Saturday, June 20, 2026

Michael Jackson Saga Gets Famed Film Name in Mix

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We can add one more name to the never ending saga of Michael Jackson, and it’s a famous Hollywood moniker: Wolper.

It turns out that in his quest to monetize his purchase of all that Jackson memorabilia, Toronto online entrepreneur Howard Mann has enlisted Mark and Michael Wolper, the sons of famed television and movie producer David Wolper.

Even though no deal has been struck officially, Michael Wolper told me yesterday that he and his brother are exploring ways to help Mann use the rights he think he’s gained through the purchase of a warehouse of Jackson family possessions. Mann is certain that he now has various rights because he possesses documents, recordings, and videos.

Mann, however, may be in for some fight from Michael Jackson’s estate. It’s more than likely that Jackson’s executors will counter that they control his likeness and image.

Nevertheless, Michael Wolper says the main ideas being discussed right now are Michael Jackson and Jackson family biopics.

In case you don’t know, David Wolper, now 82, is a titan in TV, especially. His credits include “Roots,” “The Thorn Birds,” and “North and South.” He won the honorary Oscar, the Jean Hersholt Humanitarian Award, from the Academy in 1985.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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