Friday, December 19, 2025
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Justin Bieber Cashes Out at 28, Sells Entire Song Catalog for $200 Mil, Raises Questions About Recording and Touring Future

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Justin Bieber has sold all his peaches.

The 28 year old pop star becomes the youngest of all music performers to sell the entire rights to his songs. The buyer is Hipgnosis, the very hot firm that has bought out catalogs of much older stars for more money and with more material. Universal Music Group will own Bieber’s master recordings. But all the songs like “Peaches” and “”Love Yourself” will be owned by Hipgnosis, including parts of songs he wrote with other people.

The price is $200 million, which after taxes and paying all the lawyers involved, and maintaining Bieber’s lifestyle, is not a lot.

This deal is surprising because it suggests a couple of things: that Bieber’s touring and recording future are question marks. The singer has cancelled many tours and pieces of tours because of exhaustion, and also because of medical issues like face paralysis. He’s conceded that he suffers from depression.

The recording part is unusual for his age, as well. Most of the artists who’ve sold their catalogs are over 60 or more, are past their sales prime and are working on estate planning. They’re not in the chart game anymore and make their money from lucrative tours or residencies in Las Vegas.

But record sales are in decline for everyone. Bieber’s fans are aging out of their bubblegum stage while his music has remained the same. He doesn’t release a lot of albums, either. There may be some worry about his recording future, like when the next album will come, if it will sell, and how he will promote it.

The wording of manager Scooter Braun’s statement accompanying this news is important because he says that he and Bieber went looking for a catalog deal. Hipgnosis, led the by the estimable Merck Mercuriadis, didn’t approach them.

Whatever Bieber’s future is in the music industry, his financial future should now be safe. Let’s hope is health is good, too. He turns 29 on March 1st.

Oscars Upset Coming in Best Actress? Andrea Riseborough in “To Leslie” Is Suddenly the It Girl, Throws Out Oscar Campaign Rules

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The new It Girl in Hollywood? British actress Andrea Riseborough, who stars in the indie, small budget “To Leslie.”

Released by no one you know, and directed by no one heard of, “To Leslie” got a last minute push from powerhouse agency CAA. They lined up dozens of famous actresses to come out swinging for Riseborough.

What else worked? A mention by Cate Blanchett on the Golden Globes of Riseborough’s work. In the final minutes of voting, Academy members went running to their screening links to see what Blanchett was talking about.

Riseborough got a shout out on the Critics Choice Awards as well.

Now everyone will be looking at “To Leslie” with fresh eyes, as a fresh movie they know nothing about. Voila! Riseborough, I think, jumps to the front of the Best Actress pack.

So what is the story here? “To Leslie” is a story we’ve seen before. A washed up alcoholic loses everything and has to hit rock bottom before staging a comeback. In this case, Leslie lives in Texas, she’s over 40, her 19 year old son has been taken away years earlier. And for a twist, Leslie squandered a $190,000 lottery win on booze and junk. It’s all gone, she’s broke, destitute. Everyone she knows hates her.

The movie is a lovely little gem. It’s Michel Morris’s directing debut — he’s a TV producer. But he pulled it off. The movie has a lot of air and dimension. It falls somewhere between “Leaving Las Vegas” and “Nomadland.” Plus it has a bunch of strong supporting performers in Oscar winner Allison Janney, Stephen Root, Andre Royo (yay!), James Landry Hébert, and Owen Teague.

Riseborough, unknown to most people., is British. She also plays well to do characters. But she’s gone full Sally Field-Norma Rae here with no makeup, looking disheveled, roughed up, Texas accent, and she’s totally convincing. Like Norma Rae, Leslie is plucky and makes mistakes. But she figures them out just in time.

So there it is: could be an upset on March 12th. And if so, the whole Oscar campaign game will be changed forever.

Paul McCartney to Celebrate 81st Birthday With Book of Rare, Unseen 1964 Photos Taken by Him

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Paul McCartney was in the eye of the storm, Beatlemania, in 1964 when his group took over the world.

Now it seems he’s found a treasure trove of photos he took on a 35mm camera when it all happened. A book is coming called “Eyes of the Storm” on June 13th, five days before Sir Paul’s 81st birthday.

The photos were taken in six cities: New York, Washington, London, Liverpool, Miami, and Paris. There are 275 pictures. The book will have an introduction by Paul, plus essays by Jill Lepore and Nicholas Cullinan.

Paul is following the lead of his bandmate, Ringo Starr, who’s published several tomes of pictures, postcards and other Beatles memorabilia.

No price yet for the book. But Paul’s two volume “The Lyrics” sold for $150 last year and was a best seller.

Oscars Get Smart: Best Picture Nominees Mix Box Office Blockbusters with Art House Films “Top Gun” and “Avatar 2”

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The Academy got smart this year, and took the message.

Best Picture nominees were divided among box office blockbusters and art house films.

In the past, few blockbusters have made the cut. The reasoning was the money they brought in was the reward.

Nominating “Top Gun Maverick” and “Avatar The Way of Water” ensures a viewing audience for the March 12th show on ABC. Uniquely, they are each sequels, and one made more than a decade or two after the original film.

Both films made more than $600 million apiece in the US alone, and a billion plus worldwide.

“Elvis,” also a huge hit, is in the mix of Best Picture.

The rest of the films had minimal box office, but even the Oscar telecast viewing audience understands they are the ones to beat starting with “The Fabelmans” and “TAR.”

Oscars 2023 Noms: Powerhouse CAA Pulls Off Last Minute Nod for Andrea Riseborough, Plus Shut Outs for Major Lead Black Actresses, Fail for “The Whale,” Netflix Strength Foreign Films

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keep refreshing:

Some major surprises: the last minute pitch by powerhouse agency CAA for client Andrea Riseborough pulled off a nomination for a movie few have seen called “To Leslie”

this resulted in no nominations for lead Black actresses Viola Davis and Danielle Deadwyler…

“The Whale” was shut out of Best Picture despite a massive, tireless campaign. The movie scored Best Actor and Supporting Actress nods…

Besides Deadwyler, “Till” was completely snubbed…

No female directors, only 2 Black actors out of 20…

Netflix had its key successes with foreign films “Bardo” and “All Quiet on the Western Front”

Diane Warren received her 14th nomination, for the song “Applause” after garnering a Lifetime Achievement Award this season after 13 strikeouts…

Best Supporting Actress- Angela Bassett, Hong Chau, Kerry Condon, Jamie Lee Curtis, Stephanie Hsu

Best Supporting Actor– Brendan Gleeson, Brian Tyree Henry, Judd Hirsch, Barry Keoghan, Ke Huy Quan

Best Adapted Screenplay — All Quiet on the Western Front, Glass Onion, Living, Top Gun Maverick, Women Talking

Best Original Screenplay — Banshees of Inisherin, Everything Everywhere., Fabelmans, TAR, Triangle of Sadness

Original Song— Applause, Hold My Hand, Lift Me Up, Naatu Naatu, This is a Life

Documentary — All that Breathes, All the Beauty, Fire of Love, House Made of Splinters, Navalny

Intl Film — All Quiet, Argentina, Close, EO, The Quiet Girl

Animated — Pinocchio, Marcel the Shell, Puss in Boots, Sea Beast, Turning Red

Editing– Banshees, Elvis, EEAAO, TAR, Top Gu Maverick

Cinematography — All Q, Bardo, Elvis, Empire of Light, TAR

Score — All Q, Avatar, The Batman, Black Panther, Top Gun Maverick

Best Actor — Austin Butler, Colin Farrell, Brendan Fraser, Paul Mescal, Bill Nighy

Best Actress– Cate Blanchett, Ana de Armas, Andrea Riseborough., Michelle Williams, Michelle Yeoh

Directing– Martin McDonagh, Daniels,. Steven Spielberg, Todd Field, Ruben Ostland

Best Picture — All Q, Avatar, Banshees, Elvis, EEAA0, The Fabelmans, TAR, Top Gun Maverick, Triangle, Women Talking

Remembering Jerry Blavat, 82, Philly’s International DJ and TV Personality Extraordinaire, The Geater with the Heater

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Jerry Blavat died this week at age 82. He battled myasthenia gravis, a neuro muscular disorder that is a cruel disease.

Jerry was Philadelphia’s music diplomat, an international celebrity, deejay, and TV personality. Everyone in the music business knew him and loved him. He was indefatigable, a total music cheerleader. We were not close pals, but I admired him. He was always there to root for people. I remember how much he liked Phoebe Snow back in the day, and he was also a fan of my film, “Only the Strong Survive.”

“The definition of the word mensch is Jerry Blavat,” says my friend Joyce Moore. She knew him a long time but not even as long as her famous husband, Sam Moore, of Sam & Dave. It was Jerry who stood down the infamous Morris Levy, owner of Roulette Records, when the duo wanted to break their contract and move to Atlantic Records. Blavat, Sam recalls, marched them into a Miami club and secured Levy’s reluctant agreement.

Everyone in rock and roll has a Blavat story. He simply loved the music, loved the business. On radio he was nicknamed “The Geater with the Heater.” He literally made groups like the Four Seasons and the Isley Brothers, was instrumental in the careers of Todd Rundgren and Daryl Hall, and everyone from Philadelphia International. If there’s Mt. Rushmore of disc jockeys, with Cousin Bruce, Alan Freed, Murray the K, and Wolfman Jack, Jerry Blavat is there with them.



Review: Michael J. Fox Remarkable Documentary “Still” Example of How to Live an Uncompromising Life with Parkinson’s

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Eight years ago, in 2015, actor Michael J. Fox had holes drilled in his head to stop the shaking from Parkinson’s Disease. The surgery was so dangerous and experimental that it’s not even mentioned in Davis Guggenheim’s extraordinary documentary about Fox, called “Still,” now at the Sundance Film Festival.

Maybe the drilling worked. It must have since Fox, unbelievably, is still there. But he is not “Still.” He can’t remain still. On camera the 61 year old star of “Back to the Future” and numerous movies and TV series, looks like a wreck. He has suffered without complaining since his rare diagnosis in 1990. Even with Guggenheim’s cameras rolling, Fox won’t admit he’s in severe pain. Why not, the director asks? “You didn’t bring it up,” Fox replies.

This documentary will debut on Apple TV Plus. I implore you to watch it, and not. You will be in tears for much of it, as Guggenheim tracks Fox’s rocket like trajectory from “Family Ties” to “Back to the Future” and up, up, up, only to crash with his diagnosis. and keep it quiet for seven stunning years as he married, became a father, and kept working, working, working. He also became an alcoholic, trying to hide the pain with constant drinking.

Luckily, Fox had made a brilliant choice in a wife early on with actress Tracy Pollan. Mother of his four children, Pollan has soldiered her way through this journey. We see her but don’t hear a lot from her, which is too bad since she could certainly write a book. She herself had a blossoming career when she married Fox, and has mostly given it up to be devoted wife and mother. You’ll learn in the film how much Fox appreciates her.

Fox gives Guggenheim access into his home and therapy just enough so we get the idea. We are not there during perilous moments. We just hear about Fox falling down, breaking bones, and so on. Anyone who’s had a family member or friend with Parkinson’s will watch this film agog that Fox is even still alive at this point, that his family still has a sense of humor and that they’re not all drinking. Living with Parkinson’s is no sitcom. Like MS or ALS, it’s bent on total destruction. Somehow this family is making it. I have no doubt this film received a standing ovation at Sundance. You’ll do the same in your living room.

In November Fox was given the Jean Hersholt Humanitarian Award, an honorary Oscar, by the Academy at the Governor’s Awards. It’s hoped he’ll be featured on camera at the Oscars in March to accept the award in person. His speech is below. Ironically, next year, “Still” may be up for an Oscar itself.

Lisa Marie Presley Gets A Graceland Send Off with Surprise Speaker Sarah Ferguson, Axl Rose Singing, Priscilla Presley Reading Granddaughter’s Tribute

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Lisa Marie Presley received a classy send off memorial today at Graceland.

The big surprise speaker was Sarah Ferguson aka “Fergie,” Duchess of York and ex wife of Prince Andrew. Who knew she and Lisa Marie called each other “sissie” as in sister? Fergie mentions her late mother in law, aka Queen Elizabeth, so we’ve got the UK royalty invoked at Memphis royalty.

Jerry Schilling, who’s been with the Presleys since the 60s, gives a touching tribute as well. Axl Rose, of Guns n Roses, speaks without notes, then sits at the piano and sings “November Rain.” We’ve never seen him without long hair and a bandana. He’s wearing a wool overcoat and regular scarf. That alone is memorable.

Lisa Marie’s mother, Priscilla, no doubt still in shock, read off her phone a very sweet note from one of the 14 year old twins. She observer her mother died of heartbreak. Lisa never got over her son’s suicide last year.

Finally, eldest daughter Riley Keough’s husband, reads a touching note from his wife. He also reveals they have a daughter. No one knew that. Keough is a respected actress and now will take charge of her mother’s estate

The whole memorial was put together by Lisa Marie and Priscilla’s business partner, Joel Weinshanker, who himself seems genuinely shaken. It’s unclear if his partner, Shaquille O’Neal, made the trip.

You can watch the whole thing here. Rest in peace.

Box Office: Blue Valentine as “Avatar 2” Crosses $600 Mil, “Otto” Is a Grumpy Hit

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Amazing as it seems, “Avatar 2” is about to hit another milestone. The James Cameron sequel will cross $600 million tomorrow. Either there’s nothing to see, or people are bored, or they’re going back over and over to figure the whole thing out. Anyway. This is The Way of Water. It flows.

Marc Forster’s “Man Called Otto” starring Tom Hanks is a bona fide hit. They’re up to $35 million. Who’d a thunk it? Hanks as a grumpy curmudgeon has hit a note with the audience. It’s a little like “Forrest Gump” as a senior citizen. Did I think it would strike a nerve? No. But Tom’s actress wife Rita Wilson has turned out to be a very wise producer. After all, she brought us the “My Big Fat Greek Wedding” movies. There’s another one coming soon. Plus, Rita wrote and sang the song in “Otto.” Good deal.

Another hit: Searchlight’s “The Menu” coming close to $40 million shortly. Very quietly done, under the radar, but the movie has caught on like crazy. A satisfying meal!