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Beatlemania: Paul McCartney’s Handwritten Lyrics to “Hey Jude” Sell for $910,000, Ringo Sells a Bust of John for $41,600

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Once upon a time, it was called “Hey Jules.”

Paul McCartney wrote “Hey Jude” for five year old Julian Lennon after visiting him and his mum, Cynthia Lennon after John left them for Yoko.

The song was meant to console Julian. John suggested the name change, and the nearly seven minute song was born. Released independent of an album, and never included on one, “Hey Jude” spent 7 weeks at number 1 in the fall of 1968. Radio stations played it unedited, which was a first.

Fifty two years later, McCartney’s handwritten lyrics have sold for $910,000 at Julien’s Auction house in Los Angeles. Will ever know who bought this sheet of paper? Was it McCartney himself? (I wouldn’t be surprised.) Will we ever see this in a museum exhibition?

I’d say nearly a million bucks was worth it. McCartney took a sad song and made it better.

And yes, it’s the 50th anniversary of the end of the Beatles. And the auction house is owned by a “Julien.” So it all fits together. (And it was just Julian Lennon’s birthday!)

Also in the auction, Ringo Starr and wife Barbara Bach made around $90,000 selling three promotional busts from the last photo sessions. One of them, of John Lennon, was used as a prop on the cover of “Sgt. Pepper.” Another was from the cover of the American “Hey Jude” album.

 

 

 

A New Whitney Houston Doc for Lifetime Interviews Singer Cherelle, But Here’s the Real Story of Their Time Together

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Oh boy. Lifetime has yet another documentary about Whitney Houston. I just saw it promo’d on Lifetime. Cherelle, an R&B singer from the 80s and 90s, is interviewed. I don’t know if she’ll recall this incident with Whitney. I published it on March 30, 2006.

Whitney, She’s Broke and on the Run
Troubled pop superstar Whitney Houston — once a bigger seller than Madonna — is running out of cash. Insiders tell me she is literally broke, with no current income and huge expenses.

Not only that: Whitney’s life is such a dismal mess that, according to sources, her daughter, Bobbi Kristina, is living with Whitney’s brother Gary and sister-in-law, Pat, close to Houston’s home in Atlanta.

And it just keeps getting worse: A local Atlanta lawyer told me yesterday that he recently had housemates Whitney and ‘80s pop star Cherelle (real name Cheryl Week Norton) evicted from the luxury townhouse he’d rented to the latter last fall. Houston’s name was not on the lease, but the landlord says she was living there and has witnesses to back him up.

Now the landlord says he’s about to sue both women for about $17,000 in back rent and about $8,000 in damages for the mess they left behind. That includes carpets and furniture ruined by burn marks and broken windows. The papers will be filed shortly, he tells me.

When the landlord went to speak to Houston about the noise and filth emanating from the townhouse, he told me the singer appeared “disheveled” and her voice was gravelly. On the plus side: “She was very pleasant.”

Houston still owns a beautiful home in suburban Atlanta, but moved in with Cherelle at least temporarily last fall.

Houston and Norton, according to my sources, abandoned the befouled townhouse and moved to the Atlanta neighborhood of Buckhead. She has since returned to her Alpharetta home, where husband Bobby Brown has also alighted after having been last seen partying in Los Angeles.

There, Brown told friends alternately that Houston was pregnant and that they were divorcing.

Sometimes — let’s face it — we have fun tweaking the stars. But that’s not the case with Whitney Houston.

I’ve known her well since 1989. She was once a beautiful girl with the greatest voice in the world and an unlimited future. What’s happened to her in the last few years is the worst kind of show business tragedy. Friends of hers tell me they fear for her life. This is a monumental disaster for which no one wants to take responsibility.

It doesn’t help that this week, Whitney was sold out by her sister-in-law, Tina Brown (not to be confused with the journalist Tina Brown). Tina’s brother is Houston’s often-arrested and imprisoned former pop star husband Bobby.

Tina sold the most salacious stories she could muster to “The National Enquirer” and the “UK Sun” tabloid, along with pictures that suggest a horrifying saga of Whitney’s drug abuse. Her take could be as high as $200,000. There has been some suggestion that Brown, needing cash, put her up to it.

Ironies abound: First, Whitney entered rehab one year ago. Obviously, it didn’t work. And second, sources say that Whitney took care of Tina Brown’s children, said to be six in total, while she was in rehab herself.

Even at her worst, Houston, friends say, has tried to keep her husband’s relatives happy.

“There are 30 members of the Brown family,” says an insider, “and they’ve all sponged off of Whitney.”

That’s the problem. Generous to a fault, Houston has now managed to spend most of her earnings taking care of her own family and Brown’s. She has two main assets: a five-acre estate in posh Mendham, N.J., assessed in 2005, according to public records, at $5.6 million.

In 2003, she also purchased a large home in Alpharetta for $1.8 million, almost all of which was borrowed.

“There’s no money,” says an insider. “She’s really broke.”

The Mendham property has become to Houston what Neverland is to Michael Jackson: a bank account against which she can draw loans. Unlike Jackson, however, Houston does not have investments like the Beatles catalog to fall back on now that she’s in trouble.

Public records show Whitney has borrowed millions of dollars and taken out many staggering mortgages in her time — enough to give Michael Jackson a run for his money.

The original Mendham home, records show, was bought in 1987 for $2.2 million; Houston borrowed $1.4 million to pay for it.

In 1998, as part of a refinancing plan, she took a $6.45 million mortgage that involved buying a second home in Mendham around the corner from the first.

It also appears that she bought a condominium in North Bergen, N.J., simultaneously with a $3.4 million mortgage.

In May 2003, Houston obtained a $2 million, 15-year mortgage against the Mendham house. At the same time, records show she also took out a second equity loan against the same property for $500,000. Three months later, there’s a new $700,000 mortgage for a different property.

Houston’s financial problems are simple, and they were easy to predict. She is a singer, not a songwriter. Unlike Celine Dion, Mariah Carey and Madonna, Houston does not write her own material. Or, to be more exact, she never attached her name to her hits and took a cut of the publishing. She has only five song credits on ASCAP’s Web site.

This is rare among modern singers: Almost all of them including Barbra Streisand, were smart enough to write some hits of their own. And if they didn’t, like Bette Midler and Cher, they made their stage show a central source of income. One reason Mariah Carey has not had to tour extensively is that she has her name on dozens of hits.

It’s kind of surprising that Houston fell into this trap. She’s watched both her mother, Cissy Houston, and cousin, Dionne Warwick, neither of whom wrote their own hits, tour endlessly every year and work to keep up with their expenses. You’d think she would have learned something from their experiences.

What’s evident is that through the years, Houston has had inadequate advice and counsel. Depending on just record sales to get her through bad times was a mistake.

While Houston had many bestsellers, they are well in the past. Simply singing a hit record is not enough if you’re not going to save your money.

The real profit in the music business comes from touring and publishing. Houston has toured very little in her career. And with no songs on her resume, she has no perennial moneymakers on which to rely, like Carey’s “Vision of Love” and Madonna’s “Like A Virgin.”

So Whitney, with dozens of dependents and no income, is indeed broke. News reports claimed she got a $100 million recording contract from Arista Records in 2001. In reality, she received a $20 million advance. Take half off from taxes, it’s $10 million. Another $2 million might come off in fees. Then deduct the costs of her 2002 flop album, “Just Whitney” — which sold just 540,000 copies — and her 2004 Christmas album, now ranked on Amazon.com at 68,000. Suddenly, it’s not so much.

And that doesn’t take into account her notorious lifestyle. And I’m not talking about the first-class airfare, the nice cars, clothes or jewelry. Houston has frittered away millions of dollars living on the edge and being irresponsible.

Had she not entered into a spiraling down world of drug addiction, and kept recording and touring, she would be —at age 42 — a very wealthy woman with a reputation as the best singer of her generation. That none of that has come to pass is shameful.

Houston’s next big problem is going to be with Child Protective Services in Alpharetta. Even though Bobbi Kristina lives away from home, there will no doubt be a new investigation based on the “Enquirer” story.

If 50 percent of the report is deemed true, Houston and Brown could easily lose their daughter for good. One wonders if that will be enough of a wake-up call for the singer who once represented the best of America’s youth.

Broadway Star Nick Cordero’s Wife Says He’s “Fighting for His Life Right Now,” Still in ICU After 11 Days

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Amanda Kloots, wife of Broadway star Nick Cordero, issued a dire warning this morning about her husband. Nick has been unconscious and in ICU since April 1st. Cordero tested negative twice for COVID 19 while he’s been unconscious, then tested positive.

Kloots has posted a lot of upbeat items probably just to keep herself from collapsing. But not things seem to have changed. We are all sending their family prayers and positive thoughts. We need Nick back on Broadway ASAP. The star of “A Bronx Tale” and “Bullets over Broadway” is so talented, a Tony nominee, and a lovely guy.

Kloots writes: “My whole world has stopped. Please pray for my husband. Prayer warriors, prayer circles, whatever you’ve got. Energy, meditation, positive thinking. He is fighting for his life right now. Elvis and I need you Nick Cordero. It’s time to fight, daddy. 🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻”

50 Years Ago: Paul McCartney Quit the Beatles and Released His First Solo Album, And Then Came “Let it Be”

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This week, 50 years ago, it was not easy to be a Beatles fan.

On April 10, 1970, Paul McCartney announced he was quitting the Beatles. The group had already appeared on Ed Sullivan with a clip of “Let it Be” on February 15th. Yoko Ono, who kids didn’t really grasp yet, was with the band as they played. She looked like the Angel of Death.

Three weeks later, on March 6th, came the release of the “Let it Be” single. It went straight to number 1, it was all anyone talked about. Just its existence, and reports of the album of the same name, made everything seem ok. But I also had biology class, where a little snake was waiting to be split open like a hot dog on the grill.

Then came April 10th, and Paul’s announcement that the Beatles were done. We didn’t really know that everyone else had quit and returned already. Thanks to the book, “All You Need is Love,” many years later, we found out that at a 1969 business meeting, John had learned that Paul had bought up more shares in Dick James Music. John and Paul had always had an agreement of equal shares. Allen Klein stoked the fire, making John even crazier. John and Yoko stormed out.That was actually the end.

In 1990, I asked Paul about it that episode. He was not sorry about it. (I’m not saying he should have been.) He told me, “I was investing in myself.”

Back to the action. The April 10th news was a killer. What about the “Let it Be” album? It was coming on May 10th. But wait– there was a surprise. Paul was releasing his first solo album, “McCartney.” It arrived on April 17th. “Maybe I’m Amazed” and “Every Night” were instant staples on FM radio. There was no single, however. “Maybe I’m Amazed” would wait six more years to get a whole new live version for radio.

I remember standing in Korvette’s on May 10th, getting “Let it Be.” It would take a long time to understand what had gone on to undo the world’s greatest group forever. At the time, it was still confusing that they’d made “Abbey Road,” which we’d already heard the prior September, before this. I mean, what?

Recently, I watched the real “Let it Be” movie. You can find it online. I remember seeing it in 1970, and then it vanished. It’s never been on DVD, and was only briefly on video cassette. Someone must have had it. For years I asked about its status. Would it ever come out?

Watching it now, you can see why it was buried. It’s a tough little report about a divorce. Michael Lindsay-Hogg filmed in January 1969 leading up to the famous rooftop concert. A lot of that footage has been released, or floats around on YouTube. But it’s the first 30 or 40 minutes that are more interesting.

The best parts are watching George, Ringo, and John as they react to Paul, who is clearly in charge. It’s incredible that they went on to make such a masterpiece as “Abbey Road,” because they were in unspoken disharmony. The public may see this movie this year. My favorite part is Ringo showing George a new song he wrote– “Octopus’s Garden”– and George then offering a musical suggestion for it. John joins in. When they are creating, there is sheer joy. They are four geniuses at work.

My dad doesn’t remember this now. But I played “Let it Be” so loud when I got home, and refused to come down for dinner, that he snapped it in two. I had to go back to Korvette’s the next day to get another one. Those were the days!

Listen to the First Song from the Hilarious Parody “Tiger King: The Musical” from Composer Andrew Lippa and Kristen Chenoweth

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As much as I loathe all the people from “The Tiger King,” a parody is just the right thing. So here’s “Little Pieces” from Broadway composer Andrew Lippa and star Kristen Chenoweth. This may be the best thing Lippa has ever done (his musicals have not been great successes). Chenoweth is playing Carole Baskin, the nut who Joe Exotic is in jail for trying to kill. They should release this track as a single ASAP to iTunes. It’s very good.

I hope Lippa keeps going. Still to be cast are the dozens of hideous other characters including Joe Exotic, who should be played by Neil Patrick Harris plus Don Lewis, the husband Carole allegedly fed to the tigers. I have watch all 7 episodes of “Tiger King.” The really weird part of it is that Eric Goode, who I knew from nightclubs in the 80s, produced it and appears on air. But most of these people could have roamed around Area without much notice!

Watch the “Grace and Frankie” LIVE Table Read Right Here NOW with Jane Fonda, Lily Tomlin and Cast

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ABC’s “Modern Family” Finale Beaten in Ratings by CBS’s “Survivor,” NBC’s Dick Wolf “Chicago” Shows

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The dingbats at ABC scheduled the “Modern Family” series finale against the first night of Passover, when modern families would be having seders. They got what they deserved. The two hour special came in third among the  big three networks. You reap what you sow. Would they have scheduled that finale for Christmas or Easter? No. But Passover? Who cares, right?

“Modern Family” kept ABC afloat for years not only with ratings but with awards galore. So you’d think ABC would think through the finale. Instead, they pissed it away.

The series finale was beaten handily by NBC’s Dick Wolf “Chicago” shows, and by CBS’s “Survivor.”

Wolf’s shows averaged over 8.9 million viewers from 8 to 10pm. “Survivor” had 7.784 million from 8 to 9pm.

“Modern Family” did 6.7 million total viewers from 8 to 9pm, and 7.4 million from 9 to 10pm.

The show that followed, “Who Wants to Be a Millionaire,” with Jimmy Kimmel, sank to 6.3 million viewers at 10pm. The main guest was “Modern Family” star Eric Stonestreet, with the show’s head writer Danny Zuker. The pair alluded to a possible new show they were working on together. If they’re smart, it won’t be on ABC.

 

BREAKING Joy Behar Says She’s Not Stepping Down from “The View” in 2022: “Reports of my retirement are greatly exaggerated”

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Joy Behar is not leaving “The View” in 2022. Live, on the show in the last half hour, Joy said, “Reports of my retirement are greatly exaggerated.”

Whoopi Goldberg told Joy live on the show– on which the four hosts are being broadcast from home — that she wouldn’t allow it, and the others agreed.

Behar said, “I told the reporter who asked me that if I’m feeling [this well] in 2022, I won’t be going anywhere.” I’m paraphrasing here but Joy said something like, “I won’t even watch reruns of Love Boat at this point!”

The retirement headline came from an interview Variety editor Ramin Setoodeh– who’s very good at what he does– conducted for the paperback version of his book called “Ladies Who Punch.” But there was some miscommunication there, or Behar may have over spoken in the interview.

Well, Joy will only be 80 in 2022, and I hope she never stops being a tremendous voice for all of us on “The View” every day!

 

In Strange, Over Produced New Video, Madonna Mumbles, Says She’s Lost Three Friends, and “I’m Over It”

Madonna is losing her mind. In a very strange, over produced new video, she mumbles she’s lost three friends (unclear if to corona virus) and that she’s “over it.” She says, “I’m over it.” She is entirely disconnected from reality. Every single music star who isn’t ailing has done something positive so far. They’ve given impromptu on line concerts, made PSAs, participated in fundraisers, started fundraisers. All of her so called enemies– Lady Gaga, Elton John, and so on– are busy digging in for the cause. Madonna, however, is “over it.” I think we’re over it, too. 1, 2, cha cha cha.

Message in a Bottle: Sting’s Las Vegas Residency at Caesar’s Moves from May 22 to August 15th

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The coronavirus had better be over by August 15th. That’s the new date for Sting’s Las Vegas Residency at Caesar’s Palace.

“My Songs” was supposed to start on May 22nd, but that can’t happen given the world situation. So the shows have been moved to mid August, when it’s nice and hot and humid. I’m up for that!

By August, Sting will have turned colors not performing anywhere. His musical, “The Last Ship,” got dry docked in San Francisco in March and never made it to Washington, DC, Detroit, or Minneapolis. Maybe next year.

In the meantime, you can buy the “My Songs” CD or stream it on your favorite platform.