Saturday, May 30, 2026

Box Office: New “Alien” Scores $41 Mil Weekend, “Deadpool” Beats Dropping “It Ends With Us”

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The great non story of Ryan Reynolds vs. wife Blake Lively at the box office has taken its expected turn.

“Deadpool and Wolverine” turned out to be a more compelling couple than the domestic partners in “It Ends with Us.”

The former movie regained its footing and $29 million over the weekend. The domestic total stands at $545.8 million.

The latter offering made a decent $24 million, and has banked $97 million.

But “D&W” only fell 46% from last weekend. “Ends” is down 52%. While it will hit the $100 million mark on Monday, we’ve reached the point of diminishing returns. There are no Easter eggs in “Ends,” an no post-credit scene. The trail off has begun.

Meantime, “Alien Romulus” finished at number 1 with $41 million. God bless.

The box office is otherwise as empty as Trump’s rapidly balding crowds.

Next up is “Beetlejuice Beetlejuice,” about which I’m hearing mixed things. I was so psyched over for it, and still am. But Winona Ryder and Michael Keaton don’t seem to be doing advance press, for myriad reasons. They may know something we don’t.

To be continued…

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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