Thursday, July 9, 2026

Dustin Hoffman’s “Boychoir” Quietly Dumped: Hollywood Is No Country for Old Men

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Hollywood is certainly no country for old men. Al Pacino can tell you. The Oscar and Tony winner, a legend, has seen one good film, “The Humbling,” turned to pulp by its distributor instead of getting a real release. His current film, “Danny Collins,” is getting a slightly better launch, but just slightly. So far “Danny Collins” is only available in a few places.

Now comes “Boychoir.” Double Oscar winner Dustin Hoffman stars in what should have been a big holiday release. The movie debuted in Toronto, and someone should have sent it out for Christmas release. Instead “Boychoir” has quietly died. This weekend it’s playing in an off run theater in Greenwich Village and a couple of houses in Montreal.

In other words, “Boychoir” is DOA. It may also be VOD. And soon DVR. Maybe HBO. Who knows?

It’s not like “Boychoir” was bad or unwatchable. Quite the contrary. It’s a little like “Mr. Holland’s Opus” and “Dead Poet Society,” two movies that if they were released in 2015 might have the same fate. It’s directed by Oscar winner François Girard (“The Red Violin”). A smart marketing campaign could have really caught on. But I’m afraid that effort was not made. It’s too bad. “Boychoir” was a good family film, and something for adults. But there were no car crashes, no special effects and no good cursing or sexual violence.

Too bad.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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