Sunday, June 14, 2026

“American Idol” Accused of Lowballing Famed 70s Songwriter for Use of Beloved Hit Song

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Stephen Bishop had a lot of hits in the 70s and 80s, and has composed some famous movie music as well. Art Garfunkel recorded many of his songs, and Phoebe Snow named an album after his “Never Letting Go.”

Bishop’s biggest hit was “On and On,” a record that goes on and on for radio. You can hear it all the time on soft rock stations and on Sirius.

Apparently, “American Idol” didn’t get that message. Bishop’s very astute wife and manager, Liz Kamlet, revealed in a recent post how much she was offered by the competition show to use “On and On” for their singers this season.

The number is shocking. Just $500! And that’s for all rights. A more usual offer would start at $10,000. Kamlet’s humorously asks an off camera Bishop is his answer. It’s a definite “No!

“On and On” spent 2 weeks in the Hot 100 back in 1977 and was a gold single (500,000) copies sold. This was before SoundScan. Since 1993, “On and On” has been a best seller among downloads. More recently, it streams like crazy since being included as a touchstone of “Yacht Rock.”

Is this what “Idol” pays for all of its songs? Or do they just lowball for older songs? The whole disrespect for musicians and composers just goes on and on!

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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