Saturday, July 18, 2026

Justin Bieber Sells 620K “Purpose” with Cab Rides, Bundles; Adele Is One Third of Top 30

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The cabs rides on Lyft and the concert bundles worked: Justin Bieber sold 620,000 copies of “Purpose” last week and finished at number 1. Of the total 116K were streams. He should buy a canoe.

One Direction didn’t do too badly either: with little promotion they sold 470,000 total. Only about 50,000 were streams.

Bieber’s fans certainly hit the stream button enough times. Did they take get a lot of free cab rides from Lyft? We’ll have to ask. Many of them are too young to drive, so maybe it worked.

Both Bieber and 1D were knocked off their perches last night by Adele. All of the tracks from her “25” album are selling individually enough that they occupy a third of singles on iTunes in the top 30 right now. The album is number 1.

Bieber’s label, DefJam, run by the gregarious and popular Steve Bartels, had three of the top four selling albums last week, and one more at number 10. DefJam also figures into the soon to be released Rihanna album “Anti,” which looks like it will go through Samsung and maybe stay off charts a la Jay Z’s last record, “Holy Grail.” Rihanna’s record is coming in December, hoping to penetrate Adele’s fortress at number 1. Good luck with that.

 

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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