Thursday, December 18, 2025
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Ratings: “Billions” Returns to Showtime with No Promotion and No Viewers, Drops 73%

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It’s a good thing my favorite show, “Billions,” was already renewed for a sixth season.

When the fifth season returned on Sunday after an 18 month pandemic break, ratings dropped 73% in total viewers and 80% in the key age demo. Is it possible only 192,000 people tuned in on Sunday?

On June 14, 2020, “Billions” had crested to a high on Showtime of 660,000 viewers. The show was killing it. Everything looked promising. But the pandemic hit, shooting stopped, and everyone went home.

During the time off, we missed Chuck and Axe and Taylor and Wendy and all of them. Paul Giamatti, who plays Chuck, dropped a ton of weight and shaved his beard. When he came back on our screens Sunday, he looked terrific. But bad things happened, too. Damian Lewis’s beloved wife, the talented actress Helen McCrory, died from cancer.

The first two new episodes of season 5 pick up where the season stopped in June 2020. The show is just as deliciously acted, written, and directed as ever. I like to say it’s the thinking man’s “Dallas.” “Billions” is a smart soap opera, and definitely as good as “Succession” on HBO. It just doesn’t have the hype machine.

This blow out ratings drop on Sunday  is thanks to Showtime getting no love from CBS/Viacom promotions. “Billions” gets no Emmy nods because this gang does nothing to appeal to voters. Now they’re doing nothing to appeal to viewers. This is terrible. Giamatti and Lewis should each be nominated for Best Actor in a Drama every year. Asia Kate Dillon (who prefers ‘they’) and Maggie Siff should be up for supporting. Same for David Costabile and Jeffrey DeMunn.

You can jump into “Billions” with any episode. If you love good TV, like “The West Wing,” you can always start watching and catch up later. There’s a great twist at the end of Sunday’s episode regarding the kidney donor Chuck has been trying to get for his father. Chuck has turned the world upside down looking for that kidney. You’ll never guess who the donor is. I did a spit take when it was revealed!

Brian Koppelman and David Levien are the killer creators and writers of this show. They deserve better than 192,000 viewers. “Billions” fans, I know you’re out there, come home!

PS Bring back Malin Akerman! And Nina Arianda!

It’s Come to This: Latest Bruce Willis D Movie Sold to Fox’s Free Streaming Site Called Tubi

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Bruce Willis is in the middle of a run of D movies, unprecedented in film history. Dozens and dozens of shlock films made for video and countries and planets where no discernible language is necessary.

Today they announced a new one called “Corrective Measures,” which has been placed with a streaming service you’ve never heard of, called Tubi. It’s a free service owned by Fox Entertainment. Michael Rooker, who’s pretty good right now in “Suicide Squad,” will star. Bruce will lend his name and likeness and appear in a few scenes shot over the course of a day.

“Corrective Measures” will be seen by no one in 2022.

Since 2015 Bruce has “starred” in a dozen or so of these things, all produced by him and Stephen J. Eads. There is no thought to Bruce’s screen legacy, which has been dismantled by these loony tune movies. I guess they make some money from them, people in banana republics have no idea what’s going on but see Bruce’s bald pate and think they’re getting “Die Hard 17.”

Sad.

 

Wednesday UPDATE: Drake’s “Certified Lover Boy” at 451K Copies, Could Hit Half a Mil, “Donda” Still Selling

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Drake’s “Certified Lover Boy” is outta control.

Drizzy’s new album is at 451,000 in streaming equivalent units sold. And it’s just Wednesday. There’s another day left for sales. He could hit 500,000.

“CLB” is a streaming giant. In sales though, not so much Paid downloads come to 18,000.

The individual tracks are monsters. “Champagne Poetry,” with the Beatles’ “Michelle,” is at 270,000 streaming equivalent copies. Paul McCartney is popping Champagne right now! “Girls Want Girls” is at 320,000. All the other tracks are streaming away!

And Kanye? “Donda” is more of a shonda, selling just 405K in two weeks. Second week is 90,000. The tracks like “Hurricane,” “Jail,” and “Off the Grid” are booming, however. Def Jam keeps issuing notices for “Donda” breaking streaming records. (‘Streaming records’ is a contradiction in terms, no?)

Will see Kanye and Drake at the Grammys? I don’t care if a stranger on the street has to nominate them, NARAS has to acknowledge these two releases BIG TIME. If Pierre Cossette were still alive, he’d have McCartney come and perform the “Michelle” part of “Champagne Poetry.”

RIP In Memory of Jerry Blair, Music Man Extraordinaire from Mariah to Ricky Martin and More

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A lot of  people in the music world lost a huge friend today. Jerry Blair has passed away at age 60 from COVID. Apparently he was not vaccinated, for his own reasons. I’m told he spent the last four weeks on a ventilator. I am in tears but I am also so angry with him.

Every fan of Mariah Carey should light a candle for Jerry. He was the one who put her records on the radio. And when he and Mariah were discharged from Columbia Records, they basically left together. It was Jerry who kept her on the radio, started a label called MonarC with her, and so on and on.

Jerry’s 11 years at Columbia were halcyon days. His acts included The Fugees, Destiny’s Child, Jessica Simpson and Aerosmith, who he put together with Diane Warren for “I Don’t Want to Miss a Thing,” the single that re-started their career. He also orchestrated the promotion and marketing campaigns for legendary artists Bruce Springsteen and Billy Joel.

Jerry also lit the fuse for the Latin-pop explosion by launching Ricky Martin’s U.S. career with his signature hit, “Livin’ La Vida Loca..” This paved the way for Shakira, Marc Anthony, Jennifer Lopez and Enrique Iglesias, to cross over into the English market.

When Mariah was leaving Tommy Mottola and Sony, it was Jerry who backed her. Seeing the end of an era coming, he also made contact with Arista Records. Mottola and Donnie Ienner, catching wind of this, retaliated and fired Jerry, and removed him from the Sony building. How do I know this? I was there. After Jerry exited the building I hung out with him in his SoHo loft. He was in shock, but Arista was waiting, and beyond that Mariah. He launched her “Charmbracelet” album after “Glitter” crashed, started the MonarC Label, and never looked back.

Since then, Jerry has remained a force in the business, navigating radio and marketing like a whiz. The last time I spoke to him was after Mariah published her memoir and left him out of it. We laughed about it heartily. (Jerry had to sue Mariah at one point because she stiffed him. That was the end of MonarC).

The news that Jerry is dead at 60 really stings. Whatever his reasons were for not getting the vaccine, they were wrong. I can’t believe it because he was on the cutting edge of everything. He had the first Blackberry, which he operated frantically with two thumbs texting a mile a minute. He would crack me up. “Jerry, can you look up for a minute?” I bet everyone he knew said that to him. He was mesmerized by it.

We were at each other’s birthdays back when we celebrated birthdays, always laughing, toasting, and I will remember him enjoying life. This is a miserable ending, much too soon.  I will miss him a lot. A lot. Jerry is survived by his wife Karen and daughter Suzette, 9, son Josh, 26, and sister Michelle. Condolences to all of them.

 

Review: Sting Puts the Swing in Hulu’s “Only Murders in the House” But Martin Short Dances Away With Hit Mystery Comedy

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I finally got organized to watch Hulu’s “Only Murders in the Building” last night, and even bumped up my subscription to $11.99 to be free of commercials. It was worth it.

The big surprise is that in the four episodes currently available, numbers 3 and 4 concern Sting, yes, Sting, and he puts an expected zing and swing into the already splendid mystery comedy. More on him in a minute.

Steve Martin, Martin Short, and Selena Gomez are the stars of this very elegant, funny limited series. Martin wrote with John Hoffman, and it has a lot of Woody Allen vibes to it. For one, Woody’s wonderful “Manhattan Murder Mystery” is its precedent for New Yorkers trying to solve a crime in their building. For another, it was Woody who gave us Selena Gomez recently, so good in “A Rainy Day in New York.” Her movie persona from that film has moved over here.

The three, as well as Nathan Lane and god knows who else are living in the Arconia on the Upper West Side, although we all know this to be some combination of the Ansonia and the Apthorp. No matter. Both buildings should look so good on the inside.

A young man has died in the building, maybe it was murder, although it’s labeled suicide. These three, all fans of a murder podcast hosted by Tina Fey, commence their own investigation. Selena’s Mabel knows more than she’s letting on. The plot, explained a few times, is simple enough. The richness is in the detail– the characters, their apartments, the dialogue. For old time Woody fans, “Only Murders” is a throwback to the halcyon 80s of “Hannah and Her Sisters,” “Zelig,” and “Broadway Danny Rose.”

That Sting also lives in the building– a fictional Sting, no Trudie, up in the penthouse– is the cherry on the sundae. He quickly becomes the trio’s suspect, although they have no evidence. To ingratiate themselves with him they bring the rock star a cooked turkey as a neighborly gesture. The resulting scene is hilarious as Sting breaks down like a witness on Perry Mason’s stand. Also, the little song he cooks up on the spot is delightfully dreadful. “Songwriting is hard!” he complains. He deserves a guest Emmy award.

Martin and Gomez are great fun to watch, of course, and Nathan Lane, recurring, is his own gift. But “Only Murders” belongs to Martin Short, the way “Hacks” was all about Jean Smart. This is Martin Short’s piece de resistance, his capping achievement. He can thank Martin and Hoffman for giving him this moment. He can thank himself for not going over the top, for playing his Oliver, a failed theater director, down just at the spots where he’s ready to jump several sharks. His mannerisms, one liners, costumes, and hair — oh the hair (I’m pretty sure in one scene with a pony tail he was lampooning someone we all know).

There are more episodes coming, and I can’t wait to see who killed Tim Kono. I suspect it was the great Amy Ryan, who plays a sexy bassoonist neighbor flirting with Martin’s Charles, a former and faded TV actor. Ryan’s eyes are devilish and they dart all over the place when she’s in the presence of the main trio. She’s also damned sexy, I see trouble ahead with her. Plus, she goes the whole 10 episodes.

Hulu is on a roll. The McCartney documentary series was a smash, and they’ve got “Handmaid’s Tale” turning Margaret Atwood into an institution. Nicely done.

 

Lana del Rey Drops New Version of “Arcadia” Single, Sets Delayed “Blue Bannisters” Album for October

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Do I know what’s going on here? I do not.

Lana del Rey has dropped a new version of her single, “Arcadia,” today in advance of her “Blue Banisters” album.The album was previously set for July 4th, but at the last minute Lana delayed it. She’d already had an award winning album out a few weeks earlier with “Chemtrails Over the Country Club.”

So “Blue Banisters” is coming out after all, on October 22nd. “Arcadia” already existed in a shorter form on YouTube as a duet, but this seems to be the official version now, Looking forward to the whole collection.

Arcadia Original version

(Watch) John Mulaney Announces He’s Having a Baby with Olivia Munn on “Seth Meyers” Late Night Show

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Capping off a bizarre and different year, comedian John Mulaney appeared on Seth Meyers’ late night talk show tonight and had an announcement. He’s having a baby with actress Olivia Munn.

As most people know, Mulaney is in the process of divorcing his wife of six years, Anna Marie Tendler. He famous went into rehab a year ago and then again in December 2020. He came out of it in February 2021, and launched a sold tour of shows in which he described his rapid descent into drugs and alcohol, his intervention, and recovery.

If Munn is announcing the pregnancy now, it means she became pregnant in mid May. She and Mulaney have his set social media aflame because they claim to have started dating in February. But there are numerous stories about Munn contacting Mulaney as far back as 2015.

What’s the difference? I guess you say, congratulations and we hope it all works out. But the Meyers interview — totally not advertised in advance — is meant to soften the blow of this latest development. Mulaney’s happy marriage was part of his act, and he seemed above things like serious drug addiction and its fallout.

The interview, like his current show, was depressing. He kept laughing, Meyers tried to put on a good face, but you feel it in the pit of your stomach. This is all some kind of disaster. Yes, people are paying to see Mulaney in theater and clubs because they want to see a car crash. They are rubber necking. He doesn’t get that. When I saw him at City Winery in NYC on May 10th he was was accompanied to the by his interventionist. That seems to be around the time he started a family.

So here we are. Everyone hopes for the best, but as a friend of mine used to say, this is going to end in tears.

 

WHAT??? Chrissie Hynde Turns 70! Remember When She Bemoaned Being 33 in “Middle of the Road”?

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Chrissie Hynde turns 70 years old today. I am gobsmacked. But god bless her, she’s still the most kick ass rocker and my favorite voice.

This means it was 37 years ago when she sang, “I got a kid/I’m 33” in “Middle of the Road.” Seems like yesterday.

The Pretenders were part of the New Wave, the people who were supposed to kick Fleetwood Mac and Rumours to the ground and take no prisoners. So they did, thanks to Seymour Stein at Sire Records.

I could listen to Chrissie sing the phone book. I hope she’s having a rocking, great birthday. Sting turns 70 in October. The end of the classic rock star era is beckoning with only Elvis Costello still a young un. R&B legend Sam Moore turns 86 on October 12th. We have to wrap everyone in Saran Wrap!

One of my faves:

Full Columns Flashback: 20 Years Ago, Michael Jackson’s 30th Anniversary Concerts Preceded 9/11: The

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Jacko Triumphs in Freak Show at Garden September 8, 2001

You have to hand it to Michael Jackson. When everything else is stripped away – the kitsch, the rabbi, the chimps, the lawsuits, the revolving door managers and disorganized concert promoter – his talent is still there. On Friday night at Madison Square Garden, when it looked like his 30th Anniversary Solo All-Star show was heading into the toilet, it was Michael who saved the day.

The Solo show, which had tickets up to $2,500, did not have a good start. In fact, the level of cheesiness was so high the audience looked like it was going to need a drycleaner to get out the Velveeta stains. Michael, dressed in a glittering silver sequined top, sat in kind of a royal viewing box at stage left, after entering with actress Elizabeth Taylor, former child star Macaulay Culkin, and Jackson’s parents. Taylor looked ominously like the Queen Mum throughout the proceedings, with Jackson, I suppose, as Princess Diana.

The show almost ground to a halt quickly though after a painfully thin but energetic Whitney Houston – who was mysteriously not joined by husband Bobby Brown, scheduled to perform with her – concluded a rousing opening with “Wanna Be Starting Something.” The reason was the appearance, at stage right and sitting in a strange office waiting room set, of the extremely corpulent former important actor Marlon Brando.

Brando, at first wearing sunglasses, proceeded to expound, from his chair, for a ghastly ten minutes on subjects of little or no interest to the pumped-up audience. He said, “You may be thinking, who is that old fat fart sitting there?” At one point he actually removed his wristwatch and said, “In the last minute, 100,000 children have been hacked to death with a machete.” He concluded by instructing the audience to go to michaeljackson.com and donate money. The audience – many of whom came from Los Angeles in wheelchairs or on walkers – booed and booed, loudly, and with good cause.

Things did not get much better, as a series of acts shuffled on and off the stage with little purpose. Shaggy, the contemporary rap group, sang their two hits, and Shaggy himself did kind of a pelvic thrust for Jackson, which seemed to shake the guest of honor from his stupor. There was a duet by James Ingram and Gloria Estefan on “I Just Can’t Stop Loving You,” a medley from The Wiz, a little boy singer named Billy Gilman did “Ben,” and so on. There were interminable breaks between sets, which caused more booing, and it seemed as though no one had rehearsed or timed the show in advance.

The pièce de resistance came almost toward the end of this section, when Liza Minnelli appeared on stage. Minnelli has either had the worst facelift since Jocelyn Wildenstein or was wearing makeup for the show Cats. Or both. She was frightening, and, to drive home the point, sported a fright wig. The effect was a Judy Garland drag queen impersonator and sent a chill through the room. After performing “You Are Not Alone,” a Jackson song, Minnelli launched into an uninspired version of “Never Never Land.” As it ended, a million soap bubbles started pouring over the stage, and Minnelli, without prompting, broke into the last two lines of her mother’s most famous song, “Over the Rainbow.” She said, “I love you, Michael” and the bubbles swept her away. This was just about the time Elizabeth Taylor hobbled out of her seat and went to the bathroom.

But all was not lost. Dame Elizabeth went on stage and introduced the reunion of the Jackson 5, which saved the day. For then, promoter David Gest’s turn at channeling late producer Alan Carr was over, and Jackson was in charge. The audience roared with approval as Michael took the stage with his brothers. Their short set included a medley of hits from “ABC” to “I Want You Back.” Altogether their much-vaunted reunion lasted about 20 minutes, with a nearly full length version of “Shake Your Body.” Michael actually seemed happy and relaxed as he and the brothers went through their old Motown dance steps together. The person who’d been sitting on the sidelines like a zombie suddenly seemed rejuvenated.

There were more surprises to come, including Michael performing “The Way You Make Me Feel” with Britney Spears (she struts, doesn’t dance, and doesn’t seem to sing, but the effect is very Sami Jo from Dynasty). Finally settling into an onstage rhythm, Michael then gave the audience what they wanted: moonwalking and his silver lamé glove in “Billie Jean,”; the great Jerome Robbins-like choreography in “Beat It,” and guitarist Slash on both “Beat It” and “Black and White.”

In between, Jackson, who looked winded most of the time, but exhilarated, shouted “I love you” to the audience many times. He said little else. He concluded the show with his new single, “You Rock My World,” and gathered all of the guest stars on stage, with Quincy Jones conducting, for “We Are the World.” Not satisfied with leaving the stage at that, Jackson re-started “Rock My World,” getting people on stage to dance with each other. The absolute best pairing was Yoko Ono, who shimmied around with Petula Clark. Yoko, symbol of death in the movie Let it Be, grinned from ear to ear and boogied around the stage with, believe it or not, Kenny Rogers. It was an extraordinary ending to a strange, magical, but often schizophrenic night.

On Monday: more from the 30th Anniversary show.

Jacko’s Dad Says He’s Not Guilty of Molestation
September 10, 2001

Joe Jackson, patriarch of the singing Jackson family, told me today that he does not believe his superstar son was ever guilty of child molestation.

Jackson invited six reporters to a suite at New York’s St. Regis Hotel including yours truly and Dan Kadison of the New York Post to promote his new company, JacksonMusicStudios.com. But many of the question were about the Jackson family and their trials and tribulations.

I asked Mr. Jackson what was the wildest untrue thing he’d seen about his family in the supermarket tabloids. (At Friday night’s Michael Jackson show in New York there’d been a fan holding a placard emblazoned with “Burn All Tabloids.”)

Mr. Jackson replied: “I know what you’re referring to. That thing with Michael and the little boy. That’s the craziest thing I ever heard. It never happened.”

Then why did Michael pay the family with an out of court settlement, I wondered?

“He was tired of talking about it,” Michael’s father said. “He would have spent 100 years fighting him in court. It was all about money. All about money.”

Mr. Jackson proved a combative but humorous interview subject, fielding most of the questions about his kids — Michael especially — with the sly wit of a practiced politician. At one point, when I asked him about Michael’s children Paris and Prince, he didn’t seem to know to whom I was referring. Finally he did say “They’re good kids. I have 28 grandchildren!”

We did not ask Joe Jackson about allegations in the past from his children, specifically LaToya, about abuse in their household when they were growing up. I did ask him though about his parental philosophy. “You have to be strict with kids,” he said. “There’s nothing wrong with punishment as long as you know how to punish.”

What would be a typical punishment? “Beat his back,” Joe Jackson replied before I could even get the question out.

Jackson declined to answer questions posed by the Post’s intrepid Dan Kadison about Michael’s appearance or his financial situation. He did insist, however, that Michael has not had his skin color altered and referred to an aunt who presumably has the same illness, vitiligo, which Michael says plagues him.

Mr. Jackson did say that although he enjoyed Friday night’s reunion of his sons as the Jackson 5 — the group he practiced, rehearsed, and managed until Gladys Knight spotted them at the Apollo Theatre in 1968 and referred them to Motown Records — he did not shed any tears when they took the stage as adults. Did Mrs. Jackson cry, I wondered? “I don’t know what she was doing.”

Mr. Jackson said he had no particular favorites among the strange melange of stars who performed on Friday night. Of Liza Minnelli’s weird appearance and song choices he said, “She did what she could do.” Referring to Marlon Brando’s rambling speech about child welfare, he observed: “He’s a family friend.” As for Whitney Houston’s emaciated look, Mr. Jackson replied tactfully: “You know performers like to stay thin and look good.”

Mr. Jackson called the impromptu mini press conference to promote his new company, which will launch new musical talents and also make never before seen archival video footage of the Jackson 5 available over the Internet. Jackson’s first artist is an 18-year-old singer from Virginia named Crystal Marven, whom he discovered in a Las Vegas talent show.

Jagger Denounced by Dahl’s Famous Grandma

Patricia Neal, the Academy-Award winning actress (won for Hud, nominated for The Subject Was Roses), doesn’t mince words.

She told me on Friday night that she’s not thrilled that her granddaughter, model Sophie Dahl, has been dating Mick Jagger.

The moment came because the 75-year-old Neal was deposited by her yellow cab on the wrong side of Madison Square Garden for Michael Jackson’s show. She was one of the much-hyped 50 “Leading Ladies” whom Jackson producer David Gest trumpeted all over the place for their attendance. Apparently he didn’t think about how all these grande dames would get to the show.

Neal emerged from her cab with an assistant right at the corner of 32nd Street and Seventh Avenue — quite a distance from the miniscule red carpet entrance on Eighth Avenue near 33rd Street. When I informed her that she should get back in the cab and go around the corner, she bravely said: “Nonsense! I’ll walk. I love to walk.” OK.

Neal is a sturdy lady with a lot of courage. She also looked beautiful in a red silk ensemble. It wasn’t long before the subject of Sophie’s social life came up. How did she feel about her 20-something granddaughter globetrotting with the nearly 60-year-old Rolling Stone and man of much sexual history?

“I hope she stays away from that bastard!” the legendary actress declared. “I’ve never met him, of course, but that’s no good!”

Neal told me she was concerned about Sophie, but she was also more concerned that the entrance to Madison Square Garden was still not in sight. She’s had at least one well-known stroke, which she’s bounded back from nicely. And she was wearing high heels. In the end, we walked the entire length of the Garden Penn Station complex from Seventh to Eighth Avenue, and then broke through police sawhorses so we could stay on the sidewalk as we made it to the red carpet area.

Once we arrived, there was little to no help getting her past the crush of police, publicists and paparazzi. Indeed, the photographers were clueless about who this distinguished actress was, and needed prodding to take her picture. “This is an Oscar winner,” I informed them, but ‘N Sync was ahead of us and siphoning off all attention. Had Ms. Neal heard of the five boys from Orlando?

“No, what are they?” she asked. It was certainly a generational face-off. In a normal world, she would have been more worried about her granddaughter dating Lance than Mick. But that’s another story.

Jacko’s Team Makes No Plans for Seniors

Eventually, I was able to persuade one of Gest’s minions to assist Ms. Neal into the Garden. Ironically, when I entered the stadium and found my seat, I found that she was sitting, uncomfortably, in a seat not too far from mine.

Star Jones, the vivacious co-host of The View, was also plunked down in this extremely odd area. (She loved the show, by the way, and looked great in a sexy black outfit.)

Later, when we were all standing at the foot of the driveway of Tavern on the Green for the post-concert party (a true kitsch fest of has-beens, losers and face-lifts), All My Children matriarch and octogenarian Ruth Warrick — also forgotten by Gest and company — was being pushed in her wheelchair through the crowd and past the velvet rope, and then presumably up the enormous driveway! And this was at 12:30 in the morning.

Indeed, by the looks of the waxy faces trying to sort themselves out at the Tavern driveway, the entire Jackson Gest-list looked like that musical number from The Producers called “Along Came Bialy.” That’s the one in which blue-haired ladies dance on their walkers as they sing about investing their nest eggs with the flighty Broadway show producer.

Nearly as funny was Star Trek star and Priceline.com pitchman William Shatner showing up with his latest wife, who really fits the term “trophy wife.” She is a great statue of a woman. His last wife drowned in his swimming pool less than two years ago.

What a party! And did I mention David Hasselhoff was in attendance?

Puffy, Jay-Z Kept Out of Jacko Party

Even as the old and infirm crept along in the darkness to celebrate Michael’s return from the outer limits, young hip stars were prohibited from entering the big gala.

Indeed, Sean “Puffy” Combs aka P. Diddy, plus rapper Jay-Z and model Naomi Campbell, were all ensconced by 12:30 in Eugene’s, the hot nightspot on West 24th Street. The story was that Jay-Z tried to enter the Jackson soiree without a printed invite and was instantly told to get lost. So he did.

I’m told the trio was nervous they were going to have to spike their Cristal over at Tavern with Ensure.

Alive or Dead: Sammy Davis Jr., Gene Kelly

One of the many bizarre moments in Friday night’s Jackson show was a video tribute by a compendium of megastars who cited Michael for being a great guy.

The video, which looked like it was taped about ten years ago, began with Sophia Loren. And then things got really strange. All of a sudden Sammy Davis Jr. popped up on the screen, talking as if he’d been interviewed last week. Then came Gene Kelly. Have they been living at Neverland all this time?

Also included in this weird situation was Gregory Peck, who went on and on about Michael in detail. Can you imagine that they are friends in any way? Imagine what life must be like in the hills around Los Angeles.

But even more wacky were the appearances then, in the same tape, of really old clips of Elizabeth Taylor and Liza Minnelli — both of whom were actually in Madison Square Garden and whose appearance has changed considerably since the interviews were made.

One wonders if these two ladies, Loren and Peck were happy to be grouped with two dead men.

On the other hand, you have it to give it to David Gest. His creepy A-list, which he flew in from the coast, includes the remaining four original members of the group the Fifth Dimension. If Marilyn McCoo had picked up a microphone and sung any number Friday night, she would have blown away the crowd.

Beatles Chronicler, Who’s Made a Fortune Writing About Group, Says He Has “Scant Time” to Answer Media Inquiries

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Mark Lewinsohn is a very busy man.

Lewinsohn is the unofficial chronicler of the Beatles. He’s written dozens of books about the Fab Four, noting every recording session, each minute from 1962 to 1970, and all the movements of John, Paul, George, and Ringo.

He’s even written books and given lectures about ancillary Beatles projects and themes, like the influence of Black Music on the group, and why the bowl haircut mattered.

So now, with the approaching Peter Jackson documentary series “Get Back” approaching, and the “Let It Be” anniversary box sets coming, you’d think Lewinsohn would be geared up for a media onslaught.

But Lewinsohn declared this morning on Twitter that he had “scant time” for that sort of thing. He’s busy eight days a week!

He writes on Twitter: “With @thebeatles Get Back/Let It Be coming up, I’m being bombarded with media requests I’ve scant time to do. But here are quotes galore to be lifted, used and informed by.” He directs us to his website, of course. Listen he has scant time to talk to the people who made him rich and famous. I don’t blame him.

Don’t worry, Mr. L. There are so many great Beatles resources, and of course, we grew up with them. We’ll muddle on without you.