Thursday, June 18, 2026

“Wicked” Best Picture from National Board of Review, Fan Group Leans on Fave Studios As Usual, No Netflix

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The National Bored of Review. They are predictable.

The NBR is a fan group whose members pay big annual fees and also pay to be at their annual dinner.

They chose Universal’s “Wicked” as Best Picture. They ignored “The Brutalist,” which just won Best Picture from the NY Film Critics Circle. They also completely snubbed “Dune Part Two.”

Their 10 other Best Films include Clint Eastwood’s “Juror Number 2,” which was dumped by Warner Bros and never got a proper release. The NBR’s 501 c3 loves Eastwood and has been underwriting his archives at Wesleyan University for years.

The 10 Best films include: Anora, Babygirl, A Complete Unknown, Conclave,
Furiosa: A Mad Max Saga, Gladiator II, Juror #2, Queer, A Real Pain, Sing Sing.

A24 got three Best Picture nods: Babygirl, Sing Sing, and Queer are each from A24 Films. This is no surprise since an exec from that studio has been on the NBR board of directors for years. Nicole Kidman and Daniel Craig, stars of those respective films, are Best Actress and Actor.

“The Brutalist” is also an A24 film, but I guess Annie Schulhof really didn’t like it. But A24 also got mentions for “A Different Man” and “Love Lies Bleeding” on the NBR’s Top 10 Indie Films list.

The National Board of Review is a joke. I’ve written about it for years. Like the Hollywood Foreign Press Association their choices are based purely on their own needs. But people eat this stuff up, and the studios love the attention for their films.

The NBR is really leaning on Universal Pictures. They also gave an extra award to “Wicked,” included “Conclave” as their Best Ensemble.

Best documentary went to pro-Palestinian “No Other Land.”

Completely wiped out: Netflix’s big three movies “Maria,” “Emilia Perez,” and “The Piano Lesson.” I guess Netflix finally stopped entertaining the NBR.

Best Film: Wicked

Best Director: Jon M. Chu, Wicked

Best Actor: Daniel Craig, Queer

Best Actress: Nicole Kidman, Babygirl

Best Supporting Actor: Kieran Culkin, A Real Pain

Best Supporting Actress: Elle Fanning, A Complete Unknown

Best Ensemble: Conclave

Breakthrough Performance: Mikey Madison, Anora

Best Directorial Debut: India Donaldson, Good One

Best Original Screenplay: Mike Leigh, Hard Truths

Best Adapted Screenplay:

Clint Bentley & Greg Kwedar, Sing Sing

NBR Spotlight Award: Creative Collaboration of Cynthia Erivo & Ariana Grande

NBR Freedom of Expression Award: No Other Land

Best Animated Feature: Flow

Best International Film: The Seed of the Sacred Fig

Best Documentary: Sugarcane

Outstanding Achievement in Cinematography: Jarin Blaschke, Nosferatu

Outstanding Achievement in Stunt Artistry: Furiosa: A Mad Max Saga

Top Films (in alphabetical order):
Anora
Babygirl
A Complete Unknown
Conclave

Furiosa: A Mad Max Saga
Gladiator II
Juror #2
Queer
A Real Pain
Sing Sing

Top 5 International Films (in alphabetical order):
All We Imagine As Light
The Girl with the Needle
I’m Still Here
Santosh

Universal Language

Top 5 Documentaries (in alphabetical order):
Black Box Diaries
Dahomey
Look Into My Eyes
Super/Man: The Christopher Reeve Story
Will & Harper

Top 10 Independent Films (in alphabetical order):
Bird
A Different Man

Dìdi
Ghostlight
Good One
Hard Truths
His Three Daughters
Love Lies Bleeding
My Old Ass
Thelma

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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