Tuesday, June 2, 2026

“Transformers” Makes $100 Mil in 3 Days, Sets Record for Fun, Mindless Entertainment

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The economy is supposed to be bad, right? You hear that a few times a day. But some group of people spent $100 million this weekend on tickets for “Transformers: Age of Extinction.” One hundred million dollars in three days! It’s a record, and the highest opening this year.

Consider that recent Best Picture winners “The Hurt Locker” and “The Artist” earned $17 million and $44 million total, respectively. “Transformers: Act of Sedition” also has made $201 million internationally. Stanley Tucci co-stars in “Transformers: Art of Seduction.” His beloved indie film “Big Night” made $12 million in 1996 (around $17 mil adjusted for inflation).

Maybe this is why Shia LaBeouf had a meltdown on Friday night that ended in his arrest. After appearing in three “Transformer” movies, he wasn’t invited back for number 4.

“Transformers: Ate My Homework” was sorely needed for the Summer 2014 box office. This year is running slightly behind last year. “T4” will catch us up. The next blockbuster doesn’t come until July 11th with “Dawn of the Planet of the Apes.”

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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