Friday, December 19, 2025
Home Blog Page 1008

Shocker from Woody Allen Memoir: Married Judge in Custody Case “Hit” on Famed Photographer, Visited Her Home without Invitation

0

Back in the day when Woody Allen and Mia Farrow were in their very famous custody case, there was a lot of weird information about their judge, Elliot Wilk. As Woody notes in his new memoir, Wilk disregarded all the evidence in his favor and awarded custody of Ronan and Dylan Farrow solely to Farrow.

Later, Mia adopted a little boy with severe handicaps and named him Thaddeus Wilk Farrow. Years later, Thaddeus killed himself.

But in Woody’s memoir, “Apropos of Nothing,” a new story has emerged. Woody writes that Wilk, who’d presided over a case small claims court, made inappropriate contact with a party to a case.

The party was famed rock and roll photographer Lynn Goldsmith, who is so highly regarded for her pictures of, among others, Bruce Springsteen.

Woody writes:

Finally, the gifted still photographer Lynn Goldsmith told
me this story. She had been before Judge Wilk in a case
where he ruled in her favor. A day later he showed up at her
apartment unannounced and tried to sleep with her. When
she resisted and pointed out he was married, it did not
matter. He persisted. She finally got rid of him. Talk about
exploiting one’s status. But that’s the kind of man I was at
the mercy of.

I’ve been in touch with Goldsmith today, who basically confirmed the story. There other stories about Wilk that Woody relates:

Wilk’s irresponsible mischief extended much beyond my experience
with him. A child shrink told me the worst cases of suffering
for kids he dealt with inevitably came from bad judgment
in the Wilk court. Another weeping mother told me Wilk
had ruled against her because she had to postpone a court

date to attend her child’s birthday and he wouldn’t hear of
it. Another woman told me he ruled for her but refused to
ever enforce his ruling, so it was as if she’d lost the case.

Judge Wilk died in July 2002 at age 60 from brain cancer.

Another Straight to Video B Movie for Bruce Willis (See Trailer) This One Second Bills Him to Chad Michael Murray

0

Is it possible Bruce Willis actually needs money? (No.) Or is it just that he wants to work, even if the work is ridiculous? (Yes.)

Willis has yet another B movie coming, straight to video on May 22nd. This one’s called “Survive the Night,” and if we can survive watching it, that’s the question. Bruce is second billed to Chad Michael Murray, former star of not “Dawson’s Creek,” but the other one, “One Tree Hill.” Murray is the Steve McQueen of ’00s television.

For Willis, this is now the latest in a long line of these crappy productions. He shoots for one or two days, appears in a couple of scenes, and is used in the trailer as a lure to whatever audience is left. In Edward Norton’s recent “Motherless Brooklyn,” which was a box office dud but certainly not a B movie, Willis appeared for less than 15 minutes.

Whatever is going with Willis that is forcing him to make these movies, maybe it’s time to fess up. He is beloved by fans. But these movies aren’t doing much to help his legacy.

Woody Allen on Harvey Weinstein, Who Distributed But Never Produced His Movies: “We never could have worked together”

0

In his memoir, “Apropos of Nothing,” Woody Allen recalls having some of his films distributed by Harvey Weinstein. Indeed, three of Woody’s biggest box office successes were sent to theaters via Miramax: “Bullets Over Broadway,” “Vicki Cristina Barcelona,” and “Mighty Aphrodite.” Each was a box office hit and scored many Academy Awards.

Woody writes:

Once, when Harvey Weinstein was distributing Everyone
Says I Love You, a film he bought for a lot of money, he saw,
hated, and asked me to take out the word motherfucker from
the rap song. I explained that I wasn’t going to do that. He
said if I would just cut that one word the movie, a musical,
could play Radio City Music Hall. I said I understand, but
I don’t make films to accommodate movie houses.

Incidentally,
despite what was printed in the newspapers, Harvey never produced  any movies of mine. Never backed me. He only distributed a few already completed films and distributed
them well. In addition to Harvey’s skill at distributing,
he had an eye for offbeat, artsy movies and presented a
number of them. Still, I would never have allowed Harvey
to back or produce a film of mine because he was a hands-on
producer who changed and recut a director’s movie. We
never could have worked together.

Exclusive: Woody Allen Dated Diane Keaton and Each of Her Sisters, Plus He Addresses His Reputation for an “Obsession Dating Younger Women”

0

There is so much in Woody Allen’s rich 400 page memoir, you will not be able to put it down. A good read? The best. I can’t imagine that “Apropos of Nothing” will not be a run away hit. Hachette really made a mistake cancelling it. Skyhorse/Arcade gets a windfall here. So many times I’ve laughed out loud reading — I mean, really laughing. There are great lines and great anecdotes.

Everyone will focus first on “Apropos of Nothing” on the Mia Farrow stuff. Woody writes so lovingly of Mia and her mother, of Mia’s acting in his films. There is no rancor of kind until, of course, their relationship unravels. But he’s very praising of her acting talents, and his memories of their early relationship are terrific.

But one thing that did surprise me about Woody and his personal life: he not only lived with Diane Keaton, he dated each of her sisters. Romance, fling. That’s how they are respectively described.  He doesn’t say this somehow inspired “Hannah and Her Sisters.” But really, this is “Diane and Her Sisters.” They have all remained friends.

He writes of Keaton, who won the Oscar for his film, “Annie Hall”:

We parted company as friends and, as I’ve said, have
remained close down through the years. I still consult her
on casting sometimes or any creative problems I might be
struggling with. We never fought and would work together
many times in the future. In time I dated her beautiful sister,
Robin, and we had a brief romance. After that I dated her
other beautiful sister, Dory, and we had a little fling. The
three Keaton sisters were all beautiful, wonderful women.
Good genes in that family. Award-winning protoplasm.
Great-looking mother. Mandelbrot’s similarity hitting the
jackpot.

Woody also dispels the idea that he’s only been interested in younger women.

“Of the many women I have been
involved with over the decades, almost none were much
younger than I was. One of them, I wasn’t even involved
with. I merely invited her on a trip I was taking to Paris.
She turned me down, and that ended it.”

His classic movie, “Manhattan,” infamously chronicles a relationship with an 18 year old, played by Mariel Hemingway. Woody was 42 then. In 1979, when it was released, no one cared. Today, it’s the subject of much discussion. The character was based on a brief relationship he had with Stacey Nelkin, who went on to marry actor Barry Bostwick (15 years her senior, by the way).

“When I fell in love with Soon-Yi,
Manhattan was revived and I suddenly got a reputation as
someone obsessed with young women. I was obsessed with
gangsters, baseball players, jazz musicians, and Bob Hope
movies, but young women have been a tiny fraction of the
women I dated over the decades. I have used the May-
December ploy as a comic and romantic theme a few times,
just as I have used psychoanalysis or murder or Jewish
jokes, but only as good material for plots and laughs. Still,
it’s a juicier headline than “Man Dates Age-Appropriate
Woman.”

Exclusive: Woody Allen Says in His Memoir That He Believes He– Not Frank Sinatra– is Ronan Farrow’s Dad, Claims Mia Farrow Had Child’s Legs Broken to Make Him Taller

0

Woody Allen’s memoir is apropos of a lot of things. The book, available now, is a wonderful read on a lot of subjects. But I’ll start with this one”?

For one, Woody’s spent a lot of time being thrashed in the press by his one biological child, Ronan Farrow. Additionally, he’s had to suffer the slings and arrows of Mia Farrow, Woody’s ex girlfriend (with whom he did not live) that Ronan might be the son of Frank Sinatra, her ex husband.

Now Woody says in the book: “…one day Mia announced she was pregnant. I
naturally assumed it was by me and the wolfsbane had
finally kicked in; and despite her suggesting Satchel was
Frank Sinatra’s child, I think he’s mine, though I’ll never
really know. She may have still been sleeping with Frank,
as she hinted, and may have had any number of outside
affairs, for all I know. As I said, we lived apart.”

More shockingly, Woody reveals in the book something his adopted son, Moses Farrow, told him. That Ronan’s famous childhood story of spending months in a hospital with a leg infection– and having to use crutches for a long time– is not true.

Woody writes: “Listen to Moses, who was there and described things:
“After Ronan finished law school, Mia had him undergo
cosmetic surgery to extend his legs and gain a few inches in
height. I told her I couldn’t imagine putting someone through
the ordeal for cosmetic reasons. My mother’s response was
simple, ‘You need to be tall to have a career in politics.’
It was, of course, a long and painful process for Ronan,
who had his legs broken a few times and reconstructed to
lengthen them. The insurance company didn’t see the medical
necessity and refused to pay for it. Of course, Mia and
Ronan tell a different story but that’s what happened.” The
covering story handed out about Ronan’s knee problems,
his walker, and months of reconstruction was based on his
actual contracting of a disease while working abroad. This
was supposed to account for the surgery, but Moses was
present during much of the painful process. Meanwhile,
Mia might put Ronan through this leg-breaking barbarism
to satisfy her plans for his future, while I’m the one the
judge sticks with a monitor.”

The surgery, by the way, exists and is even more popular today apparently. It does sound barbaric.

Woody is held up now for ridicule by the Farrows as a parent. But Woody — who has raised two beautiful girls with Soon Yi, recalls of Mia’s parenting :

“When Satchel was born, things took an even darker
quantum leap. From his birth, Mia expropriated Satchel.
She took him into her bedroom, her bed, and insisted on
breast-feeding him. She kept telling me she intended to do it
for years, and that anthropological studies have shown positive
results from tribes where breast-feeding goes on much
longer than on the Upper West Side. Years later, two very
professional and perceptive women who worked in Mia’s
house, Sandy Boluch and Judy Hollister, the first as babysitter
and the second as housekeeper, described numerous
incidents. Sandy reports seeing Mia sometimes sleeping in
the nude with Satchel (now Ronan) a number of times till he
was eleven years old. I don’t know what the anthropologists
would say about that, but I can imagine what the guys in
the poolroom would say.”

Ronan, who was named Satchel at birth, was five when Woody and Mia’s split came.His sister, Dylan was 7. After the public scandal and custody hearings, Woody was separated from the children for good. He writes:

When she [Dylan] got a little older and
I imagined she would realize how she was being used, I
wrote her, just sweet, affectionate, brief letters asking how
she was doing. No commercials for me. The letters were all
intercepted by Ronan and I received curt, evasive answers
that began, “I told Dylan about your letter and she is not
interested.”

I finally wrote Satchel and said, “Do you always open
your sister’s mail and read it?” No answer except he wrote
back that if I really wanted to help out, I should send money.I already was supporting them generously by law, but if Mia
was right about Satchel being the son of Frank Sinatra, then I was really being bilked.”

Finally, Woody says that Ronan tried to interfere with Daphne Merkin’s New York Times profile of Allen.

“Daphne Merkin, who
wrote the story on Soon-Yi for New York magazine, relates
how Ronan phoned the magazine prior to the story coming
out and pressed them to drop it. They wouldn’t but he
pressured them, and so they softened it in a number of
places in ways that might not offend the Farrows. Example:
Daphne and I saw each other for a lunch perhaps once a
year if that, but the magazine made up that we were close
friends, so it appeared she could be prejudiced in my favor.
And I already gave you the watering-down of the being hit
with a telephone. They also had planned to put the story on
the cover but dropped it after the phone call from Ronan. Is
this not the quintessence of hypocrisy when Ronan writes a
book critical of NBC for trying to kill his story on Harvey
Weinstein? But, I guess whatever works.

 

 

 

 

 

 

 

 

 

 

 

 

UPDATE: EXCLUSIVE Woody Allen Dedicates Book to Wife Soon Yi: “For Soon-Yi, the best. I had her eating out of my hand and then I noticed my arm was missing”

0

UPDATE: Woody Allen dedicates his memoir to his wife and partner of 28 years. He writes: “For Soon-Yi, the best.
I had her eating out of my hand and then I noticed my arm was missing.” That is funny.

More to come shortly…

Apropos of Nothing, Woody Allen has released his memoir as a surprise.

After Hachette Publishing cancelled the book, called Apropos of Nothing, Woody found a new publisher, Arcade, which is part of Skyhorse, which is part of something else. It’s not Knopf, let me put it that way.

Bits and pieces of the book have come out in the last couple of hours. Page Six, his dreaded enemy, seems to have some of it. Other chunks are on the Associated Press.

I’m told that the surprise factor was created so that no one– meaning Woody’s very estranged son, Ronan Farrow, or his adopted daughter Dylan Farrow, could impede publication again.

It’s unclear if Woody got to keep his advance from Hachette, which is a big outfit and has insurance if something like this backfires. Skyhorse/Arcade doesn’t pay a lot for books by anyone. But the idea, says a source “was just to get the book out there so people can read Woody’s side of the story.”

So far, the book has not appeared on Amazon or anywhere else. And this may be because Amazon says it’s not accepting deliveries from vendors. So physical books may be an issue. The only way to read this thing may be as an ebook.

All publicists are hiding, no one’s at work, and it’s snowing like a bastard as they say in Boston. Stay tuned.

Tribute to Kenny Rogers: Country Great’s Record Sales Soar as “The Gambler” and “Islands in the Stream” Take Over iTunes Charts

0

What a nice tribute to Kenny Rogers, who passed away this weekend at age 81.

The country great’s record sales are soaring. His hits are all over the iTunes and Amazon charts. “The Gambler” is currently number 1 and “Islands in the Stream,” his famed duet with Dolly Parton (and written by Barry Gibb) is number 2.

“Lady,” written by Lionel Richie, is number 5. Fourteen– 14!– more tracks take up the top 100 for a total of 17. He has a fifth of the singles chart.

Rogers also has seven albums on the iTunes album charts including a greatest hits package at number 1. It’s the same on the country music charts.

On Amazon, many of the physical albums are completely sold out. And they won’t be replenished any time soon since Jeff Bezos said the company is only accepting shipments from vendors of medical supplies and other necessary items. CDs and vinyl aren’t going to the warehouses.

Here’s my favorite:


 

Donald Glover Officially Releases His New Childish Gambino Album, Called “3.15.20,” to Streaming Services

0

Back on the 15th of this month, Donald Glover released his newest Childish Gambino album on his own website. There were no breaks between the tracks, and no titles. And no information. Then he removed it.

Now, the album is back, on Spotify and presumably other streaming services. It’s called “3.15.20.” The tracks are not titled. They’re called by the length of time they take up. Or something.

The album is very Sly Stone-Prince-Marvin Gaye, and I’d say, it sounds great, like something that might be very enjoyable. But a little more information from his record label– called (this is hysterical)– Wolf & Rothstein/RCA Records. (Wolf and Rothstein are his managers. They couldn’t think of a name for the label that doesn’t sound like a law firm?)

Anyway here’s the album. I guess we have a lot of time to figure out what’s going on here.

 

Broadway: Tony Winner Gavin Creel Tells Rosie O’Donnell He’s “Pretty Sure” He Has Coronavirus After London Castmate Tests Positive

0

Gavin Creel, Tony winner for “Hello, Dolly!” told Rosie O’Donnell last night on her YouTube special that he’s “pretty sure” he has coronavirus.

Creel has just returned from performing in “Waitress” in London with the show’s creator, Sara Bareilles. He was quick to say that Bareilles does not have it, and he didn’t get it from her. “It wasn’t Sara!” he declared.

Creel and Bareilles left the show on March 14th abruptly, citing travel restrictions back to the US.  They said on social media: “Given the recent international travel restrictions, we’ve made the very difficult decision, before any further measures are implemented, to return home. It was an agonizing choice as we have so loved our time here at the Adelphi diner. The warmth and generosity of the West End audiences has been unparalleled.”

But now Creel says he thinks he got it from another female cast member, who did test positive. He said they’d been spending all their time together.

He said, of the symptoms: “It’s like a cruddy flu. I lost my sense of smell and taste.” Creel said he’s been self-quarantined. Still, he sang and accompanied himself on piano without any trouble. Get well soon!

Broadway: Rosie O’Donnell Raises $500,000 for the Actors Fund Including Her Own Donation During Streaming You Tube Special Featuring Dozens of Top Name Stars

0

Rosie O’Donnell’s three and a half hour YouTube special for the Actors Fund has just ended. O’Donnell herself donated $100,000 and raised another (at least) $400,000 from viewers. The money goes to all the out of work actors and crew currently suffering through the temporary closure of Broadway.

Rosie and producer Erich Bergen (actor from “Madame Secretary” among other productions) brought together dozens upon dozens of Broadway stars including anyone who’s anyone from the Great White Way. She even added Barry Manilow and Gloria Estefan.

What was so impressive is that all these people performed from home, many accompanying themselves on the piano or guitar. They didn’t wear make up. They had bad lighting and sound. The show was as homemade as it could have been. But it was a total delight.

Rosie herself hosted the show from the garage/art studio of her house in Saddle River, New Jersey. She wore no makeup herself, and the lighting was adequate, let’s say. But she was at her best, no politicizing, just talking her love of Broadway with all the stars. Behind her on the floor there seemed to be some detritus. It took Harvey Fierstein to finally say, “At least I cleaned up my crafts room!” Rosie replied: “It’s paint on the floor. It doesn’t come up!”

Where else, how else could we have seen so many top line stars, all talking off the cuff, singing out their hearts. This was pretty brave. The show, when the dust settles, has to be preserved for Broadway history. What a coup!

Of course, we got to hear two versions of Charlie Chaplin’s “Smile”– one from Patti Lupone and the other from Audra McDonald and Will Swenson. Kelli O’Hara sang, so did Adrienne Warren from her bathtub full of water! Stephen Sondheim and Andrew Lloyd Webber sang “Happy Birthday” to each other! Matthew Broderick and Sarah Jessica Parker did a rare interview together. It was pretty swell!

The show had echoes of Edward R. Murrow’s “You Are There” and Golden Age of Television. No artifice. And frankly, Rosie should have a daily show again.

Dip in anywhere, or watch it from beginning to end. Rosie and Erich made history tonight.