Tuesday, May 19, 2026

Clint Eastwood’s “The Mule” Makes $17.2 Mil Without Much Promotion– Will Academy Reward Him with Nominations?

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Clint Eastwood’s “The Mule” made $17.2 million over the weekend with almost no promotion. Will the Academy reward him with nominations? Let’s hope so.

“The Mule” deserves nominations for Best Actor, Picture, Director, Supporting Actress (Dianne Wiest), and Screenplay– at the very least. But Eastwood missed all the early awards groups by turning in his movie at the last minute. So it has no awards momentum. There’s a list of films to choose from, and that’s what’s going on now.

But “The Mule” not only has generated very good reviews, it’s now made money. It did better than its multiple, meaning word of mouth grew after Friday’s opening at $5.7 million. Indeed, the $17.2 million estimate may be low– it could be a total of $18 million when Sunday is fully adjusted.

Clint’s performance alone is worth the price of admission to “The Mule.” He is one sly fox. He’s very funny, self-effacing, and a little meta. But the underpinning of the movie is the sorrow his Earl carries for never being able to live up to his family’s needs. And that sorrow is beautifully expressed in Wiest, who has a scene toward the end that is heartbreaking. I hope the members of the Academy really see this film before Ballots go out in mid January.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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