Saturday, December 20, 2025
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After 20 Years, Documentary about Mysterious Late Designer Yves St. Laurent and Partner Pierre Berge Finally Set for Release

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Twenty one years ago, in 1998, French filmmaker Olivier Meyrou filmed Yves Saint Laurent and his partner Pierre Berge for a documentary that was never released.

Now “Celebration” is coming to New York’s Film Forum on October 2nd after much wrangling. It’s been shown twice in the last two decades, the last time in the fall of 2018. A version premiered at the 2007 Berlin Film Festival, but Berge shelved it.

In the interim two narrative films about Saint Laurent appeared, but neither one of them captured the mercurial designer. Some filmmakers have seen the documentary including Paul Thomas Anderson, whose “Phantom Thread” is said to have been greatly influenced by it. (There are said to be similar scenes.)

YSL is one of the best known brand names in the world, yet Saint Laurent himself was mystery. He retired from public view years before his death, with Berge representing him personally and professionally. Going back to 1998, right before he sold his company to Gucci, and ten years before his death, should be illuminating.

“It: Chapter Two” Gets Huge 85 on Rotten Tomatoes, Set for Massive Opening Weekend of $100 Million or More

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Warner Bros.’ uneasy summer of 2019 is over. Now the fun begins.

“It: Chapter Two” reviews are in, and they are very, very strong. The movie has an 85 on Rotten Tomatoes, with 47 reviews in so far. For a horror film, you can’t do much better. “It 2” should open to $100 million this weekend, even with its long running time.

Warners can then look forward to “The Joker,” also pointing at a $100 million opening soon. Plus there’s plenty of Oscars and awards talk around the Joaquin Phoenix-Todd Phillips effort. This could be “A Star is Born” all over again, with even better results.

Warners also has a sleeper, I hear, with Bill Condon’s “The Good Liar,” starring only such newcomers as Helen Mirren and Ian McKellen. Everyone’s raving about it from advance screenings.

And let’s not forget “Blinded by the Light.” Even though it’s had a slow start, the Springsteen-scored comedy made more than $1 million in its third weekend. There’s life in it, yet!

And down the line, in December: Clint Eastwood’s Richard Jewell movie. “The Mule” made $103 million last winter with little push. This one will do as well, if not better. Clint is forever!

 

No ‘Purpose’: Justin Bieber Posts Long Explanation for Years of Brattiness: “I was 18 with no skills in the real world with millions of dollars”

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I want to feel sorry for Justin Bieber. He’s clearly suffering from something– depression, anxiety? He’s married now and can’t make music or leave the big house he owns. Now he’s posted a long piece on Instagram trying to explain himself after years of being arrogant and awful to everyone he’s known and to strangers. He’s blaming his parents’ divorce. Listen, he was so rude as a kid the first year he was at the Grammys, you had to wonder how he’d been raised. Since then he’s wrecked homes, spit on people, said stupid. mock-worthy things. He has no credibility in the adult music world. He’s home making slippers, for sale. He should take his money and go to college, or get a tutor, or a staff of tutors.

Here’s his mea culpa. I hope he feels better soon. In the next Instagram post, he looks fine, no mention of this diatribe. In the one just before it, he’s playing rap music and holding a diamond bracelet? ring? tooth grill? for examination. Let’s put it this way, he’s not reading Sartre and joining Greenpeace.

Is Justin Bieber’s Next Move to Christian Music? His Last Pop Album Came Out in 2015, Last Tour Ended in 2017, But This Week He Sang in Church

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Is Justin Bieber moving to Christian music? Consider this: his most recent public performance was a few days ago, in church. Aside from making guest appearances on other people’s records (Despacito, I Don’t Care), Bieber has pretty much left his career track– one that he’s been on since he was a child.

Bieber’s last album, “Purpose,” came out in 2015. It was followed by a tour that ended in July 2017, abruptly, when he cancelled the last few dates. The tour is said to have grossed $260 million. That sounds like a lot but once you deduct manager’s 20%, expenses, payroll, taxes, etc it’s well below that number. The album sold 1.6 million copies in the US, a total of 4 million including streaming including singles.

Four years is a long time between albums, especially when you’re a teen act. By now Bieber’s fans have moved on to more adult music. The Jonas Brothers tried something like this, but made themselves relevant again going solo. A well crafted comeback has worked. But they really put the time in.

Bieber’s obviously battled depression and anxiety. He also got married this year to Hailey Baldwin, who is also an avowed Christian. Justin’s new world would make it hard to sing about getting it on with babes, partying, etc. So the turn to Christian music isn’t far fetched. The Christian market is huge and would certainly welcome him. But it’s possible his days in the mainstream music world are done. Thanks to Scooter Braun, we can only hope he’s got his money and it’s well invested.

He wrote on Instagram: “Sang at church last night. God is pulling me through a hard season. Having trust in Jesus at your worst times is the absolute hardest. But he is faithful to complete what he started. I also want to thank my wife for being such a huge support in my life through this season.. it says in the bible count it ALL JOY when you face trials of various kinds. Sounds insane considering when u face trials u feel terrible. But if we are grateful and worship god for what we do have in that season there is so much power in that… whatever pain you are going through just keep telling yourself THIS WONT LAST! Love you guys we in this together”

John Travolta Hits All Time Low with “The Fanatic” Set to Make Less Than $10,000 This (Three Day) Weekend

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I told you last week that John Travolta, king of the B and C movies, was heading toward a big disaster with “The Fanatic.”

Well, in 52 theaters last night, “The Fanatic” made $3,153.00. And no cents. Its three day total is likely to be less than $10,000, with Labor Day bringing it up to $13,000 at best.

“The Fanatic” isn’t rated by the MPAA and has no actual distribution. In New York, it’s playing at the Cinema Village on East 12th, one show a day at 9:30pm. Rotten Tomatoes critics have given it an 18 out of 100. The movie will go to video in a couple of weeks.

As I wrote last week, this is Travolta’s umpteenth bad movie, unreleaseable, flop. It’s been a decade since he was in anything considered a hit. That would be 2009’s “Old Dog.” He’s squandered several comebacks, the most recent being his mid 90s run with “Pulp Fiction” and “Face/Off.” He was in one film back then that I really liked, “Phenomenon.” But otherwise, it’s a resume of crap.

What killed Travolta’s career? Scientology? His bizarre personal life? All his hair pieces? Hard to say. But he hasn’t taken his career seriously, and the result is he’s pretty much hit bottom.

Too Pooped to Pop: Is that It for Keith Richards? Rolling Stone Posts Clever Video Before Group’s Final Show in Miami

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Keith Richards: the great Rolling Stone has a cheeky sense of humor. He posted a video to Twitter right before the Stones’ final show in Miami on Friday night. It shows a shrine to Jerry Lee Lewis, candles lit. And the audio is Chuck Berry singing “Too Pooped to Pop.” LOL. Keith should be exhausted. This Stones tour– hopefully not the last– was magnificent. These are old men with young hearts thanks to Chuck and Jerry Lee. Keif tired? Never!

TOO POOPED TO POP

Casey is an old man who wants to be a teen
He goes to all the dances and they call him cha-cha King
He cha-cha’s when the band is playin’ rock and roll
He tries to keep in time but the beat leaves him cold
Because he’s too pooped to pop, too old a soul
Hips gettin’ weaker when he tries to do this stroll
And every time his feet get to go in one way
Here comes a new dance and it’s goin’ to stray
Chicks told Casey, you better move man
This is only a one night stand
Casey wasn’t in time but he was dancin’ awhile
Till a cramp caught his leg and he had to change his style
Because he’s too pooped to pop, too old a soul
Hips gettin’ weaker when he tries to do this stroll
And every time his feet get to go in one way
Here comes…

Flashback to Two Weeks After Hurricane Katrina, September 2005: Valerie Harper to the Rescue

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Flashback: So there I was, on an obscure block in Venice, California. I went to support my friend, Julia Fordham, the great singer, who’d been asked to entertain people at a block party designed to raise money for survivors of Hurricane Katrina. It was Emmy Awards week, but this was far from glamorous. I had no idea who’d be there or what would be going on other than Julia singing a few songs.

Lo and behold, there was Valerie Harper. What a nice surprise! I’d known her for about 15 years. She was always involved good deeds. I wrote the following column on September 18, 2005. And the part in the beginning about the supermarket incident. It was true. It happened to another friend, Bebe Buell, the rocker, model, muse and mother of Liv Tyler, in New York. Valerie had been a hero there, too.

from September 18, 2005:

Valerie Harper once prevented a friend of mine from having her purse stolen in a New York supermarket. She’s also run for president of the Screen Actors Guild (and should have won). She’s been involved in many charities and is always there if you needed her. She also has, by the way, four Emmy Awards for playing Rhoda Morgenstern on “The Mary Tyler Moore Show” (eight nominations altogether) and one Golden Globe.

On Saturday afternoon, though, she turned up on Grayson Street, a cute but anonymous little block in Venice, California, to help raise money for Katrina survivors. It was an outdoor party organized by her friend, the singer Klein Allen. (He is not Allen Klein, John Lennon’s former manager and owner of ABKO Records.)

It was a strange and wonderful event, with proceeds going to the American Red Cross. Several people performed from a makeshift stage with a sketchy sound system. Among them: Julia Fordham, who brought her four-month-old baby daughter Marley Rose; Freda Payne, of Band of Gold fame; TV actress Katey Sagal, whose backup performers included famed producer Don Was; 80-year-old gospel and Broadway legend Linda Hopkins; singer Leta Holloway, and the immortal Della Reese, who got up, knocked out an old R&B tune as if she were Mickey Mantle at bat, and then quickly left.

By default, Harper wound up as emcee. She brought her 22-year-old daughter, Christina, an aspiring actress. (Kudos to her, because Harper made something odd seem fun. She’s off now to do the national tour of Golda’s Balcony.)

There were a few stragglers from the TV world too: Orson Bean, who’s 77 and married to Alley Mills, the mom from the Wonder Years (and 54); Jackee Harry, Ron Glass from “Barney Miller,” Camryn Manheim, and miscellaneous neighbors who looked familiar. I dont know how much money they raised, probably not a lot. But it was the effort that counted. Klein Allen, whoever he is, gets credits for the after life. Now he just has to clean up his house, which was overrun by all these people for eight hours!

 

Valerie Harper Dead at 80: Beloved Emmy Winning Star of “Mary Tyler Moore” Battled Cancer Valiantly

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The great Valerie Harper has died at age 80. The Emmy winning star of The Mary Tyler Moore Show battled cancer valiantly, and lived well past the time doctors predicted. She tried everything in her fight with brain cancer, but recently her family started a Go Fund Me page as expenses mounted. Her husband, Tony Cacciotti, wouldn’t put her in hospice care, but took care of her at home with their daughter, Christina.

It’s hard to imagine that both Mary and Rhoda, the character Harper played so brilliantly, are gone. They live on in reruns that hold up a hundred percent, still hilarious and touching. What a shame. At least we still have Ed Asner, Cloris Leachman, Betty White, and Gavin McLeod (and John Amos).

Valerie won 4 Emmys and 1 Golden Globe for playing Rhoda Morgenstern, the tough as nails New Yorker who moved to Minneapolis to find love and happiness. She wasn’t just Rhoda, though. She was nominated for a Tony Award for playing Tallulah Bankhead in “Looped” in 2010.


She was a trailblazer for actors’ rights as well. When she was dropped from her own series, “Valerie,” in 1986, over a salary dispute. She took Lorimar Productions to court and won $1.4 million for her wrongful firing, and 12% of  the show’s profits going forward– which it did, as “The Hogan Family,” with Sandy Duncan as the new star. Valerie was very active in the Screen Actors Guild as well, and ran for president in 2001.

I first met Valerie in the 1990s, and interviewed her several times. She was absolutely delightful, and we remained friendly for years. She was a great actress, with lethal comedic timing. But she was also a mom and a wife and a friend to dozens and dozens. She’s an inspiration to anyone who’s fighting cancer. She never gave up.

By the way, how good an actress? She wasn’t Jewish, like Rhoda. Some people thought she was Italian. Nope. She just made it seem so real. You can’t do better than that:

 

Taylor Swift’s “Lover” Debuts at Number 1 But Falls Short of Magic Million Mark at 885K, Ends Streak

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Taylor Swift had her chance this week, but her streak is over.

Still, she can’t complain about selling 885K equivalent copies of “Lover,” her new CD. And 700,000 of those were actual CDs and downloads. (Well, downloads, since you can’t buy CDs anywhere. I just tried to buy Lana Del Rey’s new CD in Manhattan, and the few record stores that exist don’t carry it. They have vinyl, which doesn’t fit in my car’s audio slot.)

Anyway: Taylor also had three of the top five most streamed songs this past week. On the rest of the top streaming chart you can find most of the tracks from “Lover.”

The number 50 album of the week was Ed Sheeran’s 2017 album, “Divide,” with 11,545 copies sold including 942 paid CDs and downloads. The majority of sales came from streaming.

Missy Elliott’s “Iconology” sold 17,486 copies. Of those, 10,000 were CDs and downloads. Elliott had a lot of push this week from the MTV Video Music awards.

All this streaming produces a small amount of revenue for the artists. According to BuzzAngle and hitsdailydouble, the number 1 streamed song from August 21-28st was something called “Ransom” by Lil Tecca. It made $215,775. Half goes to taxes, so now you’re at $110,000. Then you split that with the record company, the music publisher, the guy who promoted it to Spotify and AppleMusic, and so on. Lil Tecca needs to keep a second job.

But I digress: “Lover” has already been dethroned from number 1. Even though it will cross the million mark next week, Swift’s album has seen its greatest glory. Digital chews you up and spits you out, baby.

Lana Del Rey Swoops in With New Album, Makes Grammy Deadline, Knocks Taylor Swift Off Top of Charts

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In sort of a last minute coup de grace, Lana del Rey has gotten the last laugh of the music season.

Last night she released “Norman F. Rockwell,” her new album, a masterpiece, and won the year. She made the Grammy deadline– which is tomorrow– and knocked Taylor Swift off the top of the charts.

“Rockwell” should win the Grammy for Album of the Year and several other awards. It’s that good. Reminiscent of the best of Laura Nyro and Joni Mitchell, the collection of songs is fresh, innovative, and adult. It also feels human. It’s also beautifully produced.

“Rockwell” is number 2 on iTunes right now. Number 1 is the new album by heavy metalers Tool. Swift has fallen to number 3. All told, she sold about 850,000 copies of “Lover” this week— a huge number, no kidding, but very short of the 1 million her last four albums sold.

Lana Del Rey’s album was held for months by Interscope, which was pushing Billie Eilish’s debut album. Eilish had a major debut hit. But “Rockwell” is far superior. After all, Lana del Rey is twice Billie Eilish’s age, and has had a substantial career. But she’s always been a little underrated and overshadowed. “Norman F. Rockwell” launches her into a whole new universe.

And Producer of the Year? Why, Jack Antonoff wins, hands down. Between this and Swift’s “Lover,” he’s the star of the year. Bravo!

PS If you’re new to Lana, I recommend it but be careful– the f word and other things Joni and Laura never considered including, are included.