Thursday, July 16, 2026

Janet Jackson: The Sales Numbers, and Why They Don’t Matter

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I had a lot of static over my Janet Jackson story this week. Her single, “No Sleeep,” isn’t selling and is getting so so radio play. I said it, and everyone went crazy. But her situation is no different than that of every artist over 40 or who’s associated with the 1990s. That’s the way it is. Generations change. Even Bruce Springsteen can’t get his new tracks played on rock stations. They just want “Born to Run.”

So far, according to Nielsen Sound Connect, “No Sleeep” has sold 59,000 copies — that’s paid downloads. When you factor in paid streams, the number is 76,000. This is the equivalent of nada. Here, from Hitsdaildouble, are the sales figures for the top 10 last week:

Selena Gomez f/A$AP Rocky, “Good for You” – 179k
OMI, “Cheerleader” – 175k
Taylor Swift f/Kendrick Lamar, “Bad Blood” – 147k
Rachel Platten, “Fight Song” – 136k
The Weeknd, “Can’t Feel My Face” – 116k
Andy Grammer, “Honey I’m Good” – 101k
Wiz Khalifa f/Charlie Pluth, “See You Again” – 98k
Silento, “Watch Me” – 97k
Walk the Moon, “Shut Up + Dance” – 92k
Major Lazer f/MØ & DJ Snake, “Lean On” – 84k

You get the picture. “No Sleep” does have well over 2 million views on YouTube. But that’s all free. No one is paid. No one paid for it. So yes, Janet is popular, but hopefully that translates into ticket sales at concerts. The single is a loss leader. There may be a break out track on the new album that does better.

As for radio play, “No Sleeep” appears on only one chart– Urban AC. That’s like R&B soft rock. It’s a niche. She’s not on any mainstream cross over chart.

This is not BMG’s fault, or Janet’s. It’s just the business. It’s just Chinatown. And the numbers don’t matter. It’s all about her tour.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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