Thursday, May 21, 2026

Oscars: Can Ben Affleck Win on A Write in Vote for Best Director? (Not Really)

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UPDATE It’s been suggested before, but I am hearing it more and more: Academy voters with paper ballots may be writing in Ben Affleck’s name as Best Director. It’s a crazy scenario already. “Argo” is a favorite for Best Picture. But its director, Ben Affleck, isn’t on the ballot. Neither, of course, is Kathryn Bigelow, Quentin Tarantino, or Tom Hooper for their Best Picture nominated films. This may have something to do with the electronic voting in the first round this year. Now many who didn’t want to deal with computers have switched back to a paper ballot. And one way to cure the Affleck dilemma is just to write his name in.

One problem: write in votes have been banned since 1936. So don’t throw away your Best Director vote.

This has been an odd season for Oscar voting, something we’ll get into when it’s all over. I watched both “Argo” and “Lincoln” on the plane back to New York the night before last. “Argo” is superb filmmaking. It’s an exciting film. And boy, that last twenty minutes or so — the whole sequence of getting the six Embassy workers out– is exciting. The cutting back and forth to the film lot in Hollywood, the phone ringing and no one there to pick it up–it’s great.

And still, watching “Lincoln” again is very instructive. I love that movie. And not just the main players, who are all very good. But the levels and levels of casting, from Hal Holbrook and James Spader to Michael Stuhlbarg and Walt Goggins. Even the little subplot going on between Sally Field and Gloria Reuben makes you take notice of them. “Lincoln” really boasts a rich array of performances, and a screenplay by Tony Kushner that just gets better and better.

Still, I come back to “Silver Linings Playbook.” The script is very subtly constructed, which is why it just won the BAFTA award. And the interplay between Jennifer Lawrence and Robert DeNiro in the key scene–in which Tiffany enumerates her relationship to the Eagles winning and losing–should win each of those actors Oscars. It’s absolutely a classic.

What a year for films–the best I think in more than a dozen years. Oscar ballots are due back to the Academy next Tuesday, February 19th.

 

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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