’s Day, or tonight, in the frigid cold for most of the country for one last hurrah.

And then there will be the countdown of real disasters for the fall season: “The Greatest Showman,” “Pitch Perfect 3,” and so on. On the good news front: Fox’s “Murder on the Orient Express” crossed $100 million US today. That’s a total $313 million worldwide. Can “Death on the Nile” be far behind?

Seeing Bette Midler for $229 a Pop As She Finishes Her Run in “Hello, Bette”–er, “Hello, Dolly!”

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Bette Midler is winding up her run on Broadway as Dolly Levi in Hello Dolly!– or Dolly Levi as Bette Midler in Hello, Bette– so I finally coughed up the $229 and saw her on Friday night at the Shubert Theater. You know, she wows the crowd, getting a standing ovation in the second act for pulling off the famous theme number (parodied years later by Mel Brooks as “Springtime for Hitler”). Her voice is top notch, she’s smiling from ear to ear and giving it all she’s got– which is plenty at age 72, the oldest performer to play Dolly on Broadway.

Bette’s run looked like a cash grab from day one. She’s making about $100,000 a week or more as the show has grossed an average of $2.4 million weekly– except when she’s not there. Midler’s had not a few ten day vacations through her season. But there she is, Bette Midler, large as life, probably in her final big run on Broadway and the only time she’s been in a proper musical. (“Clams on the Half Shell” doesn’t count.)

She’s splendiferous in the costumes, and knows when to chew scenes a la Carol Channing, Pearl Bailey, Ethel Merman. In the second act she can kibbitz and carry on just enough to make it look ad-libbed, but it’s clear she’s having some fun at least. And again, the voice– the voice was in rare form on Friday night, none of the hoarseness I’d heard about. Dolly has to shoulder some big numbers– “Put on Your Sunday Clothes,” “Before the Parade Passes By” and the big title sequence. To her credit, Bette not only survived those but knocked out a home run on her final number, a total solo called “So Long, Dearie.” She actually seemed to relish the solo.

The whole cast is top notch, especially Gavin Creel (from “Hair”) as the 33 year old virgin Cornelius, and the sensational Kate Baldwin as Irene Molloy, the young widow who gets with the program fast. Luckily, I think those two are sticking around when Midler is succeeded by Bernadette Peters in late January. David Hyde Pierce is a little miscast as Horace Vandergelder, but he pulls off the role with aplomb. The producers added a cut number from the original production to give DHP’s Horace some more substance– and it works.

Still, as a “Hello, Dolly!” expert (we saw it a lot as children and young adults), I kept getting the feeling that we were seeing “Hello, Bette!” Midler wasn’t convincing conveying Dolly’s grief for her dead husband, or Dolly’s sensible acknowledgment that it was time to move on. I do think Bernadette Peters is going to bring Carol Channing’s sensibility and maybe a little gravity to the role– she is no less a superstar. But for now, to wrap up 2017, Bette Midler got the last word: boffo.

The Amazing Life She Lived: Raising a 2017 Glass to Liz Smith, the Greatest of the Greatests

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Today’s NY Times Magazine honors great people who passed away in 2017. It’s a lovely issue (particularly the Mary Tyler Moore piece). But there’s no mention of Liz Smith, who was more important to New York than any of the others.

So here’s a re-post of the two pieces I wrote when Liz passed away in early November. What a life she lived!

Liz Smith, the great gossip columnist and writer, my friend and in a sense mentor of any columns I’ve written since the 1980s, was a champion of literacy, a bon vivant, swell old Texas girl and a great person. Sure, there were people she crossed swords and paths with, but it didn’t matter. If you knew Liz, if she was your friend, she was loyal as the day was long.

When someone is 94 it should be enough. But you know, there have been so many phone calls and lunches over the years, so many margharitas and laughs — it’s never enough. COndolences to her family– the family she chose– Iris Love, Cynthia McFadden, Cynthia’s son Spencer who had such a loving relationship with her. Denis Ferrara, stalwart who has written her column for years with her input, Liz’s old assistant Mary Jo, as well as Diane Judge.

Liz was gay, she wrote about it in her memoir, Natural Blonde. But did you know she was married? Twice? The second husband, she told us once, just disappeared. “Honey he got on a train to Long Island and we never saw him again,” she said. She had to have him declared dead.

Liz bounced between the New York Daily News and the New York Post with her column over a 30 year run. She also wrote for New York Newsday, syndicated by the LA Times. She was the first gossip columnnist to get a million dollars a year. She deserved it.

In the early 80s, when I was a book publicist, I sneaked into her Daily News column through Harry Haun, who was filling in for her. Shortly thereafter Liz started taking my items. We got friendly even though her attack dog assistant of the time, Saint Clair Pugh, barely let me speak to her. I also became great friends with her item planter, Mike Hall, a legend who’d worked for Walter Winchell.

You know Liz coined the phrase, “Gossip is just news running ahead of itself in a red satin dress.” Donald Trump once tried to get her fired from the Daily News. It didn’t work. She’s had the last laugh on everyone. We stand, applauding.

Liz had her favorite celebs, and her good word carried a lot of importance in their careers. It’s hard to imagine now, but Liz at her zenith, at her apex, was like the Word of God. If you could “get into Liz Smith” you had it made. Not only did everyone in New York and Hollywood wait for her every sentence, but she was also syndicated to hundreds of newspapers. There was no internet, no social media, there was barely even cable TV. What Liz said mattered in a huge way.

The biggest beneficiaries of Liz’s largesse started with Barbara Walters. The truth is, Liz made Barbara’s career. She touted her constantly. If only there were a way to go back and digitize Liz’s columns to see how often she supported Barbara and ballyhooed her. From Barbara on Today, to her debacle with Harry Reasoner, to all her ABC specials and so on. Liz treated Barbara like gold. Sadly, when Liz lost her column in the New York Post she felt Barbara cast her aside. It was mostly true.

Liz also loved the actress Elaine Stritch. More mentions than any other actress, I think, although Holland Taylor was a great pal and always got love from Liz. Director Joel Schumacher–even Joel was shocked how much Liz promoted his films. But they were great friends, and in return Liz got great scoops about Joel’s films, Joel Silver’s films, Warner Bros releases, etc.

Mike Wallace– Liz was once his assistant. It was almost her first job in New York, booking guests for Mike’s radio show in 1953. Shortly after she’d mastered that job she headed to NBC and the very early “Today” show. Everyone she met became a lifelong friend and it kept them all in good stead. As Mike soared through CBS News, his adventures became chronicled in Liz’s columns. The advent of “60 Minutes” in the late 60s came at a perfect time– Liz’s rise as a columnist and freelance writer. The stars were aligned.

A lot of Liz’s passions about celebrities came from her associates. Diane Judge loved theater, wrote about it, so naturally Liz embraced it. The Theater Wing should lower the lights on Broadway this week. There wasn’t a new show that Diane and Liz didn’t promote or even save. There were a lot of rescue missions especially for shows Clive Barnes panned in the Times. The Liz Smith column plug could buy a show extra time.

Denis Ferrara loved Marilyn Monroe and Madonna. They each got a lot of coverage in the Liz Smith column over the years. Denis was smart to be right on the cutting edge with Madonna– she should send him bouquets of flowers, Champagne and cash, frankly. Denis also had a keen sense of nostalgia for the great Hollywood icons. He wove them into Liz’s columns, giving it a sense of history even as they were breaking stories about the Trumps, or the Murdochs or whomever.

And how about Rupert Murdoch? Liz was loyal to him. When his first wife, Anna, started writing bad novels, Liz plugged them over and over. It was partly because he was the boss, and partly because they were all on the same team. She fawned over Anna. Later when the loutish hard drinking Col Allan decided he wanted to get rid of Liz, Rupert just rolled over. So here’s a shock: when it happened, Roger Ailes put her on his payroll as a contributor. And she was on until he died.

So many people owe their careers to Liz, it’s kind of mind blowing. She knew how to make an actor into a star into a celebrity. And as they got bigger it gave her something to write about– and exclusives. (No one knows the grind of a daily column.) She knew the give and take to keep everyone in business for another day. In that sense, I learned so much from her. Liz played the long game, and that’s why she lasted for decades.

Right now, please pour some whiskey, some Tequila, raise a glass to Liz. She was simply the best. There will never be anyone like her again.