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Producers Guild Chooses Top 10 Including “Roma,” “Green Book,” “Black Panther,” “Blackkkklansman,” “Star is Born,” “Bohemian Rhapsody”

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The 2019 Producers Guild Awards motion picture nominations are in, and they’re going to set the stage for the Oscar Best Picture nods. Not included is “First Man,” which I think now eliminates that film– a real tragedy. But the 10 films they chose are excellent, and all much deserving.

The Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures:

“Black Panther”

Producer: Kevin Feige

“BlacKkKlansman”

Producers: Sean McKittrick, Jason Blum, Raymond Mansfield, Jordan Peele, Spike Lee

“Bohemian Rhapsody”

Producer: Graham King

“Crazy Rich Asians”

Producers: Nina Jacobson & Brad Simpson, John Penotti

“The Favourite”

Producers: Ceci Dempsey, Ed Guiney, Lee Magiday, Yorgos Lanthimos

“Green Book”

Producers: Jim Burke, Charles B. Wessler, Brian Currie, Peter Farrelly, Nick Vallelonga


“A Quiet Place”

Producers: Michael Bay, Andrew Form, Brad Fuller

“Roma”

Producers: Gabriela Rodríguez, Alfonso Cuarón

“A Star Is Born”

Producers: Bill Gerber, Bradley Cooper, Lynette Howell Taylor

“Vice”

Producers: Dede Gardner, Jeremy Kleiner, Kevin Messick, Adam McKay

The Award for Outstanding Producer of Documentary Motion Pictures:

The PGA previously announced the nominations in this category on November 20, 2018. The nominees are listed below, along with eligible producers’ names.

“The Dawn Wall”

Producers: Josh Lowell, Peter Mortimer, Philipp Manderla

“Free Solo”

Producers: Elizabeth Chai Vasarhelyi, Jimmy Chin, Evan Hayes, Shannon Dill

“Hal”

Producers: Christine Beebe, Jonathan Lynch, Brian Morrow

“Into the Okavango”

Producer: Neil Gelinas

“RBG”

Producers: Betsy West, Julie Cohen

“Three Identical Strangers”

Producers: Becky Read, Grace Hughes-Hallett

“Won’t You Be My Neighbor?”

Producers: Morgan Neville, Nicholas Ma, Caryn Capotosto

The Award for Outstanding Producer of Animated Theatrical Motion Pictures:

“Dr. Seuss’ The Grinch”

Producers: Chris Meledandri, Janet Healy

“Incredibles 2”

Producers: John Walker, Nicole Grindle

“Isle of Dogs”

Producers: *Eligibility Determination Pending*

“Ralph Breaks the Internet”

Producer: Clark Spencer

“Spider-Man: Into the Spider-Verse”

Producers: Avi Arad, Phil Lord & Christopher Miller, Amy Pascal, Christina Steinberg

The television nominees are listed below in alphabetical order, along with eligible producers’ names.

The Norman Felton Award for Outstanding Producer of Episodic Television – Drama:

“The Americans” (Season 6)

Producers: Joe Weisberg, Joel Fields, Chris Long, Graham Yost, Justin Falvey, Darryl Frank, Stephen Schiff, Mary Rae Thewlis, Tracey Scott Wilson, Peter Ackerman, Joshua Brand

“Better Call Saul” (Season 4)

Producers: Peter Gould, Vince Gilligan, Mark Johnson, Melissa Bernstein, Thomas Schnauz, Gennifer Hutchison, Nina Jack, Diane Mercer, Gordon Smith, Alison Tatlock, Ann Cherkis, Bob Odenkirk, Robin Sweet

“The Handmaid’s Tale” (Season 2)

Producers: Bruce Miller, Warren Littlefield, Elisabeth Moss, Daniel Wilson, Fran Sears, Mike Barker, Sheila Hockin, Eric Tuchman, Kira Snyder, Yahlin Chang, Frank Siracusa, John Weber, Joseph Boccia, Dorothy Fortenberry, Margaret Atwood, Ron Milbauer

“Ozark” (Season 2)

Producers: Jason Bateman, Chris Mundy, Bill Dubuque, Mark Williams, David Manson, Alyson Feltes, Ryan Farley, Patrick Markey, Matthew Spiegel, Erin Mitchell

“This Is Us” (Season 3)

Producers: Dan Fogelman, Isaac Aptaker, Elizabeth Berger, John Requa, Glenn Ficarra, Ken Olin, Charles Gogolak, Jess Rosenthal, Steve Beers, KJ Steinberg, Kevin Falls, Julia Brownell, Vera Herbert, Bekah Brunstetter, Shukree Hassan Tilghman, Cathy Mickel Gibson, Nick Pavonetti

The Danny Thomas Award for Outstanding Producer of Episodic Television – Comedy:

“Atlanta” (Season 2)

Producers: *Eligibility Determination Pending*

“Barry” (Season 1)

Producers: Alec Berg, Bill Hader, Aida Rodgers, Emily Heller, Liz Sarnoff

“GLOW” (Season 2)

Producers: Jenji Kohan, Liz Flahive, Carly Mensch, Tara Herrmann, Mark A. Burley, Nick Jones, Kim Rosenstock, Sascha Rothchild, Leanne Moore

“The Good Place” (Season 3)

Producers: Michael Schur, David Miner, Morgan Sackett, Drew Goddard, Josh Siegal, Dylan Morgan, Joe Mande, Megan Amram, David Hyman, Jen Statsky

“The Marvelous Mrs. Maisel” (Season 2)

Producers: Amy Sherman‐Palladino, Daniel Palladino, Dhana Rivera Gilbert, Sheila Lawrence

The David L. Wolper Award for Outstanding Producer of Limited Series Television:

“The Assassination of Gianni Versace: American Crime Story” (Season 2)

Producers: Ryan Murphy, Nina Jacobson, Brad Simpson, Alexis Martin Woodall, Tom Rob Smith, Daniel Minahan, Brad Falchuk, Scott Alexander, Larry Karaszewski, Chip Vucelich, Maggie Cohn, Eric Kovtun, Lou Eyrich, Eryn Krueger Mekash

“Escape at Dannemora”

Producers: Ben Stiller, Nicholas Weinstock, Michael De Luca, Bryan Zuriff, Brett Johnson, Michael Tolkin, Bill Carraro, Adam Brightman, Lisa M. Rowe

“Maniac”

Producers: Patrick Somerville, Cary Joji Fukunaga, Michael Sugar, Doug Wald, Jonah Hill, Emma Stone, Pal Kristiansen, Anne Kolbjørnsen, Espen Huseby, Carol Cuddy, Mauricio Katz, Caroline Williams, Ashley Zalta, Jessica Levin, Jon Mallard

“The Romanoffs”

Producers: *Eligibility Determination Pending*

“Sharp Objects”

Producers: *Eligibility Determination Pending*

The Award for Outstanding Producer of Streamed or Televised Motion Pictures:

“Fahrenheit 451”

Producers: Sarah Green, Ramin Bahrani, Michael B. Jordan, Alan Gasmer, Peter Jaysen, David Coatsworth

“King Lear”

Producers: *Eligibility Determination Pending*

“My Dinner with Hervé”

Producers: *Eligibility Determination Pending*

“Paterno”

Producers: Barry Levinson, Jason Sosnoff, Tom Fontana, Edward R. Pressman, Rick Nicita, Lindsay Sloane, Amy Herman

“Sense8: Together Until the End”

Producers: *Eligibility Determination Pending*

The Award for Outstanding Producer of Non-Fiction Television:

“30 for 30” (Season 9)

Producers: Connor Schell, John Dahl, Libby Geist, Erin Leyden, Adam Neuhaus, Jenna Anthony, Gentry Kirby, Marquis Daisy, Deirdre Fenton

“Anthony Bourdain: Parts Unknown” (Season 11, Season 12)

Producers: Anthony Bourdain, Christopher Collins, Lydia Tenaglia, Sandra Zweig

“Leah Remini: Scientology and the Aftermath” (Season 3)

Producers: *Eligibility Determination Pending*

“Queer Eye” (Season 1, Season 2)

Producers: David Collins, Michael Williams, Rob Eric, Jennifer Lane, Jordana Hochman, Mark Bracero, Rachelle Mendez

“Wild Wild Country” (Season 1)

Producers: Mark Duplass, Jay Duplass, Josh Braun, Dan Braun, Juliana Lembi

The Award for Outstanding Producer of Live Entertainment & Talk Television:

“The Daily Show with Trevor Noah” (Season 24)

Producers: Trevor Noah, Steve Bodow, Jennifer Flanz, Jill Katz, Justin Melkmann, David Kibuuka, Zhubin Parang, Max Browning, Eric Davies, Pamela DePace, Ramin Hedayati, Elise Terrell, Dave Blog, Adam Chodikoff, Jimmy Donn, Jeff Gussow, Kira Klang Hopf, Allison MacDonald, Ryan Middleton

“Last Week Tonight with John Oliver” (Season 5)

Producers: *Eligibility Determination Pending*

“The Late Show with Stephen Colbert” (Season 4)

Producers: Stephen Colbert, Chris Licht, Tom Purcell, Jon Stewart, Barry Julien, Denise Rehrig, Tanya Michnevich Bracco, Paul Dinello, Matt Lappin, Opus Moreschi, Emily Gertler, Aaron Cohen, Michael Brumm, Paige Kendig, Jake Plunkett

“Real Time with Bill Maher” (Season 16)

Producers: Bill Maher, Scott Carter, Sheila Griffiths, Marc Gurvitz, Billy Martin, Dean E. Johnsen, Chris Kelly, Matt Wood

“Saturday Night Live” (Season 44)

Producers: *Eligibility Determination Pending*

The Award for Outstanding Producer of Game & Competition Television:

“The Amazing Race” (Season 30)

Producers: Jerry Bruckheimer, Bertram van Munster, Jonathan Littman, Elise Doganieri, Mark Vertullo

“America’s Got Talent” (Season 13)

Producers: *Eligibility Determination Pending*

“RuPaul’s Drag Race” (Season 10)

Producers: *Eligibility Determination Pending*

“Top Chef” (Season 15)

Producers: Dan Cutforth, Jane Lipsitz, Casey Kriley, Tom Colicchio, Padma Lakshmi, Doneen Arquines, Tara Siener, Justin Rae Barnes, Blake Davis, Wade Sheeler, Brian Fowler, Elida Carbajal Araiza, Zoe Jackson, Patrick Schmedeman, Diana Schmedeman

“The Voice” (Season 14, Season 15)

Producers: John de Mol, Mark Burnett, Audrey Morrissey, Stijn Bakkers, Chad Hines, Amanda Zucker, Kyra Thompson, Teddy Valenti, Carson Daly

The PGA does not vet the individual producers of short-form programs, sports programs, or children’s programs. The winning productions will be recognized at the official ceremony on January 19th.

The Award for Outstanding Short-Form Program:

“Biography: History, Herstory” (Season 1)

“Carpool Karaoke: The Series” (Season 2)

“Comedians in Cars Getting Coffee” (Season 5)

“Her America: 50 Women, 50 States” (Season 1)

“Kevin Hart: What The Fit” (Season 1)

The Award for Outstanding Sports Program:

“Being Serena” (Season 1)

“E:60” (2018)

“Hard Knocks: Training Camp with the Cleveland Browns” (Season 13)

“Real Sports with Bryant Gumbel” (Season 24)

“SportsCenter with Scott Van Pelt” (Season 4)

The Award for Outstanding Children’s Program:

“Fuller House” (Season 4)

“PJ Masks” (Season 2)

“A Series of Unfortunate Events” (Season 2)

“Sesame Street” (Season 48)

“Teen Titans Go!” (Season 4)

Disaster: No “Upside” for Kevin Hart as Ellen DeGeneres Tries to Get Him Back Oscar Hosting Job

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This week Kevin Hart should be doing one thing: promoting his abandoned and very good movie “The Upside” starring Bryan Cranston and Nicole Kidman. The Neil Burger directed Americanization of “The Intouchables” is really terrific, but it became collateral damage in the Weinstein Company bankruptcy.

Instead, Hart is now involved in a faux controversy over his ousting as host of this year’s Oscars. Ellen DeGeneres has caused an uproar, telling Hart on her show today that he should host the show, and that she’s called ‘The Academy’and told them so, and that they–whoever ‘they’ are– agree want him back.

WTF is going on here? Why is Ellen even involved in this? Who exactly did she call? And why? This is completely crazy. Since the news broke, the response has been incredibly negative. Hart never apologized for his homophobic jokes, and still hasn’t. As a comic he’s welcome to say whatever he wants, but as the Oscar host it just won’t fly until he apologizes.

As for Ellen, who is famously gay and bravely came out on her sitcom 20 years ago: how did she become the arbiter in this situation? Did Hart ask her to? Did The Academy? The Oscars have no host just seven weeks out. Is this an act of desperation?

Just our little Twitter poll is running decidedly against Hart. And meantime, this is not the kind of publicity that was needed for “The Upside.” There’s no upside here.

Broadway Record: “Hamilton” First Ever to Gross $4 Mil in One Week, Thanks to Kennedy Center Honors, Takes in $1 Mil More Than It Technically Can

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Today I received dueling press releases for Broadway plays. Either “To Kill a Mockingbird” is the biggest grossing play of all time, or “Harry Potter and the Cursed Child” broke a record last week for the most money a play can take in during one week. The numbers were like $2 million something for each of them.

No press release came, though, about the actual record set last week. “Hamilton” topped $4 million in receipts in one week. Playing since July 2015, “Hamilton” has grown and grown as its top ticket price soared. But last week, and the week prior, that price went to $849. Yes, nine hundred dollars for one seat at the Tony, Pulitzer, whatever winning show, meaning like $1,900 for a couple to be in the room when it happens.

For “Hamilton” to have taken in over $4 million is likely a record. And the crazy thing is, technically its maximum take for the week should have been $3.3 million. But as the ticket price swelled, so did the room. Every seat would have been taken including wheelchair, standing room, rafters, boxes, people sitting in the bathrooms. The average price of a ticket sold last week was $375.

The funny thing is, the original Broadway cast is long gone. I don’t even know who’s in “Hamilton” at this point. It could be Mike Pence in a wig. (Actually the only “names” are Tony winner James Monroe Iglehart and Euan Morton.) But those tickets sold last week include advance sales (people who bought for the future). And my guess is the “Hamilton” publicity on the Kennedy Center Honors on December 26th on CBS pushed things over the edge.

“Hamilton” plus the two aforementioned plays and virtually everything else on The Great Neon Way totaled a whopping $57 million week for Broadway. It’s a high we won’t see again for some time, if ever.

And Lin Manuel Miranda, the creator of “Hamilton”? He’s about to put on 3 weeks of shows down in San Juan, with $10 tickets going to some number of locals, and expensive seats to help fund Puerto Rico arts programs.

 

“Curb Your Enthusiasm” Star Bob Einstein, Actor-Writer-Comedian, Brother of Albert Brooks, Dies at 76

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Bob Einstein, the cool customer of “Curb Your Enthusiasm” fame, has died at 76 after a fight with cancer. He was the older brother of Albert Brooks, who changed his name — taking Mel Brooks’s last name– rather than be Albert Einstein.

Bob Einstein played the laconic Marty Funkhouser from the start in 2004 on “Curb” right through the last season. He also created the “Super Dave” character that carried him through his own series from 1991-1999 and countless specials and appearances.

Not just an actor, Einstein started writing for the funniest and most offbeat of the 60s comedy variety hours, “The Smothers Brothers Hour” and “The Pat Paulsen Show.” He also wrote for Sonny & Cher, the Hudson Brothers, and Dick van Dyke. He was a regular on the 2005 season of “Arrested Development.”

 He also appeared a couple of times on Jerry Seinfeld’s “Comedians in Cars Getting Coffee.”

 

12 Years Ago, Madonna Adopted Baby David Banda from Malawi, And Now He Plays Guitar for Her at Club Dates

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Twelve years ago, Madonna adopted a three year old boy named David Banda from Malawi. Now, at 13, he played guitar for her at the famous gay club, the Stonewall Inn, last night for New Year’s Eve. David accompanied his mum on two songs. Happy New Year! (PS Madonna’s surprise appearance is the beginning of her marketing campaign. She has a new album coming in the first quarter.)

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@madonna is a #God. #madonna

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Happy New Year! Kanye West Doubles Down on Being Tone Deaf by Re-Endorsing Trump Support

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Good afternoon! It’s 2019 and Kanye West is still among us on Twitter. He started his new year by doubling down on being tone deaf. He re-endorsed his Trump support. He’s going to wear his red MAGA hat all the time because one can tell him otherwise. Otherwise that’s racism! And so 2019 begins, ignominiously.

Sting Kicks Off 2019 With a New Version of “Brand New Day” (Listen Here) on Steve Harvey New Year’s Show Tonight

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Sting has made a punchy new version of his great song “Brand New Day” for 2019. He’ll debut it tonight on Steve Harvey’s New Year’s Eve show on Fox TV. And yes, that’s still Stevie Wonder on the harmonica. The two stars played the song for Barack Obama on Inauguration night in 2009. Those were the days!

The Best Films of 2018 Were Spoken in Foreign Languages: Spanish, Polish, German, Lebanese, and Wakandan

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My favorite films, your favorite films. Everyone had their favorite films. Some lists include “The Favourite,” certainly a favorite film. Three of my favorite films of 2018 were in a foreign language. What does that say?

The three foreign language films were: Florian von Henckel Donnersmark’s “Never Look Away,” Nadine Labaki’s “Capernaum,” and Alfonso Cuaron’s “Roma.” No “Cold War,” you say? I found it a little…cold. But that one scene of Joanna Kulig dancing on a table top was memorable.

We all know about “Roma,” it’s masterpiece, and quite lovely. It will win a lot of awards. Cuaron makes it look easy. It’s not.

“Capernaum” is as about as good as filmmaking can be. Labiki has made her signature film for all time. It’s enchanting and serious at the same time. The score is like a character, and must be nominated for an Oscar. The kids are unforgettable.

“Never Look Away” comes from the director of “The Lives of Others,” which, in 2006 should have been a Best Picture nominee. It won Best Foreign Language film. “Never Look Away” is a masterwork. Is it better than “Roma”? Only in the sense that it isn’t a personal memoir. It’s a work of fiction inspired by the life of artist Gerhard Richter. von Dommersmarck presents a three act screenplay of uncommon vision. This is a movie that will be studied (if people still do that). Three hours go by quickly. You’re totally involved in the characters, the history. It’s almost built like a mathematical problem that resolves finally in a glorious sum.

The other best films of 2018:

“Green Book” and “First Man” were two of my top movies for 2018. Why they didn’t register with the audience — those are other other stories. I do think “First Man” was set up somehow in Venice– the idea that it wasn’t patriotic was ludicrous. That didn’t happen by accident. “Green Book” being backward or racist– that, too, is a set up. Universal simply didn’t know what to do when they were hit with this crap. But they are strong, fine films that will hold up over time.

First Reformed— Paul Schrader has made his best film from his best screenplay, and don’t forget he wrote “Raging Bull” and “Taxi Driver.” Ethan Hawke continues to astound. The fact that they couldn’t find a distributor until after the critics found it says a lot.

Blackkklansman — Spike Lee doesn’t get any more accessible personally over the years. But this is his most accessible work in decades. John David Washington and Adam Driver strike the right balance. The story is timely, and the ending is profound.

Destroyer — Nicole Kidman’s work here is so outstanding that you can forgive the film itself for being familiar. But Karyn Kusama has concentrated on Nicole, and she is glorious as a messed up, dirty cop too far gone to save herself. Kidman takes more chances than any other actor working, and is batting around a thousand. She’s so smart. She looks at a screenplay and knows if she can make it work. And then she does it. This is an Oscar performance.

A Quiet Place and Mary Poppins Returns had one important thing in common: Emily Blunt. How lucky is she that in 20 years she can write a memoir called “To Be Perfectly Blunt”? In the meantime, this actress (like Anne Hathaway, Jessica Chastain, Saoirse Ronan) will take up the next decade of Oscar nominations. Blunt is that magical mixture of Star and Actor. Plus her husband, John Krasinski, made one of the cleverest films of all with “A Quiet Place.”

Overall performance of the year-– Lady Gaga in “A Star is Born.” Bradley Cooper did a very good job making a strong, commercial hit. Somewhere in the middle the screenplay sags, but we’re so hooked on Lady Gaga that it doesn’t matter. She’s the performer of this generation, she can do anything.

In the end, who did I feel strongest about? Strangely enough, it was Glenn Close. Her performance in “The Wife” is just exquisite. That is a small movie with a big idea. And watching Close tango with Jonathan Pryce was one of the really transcendent moments of the year. I hope she wins the Oscar not just because it’s about time. but dammit– it’s about time. And she’s great in this role.

Equal to Gaga in every way– Rami Malek, as Freddie Mercury in “Bohemian Rhapsody.” I loved this movie. No one directed it, everyone did, it was directed en masse. Rami wasn’t the first choice for Freddie. But he subsumed him. He played Freddie like he was a super-hero from a comic book movie. Hubris was Freddie’s Kryptonite.

One last note about “Black Panther.” Ryan Coogler has quickly established himself as a top tier director. “Fruitvale Station” was such a powerful entrance into the business. “Creed” hit all the right notes updating a popular piece of nostalgia. “Black Panther” made $700 million– it’s shocking– because it struck chords for so many audiences. It’s the best made comic book movie to date. I thought Letitia Wright was the breakout actress. Seeing Michael B. Jordan and Chadwick Boseman up there was thrilling, but the women made the movie. When Angela Bassett made her entrance, there were cheers in the theater. “Black Panther” made 2018 a special year in films.

The Amazing Life She Lived: Aretha Franklin Deserved Better from the New York Times Magazine, So Here It Is

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The New York Times Magazine did my friend, Aretha Franklin, quite a disservice in their latest issue about famous people who passed this year. The woman who was named Best Singer Ever by Rolling Stone, winner of 18 Grammy Awards, the Queen of Soul didn’t even merit a feature story. Instead she got a few words from someone no one’s ever heard of, plus some ghastly art by the same person. The art is so ugly I still can’t get over it. I’ll put the picture inside here, so you can see what the Times thought of Aretha and how they wanted to memorialize it.

A lot’s been written about Aretha in the last few months since she died at age 76 on August 16th. She owed back taxes, her house wasn’t worth that much, she didn’t leave a will. Whatever. None of that matters. You still don’t get it if that stuff bothers you. She was Aretha. She was the Queen. She could do whatever she wanted.

Aretha loved her friends, and loved her family. Her last twenty years was an attempt to take control of her life after kow-towing to everyone for decades. It wasn’t until Clive Davis scooped her up at the end of her Atlantic Records contract, in 1979, that Aretha came in to her own. Before that she’d been her father’s daughter, and Jerry Wexler’s muse. Remember, Ahmet Ertegun and Jerry let her go from Atlantic, service over, thanks a lot.

At Arista, Aretha was finally treated like a Queen, and she roared back onto the charts with a Chapter Two that eclipsed “Respect” and all those 60s and 70s hits. Not only did she have her own landmark number 1 hits like “Freeway of Love” and “Who’s Zoomin Who?” she had hits with the then-young stars of the day like Annie Lennox, George Michael, and Whitney Houston. This was unprecedented.

Since her cancer diagnosis in December 2010, Aretha refused to give in. She literally willed herself into remission. Her friends were scared for her, she wasn’t. She regularly preached on stage about her recovery. She had unyielding faith. Her Renaissance from 2011 to 2017 was remarkable. There were shows I watched where there was so much power in her remarkable voice that it surprised even her. I went to Philadelphia in August 2017 to the Mann Center because I suspected– we never discussed it– this would be her last. (I was right, apart from the Elton John AIDS fundraiser in November.)

We had had dinner and kibbitzed before the show with her deeply devoted tour leader/boyfriend and best friend, Willie Wilkerson. Willie and “the guys”– a close knit group of bodyguards who took care of her like an older sister– had come down to Philly and stood beside her at all times. Often there were no women in Aretha’s traveling posse, just these brilliant men who were in her thrall no matter her whimsy. They were her real family, even if she hired and fired and re-hired them over and over. Everyone always came back because they loved Aretha.

The Philadelphia show was a masterpiece. I filmed a little of it. Probably others did, too. The Mann Center was packed, and they went wild. Aretha didn’t look ill, yet, in fact she looked good. She wasn’t feeling well, but she rose to the occasion. She told the crowd, “This might be my last show, but I would always come back to Philly.” Every song was delivered at the top. She wasn’t strong enough for her punishing 9 minute version of “Bridge Over Troubled Water,” but she sat at the piano and played her heart out on “My Cup Runneth Over.” She gave me a little gift, and my heart skipped a beat– Stevie Wonder’s “Until You Come Back to Me,” which I often asked for and rarely got. (In Los Angeles the summer before, she asked me. What do you want to hear? — We were on the phone– And I said, Until You Come Back to Me. Which she promptly forgot to do.)

When Aretha came off stage, all the air came out of her. I could see it. On stage she’d been puffed up, dressed in white, a diaphanous cloud that hovered above, other-wordly, a goddess. But when Willie threw her fur coat over her shoulders, we could see it– that was it. She was done. She’d released Aretha with a capital A into the night, and she was human again. “Aretha, do you want go out?” I asked. Mmm,nnt. She said, “I’m going to be horizontal for a very long time.”

 

photo cShowbiz411 Roger Friedman

Family of Deceased KTLA Anchor Chris Burrous Sets Up Two GoFundMe Accounts Aiming to Raise $125,000 — Why?

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SUNDAY 8:15PM UPDATE A number of people have asked me a question I hadn’t yet posed: why GoFundMe? And two accts? The Burrouses live in a home valued at least at $750,000. Burrous would have had a high six figure salary at least, and an AFTRA pension. I’ve reached out to the creators of both accounts, and hope to receive answers.

 

EARLIER Not one, but two GoFundMe accounts have been started for deceased KTLA anchorman Chris Burrous. He was found dead Friday in a Days Inn motel outside Los Angeles, the victim of a probably overdose on drugs. He was 43. No one except this column has asked why this popular, handsome, married man, father of a 9 year old, was doing drugs at a suburban motel.

Now two GoFundMe accounts exist. One, with a goal of $50,000, was created by Burrous’s wife’s sister named Rosemarie Do Silverstein. A total of $13,854. She writes: “This fund has been set up by Mai’s sister. All funds will be used to help Mai take care of Isabella in the coming days, weeks, and months.”

The other account, from Gigi Graciette, a competing newscaster in Los Angeles. She says it’s one of the two official accounts. This one aims for $75,000. So far $55,203 has come in. She writes: “As they mourn and deal with this sudden loss, the last thing they need to worry about right now is how to pay for a funeral, Mai finding a job, bills and other immediate expenses.”

Meantime, an autopsy has been performed and results are pending. No news account from Los Angeles has included the name of the man who called in Burrous’s collapse at the hotel, whether or not he had a drug history.