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Matt Le Blanc On Overcoming Joey from “Friends”

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“People’s guards come down when they think you’re dumb,” Matt LeBlanc told our reporter, Randee Dawn, on Tuesday night at a special Showtime pre-screening of his new series “Episodes” at the Crosby Hotel – in which he plays a guy called … Matt LeBlanc. “People really do come up to me and speak slowly and think I’m Joey.”

Poor guy. It’s been six years since “Friends” went off the air and three since “Joey” failed to thrive, and he’s not sure he’s ever going to stop being seen as lovable – but none-too-bright – Joey Tribbiani in most peoples’ heads. Maybe that’s why he decided to play a version of himself in “Episodes” (the show starts airing in January) – egoistic, greedy and a lot smarter than people give him credit for. It’s like a transition phase.

“You’ll think, oh, this guy is just a prick,” he continued, “but you have to be smart to be that dumb.”

“Episodes” wasn’t the only series getting a first airing for the press: New Showtime entertainment president David Nevins was on hand
to also introduce a screening of “Shameless,” starring William H. Macy. In it, the “Fargo” Oscar nominee takes a turn (and a fall or
two) as a chronic drunk who lets his large family more or less run themselves (thankfully, they have Emmy Rossum in charge). Macy – who
was taking a break from production for the night – showed up in a 10-day beard and long, stringy hair to match his character.

“The beard’s the easy part,” he says. “It’s this hair – I keep wanting to flip it. How the heck do you hold it back?” he asked. “I was a
hippie in college, so I’ve had hair down past my shoulders but I forgot how you keep from getting it into your food.”

Speaking of which, Showtime laid out a seafood and chicken spread for the assembled crowd pre-screening, then offered up desserts afterward
– just as midterm election results began rolling in. Nevins retreated to the jumbo screen in a separate room to keep track of the numbers,
while LeBlanc and Macy entertained the troops in the main room.

“Episodes,” as it turns out, is something of a “Friends” reunion – LeBlanc is re-paired with former executive producer David Crane, who’s
now writing with Jeffrey Klarik. That meant they couldn’t possibly pretend “Friends” never existed, and LeBlanc teased there will be some
spoofing of the series in “Episodes” (though for the moment no additional former “Friends” are slated to appear).

“We just wanted to see if we can twist things around a bit,” he said. “It was fun to take the piss out of myself.”

The series goes into the metamorphosis a hit British show undergoes when it hops the pond and gets “Matt LeBlanc” as its star. Along the
way, Hollywood and TV development gets a royal skewering – as does the moral-free head of the network. LeBlanc says those scenes are truer
than you’d expect.

“I’ve seen some strange things,” he allowed. “I’ll leave it at that –I do still have a career I’m hoping to keep.”

A very smart move.

Quincy Jones Is Back: With Akon, Jamie Foxx, Jennifer Hudson, Usher, Amy Winehouse (See video)

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Quincy Jones is back, man! The big Q!

His “Soul Bossa Nostra” CD is ready for November 12th release.

Guest stars are Jamie Foxx, Jennifer Hudson, Akon, Amy Winehouse and Mark Ronson, and John Legend–among the group.

It’s a party on CD. In fact, Amy Winehouse sings the Lesley Gore classic, “It’s My Party.” Here’s the tracklisting:

Ironside – Talib Kweli produced by Quincy Jones, Ray Brown, & Phil Ramone
Strawberry Letter 23 – Akon produced by Aliaune “Akon” Thiam and Giorgio Tuinfort
Soul Bossa Nostra – Ludacris, Naturally 7, and Rudy Currence produced by Roger Thomas, Kevin Deane and Simuel Stevenson
Give Me The Night – Jamie Foxx produced by David Banner, Warryn Campbell, and Quincy Jones
Tomorrow –  John Legend produced by Wild Animals and Quincy Jones
You Put A Move On My Heart – Jennifer Hudson produced by Scott Storch and Quincy Jones
Get The Funk Out Ma Face – Snoop Dogg produced by Terrace Martin and Quincy Jones
Secret Garden – Usher, Robin Thicke, Tyrese, LL Cool J, Tevin Campbell and Barry White produced by Jermaine Dupri and Quincy Jones
Betcha Wouldn’t Hurt Me –  Mary J Blige featuring Q-Tip and Alfredo Rodriguez produced by Q-Tip and Quincy Jones
Everything Must Change  – Bebe Winans produced by Mervyn Warren
Oluwa (Many Rains Ago) – Wyclef Jean produced by Wyclef Jean and Jerry ‘Wonda’ Duplessis
P.Y.T. T-Pain and Robin Thicke – produced by T-Pain
It’s My Party – Amy Winehouse produced by Mark Ronson
Hikky Burr – Three 6 Mafia and David Banner produced by DJ Paul
Sanford and Son –  T.I. and B.o.B. featuring Prince Charlez and Mohombi produced by RedOne and Quincy Jones

http://www.youtube.com/watch?v=5jYQrTYTfkA&feature=player_embedded

Spider Man Broadway Flying Problems: We Told You Three Weeks Ago

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http://tinyurl.com/25fgffh

We told you on October 12th that “Spider Man: Turn off the Dark” was expecting investigators to look at all its flying components. See the link above. This was long before the accidents that have happened at the Foxwoods Theater on West 42nd St., and before both the New York Times and today’s story in the Hollywood Reporter.

The investigators were always scheduled to come. But now, with various accidents, they’ll be extra eagle-eyed.

One of the problems may be that the people who are flying around, dressed as Spider Man, etc, aren’t trained acrobats. As I reported before, they’re just athletic actors.

The flying will likely be approved, and the show will go on. I am told that scenes where Spider Man flies around and lands in the audience are “spectacular.” Sources working on the show so far have nothing about excited praise for what’s going on–except, of course, those that have wound up in the ER.

Michael Jackson Cirque du Soleil Show Kicks Off October 2011 in Montreal

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Cirque du Soleil’s Michael Jackson show starts selling tickets on Saturday. Presale starts today for Michael Jackson fan club members.

The official announcement comes this morning.

The show — called “The Immortal World Tour”– is a stadium tour that begins in Montreal in October 2011. The tour proceeds to Detroit, spends about a month in Las Vegas for December 2011, then heads to the west coast in early 2012. It should get to New York later that spring.

Cirque du Soleil’s Jamie King is the director. John Branca, co-executor of the Michael Jackson estate, says that the show will be full of Michael’s music, and the costumes and look will reflect all the elements that made him famous. But there won’t be any Michael Jackson imitators, he promises.

Cirque’s Beatles show, “Love,” in Las Vegas continues to amaze and astound. It’s doing so well that I’ve heard the producers are planning a fifth anniversary extravaganza in Vegas next June. “Immortal” should follow in its footsteps.

Meantime, no word from Sony Music on the Jackson album of unreleased songs.

Here’s some more info:

http://www.digitaljournal.com/pr/152404

James Franco In the Re-Born “Bourne” Mix?

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Hmmm…Is director Tony Gilroy thinking of James Franco for the newly reborn “Bourne” movie he’s directing (and co-writing with brother Dan Gilroy)?

Tony, director of “Michael Clayton” and “Duplicity,” was being cagey last night at the premiere of Danny Boyle’s amazing and wonderful “127 Hours,” in which Franco gives a certain to be Oscar nominated performance. Gilroy–who said he loved “The King’s Speech,” which he’s recently seen– was thrilled to meet both Franco and Boyle. But when pressed about who might play Jason Bourne now that Matt Damon (and director Paul Greengrass) are out, Gilroy buttoned up fast.

“I can’t give away all my secrets!” he declared. Still, seeing Franco in “127 Hours” seemed to be his goal, and he was pretty impressed.

This much we know about the new “Bourne” movie: it is not a “Star Trek” type affair going back to the spy’s roots. It moves forward in time from the last Damon installment.

As for “127 Hours:” it’s filmmaking at its best, and quite a stunning achievement. A. R. Rahman‘s music reminded me a little of Eminem, and there’s a funny moment when the great novelty single “Ca Plane Pour Moi” is resurrected. Everything about “127 Hours” is cool on the surface and hot inside. Simon Beaufoy‘s beautifully wrought script has little dialogue. Franco magnificently conveys the real life saga of Aron Ralston. Even though there are several characters, “127 Hours” is essentially a one man show. This is a must see film when it opens on Friday.

At the premiere party at The Bunker–which Gucci threw, in the meatpacking district–it was quite a mix. Besides Gilroy and the movie’s actual principals, there was Franco’s grandmother, uncle, and cousin. They’re in town because their highly respected Cleveland, Ohio Verne Art Gallery is part of the IFPDA Print Fair opening tonight at the 67th St. Armory. There was also Matthew Settle, from “Gossip Girl,” super model and actress (and adorable) Agyness Deyn, and Klaus Biesenbach, the curator at large of the Museum of Modern Art.

Also: two of my favorite young actors who lit up “As the World Turns” the last couple of years before it ended its run: Ewa da Cruz and Billy Magnussen. Both of these kids should be doing big things in film soon!

Ian McKellen Still Has No Contract for “The Hobbit”

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Sir Ian McKellen, once and always Gandalf from “Lord of the Rings” hosted the annual Only Make Believe benefit last night at the Shubert Theater.

Later, at Sardi’s, he told me still has no contract for “The Hobbit.” The Peter Jackson directed movie should start sometime this winter.

“I haven’t heard anything,” he said, reiterating his situation from a month ago, when I ran into him in London. But: “Peter and I have been talking. And I know the picture has just been greenlit. So we’ll see.”

McKellen had bigger fish to fry last night, helping out old friend Dena Hammerstein as she raised money for this foundation. Only Make Believe brings theater to sick children all over the country. Last night, the casts of “Billy Elliot” and “Memphis” were among those who performed and helped raise funds.

At Sardi’s we also ran into Dena’s son, Simon, proprietor of the famed and risque New York nightclub, The Box. (Just to explain: Dena is the widow of James Hammerstein, youngest son of Oscar Hammerstein II, the famed Broadway composer.) It was a family affair: Simon even brought some of the folks from the Box, who were having a night off.

And Sardi’s? Still going strong after all these years. The place was packed, and tickets were not checked carefully. A couple of the usual Broadway crashers made it inside. And really, watching them, you wish Robert Altman were still alive. They are like extras from his movies, skulking around, grabbing food off trays. One of them even asked a waiter when dessert was being served. Hilarious!

Ian McKellen c2010 Ann Lawlor

Renee (Zellweger) and Bradley (Cooper) Join Up with Pacino, Keitel, Burstyn

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Harvey Keitel took his first audition with director Martin Scorsese too seriously. When Scorsese sent him to wait in a darkened room at New York University, Keitel wound up getting into a fight with a guy who was already there.

“We were using language I can’t use here,” a dapper Keitel told an invited group that included Renee Zellweger and Bradley Cooper, Steve Buscemi, and James Lipton last night at the Actors Studio. (See the end to find out where Renee was on Halloween.)

Things were getting pretty heated until Scorsese burst into the room. “Harvey! Stop! It’s an improv,” Scorsese said. Keitel replied, “Well then you should let the person in the improv know that!”

Keitel’s speech came in between ones delivered by no less than Al Pacino and Ellen Burstyn at a small gathering called at the Actors Studio to start a discussion about the famed theater center’s future.

A little of that future was represented by Cooper, an Actors Studio alum who brought not only girlfriend Renee, but his Philadelphia native parents. (And PS, you see where Brad gets his sense of humor. They were a stitch.)

The big treat of the night: seeing Martin Scorsese‘s one hour film about legendary and controversial director Elia Kazan, a founder of the Actor’s Studio with Lee Strasberg. Scorsese’s film is part documentary and part master class on Kazan’s films “America America,” “On the Waterfront,” and mostly, “East of Eden.” It’s passionate and fascinating, of course. And quite personal.

But wait, yes, there was Pacino, looking a lot like Shylock. Wild hair, wild eyes. “Are you coming to my opening?” he asked.  I answered in the affirmative. “Don’t tell me! I don’t want to know.” Ellen Barkin got a kick out of that. (She looks great. She’s the Benjamin Button of New York actors.)

When the small group, including James Lipton— whose “Inside the Actors Studio” made the place a household name–and former HBO chief Michael Fuchs, were all seated, Pacino took the stage. For a man who looks like he’s either just come from or is in a hurricane, Al spoke eloquently about the history of the Actors Studio. Ellen Burstyn spoke last, revealing that before Lipton’s TV show provided a steady stream of revenue for the Studio, Paul Newman’s salad dressing sales kept it alive for years and years.

“We own our building and we’re not in trouble,” said Burstyn. The Actors Studio will next form an advisory board to figure out ways to best maximize their assets.

PS Since you read this far, what did Renee Zellweger do over the weekend? She trick or treated on Sunday night her young nephew and niece. Nice. “I was aunt Renee, of course,” reported the Oscar winning star of “Cold Mountain.” It must have seemed like a trick but turned out to be a treat for the houses where she was recognized.

Jeff Bridges Will Record New Album with “Crazy Heart” Crew

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Jeff Bridges– you remember, he won the Oscar last March for playing country singer Bad Blake in “Crazy Heart”?

I know, it seems like a long time ago.

But you’ll be interested to know that Bridges is set to record an album of songs written by him and/or by Ryan Bingham, the singer songwriter who penned the hits from “Crazy Heart.”  T Bone Burnett, who produced the “Crazy Heart” music, will produce the tracks.

Bridges’ deal is with EMI/Blue Note Records, headed up by the valiant Ian Ralfini, one of the last great music men in the industry.

EMI is otherwise really a mystery at this point. Although Katy Perry has been a big seller for them, and the Beatles, of course, EMI/Capitol etc is suffering through the current trial that pits Guy Hands and his Terra Firma fund against Citigroup.

(I should say that Capitol Nashville is doing great with Lady Antebellum and Darius Rucker.)

When the trial is over, expect even more layoffs at the beleaguered company. I was surprised to learn that recently Jeanne Meyer, the long time head of corporate PR was gone.  Jeanne has gone out on her own, and will do spectacularly, I am sure. But she’s been the mainstay of EMI as far as I can recall.

One last thing: I was wondering what happened to Ryan Bingham. He won so many awards for “Crazy Heart,” you’d think he’d have exploded. Turns out he released an album in August on Lost Highway called “Junky Heart.” Some of the song titles were “Depression” “Yesterday’s Blues” and the title track. His group is called the Dead Horses. So now I know what happened: he could cheer up a bit, right?

Women on the Verge Musical: Something Stinks

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A musical adaptation of Pedro Almodovar’s great film, “Women on the Verge of a Nervous Breakdown,” opens this Thursday on Broadway.

The show has a lot of negative buzz. A blog in the New York Times (which helped itself to our “King’s Speech” scoop last week) noted that the opening number from the Second Act had recently been moved to the opening of the First Act.

Still: there’s bad a smell in the Belasco Theater, recently refurbished most beautifully.

The problem comes from a fire that’s started on stage. A real fire. As in the movie, the main character, Pepa, sets her bed ablaze. At the Saturday matinee, the fire was quite lively. And when it was put out, the white smoke it generated billowed up to a giant fan set way above the stage. Unfortunately, the odor from the smoke never subsides. Through the rest of the show, it smells like rubber and steel are burning. Even toward the end of the show, there’s a faint memory of the fire.

And the fan: during quiet scenes, you can hear it. Either that, or Madrid is just noisy 24/7.

“Women on the Verge” has a bunch of big Broadway stars: Patti LuPone, Brian Stokes Mitchell, Laura Benanti, and Sherie Rene Scott are mixed in with a pretty big cast. I kept wondering if they could smell what was going on. I guess we’ll find out later this week!

Paul Simon Announces New Album Title, Reviews Sondheim

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Paul Simon announced his new album in an unsual way this weekend: in his bio note from the New York Times Book Review. Simon reviewed Stephen Sondheim’s autobiography, called “Finishing the Hat,” on the front page of the Book Review. At the very end a little bit of news” his new album is called “So Beautiful or So What,” and it will be released in early 2011.

You may recall that last Simon told me he’d moved his entire solo catalog back to Columbia Records, away from Warner Music Group. It’s still unclear who’s releasing the new album. Anybody will be better than WMG which botched his last two releases, “Surprise” and “You’re the One.” The former should have been a hit, and remains a forgotten gem. Simon told me back in May that this new album, he thought, was his best work in 20 years. That’s saying a lot.

Meanwhile, he retells a good story in the Sondheim review about writing “Bridge Over Troubled Water.”

Simon deeply admires Sondheim’s song, “Maria,” from West Side Story. But he reports that Sondheim thought the song had a kind of “overall wetness” — “a wetness, I regret to say, which persists throughout all the romantic lyrics in the show.”

Simon observes:
“Sondheim’s rule, taught to him by his mentor, Oscar Hammerstein II, is that the book and composer are better served by lyrics that are “plainer and flatter.” It is the music that is meant to lift words to the level of poetry.

Sondheim’s regret about “Maria” reminded me of my own reluctance to add a third verse to “Bridge Over Troubled Water.” I thought of the song as a simple two-verse hymn, but our producer argued that the song wanted to be bigger and more dramatic. I reluctantly agreed and wrote the “Sail on silvergirl” verse there in the recording studio. I never felt it truly belonged. Audiences disagreed with both Sondheim and me. “Maria” is beloved, and “Sail on silvergirl” is the well-known and highly anticipated third verse of “Bridge.” Sometimes it’s good to be “wet.”