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Indie Spirit Awards Nominations Stop Chasing the Oscars, Go for Small Films, Mary Kay Place Among Best Actress Nods

Roger Friedman
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Indie Spirit Awards Nominations Stop Chasing the Oscars, Go for Small Films, Mary Kay Place Among Best Actress Nods

For years, the Independent Spirit Awards chased the Oscars, nominating a lot of the same people who got nods for the Academy Awards.

This year, because almost no one cares and no one watches the Spirit Awards on the IFC Channel, Film Independent went the other way. They stopped chasing the Oscars and nominated actual independent films. There are few exceptions, “Marriage Story” being the most obvious. “Hustlers” is, too. That’s ridiculous.

The most likely overlap would be Renee Zellweger in “Judy.” She should win the Oscar. Can she win both awards? Maybe. But last year that hurt Glenn Close.

There are no real headlines from the Spirit Awards unless Adam Sandler wins Best Actor for “Uncut Gems.” But I think Robert Pattinson is more likely to win for “The Lighthouse.”

The only performance I care about here is Mary Kay Place in Kent Jones’s “Diane.” Her performance is sublime, and it’s time to give her a statue. She’s worked for 45 years since “Mary Hartman, Mary Hartman,” turning in one great character after another.  All hail Mary Kay !

Best Feature
A HIDDEN LIFE
CLEMENCY
THE FAREWELL
MARRIAGE STORY
UNCUT GEMS

Best Director
Robert Eggers – THE LIGHTHOUSE
Alma Har’el – HONEY BOY
Julius Onah – LUCE
Benny Safdie, Josh Safdie – UNCUT GEMS
Lorene Scafaria – HUSTLERS

Best First Feature
BOOKSMART
THE CLIMB
DIANE
THE LAST BLACK MAN IN SAN FRANCISCO
THE MUSTANG
SEE YOU YESTERDAY

Best Female Lead
Karen Allen – COLEWELL
Hong Chau – DRIVEWAYS
Elisabeth Moss – HER SMELL
Mary Kay Place – DIANE
Alfre Woodard – CLEMENCY
Renée Zellweger – JUDY

Best Male Lead
Chris Galust – GIVE ME LIBERTY
Kelvin Harrison Jr. – LUCE
Robert Pattinson – THE LIGHTHOUSE
Adam Sandler – UNCUT GEMS
Matthias Schoenaerts – THE MUSTANG

Best Supporting Female
Jennifer Lopez – HUSTLERS
Taylor Russell – WAVES
Zhao Shuzhen – THE FAREWELL
Lauren “Lolo” Spencer – GIVE ME LIBERTY
Octavia Spencer – LUCE

Best Supporting Male
Willem Dafoe – THE LIGHTHOUSE
Noah Jupe – HONEY BOY
Shia LaBeouf – HONEY BOY
Jonathan Majors – THE LAST BLACK MAN IN SAN FRANCISCO
Wendell Pierce – BURNING CANE

Best Screenplay
Noah Baumbach – MARRIAGE STORY
Jason Begue, Shawn Snyder – TO DUST
Ronald Bronstein, Benny Safdie, Josh Safdie – UNCUT GEMS
Chinonye Chukwu – CLEMENCY
Tarell Alvin Mccraney – HIGH FLYING BIRD

Best First Screenplay
Fredrica Bailey, Stefon Bristol – SEE YOU YESTERDAY
Hannah Bos, Paul Thureen – DRIVEWAYS
Bridget Savage Cole, Danielle Krudy – BLOW THE MAN DOWN
Jocelyn Deboer, Dawn Luebbe – GREENER GRASS
James Montague, Craig W. Sanger – THE VAST OF NIGHT

Best Cinematography
Todd Banhazl – HUSTLERS
Jarin Blaschke – THE LIGHTHOUSE
Natasha Braier – HONEY BOY
Chananun Chotrungroj – THE THIRD WIFE
Pawel Pogorzelski – MIDSOMMAR

Best Editing
Julie Béziau – THE THIRD WIFE
Ronald Bronstein, Benny Safdie – UNCUT GEMS
Tyler L. Cook – SWORD OF TRUST
Louise Ford – THE LIGHTHOUSE
Kirill Mikhanovsky – GIVE ME LIBERTY

John Cassavetes Award
BURNING CANE
COLEWELL
GIVE ME LIBERTY
PREMATURE
WILD NIGHTS WITH EMILY

Robert Altman Award
“Marriage Story”

Best Documentary
AMERICAN FACTORY
APOLLO 11
FOR SAMA
HONEYLAND
ISLAND OF THE HUNGRY GHOSTS

Best International Film
INVISIBLE LIFE, Brazil
LES MISERABLES, France
PARASITE, South Korea
PORTRAIT OF A LADY ON FIRE, France
RETABLO, Peru
THE SOUVENIR, United Kingdom

Piaget Producers Award
Mollye Asher
Krista Parris
Ryan Zacarias

Someone to Watch Award
Rashaad Ernesto Green – PREMATURE
Ash Mayfair – THE THIRD WIFE
Joe Talbot – THE LAST BLACK MAN IN SAN FRANCISCO

Truer Than Fiction Award
Khalik Allah – BLACK MOTHER
Davy Rothbart – 17 BLOCKS
Nadia Shihab – JADDOLAND
Erick Stoll & Chase Whiteside – AMÉRICA

Annual Bonnie Award
Marielle Heller
Lulu Wang
Kelly Reichardt

Oscar Buzz for “How to Train Your Dragon: Hidden World”: Beloved Trilogy Comes to an End with a Roar

Leah Sydney
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Oscar Buzz for “How to Train Your Dragon: Hidden World”: Beloved Trilogy Comes to an End with a Roar

The animated film that is garnering the most awards buzz of the pack is the Dreamworks box office hit, “How To Train Your Dragon: The Hidden World” which wraps up the storied trilogy with stunning animation and emotional power, allowing the hero Hiccup and the Dragon Toothless to mature into the leaders of their respective clans.   The voice actors are a mega talented bunch they include;  Jay Baruchel, Cate Blanchett, Kristen Wiig, Jonah Hill, Kit Harington, F. Murray Abraham, Gerald Butler, America Ferrara, AJ Kane, and Craig Ferguson.

At a recent panel at the Pacific Design Center, along with a stunning exhibit of the art behind the film, Dean DeBlois, the Writer /Director of the film explained what brought him to the franchise, which was adapted by the book by Cressida Cowell.  “The opening line was, ‘there were Dragons when I was a boy’ right then I was hooked.  The three stories all cross boundaries of time and are universal rites of passage.   Every success hiccup has been because of Toothless.”

Joining the panel was Producers Bonnie Arnold and Bradford Lewis, Composer, John Powell who wrote an outstanding, gorgeous score, the Production Designer Pierre Oliver, Head of Character Animation the esteemed Simon Otto, Supervising Sound Designer Randy Thom, and VFX Supervisor Dave Walvoord.

Dean called his co-workers “masters of what they do” while the noted composer Powell called Dean, “a rare unicorn.”  Powell went on to talk about how the score was recorded at the iconic Abbey Road in London.  DeBlois summed it up by saying, “The film is naturalism with a sense of whimsy.   The fact that these movies resonate around the world shows that the over ten years this masterful team spent on them were well spent.  These films show all the love and care we all put into it.”

Considering the huge success “How To Train Your Dragon: The Hidden World” continues to be, the audience certainly agrees and the awards voters will most surely too.

Broadway’s Michael Jackson Chosen, Ephraim Sykes Was Tony-Nominated for Playing Temptation in “Ain’t too Proud”

Roger Friedman
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Broadway’s Michael Jackson Chosen, Ephraim Sykes Was Tony-Nominated for Playing Temptation in “Ain’t too Proud”

The Broadway Michael Jackson musical has a star.

Ephraim Sykes, who played David Ruffin in “Ain’t Too Proud” this past season, and was Tony-nominated, will take the role.

Lynn Nottage is writing the book and Christoper Wheeldon is directing the musical called “MJ.” The show begins performances on July 6, 2020 at the Neil Simon Theater.

Michael will also be portrayed as a child and teen, obviously. But the gist of the show is going to be all about “Thriller” and stop there, when Jackson’s life was at a high. It will likely not delve into anything after that.

But the music of “Thriller” and “Off the Wall,” plus Jackson 5 hits and Michael’s early solo hits like “Got to Be There” will make enough of a show. I wouldn’t expect anything fallacious or terribly factual. Like “The Cher Show” and “Tina!”, “MJ” is designed as a souvenir jukebox that will send audiences out dancing, not suing.

“No Deals at All for a Sequel so Far,” Says “Joker” Director Todd Phillips at Q&A with Superfan Michael Moore

Roger Friedman
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“No Deals at All for a Sequel so Far,” Says “Joker” Director Todd Phillips at Q&A with Superfan Michael Moore

In an Oscar season that has brought little campaigning or flash to New York, Warner Bros. treated us last night to a screening of “Joker” with director Todd Phillips and a Q&A moderated by superfan Michael Moore.

The location was the shiny new WarnerMedia headquarters which is tucked away in the irrelevant Hudson Yards mall on 10th Avenue and 33rd St. This is quite a splashy new situation for Warner Bros., which used to be Time Warner and before that Warner Communications at 75 Rockefeller Plaza. Steve Ross, the man who rescued Warner Bros. from oblivion 50 years ago, must be smiling in heaven. Luckily you can see heaven (great views of Manhattan skyline) from the windows of the Warner Media party space.

There were two big takeaways from last night’s screening. The first was that, on second viewing, “Joker” is better than ever. You can see why fans must have gone back and back. As I wrote from the Toronto Film Festival, it’s a brilliant movie. The sudden violence toward the end does make you look away. But it’s a small part of a greater good. Joaquin Phoenix’s performance is beyond sublime, it’s balletic. I’d find it hard to believe anyone could beat him for Best Actor this year. As another big Hollywood star said to me this week. “It’s his time.”

Second, Phillips responded to an audience query about reports of a sequel. He said, “There are no deals for a sequel. We have no plans as of yet. We were caught off guard by a story that ran this week.”

But obviously there will be two sequels since “Joker” has made a billion dollars worldwide on a $60 million budget. Phillips and Phoenix are now set for life if they weren’t already. In the current movie, Bruce Wayne is a child who slides down a short pole when leaves Wayne Manor’s gatehouse to meet Arthur Fleck. Later we see him watch his parents get murdered by a clown. I surmised to Phillips that we’d see a teen Bruce in part 2 and the adult Bruce become Batman in the finale. “You’ve got it all plotted out, haven’t you?” he said with a laugh. Indeed.

Right now I don’t see any way that “Joker” could be excluded for Best Picture. It would join The Irishman, Once Upon a Time in Hollywood, Two Popes, Marriage Story, Little Women, Bombshell, and one more– either Parasite, Richard Jewell, or 1917 since 9 is the magic number for nominees. By the end of next Monday, we’ll know better where things stand.

 

Updating “Snow White” for 2020 Live Action: Dwarfs Will Remain and Not Be “Little People,” But Classic Song Cut to be PC

Roger Friedman
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Updating “Snow White” for 2020 Live Action: Dwarfs Will Remain and Not Be “Little People,” But Classic Song Cut to be PC

Disney’s live action remake of their very first hit will be filmed next year.

In keeping with “The Lion King,” “Aladdin,” and “Dumbo,” the mouse house will remake the 1938 classic, “Snow White and the Seven Dwarfs.”

There’s no casting as the screenplay is not finished, I am told. Disney is waiting for the new songs to be finished before they shape a plot around it.

What is known is that Pasek and Paul, the songwriters behind “La La Land” and “Dear Evan Hansen,” are writing all new tunes. That’s because Disney and director Marc Webb have jettisoned much of the original music including the wonderful classic “Someday My Prince Will Come.” Why? It’s considered an old school notion, sources tell me. The American Film Institute once listed that song as number 19 on their all time movie tunes list.

The only songs from the original movie to survive the transfer are “Whistle While You Work” and “Heigh Ho (It’s Off to Work We Go).” The original animated “Snow White and the Seven Dwarfs” was the first movie ever to have a soundtrack. But no one cares about that.

The new movie won’t be all PC. I’m told the seven dwarfs will still be called dwarfs, not “little people.” But they will be rendered in CGI. No small actors will play them.

As for the casting, Snow White is considered too young now for Anne Hathaway, Amy Adams, or Emily Blunt. Even Lea Michele will be too long in the tooth. So Snow and Prince Charming will be new kids on the block. Yes, you can forget it, Zac Efron. We  need the new, young Zac Efron!

Cutting “Someday My Prince Will Come” is like cutting “I Feel Pretty” from the new stage version of “West Side Story.” What are these people thinking?

 

Grammys: No Nominations for Male Solo Pop Performance, Only One for Male Pop Album (Ed Sheeran’s Collaborations Number 6)

Roger Friedman
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Grammys: No Nominations for Male Solo Pop Performance, Only One for Male Pop Album (Ed Sheeran’s Collaborations Number 6)

The Grammys theme this year is Revenge of the Ladies. After the debacle two years ago where it seemed that women were getting a bad shake, the ladies have triumphed over the men in nominations.

In fact, the now combined no-gender Best Pop Solo Performance category has NO men at all. The nominees are Beyonce, Billie Eilish, Lana del Rey, Lizzo, and Taylor Swift in one of her only nominations.

In Pop album, the only guy is Ed Sheeran. All the rest are female.

Were the men not singing in 2019? John Legend? Shawn Mendes? Like they didn’t happen.

Frankly, it was not a great year for the men of pop. But the Grammys left out a couple of obvious choices: Lewis Capaldi, the Scottish singer who had a huge hit all year with “Someone You Loved.” And Rob Thomas, one of the best pop singer songwriters of the last 20 years. The leader of matchbox twenty had a terrific album this year with “Chip Tooth Smile.” But the Grammys routinely ignore him for reasons that are inexplicable. Country pop singer Thomas Rhett also was overlooked.

So, game this year to the women. They’ve waited long enough.

The Full Grammy List: Bruce Springsteen Also Snubbed for “Western Stars” Album, Ed Sheeran’s Latest Mostly Ignored

Roger Friedman
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The Full Grammy List: Bruce Springsteen Also Snubbed for “Western Stars” Album, Ed Sheeran’s Latest Mostly Ignored

Here are the main nominations. Bruce Springsteen’s “Western Stars” failed to resonate in either Pop Traditional or Americana. That’s a stunning insult to the Boss. Ed Sheeran’s “Collaborations No. 6” didn’t get much love either. The nominees are heavily female this year, too. Five of the 8 Album of the Year nominees are women.

 

ALBUM OF THE YEAR
I, I – Bon Iver
Norman F***ing Rockwell! – Lana Del Rey
WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? – Billie Eilish
Thank U, Next – Ariana Grande
I Used to Know Her – H.E.R.
7 – Lil Nas X
Cuz I Love You (Deluxe) – Lizzo
Father of the Bride – Vampire Weekend

RECORD OF THE YEAR
“Hey, Ma” – Bon Iver
“Bad Guy” – Billie Eilish
“7 Rings” – Ariana Grande
“Hard Place” – H.E.R.
“Talk” – Khalid
“Old Town Road” – Lil Nas X Featuring Billy Ray Cyrus
“Truth Hurts” – Lizzo
“Sunflower” – Post Malone & Swae Lee

SONG OF THE YEAR
“Always Remember Us This Way” – Natalie Hemby, Lady Gaga, Hillary Lindsey & Lori McKenna, songwriters (Lady Gaga)
“Bad Guy” – Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish)
“Bring My Flowers Now” – Brandi Carlile, Phil Hanseroth, Tim Hanseroth & Tanya Tucker, songwriters (Tanya Tucker)
“Hard Place” – Ruby Amanfu, Sam Ashworth, D. Arcelious Harris. H.E.R. & Rodney Jerkins, songwriters (H.E.R.)
“Lover” – Taylor Swift, songwriter (Taylor Swift)
“Norman F***ing Rockwell” – Jack Antonoff & Lana Del Rey, songwriters (Lana Del Rey)
“Someone You Loved” – Tom Barnes, Lewis Capaldi, Pere Kelleher, Benjamin Kohn & Sam Roman, songwriters (Lewis Capaldi)
“Truth Hurts” – Steven Cheung, Eric Frederic, Melissa Jefferson & Jesse Saint John, songwriters (Lizzo)

BEST NEW ARTIST
Black Pumas
Billie Eilish
Lil Nas X
Lizzo
Maggie Rogers
Rosalía
Tank and the Bangas
Yola

 

POP

BEST POP SOLO PERFORMANCE
“Spirit” – Beyoncé
“Bad Guy” – Billie Eilish
“7 Rings” – Ariana Grande
“Truth Hurts” – Lizzo
“You Need to Calm Down” – Taylor Swift

BEST POP DUO/GROUP PERFORMANCE
“Boyfriend” – Ariana Grande & Social House
“Sucker” – Jonas Brothers
“Old Town Road” – Lil Nas X featuring Billy Ray Cyrus
“Sunflower” – Post Malone & Swae Lee
“Señorita” – Shawn Mendes & Camila Cabello

BEST POP VOCAL ALBUM
The Lion King: The Gift – Beyoncé
WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? – Billie Eilish
Thank U, Next – Ariana Grande
No. 6 Collaborations Project – Ed Sheeran
Lover – Taylor Swift

BEST TRADITIONAL POP VOCAL ALBUM
Sí – Andrea Bocelli
Love (Deluxe Edition) – Michael Bublé
Look Now – Elvis Costello & the Imposters
A Legendary Christmas – John Legend
Walls – Barbra Streisand

 

ROCK

BEST ROCK PERFORMANCE
“Pretty Waste” – Bones UK
“This Land” – Gary Clark Jr.
“History Repeats” – Brittany Howard
“Woman” – Karen O & Danger Mouse
“Too Bad” – Rival Sons

BEST ROCK SONG
“Fear Inoculum” – Danny Carey, Justin Chancellor, Adam Jones & Maynard James Keenan, songwriters (TOOL)
“Give Yourself a Try” – George Daniel, Adam Hann, Matthew Healy & Ross MacDonald, songwriters (The 1975)
“Harmony Hall” – Ezra Koenig, songwriter (Vampire Weekend)
“History Repeats” – Brittany Howard, songwriter (Brittany Howard)
“This Land” – Gary Clark Jr., songwriter (Gary Clark Jr.)

BEST ROCK ALBUM
Amo – Bring Me the Horizon
Social Cues – Cage the Elephant
In The End – The Cranberries
Trauma – I Prevail
Feral Roots – Rival Sons

 

ALTERNATIVE

BEST ALTERNATIVE MUSIC ALBUM
U.F.O.F. – Big Thief
Assume Form – James Blake
I,I – Bon Iver
Father of the Bride – Vampire Weekend
Anima – Thom Yorke

 

R&B

BEST R&B SONG
“Love Again” – Daniel Caesar & Brandy
“Could’ve Been” – H.E.R. featuring Bryson Tiller
“Exactly How I Feel” – Lizzo featuring Gucci Mane
“Roll Some Mo” – Lucky Daye
“Come Home” – Anderson .Paak featuring André 3000

BEST R&B ALBUM
1123 – BJ the Chicago Kid
Painted – Lucky Daye
Ella Mai – Ella Mai
Paul – PJ Morton
Ventura – Anderson .Paak

BEST R&B PERFORMANCE
“Love Again” – Daniel Caesar & Brandy
“Could’ve Been” – H.E.R. Featuring Bryson Tiller
“Exactly How I Feel” – Lizzo featuring Gucci Mane
“Roll Some Mo” – Lucky Daye
“Come Home” – Anderson .Paak featuring André 3000

BEST TRADITIONAL R&B PERFORMANCE
“Time Today” – BJ the Chicago Kid
“Steady Love” – India.Arie
“Jerome” – Lizzo
“Real Games” – Lucky Daye
“Built For Love” – PJ Morton featuring Jazmine Sullivan

BEST URBAN CONTEMPORARY ALBUM
Apollo XXI – Steve Lacy
Cuz I Love You (Deluxe) – Lizzo
Overload – Georgia Anne Muldrow
Saturn – NAO
Being Human in Public – Jessie Reyez

 

RAP

BEST RAP PERFORMANCE
“Middle Child” – J. Cole
“Suge” – DaBaby
“Down Bad” – Dreamville featuring J.I.D., Bas, J. Cole, EARTHGANG & Young Nudy
“Racks in the Middle” – Nipsey Hussle featuring Roddy Ricch & Hit-Boy
“Clout” – Offset featuring Cardi B

BEST RAP/SUNG PERFORMANCE
“Higher” – DJ Khaled featuring Nipsey Hussle & John Legend
“Drip Too Hard” – Lil Baby & Gunna
“Panini” – Lil Nas X
“Ballin” – Mustard featuring Roddy Ricch
“The London” – Young Thug featuring J. Cole & Travis Scott

BEST RAP ALBUM
Revenge of the Dreamers III – Dreamville
Championships – Meek Mill
I Am > I Was – 21 Savage
Igor – Tyler, The Creator
The Lost Boy – YBN Cordae

BEST RAP SONG
“Bad Idea” – Chancelor Bennett, Cordae Dunston, Uforo Ebong & Daniel Hackett, songwriters (YBN Cordae featuring Chance The Rapper)
“Gold Roses” – Noel Cadastre, Aubrey Graham, Anderson Hernandez, Khristopher Riddick-Tynes, William Leonard Roberts II, Joshua Quinton Scruggs, Leon Thomas III & Ozan Yildirim, songwriters (Rick Ross featuring Drake)
“A Lot” – Jermaine Cole, Dacoury Natche, 21 Savage & Anthony White, songwriters (21 Savage featuring J. Cole)
“Racks in the Middle” – Ermias Asghedom, Dustin James Corbett, Greg Allen Davis, Chauncey Hollis, Jr. & Rodrick Moore, songwriters (Nipsey Hussle featuring Roddy Ricch & Hit-Boy)
“Suge” – DaBaby, Jetsonmade & Pooh Beatz, songwriters (DaBaby)

 

DANCE/ELECTRONIC

BEST DANCE/ELECTRONIC ALBUM
LP5 – Apparat
No Geography – The Chemical Brothers
Hi This Is Flume (Mixtape) – Flume
Solace – RÜFÜS DU SOL
Weather – Tycho

BEST DANCE RECORDING
“Linked” – Bonobo
“Got to Keep On” – The Chemical Brothers
“Piece of Your Heart” – Meduza featuring Goodboys
“Underwater” – RÜFÜS DU SOL
“Midnight Hour” – Skrillex & Boys Noize featuring Ty Dolla $ign

 

COUNTRY

BEST COUNTRY SOLO PERFORMANCE
“All Your’n” – Tyler Childers
“Girl Goin’ Nowhere” – Ashley McBryde
“Ride Me Back Home” – Willie Nelson
“God’s Country” – Blake Shelton
“Bring My Flowers Now” – Tanya Tucker

BEST COUNTRY/DUO PERFORMANCE
“Brand New Man” – Brooks & Dunn with Luke Combs
“I Don’t Remember Me (Before You) – Brothers Osborne
“Speechless” – Dan + Shay
“The Daughters” – Little Big Town
“Common” – Maren Morris featuring Brandi Carlile

BEST COUNTRY ALBUM
Desperate Man – Eric Church
Stronger Than The Truth – Reba McEntire
Interstate Gospel – Pistol Annies
Center Point Road – Thomas Rhett
While I’m Livin’ – Tanya Tucker

BEST COUNTRY SONG
“Bring My Flowers Now” – Brandie Carlile, Phil Hanseroth, Tim Hanseroth & Tanya Tucker, songwriters (Tanya Tucker)
“Girl Goin’ Nowhere” – Jeremy Bussey & Ashley McBryde, songwriters (Ashley McBryde)
“It All Comes Out in the Wash” – Miranda Lambert, Hillary Lindsey, Lori McKenna & Liz Rose, songwriters (Miranda Lambert)
“Some of It” – Eric Church, Clint Daniels, Jeff Hyde & Bobby Pinson, songwriters (Eric Church)
“Speechless” – Shay Mooney, Jordan Reynolds, Dan Smyers & Laura Veltz, songwriters (Dan + Shay)

 

LATIN

BEST LATIN POP ALBUM
Vida – Luis Fonsi
11:11 – Maluma
Montaner – Ricardo Montaner
#ElDisco – Alejandro Sanz
Fantasia – Sebastian Yatra

BEST LATIN ROCK, URBAN OR ALTERNATIVE ALBUM
X 100PRE – Bad Bunny
Oasis – J Balvin & Bad Bunny
Indestructible – Flor De Toloache
Almadura – iLe
El Mal Querer – Rosalía

 

AMERICAN ROOTS

BEST AMERICAN ROOTS PERFORMANCE
“Saint Honesty” – Sara Bareilles
“Father Mountain” – Calexico and Iron & Wine
“I’m On My Way” – Rhiannon with Francesco Turrisi
“Call My Name” – I’m With Her
“Faraway Look” – Yola

BEST AMERICAN ROOTS SONG
“Black Myself” – Amythyst Kiah, songwriter (Our Native Daughters)
“Call My Name” – Sarah Jarosz, Aoife O’Donovan & Sara Watkins, songwriters (I’m With Her)
“Crossing to Jerusalem” – Roseanne Cash & John Leventhal, songwriters (Roseanne Cash)
“Faraway Look” – Dan Auerbach, Yola Carter & Pat McLaughlin, songwriters (Yola)
“I Don’t Wanna Ride the Rails No More” – Vince Gill, songwriter (Vince Gill)

BEST AMERICANA ALBUM
Years to Burn – Calexico And Iron & Wine
Who Are You Now – Madison Cunningham
Oklahoma – Keb’ Mo’
Tales of America – J.S. Ondara
Walk Through Fire – Yola

 

MUSIC FOR VISUAL MEDIA

BEST COMPILATION SOUNDTRACK FOR VISUAL MEDIA
The Lion King: The Songs – Various Artists
Quentin Tarantino’s Once Upon a Time in Hollywood – Various Artists
Rocketman – Taron Egerton
Spider-Man: Into the Spider-Verse – Various Artists
A Star is Born – Lady Gaga & Bradley Cooper

BEST SONG WRITTEN FOR VISUAL MEDIA
“The Ballad of the Lonesome Cowboy” – Randy Newman, songwriter (Chris Stapleton), Track from: Toy Story 4
“Girl in the Movies” – Dolly Parton & Linda Perry, songwriters (Dolly Parton), Track from: Dumplin’
“I’ll Never Love Again” (Film Version) – Natalie Hemby, Lady Gaga, Hillary Lindsey & Aaron Raitiere songwriters (Lady Gaga & Bradley Cooper), Track from: A Star Is Born
“Spirit” – Beyoncé Knowles-Carter, Timothy McKenzie & Ilya Salmanzadeh, songwriters (Beyoncé), Track from: The Lion King
Suspirium” – Thom Yorke, songwriter (Thom Yorke), Track from: Suspiri

 

MUSICAL THEATER

BEST MUSICAL THEATER ALBUM
Ain’t Too Proud: The Life and Times of The Temptations – Original Broadway Cast
Hadestown – Original Broadway Cast
Moulin Rouge! The Musical – Original Broadway Cast
The Music of Harry Potter and the Cursed Child: In Four Contemporary Suites – Imogen Heap
Oklahoma! – Rodgers & Hammerstein; 2019 Broadway Cast

 

PRODUCTION

PRODUCER OF THE YEAR
Jack Antonoff
Dan Auerbach
John Hill
FINNEAS
Ricky Reed

BEST ENGINEERED ALBUM
All These Things – Tchad Blake, Adam Greenspan & Rodney Shearer, engineers; Bernie Grundman, master engineer (Thomas Dybdahl)
Ella Mai – Chris “Shaggy” Asher, Jaycen Joshua & David Pizzimenti, engineers; Chris Athens, mastering engineer (Ella Mai)
Run Home Slow – Paul Butler & Sam Teskey, engineers; Joe Carra, mastering engineer (The Teskey Brothers)
Scenery – Tom Elmhirst, Ben Kane & Jeremy Most, engineers; Bob Ludwig, mastering engineer (Emily King)
WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? – Rob Kinelski & Finneas O’Connell, engineers; John Greenham, mastering engineer (Billie Eilish)

 

MUSIC VIDEO/FILM

BEST MUSIC VIDEO
“We’ve Got to Try” – The Chemical Brothers
“This Land” – Gary Clark Jr.
“Cellophane” – FKA twigs
“Old Town Road” – Lil Nas X featuring Billy Ray Cyrus
“Glad He’s Gone” – Tove Lo

BEST MUSIC FILM
Homecoming – Beyoncé
Remember My Name – David Crosby
Birth of the Cool – (Miles Davis)
Shangri-La – (Various Artists)
Anima – Thom Yorke

Grammy Nominations Shocker: Taylor Swift’s “Lover” SNUBBED for Album and Record of the Year in Surprise

Roger Friedman
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Grammy Nominations Shocker: Taylor Swift’s “Lover” SNUBBED for Album and Record of the Year in Surprise

Grammy shocker: Taylor Swift was snubbed for Album of the Year and Record of the Year for the 2020 Grammy nominations. Her “Lover” album failed to get nominated for the big prize, and no song from it made Record of the Year, One song, “Lover,” was nominated for Song of the Year, and “You Need to Calm Down” was nominated for Best Pop Performance, Solo.

This is a shock. Swift’s album was the best selling album of this year, and widely praised. But her many stands against the record industry may have caused an issue. It’s a stunner.

Album nominations went to Bon Iver, Lizzo, Lana del Rey, HER, Billie Eilish, Lil Nas X, Lizzo, and Vampire Weekend.

Also snubbed was arguably the actual best album of the year, Bruce Springsteen’s “Western Stars.”

The full list is below.

Gayle King and Alicia Keys presented the 2020 Grammy nominations this morning on CBS. Before the press conference went live on CBS, King stepped up to the dais with a hoarse throat and joked: “We’re on the stream. Don’t worry. I won’t say anything damaging for myself or CBS.” Keys is hosting the Grammys January 26th, for the second year in a row after a triumphant first time around last year. Bebe Rexha also helped deliver the nominees.

BEST POP SOLO– Beyonce, Billie Eilish, Ariana Grande, Lizzo, Taylor Swift.

BEST NEW ARTIST– Black Pumas, Billie Eilish, Lil Nas X, Lizzo Maggie Rogers, Tank and and the Begas, Yola.

New “Star Trek” Movie Will Come from Director of This Season’s Biggest Flop, “Lucy in the Sky,” Which Made $320,000

Roger Friedman
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New “Star Trek” Movie Will Come from Director of This Season’s Biggest Flop, “Lucy in the Sky,” Which Made $320,000

With “Star Wars” wrapping up soon, the sci fi world is ready for a new “Star Trek” movie. The venerable franchise needs a new chapter, likely to star Chris Pine, Zachary Quinto, and so on. The last one was the disappointing “Star Trek Beyond” in 2016. That film made $343 million worldwide.

Already Quentin Tarantino has proposed his own R rated “Star Trek.”

So who did Paramount choose to helm a new installment? A big successful director with a terrific resume? Why no! They’ve tapped Noah Hawley to write and direct it.

Who is he? Hawley directed the biggest big studio flop of this year, “Lucy in the Sky,” with Natalie Portman. That turkey made just $320,000. It lost its entire budget, at least $40 million, maybe more. The whole thing, gone, and fast.

So why not give the important “Star Trek” movie to a guy whose new movie is a huge freaking flop– and it was about space travel. Makes sense, right?

Such a crucial decision for Paramount, which is suffering losses this year with other flops like “Gemini Man,” “Terminator: Dark Fate,” and “Pet Sematary.” Their only hit this year was Elton JOhn’s “Rocketman” with $96 million in the US and $195 million worldwide.

Was literally everyone else in the world busy? Hawley is a TV director whose first big screen directing job was “Lucy.” And he blew it. Big time. It’s not that he should be punished for life, but the next “Star Trek” movie will make or break that franchise. Maybe someone with a lot of successes would be a better idea.

EXCLUSIVE Jay Z Scholarship Fund: Celebs Get $40K Gold Rolexes, Beyonce Gets Billion Dollar Purse, Few Students Get Very Little

Roger Friedman
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EXCLUSIVE Jay Z Scholarship Fund: Celebs Get $40K Gold Rolexes, Beyonce Gets Billion Dollar Purse, Few Students Get Very Little

Jay Z and Beyonce really whooped it up this past weekend at a benefit for his Shawn Carter Scholarship Fund. Meek Mill and other stars received VIP Invites that included $40,000 gold watches and bottles of expensive booze. Beyonce, it was reported, sported a “billion dollar” purse.

But what is the Shawn Carter Scholarship Fund? It’s just another bloated celebrity charity that’s not doing much good except serving as a phony calling card for its namesake.

Charity Navigator gives the Shawn Carter Scholarship Fund just two out of four stars. It has a very dismal 77 score out of 100 overall for financial maintenance, accountability and transparency.

It’s the kind of foundation that pays over $200,000 in salaries but only has $700,000 in assets. Among other things, they offer a $15,000 scholarship to the very posh Riverdale Country Day School in Fieldston, the Bronx. Tuition at the school is $54,000 a year. But it sounds good, doesn’t it?

In 2017,The  Shawn Carter Scholarship Fund reported  $750,677 in revenue, and just about the same amount in expenses. That’s an improvement on 2016, when revenue less expenses came to MINUS $448,597. And still, with that increased revenue in 2017, grants (scholarships) went down, from $556,117 to $465,290. (And only about half that amount– $200,000– is delineated in their annual Form 990 for the IRS.

Salaries were equal to half that amount: $233,125.

Net assets at the end of 2017 were just $142,022.

But Jay Z is considered “the first billionaire of rap.” He could be underwriting whole classes of college students, particularly at all black colleges. Instead, the Shawn Carter Fund gave just 14 scholarships away in 2017, not one more than $32,000, and most averaged $5,000. Howard University received a paltry $11,500.

So back to the watches: according to the NY Post, both Meek Mill and Swizz Beatz advertised about getting their gold Rolexes, priced at $40,000. I’m a little surprised by Swizz Beatz, who knows that money could be going to student scholarships. He and Alicia Keys could afford a hundred of those watches. He wrote on Instagram: “Hov is on another level with the invite game…it came with a Daytona Rolex and a bottle of Ace…”

Meek Mill wrote: “Hov sent these as vip passes smh this rich s—t getting out of control lol,” adding, “I’m not joking lol.”

But still the two day party went on at the Seminole Hard Rock Hotel in Hollywood, Florida.

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