Sunday, July 5, 2026

Reality Bites: Telluride Film Festival Cancels Annual Gathering for 1st Time Ever, Will Other Festivals Follow?

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The Telluride Film Festival has thrown in the towel, sorry to say. They’ve cancelled the 2020 edition for the first time ever since their founding in 1974.

The town’s school board wouldn’t let them use their buildings. The town didn’t want it, either. And plus, no one was going to go there, through two airports each way, mingle in crowds with masks and so on. Until there’s a vaccine this won’t be happening.

Will the other festivals follow this decision? Toronto? Sundance (that one looks doubtful). The New York Film Festival? I think this year is a scratch. Plus, with release dates moving toward December and January, studios are not going to show their films this early.

Maybe we can all learn Latin, or how to build a computer. It’s frustrating, I know. And the Telluride economy will miss the moolah.

Here’s the statement:

After months of intense due diligence around physically holding an event, we’ve come to the heartbreaking but unanimous conclusion to cancel this year’s Labor Day celebration of film in Telluride.

While there will be those who might say they’re not surprised by it, that this was inevitable, we beg to differ. It didn’t have to be this way. Until the past week or so, we had a very good plan to put on the SHOW safely. But with a seemingly unending number of new cases of Covid-19 and the national chaos around it, even the best strategy is threatened by this out of control environment. No matter how much many of us wear our masks and observe social distancing protocols, the pandemic has worsened rather than improved and the health and safety of you – our passholders, filmmakers, the people of Telluride and its surrounding areas – cannot be compromised.

As you may know, we have been working cooperatively with our fellow fall film festival partners to champion global cinema and its artists. We hope that many of you will seek out and discover the titles we’ve selected for this year’s program at the New York Film Festival, Toronto International Film Festival, or Venice Film Festival, or when they’re made available on a wider basis. We will announce soon what we have carefully programmed in the hopes that you will experience as we did, the best in film this year. There are some incredible, powerful, and beautiful gems and we’re excited to extol their virtues when the time is right. Follow these titles, support them. We intend to champion them outside of the festival as best we can.

For those who have supported us and believe in what we are trying to do, our gratitude is enormous. Thank
you. We will need you in the coming months in many ways. Let’s light candles now to conjure a better 2021 and Labor Day weekend in Telluride, together, under the stars in the mountains doing what many of us love the most. The way we prefer to experience cinema will return. Let’s make it so.

We wish you good health, peace and may we collectively move forward to a better world.

We understand that film festivals and their long-term health are not top of mind today. A safe vaccine, vital medical interventions for those sick and properly enforced health regulations are. However, we do ask that you take this moment to consider a world where gathering around a shared love of culture is no longer possible and what that means for the psychological condition of the world. If the prospect prompts a sense of despair, please advocate and champion the return of our gatherings that provide vital nourishment and oxygen to humanity’s soul, at the appropriate time, of course!

We will follow up with information and options regarding passes in a separate email.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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