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Janet Jackson is “Unbreakable” but she will also be un-awardable. Interesting. Janet releases her new album “Unbreakable” on October 2nd. The deadline for Grammy eligibility is September 30th. So only Janet’s “No Sleeep” single will make the Grammy deadline.
Listen to her new track “Unbreakable”
So what’s going on here? For some reason, Janet and her team are opting out of the Grammys. I’m surprised. They had a good shot at Best R&B album nominations. My guess is they’ll go for a performance on the American Music Awards in November. That would preclude them from a Grammy performance anyway.
Missy Elliot (formerly Missy “Misdemeanor” Elliot), one of the coolest people in the world, is a guest star, as is the ubiquitous J Cole. The tracklisting is as follows:
Unbreakable
Burnitup! (Feat. Missy Elliott)
Dammn Baby
The Great Forever
Shoulda Known Better
After You Fall
Broken Hearts Heal
Night
No Sleeep (Feat. J Cole)
Dream Maker/ Euphoria
2 B Loved
Take Me Away
Promise
Lessons Learned
Black Eagle
Well Traveled
Gon B Alright
“Cocksucker Blues” is being shown at the Telluride Film Festival. Robert Frank’s 1972 film of the Rolling Stones back on tour after Altamont, with groupies, sex and hedonism, has mostly been unseen by the public. (I remember watching it in Marshall Chess’s apartment in the summer of 1981 on a Betamax machine. Hot stuff.)
Now, of course, it will seem tame after the internet and Cinemax.
The Stones still don’t want it seen, as the drug use is still pretty shocking. Mick snorts coke, a groupie injects heroin. It’s fun for the whole family !
“Cocksucker Blues” was last shown as part of a Rolling Stones film retrospective at MoMA in 2012. But under a court order, it’s not allowed to be shown more than four times a year, and Frank has to be present. That may be tough since he’s 90 and lives in Switzerland. But hey, you never know…
The rest of Telluride as follows:
· CAROL (d. Todd Haynes, U.S., 2015)
· AMAZING GRACE (d. Sydney Pollack, U.S., 1972/2015)
· ANOMALISA (d. Charlie Kaufman, U.S., 2015)
· BEAST OF NO NATION (d. Cary Fukunaga, U.S., 2015)
· HE NAMED ME MALALA (d. Davis Guggenheim, U.S., 2015)
· STEVE JOBS (d. Danny Boyle, U.S., 2015)
· IXCANUL (d. Jayro Bustamante, Guatemala, 2015)
· BITTER LAKE (d. Adam Curtis, U.K., 2015)
· ROOM (d. Lenny Abrahamson, England, 2015)
· BLACK MASS (d. Scott Cooper, U.S., 2015)
· SUFFRAGETTE (d. Sarah Gavron, U.K., 2015)
· SPOTLIGHT (d. Tom McCarthy, U.S., 2015)
· RAMS (d. Grímur Hákonarson, Iceland, 2015)
· MOM AND ME (d. Ken Wardrop, Ireland, 2015)
· VIVA (d. Paddy Breathnach, Ireland, 2015)
· TAJ MAJAL (d. Nicolas Saada, France-India, 2015)
· SITI (d. Eddie Cahyono, Indonesia, 2015)
· HEART OF THE DOG (d. Laurie Anderson, U.S. 2014)
· 45 YEARS (d. Andrew Haigh, England, 2015)
· SON OF SAUL (d. Lázló Nemes, Hungary, 2015)
· ONLY THE DEAD (d. Michael Ware, Bill Guttentag, U.S.- Australia, 2015)
· TAXI (d. Jafar Panahi, Iran, 2015)
· HITCHCOCK/TRUFFAUT (d. Kent Jones, U.S., 2015)
· TIME TO CHOOSE (d. Charles Ferguson, U.S., 2015)
· MARGUERITE (d. Xavier Giannoli, France, 2015)
· TIKKUN (d. Avishai Sivan, Israel, 2015)
· WINTER ON FIRE: UKRAINE’S FIGHT FOR FREEDOM (d. Evgeny Afineevsky, Russia-Ukraine, 2015)
Additional Sneak Previews may play outside the main program and will be announced through the Telluride Film Festival website over the course of the four-day weekend. Visit the TFF website for updates: www.telluridefilmfestival.org.
The 2015 Silver MedallionAwards, given to recognize an artist’s significant contribution to the world of cinema, go to filmmaker Danny Boyle (TRAINSPOTTING, SLUMDOG MILLIONAIRE) who will present his latest film, STEVE JOBS; documentary filmmaker Adam Curtis (THE POWER OF NIGHTMARES) who will present his latest work, BITTER LAKE; and actress Rooney Mara (THE GIRL WITH THE DRAGON TATTOO) who will present CAROL. Films will be shown following the on-stage interview and medallion presentation.
“We are thrilled to present such an exhilarating, diverse program for the 42nd Telluride Film Festival,” said executive director Julie Huntsinger. “This year was an abundance of riches, particularly within the documentary category, and we feel privileged to celebrate these films and their artists with our audience in one of the most beautiful locations in the world.”
Guest Director Rachel Kushner, who serves as a key collaborator in the Festival’s program, presents the following revival programs:
· THE MOTHER AND THE WHORE (d. Jean Eustache, France, 1973)
· MES PETITES AMOUREUSES (d. Jean Eustache, France, 1974)
· WAKE IN FRIGHT (d. Ted Kotcheff, Australia, 1971)
· COCKSUCKER BLUES (d. Robert Frank, U.S., 1979)
· A DAY IN THE COUNTRY (d. Jean Renoir, France, 1936) + UNCLE YANCO (d. Agnès Varda, France, 1967)
· THE MATTEI AFFAIR (d. Francesco Rosi, Italy, 1972)
Additional film revival programs include DIE NIBELUNGEN (d. Fritz Lang, Germany, 1924) presented by Pordenone Silent Film Festival; L’INHUMAINE (d. Marcel L’Herbier, France, 1924) with the Alloy Orchestra; RETOUR DE FLAMME, a collection of short films curated by Serge Bromberg; and RESTORING NAPOLEON with Georges Mourier who is currently overseeing the six-and-half-hour restoration of the film for Cinémathèque Francaise.
Backlot, Telluride’s intimate screening room featuring behind-the-scenes movies and portraits of artists, musicians and filmmakers, will screen the following nine programs:
· CINEMA: A PUBLIC AFFAIR (d. Tatiana Brandrup, Russia, 2015)
· THE CENTURY OF THE SELF (d. Adam Curtis, U.K., 2002)
· INGRID BERGMAN – IN HER OWN WORDS (d. Stig Björkman, Sweden, 2015)
· IN THE SHADOW OF THE GREAT OAKS (d. George Mourier, France, 2005)
· PEGGY GUGGENHEIM: ART ADDICT (d. Lisa Immordino Vreeland, U.S., 2015)
· SEMBENE! (d. Samba Gadjigo, Jason Silverman, U.S.-Senegal, 2015)
· DREAMING AGAINST THE WORLD (d. Tim Sternberg, Francisco Bello, U.S., 2015) + TYRUS (Pamela Tom, U.S., 2015)
Is Madonna having trouble selling concert tickets for the “Rebel Heart” tour? Not exactly. The tickets were sold, to re-sellers. And now the re-sellers are having trouble scalping the tickets to actual customers.
Madonna and Live Nation have made their money. But scalpers, er, “secondary ticket sellers” as they are now politely called, have huge inventories. The main focus is on two shows this month at Madison Square Garden and one at the Barclay’s Center in Brooklyn.
Checking StubHub and Mark’s Tickets, the number of seats is huge. Prices can be very high to sit right up front. But for a decent seat at any Madonna show, a die hard fan can do very well spending around $300. In Brooklyn bring binoculars: $200 will get you anything in the top tier. That’s $300 less than I paid to see the Rolling Stones there a couple of years ago.
The interactive map at MarksTickets.com show tickets at the Garden in every section at price levels akin to Broadway shows. And certainly, Madonna’s shows are stage spectaculars. Also, it’s noted that the actual stage in all locales is built with a runway that stretches the length of the venue– so even sitting far from the main stage isn’t so bad.
Meanwhile, Craigslist is filled with ads from regular people, as well as scalpers. Some “suddenly” can’t go to the show. But I suspect many, like George Costanza on “Seinfeld,” thought they’d flip a few seats at a profit. Now they’re offering what they bought at cost, or less. It’s worth checking.
All of this has nothing to do with Madonna or Live Nation, PS. Like I said, they made their money. The secondary market is a speculator’s game, a gamble that demand will outstrip supply.
PS If you bought a regular ticket to the tour, you were automatically offered a digital download of the album “Rebel; Heart” for free. But if scalpers bought up most of the tickets, that would also explain why few downloads occurred when the album, when it was released, bombed. You just can’t win these days.
Remember Cockroach, Theo’s pal from “The Cosby Show”? Well, he’s been tapped by Lee Daniels’ casting director sister to host weekly streaming “Empire” parties. Carl Payne, who is also the stepfather to Bobby Brown’s oldest son, will anchor the events. Leah Daniels Butler is also looking for on air correspondents to help Payne report in from various cities. I guess the idea is to make watching “Empire” a total social networking event.
Here’s the notice from “Empire” land:
“Empire Wednesday” is seeking on-air correspondents to host an 18 week live stream event from the weekly “Empire” viewing parties held in cities nationally; created by Henry Butler and hosted by Leah Daniels Butler and Shawn Holiday; Empire Wednesdays began as weekly viewing parties in Los Angeles and Chicago for season one of the #1 television show “Empire”. Expanding the brand for season two, Empire Wednesday will now be held in multiple markets (see below) nationally and linked together via a live stream from each city. Joining the team for season two, actor Carl Payne will anchor the live stream event.
So far “Empire Wednesday” will emanate from Atlanta, Charlotte, Chicago, Dallas, Des Moines, Detroit, Houston, Las Vegas, Los Angeles, New York, Oakland, Philadelphia, Seattle, St. Louis and Washington D.C.
What to do? Post a recent .30 second video on YouTube, email a link of the video to EmpireWednesdayCasting@gmail.com. Be sure to tag #EmpireWednesday in your YouTube video and then share it on Facebook and tag “Empire Wednesdays” – with an S. Encourage your friends and followers to view, like, post and re-post your submission.
Cate Blanchett is going to play Lucille Ball in a feature film written for the screen by Aaron Sorkin. (Maybe with help from Paul Rudnick.) Jeff Sneider broke the story and everyone’s picked it up. No director has been named yet.
In the past, Lucy’s been portrayed on TV beautifully by Frances Fisher. A lot of people thought Debra Messing would get the job one day– including Lucy’s daughter Lucie Arnaz, who wanted her. Australian two time Oscar winner Blanchett can do anything, so this should be good– she will really get the pre-“I Love Lucy” Lucy who was a wise cracking ingenue in movies before becoming the First Lady of TV.
But who should play Ricky, Ethel, and Fred — Desi Arnaz, Vivian Vance, and William Frawley? Not to mention Mrs. Trumbull?
I always thought Andy Garcia should play Desi, but he may be too old now. (Andy is actually 59. Time flies! He looks like he’s 35.) Whoever plays Desi had better be a damn good singer and musician. Bruno Mars is too young and too short. And the actor should really be Latino.
As for Fred and Ethel– Melissa McCarthy and Zack Galifinakis come to mind. Don’t take either Vance or Frawley for granted. They were geniuses.
Lucie Arnaz and her brother Desi Arnaz Jr. are producing, and they will be characters, too. As for Mrs. Trumbull, Caroline Appleby, and Betty Ramsey– I hope we see the minor players too. “I Love Lucy” is the template for all TV comedy right up through now. Those five writers– Bob Carroll Jr., Madelyn Davis, Jess Oppenheimer, Bob Schiller and Bob Weiskopf– really deserve some special group award.
EXCLUSIVE Get ready: TV’s biggest current phenomenon is about to get the royal treatment. “Empire,” Lee Daniels and Danny Strong’s hot as a pistol series about the music world, is coming to Carnegie Hall. I’m told that Fox will launch the new season with an all star screening and a huge party at the famed Hall on Saturday, September 12th.
They’re going to screen the first new episode in the hallowed, historic main theater. Then the guests– which will include Terrence Howard, Taraji P. Henson, and loads of this season’s guest stars like Mariah Carey and Marisa Tomei– will take over the event spaces on the upper floors. That includes the new Carnegie Hall roof space. The first new episode of “Empire” airs on September 23rd, three days after the Emmy Awards.
And PS don’t worry– there will be plenty of Terrence Howard’s Luscious this season. It’s his “Empire”!
If you don’t know this already, Ashford and Simpson’s Sugar Bar on West 72nd St. is the place to hear great live music.
Last night, superstar guitarist Felicia Collins of Paul Shaffer’s Letterman band fame played a blistering set of blues numbers, some she wrote, and one new one– a collaboration with Valerie Simpson. You know Val and late husband Nik Ashford wrote all the great Motown hits like “Ain’t Nothing Like the Real Thing” and “Ain’t No Mountain High Enough” as well as “Solid (as a Rock)” and so many more!
Turns out Felicia cannot only play the guitar but she can saing, as Rufus Thomas would say. She and Val debuted “Code Blue,” the first real song Simpson has attempted since her collaborator and life partner/husband Nik passed away two years ago.
It’s a hit, don’t cha know. (Keep refreshing as I try to embed a clip)
Felicia has a mini album out you can get on her website.
Here’s a taste that I found on You Tube:
Felicia and her band come back to the Sugar Bar in December. In the meantime, I hope she tours. And I thank them all, including the great Tee Austin, for letting me hear some real music. It wiped clean that mess from Sunday night on MTV. Those kids should trying listening…’cause ain’t nothing like the real thing.
Oh and thanks Felicia’s mom. She missed “Code Blue” the first time they did it, so they had to do it again!
The ratings for the MTV Video Music Awards on Sunday were dismal. Down 38& from last year if you were watching the actual MTV channel.
However, all totaled from all MTV platforms, they were up 10%. But that’s a stat only MTV can use for spin. The reality is, millions didn’t return from last year. And millions had already left from the year before.
Drawn conclusions? The current crop of pop pap isn’t as appealing to the fans as it is to the tabloids and paparazzi. This is borne out in sales of records– they are nil. All the hype and costumes and four letter words and drug references are a turn off.
The reality is — the music is bad and all sounds the same. The videos are self-referential tributes to celebrity kids spending lots of money with nothing to show for it. Miley Cyrus looked like Cher acting like Lady Gaga. And apparently her constant references to weed and smoking marijuana were cool just to her.
I watched the whole show. My take away was that Taylor Swift won a lot of awards, and has great legs. Only Tori Kelly seemed like she took the music seriously. I’d like to see more of her.
As far as Justin Bieber crying, please. Grow up already.
Eddie Redmayne is on a roll. He won the Oscar last winter for playing Stephen Hawking in “The Theory of Everything.”
Now comes the trailer for “The Danish Girl,” directed by Tom Hooper, director of “The King’s Speech” and “Les Miserables.” Eddie will be nominated again for playing transgender. He could win again. On top of that, as a woman he bares a great resemblance to Jessica Chastain.
Hollywood is impressionable. The year of Caitlyn Jenner is upon us. You can already hear the words “brave” and “courageous” in the ad quotes. The trailer looks amazing. Alicia Vikander is a shoo in for something, lots of something. She’s luminous.
“The Danish Girl” will top off Universal Pictures’ record setting year at the box office.
One Direction, thank your marketing team. “Drag Me Down” has had 533,000 digital sales in its first four weeks according to Nielsen. That’s more than their biggest hits “What Makes You Beautiful” (337,000 in first four weeks) and “Story of My Life” (429,000 in first four weeks).
Even though the single is down to number 17 on iTunes, “Drag Me Down” had its biggest sales just in the last week. This coincides with the rampant rumor and news that they would break up or take a break, and the release of a video that’s now had 38 million views.
Prior to all that publicity “Drag Me Down” was kind of a non starter. Maybe now the group will be more energized about their fifth album.