Saturday, December 20, 2025
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Weekend Box Office Disaster as New Entry “Stuber” Crashes, “Crawl” Limps, “Spider Man” and “Toy Story” Sequels Drive Business

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There’s no business for show business like old business. The weekend box office was basically a disaster if your film wasn’t a sequel or repeating from last weekend.

“Spider Man: Far from Home” raked in another $45 million for a total of $275 million so far in two weeks of release.

“Toy Story 4”  wrapped four weeks of release with $365 million.

But new films suffered. “Stuber” took in $8 million. “Crawl” crawled to $12 million. The latter horror film, like all horror films, was made on the cheap so that’s okay. But “Stuber” was a miscalculated buddy film starring Dave Bautista from “Guardians of the Galaxy” and Kumail Nanjiani from “The Big Sick.” It may already be on airplanes.

“Stuber”‘s failure is worse because it’s from the now defunct 20th Century Fox. Disney — grooving on all its hits — just dumped “Stuber” into the abyss.

So the box office stinks but “The Lion King” roars next Friday. Regardless of critics’ carping, that movie will be a monster.

Surprise! Christoph Waltz Returns as Evil Blofeld for “Bond 25” as Producers Double Up on Villains

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Two time Oscar winner Christoph Waltz has secretly been filming scenes for “Bond 25,” in London, reprising his evil Blofeld villain from “Spectre,” aka Bond 24.

This scoop was delivered by the Daily Mail’s Baz Bamigboye exclusively, then immediately stolen by every outlet possible. Deadline.com was a real culprit. (I don’t understand why they always do that!)

But it was the estimable Baz who reported that Waltz was seen waltzing around Pinewood Studios. When he was spotted, Mr. W. put his finger to his lips and said, “You didn’t see me.” Well, Blofeld lost his eye in “Spectre” so maybe Waltz had a reason to believe he’d get away with it.

Donald Pleasance, Max von Sydow and Telly Savalas were the actors who previously played Blofeld in past Bond films. Each was memorable.

Bond producers Barbara Broccoli and Michael Wilson are certainly doubling down on villains for 25. They already have Oscar winner Rami Malek as their main bad guy, although no one knows who he plays or the course of his character. But now we’ve got two Oscar winners trying to bring down James Bond.

Of course, all I want to know is who is singing the opening song. I was first to report about Adele’s “Skyfall” several years ago. I didn’t much care for Sam Smith’s “Spectre” song even though it won the Oscar. Everyone wants Adele to return, but I hope it’s someone new– maybe Sting, or Annie Lennox, or even Chrissie Hynde. They are classics. The biggest mistake is bringing in a real newbie, like Billie Eilish. The Bond song is a big deal! Maybe Little Nas X can adapt “Old Town Road” for James!

Anyway, great scoop from Baz for the Daily Mail. We learn from the greats.

Emmy Winning “Mary Tyler Moore” Star Valerie Harper in Need of Funds for Healthcare, Husband Starts Gofundme Page

Beloved “Mary Tyler Moore” star Valerie Harper is in trouble. The multiple Emmy award winner — for playing Rhoda Morgenstern — has been bravely fighting lung cancer that began in 2009 and became brain cancer  in 2013. It’s been like a war and she’s been winning it. But now Harper’s devoted husband, Tony Cacciotti, has started a GoFundMe page because the cost of home healthcare and prescriptions has exceeded anything insurance and savings can handle.

In the 70s, Valerie was well paid for the decade she played “Rhoda,” absolutely. But the salaries weren’t like what they are today. If she’d had that success in the 90s, 2000s, or last nien years, Harper would have gotten a million bucks per episode, with lots of extras. But 40 years ago– yes “The Mary Tyler Moore” show debuted in September 1970 — the pay, especially for women, was not very high.

A friend of hers writes on GoFundMe: “Valerie has been grateful over the years for the medical breakthroughs along this difficult journey but insurance doesn’t cover everything. There are unrelenting medical costs on a continuous basis. Valerie is currently taking a multitude of medications and chemotherapy drugs as well as going through extreme physical and painful challenges now with around the clock, 24/7 care immediately needed which is not covered by insurance. This is just part of the daily cost that is without a doubt a financial burden that could never be met alone. This GoFundMe initiative from Tony, is to ensure she receives the best care possible. ”

Amazingly, even after the 2013 diagnosis, Valerie kept working. She appeared in a bunch of episodes of “The Simpsons” with her “Rhoda” co-star Julie Kavner (Marge). She also acted in a highly praised short film, “My Mom and the Girl,” co-produced by her husband.

The GoFundMe page was put up very quietly. It was sent around just to the Screen Actors Guild, where Valerie has been super active for years. I don’t want to embarrass Valerie and Tony. But I know the costs of 24 hour care. It doesn’t matter what assets you have, you can be wiped out very, very fast.

All hail Valerie Harper, we have a lot to thank her for. And Mary would be proud of us!

Beatles Inspired “Yesterday” Movie Crosses $40 Mil and Sends Four Classic Albums Into iTunes Top 100

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Danny Boyle’s clever, charming “Yesterday” crossed $40 million this week, after 13 days in release. Universao has major hit as Boyle and screenwriter Richard Curtis hit the sweet spot on this one.

The Beatles and their execs, like Jeff Jones, have to be thrilled, too. Even though their $5 million license must seem small now, the project has kicked the group back onto the charts with little effort.

Currently four Beatles albums are on the iTunes top 100: “Abbey Road,” the red and the blue greatest hits double albums, and the 2015 remixed “1” great hits. On amazon, “Abbey Road” is at 19, one notch above the “Yesterday” soundtrack, and the vinyl for “Sgt. Pepper” is also in the top 100, as well as the red greatest hits albums.

Mind you, the Beatles broke up in 1970.

So now we wait for 50th anniversary instructions on “Abbey Road,” which celebrates its big birthday on September 26th.

PS It’s funny, the only thing you don’t get on the “Yesterday” soundtrack is the version of “Hey Jude” playing over the end credits. For that you must buy either the Beatles “blue” greatest hits, the famed American “Hey Jude” album (which I adore), or “Past Masters.”

“Hey Jude” is the Beatles’ third most streamed song on Spotify, right behind “Here Comes the Sun” (way out front) and “Let it Be.”

Did Disney Make a Mistake with Live Action “Lion King”? New Movie Gets a 57 with Critics, Who Call it Cold and Unemotional

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The new “Lion King” is visually stunning. So said everyone who saw the movie in Los Angeles at the premiere, and a smattering of critics in New York.

But now the reviews are being published officially, and Jon Favreau’s reboot of the beloved 1994 animated film is being panned. Critics and contributors to Rotten Tomatoes have given it a score of 57. I agree with that number.

The new “Lion King,” I am sorry to say, is grim and dark. It’s not the buoyant celebration of life created for the stage by Julie Taymor, or the vibrant colorful explosion of love seen in the original film.

Instead, this “Lion King” features live lions, cubs, hyenas, mixed with some CGI characters. Caleb Deschanel, coming off his Oscar win for the masterpiece “Never Look Away,” found only grays and blues on this run, and not the buttery yellows, violets, and reds I’ve seen on two trips to southern Africa. Indeed, nothing about “The Lion King” looks African. It looks corporate.

What a strange turn of events for Favreau and company. There was no need to remake “The Lion King” other than to siphon more money. At least with “Aladdin,” Disney could bring the characters to life from animation. But bringing jungle beasts to life is a different story. You can bring a cub to water but you can’t make him drink. Or smile. The result is that “The Lion King” feels like a National Geographic documentary with narration sort of synched to close-ups.

But these beasts aren’t being observed, a la Jean-Jacques Annaud’s “The Bear.” They’re being manipulated to “act.” Some take direction well, others not so much. I suppose in some scenes, when there are stampedes and so on, it’s exciting. But two lions just hanging around not chatting, it’s weird.

Then there’s the music. Since the animals can’t really act, they also can’t be choreographed. The great “Lion King” music is playing, Beyonce and Donald Glover are singing it, but there’s a lifelessness that can’t be ignored. The song that comes off the best is Elton John’s new closer, “Never Too Late,” because it’s over the credits. It doesn’t require watching anyone perform it.

This isn’t to say that “The Lion King” won’t be a hit. It will. People will go– for the brand. They’ll go for Beyonce’s participation. I did find Mufasa’s exit from the story moving, oddly, because James Earl Jones and Chewetel Ejiofor put all of themselves into it. And, of course, Seth Rogen and Billy Eichner make the most of the comic relief characters, Pumaa and Timon.

As for James Earl Jones, just one last word: he is remarkable. A quarter century ago he was Mufasa, and now he’s done it again. He sets up the movie. This is really acting. It’s not just that his deep rumbling baritone is comforting as maple syrup, yet still commanding. Whatever emotions there are in “The Lion King” emanate from him. He’s already received the honorary Oscar and SAG Award. Is there anything we can do for him? We are in awe, and in his debt.

 

And Here is Elton John’s Great New Oscar Ready Hit Song, “Never Too Late,” from the New “Lion King”

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Here is Elton John’s “Never Too Late,” from the new “Lion King.” This is the song that closes the movie and should get an Oscar nomination. As I wrote yesterday, Elton also has a song from “Rocketman” that could be up for an Oscar, he’s in competition with himself. I love this song!

New Live Action “Lion King” Splits Critics and Twitter, Original Animated Film Yanked from Streaming and Renting Services

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The new “Lion King” is proving to be more divisive than originally thought. Early social media posts from the premiere audience, critics, and first screenings were very high on the film, calling it “visually stunning.” But on Twitter, after more scenes were released, there’s been a serious outcry against the movie. Armchair critics– who will pay to see “The Lion King”– are complaining that it looks cold, grim, and that the real lions et al seem unemotional.

That won’t stop this “Lion King” from roaring at the box office, by the way. It’s going to be a big, big hit.

Meanwhile, as we await the review embargo to lift at 12 noon Eastern: Disney seems to have yanked the original 1994 film from streaming or renting. You can still buy it on amazon or iTunes, but it’s not available to be rented. This would seem as a way to discourage comparisons between the old film and the new one. Disney’s done the same with “Aladdin” so that the Robin Williams version also can’t be casually watched. Interesting that they didn’t do this for “Dumbo.”

Some theorize that Disney has pulled “The Lion King” from renting or streaming because they’re going to have their own service soon. I don’t think so. All their other movies, plus Pixar, Marvel and LucasFilms are all available now. Again, it won’t matter. “The Lion King” is immortal.

 

Law: Justin Trudeau’s Trial System Sounds More Like China Than Canada as Music Exec Languishes in Jail — Jury Was Denied Key Evidence

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Today is the 77th day that Steven Nowack, a 56 year old Canadian citizen who has no criminal record, has spent in a Toronto jail. Nowack — whom I’ve known since 2005 through the music industry — has been cruelly stripped of his freedom by Justice Robert F. Goldstein, of the Ontario Superior Court of Justice, since April 26, 2019. That’s when he was wrongfully convicted by a jury of 12 counts of fraud over $5,000 in what the government alleges is a $15 million dollar case.

Nowack is in a judicial purgatory caused by a prejudicial judge.

I’ve posted a couple of stories in the last two months about this extraordinary case proceeding in the Ontario Superior Court of Justice. I wasn’t able to use names until now. The case is rife with possible misconduct and potential criminal acts by the Judge, the Prosecutor (referred to in Canada as “The Crown”), and the police. I’ve been cautious as I wanted to give Prime Minister Justin Trudeau of Canada, his Attorney General of Canada, David Lametti, and the Attorney General of Ontario, Doug Downey, the opportunity to intervene before I revealed names.

But they’ve remained silent, allowing this grave and serious violation of the Statutory and Charter Rights continue to be suffered by a Canadian citizen who has no prior criminal record. I didn’t think of Canada as China, but suddenly it’s become an issue.

Nowacks story attracted my attention about 2 1/2 years ago when I could not believe that he was still being prosecuted. Since that time, the story has become Kafka-esque, worthy of a Netflix or HBO mini series a la “The Night Of.”

Trudeau, who sees himself as a kind of Superman for Canada, should remember his words: “The Charter of Rights and Freedoms protects all Canadians, every one of us, even when it is uncomfortable. When the government violates any Canadian’s Charter rights we all end up paying for it.” If he really feels that way, he should take a look into releasing Nowack as soon as possible pending a comprehensive review of what has gone on in Goldstein’s courtroom.

Nowack’s case has now been proceeding before the courts for 5 years and 9 months, beginning back on October 23, 2013.

Just recently, on Thursday, June 27, 2019, Nowack was in court for the full day, for the continuation of what is called a disclosure motion. A disclosure motion is to review late and missing disclosure (the fruits of evidence from the police investigation).

The disclosure hearing was supposed to take place before the jury was seated, not after they delivered a conviction without hearing all the evidence– or what the government may have done to suppress it.

The disclosure situation in this trial should have been enough to stop the proceedings cold. This was a shocker: Goldstein seems to have known in advance what would happen. He’d begun to hear the disclosure motion before the jury was seated. But he abruptly adjourned it after two days and let the trial begin.

Two weeks later, well into the trial, the prosecutor, Renna Weinberg, revealed that she’d been sitting on in excess of 3,200 pages of emails, plus more 400 pages or other documents, and in excess of 400 pages of missing financial records. The jury was already sitting — for two weeks. And Weinberg had known about it for two years. Two years.

The news of all this missing evidence was only revealed publicly weeks later — after the jury had rendered its verdict. Why? Because the trial judge, Justice Robert F. Goldstein, did not want them to hear about this crucial evidence, this mountain of emails and documents– and how they’d been discovered.

This was one of many decisions made by Justice Goldstein that prevented Nowack from having a fair trial and from mounting a full defense. Another decision, which I’ll get into next week, will blow your minds.

It’s not like Nowack hasn’t tried to mount a defense. He has. He’s had in his corner Paul Slansky, one of Canada’s  most highly respected criminal/constitutional lawyers. Slansky has been assisting Nowack for the past three years on an unbundled basis pro bono– as in, for free. He’s that angry that Nowack’s rights have been and continue to be so seriously violated.

Slansky vehemently opposed Goldsein’s decision to having the trial without the disclosure motion. It was the opposite of what should have occurred. Slansky believes that Goldstein’s decision flagrantly violated Mr. Nowack’s statutory and Charter Rights denying him a fair trial, by preventing him from making full answer and defense.

Again, Canada, or China?

This is only the very tip of the iceberg regarding Goldstein’s behavior in this trial. I will reveal many more details in the coming days. But Goldstein should not feel alone in his participation and complicity in this travesty. His colleagues– prosecutor Weinberg and the Toronto Police– have been complicit.

I told you this reads like a John Grisham novel or a Netflix or HBO blockbuster. It does. The only difference here, is that John Grisham’s novels were fiction and this is real life. Shameful.

More next week, and it doesn’t reflect well on the Canadian judicial system.

Elton John Wrote– And Sings– Great New “Lion King” Song, So He’ll Compete with Himself and With Beyonce for the Oscar This Season

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Everyone’s all excited about Beyonce’s new “Lion King” song that was released today. It’s called “Spirit” and I have to say, it sounds better in the context of the movie than as a standalone. (Is it number 1 yet?)

But wait! Elton John surprises everyone with a new “Lion King” song that plays at the end of the movie. It’s called “Never Too Late,” and I’ll say it now– it’s great. It’s even actually better than Elton’s song in his own movie. “Rocketman,” called “(I’m Gonna) Love Me Again.” And that 0ne is pretty good, too.

This means that Elton will have two songs for Best Song nomination this season. Weird, right? But you know this is the year of Elton John, on his Farewell tour, with his hit movie, and so on. He wrote all the original hit songs with Tim Rice for “The Lion King” animated film and Broadway musical. So writing a new one makes sense.

I can’t review the new “Lion King” until tomorrow at noon, but I will say the original songs sound  wonderful in the film, especially “Can You Feel the Love Tonight.” But “Never Too Late” has ‘hit’ and ‘radio’ written all over it. Elton should add it to his shows ASAP.

Maybe he can just get a special Oscar for being Elton John next winter. When “Never Too Late” drops, I’ll post it.

BTW there’s a really great Diane Warren song, sung by Daya, in Mindy Kaling’s “Late Night” movie that should get nominated. Here it is:

 

Showtime’s Roger Ailes- Fox News Series “Loudest Voice” Gets 356K Viewers, HBO’s “Big Little Lies” Eyes 1.8 Million

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Showtime’s Roger Ailes-Fox News series, “Loudest Voice” improved a bit in the ratings on Sunday night. The show rose from 299K to 356K in direct viewing on Showtime at 10pm. Fifty seven thousand more viewers aren’t hugely significant. But maybe the 9-11 theme of the show caught some of the “City on a Hill” crowd that preceded. “City on a Hill” only had 411K viewers, but the show runs almost its whole hour so people could have stuck around.

Who knows? I said my piece yesterday about “Loudest Voice.”

Meanwhile, HBO’s “Big Little Lies” is huge with 1.8 million fans at 9pm. It’s not “Game of Thrones,” but it’s BIG, those little lies. The plot is a recycle from “The Young and the Restless,” but the plot doesn’t matter. It’s characters, the actors, the writing. Who doesn’t love this war between Meryl Streep’s Mary Louise and Reese Witherspoon’s Madeline. Classic soap opera. Although I still haven’t gotten over Nicole Kidman’s Celeste slapping Mary Louise, who replied, “Is that your idea of foreplay?”

A third season? So easy. Because now they’ve established the characters, their backstories, they can go on and do anything. These producers can get at least one more season out of this all -star cast. Let’s hope they do five!