Friday, July 17, 2026

Unbreakable: Janet Jackson Album Debuts at Number 1 on iTunes, Number 2 on Amazon

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Janet Jackson, welcome back. Her “Unnbreakable” album debuted today at number 1 on iTunes and number 2 on amazon.com.

This is a HUGE comeback for the youngest Jackson sister. Her last couple of albums over at Universal Music were duds. She was written off, and then took off. She got married and took a breather.

But now Janet is on tour, selling tickets. And her album is getting rave reviews. It totally backs up the tour. The single “No Sleeep” had a rocky start. But it’s been number 1 on the Billboard Adult R&B chart longer than any other single.

This is thanks to Janet’s management team, including Phil Quartararo, working “No Sleeep” at radio like crazy.

A new single, “Burnitup,” with Missy Elliot, is out now. But “Unbreakable”– produced by Jimmy Jam Harris and Terry Lewis– has a lot of potential hits.

Who looks good today? BMG Music’s Jon Cohen and his team. They licensed the album and went into business with Janet. Now every legacy star will want that deal. Cohen et al should get Gladys Knight and her team right away. Gladys’s single “Just a Little” is perfect for them.

So good news. Even if “Unbreakable” has a short run at number 1, it’s there. That’s all that matters.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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