Wednesday, May 20, 2026

“F1” Race Car Movie Crashes and Burns with $7 Mil Thursday, Looking at $40-$50 Mil Weekend with $200 Mil Budget

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Sad to say, I told you so.

“F1” is a dud. The race car movie starring Brad Pitt is looking at a $40-$50 Mil weekend.

Last night’s previews brought in just $7 million. Add that to earlier screenings, and “F1” has $10 million in the bank.

That’s a crash and burn for a $200 million movie.

For Apple, it’s fine. It’s their biggest opening, and that’s the way they’re trumpeting such dismal box office.

But something went wrong here. “F1” should have been more in the $7 million opening bracket.

Reviews are good — a B+ — and the racing is supposedly off the charts.

The film’s pedigree includes “Top Gun Maverick” producer Jerry Bruckheimer and director Joseph Kosinski.

Brad Pitt is a Movie Star.

But the movie seems to be about racing, not people. There’s no emotional pull. And that’s what’s holding it back.

What can save “F1”? International audiences. The worldwide release hasn’t happened yet. Those numbers should be high — higher than the US. We’ll wait and see.

Apple’s chief problem? A chunk of potential audience will wait for it on Apple TV. Streaming is Hollywood’s enemy no matter what anyone says.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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