Monday, December 22, 2025
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“Ant Man” Mystery: How Anti-Vaxxer Evangeline Lilly Overcame Disney Mandate All Actors Must Be Inoculated

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“Ant Man and WASP: Quantumania” opens tonight, it’s the third “Ant Man” movie.

Regardless of the actual plot, the bigger mystery is how actress Evangeline Lilly, who plays the WASP, managed to circumvent Disney protocol about the pandemic.

Lilly is a vocal anti-vaxxer, as well as anti-social distancing or any other edict of the CDC. In January 2022 she posted to her 2.4 million Instagram followers:

I was in DC this weekend to support bodily sovereignty while Canadian truckers were rallying for their cross-country, peaceful convoy in support of the same thing.

I believe nobody should ever be forced to inject their body with anything, against their will, under threat of:
-violent attack
-arrest or detention without trial
-loss of employment
-homelessness
-starvation
-loss of education
-alienation from loved ones
-excommunication from society
…under any threat whatsoever.

This is not the way. This is not safe. This is not healthy. This is not love. I understand the world is in fear, but I don’t believe that answering fear with force will fix our problems.

I was pro choice before COVID and I am still pro choice today.

Marvel, the studio that makes “Ant Man” movies, is owned by Disney. Disney issued a strict vaccination rule for all employees two years ago. They were so adamant about it that two actors on ABC’s “General Hospital” were essentially fired in late fall 2021 for refusing to get the shots. Disney pulled back on vax restrictions a year later. But by then, “Quantumania” had been filmed. (Shooting went on for most of 2021.)

I’ve reached out to Disney PR to ask how Lilly got away with not having the vaccination. When they answer, I’ll update this piece.

Lilly — who also promoted anti-vax videos and livestreams–  tells Esquire she expected backlash from her anti-vaxx stance. She tells the magazine: “I know the beast that I’m attacking,” she recalls thinking then. “I know that I have a little pebble and there’s this fucking Goliath giant. If I shoot this pebble, it’s going to wake the giant.” Though she says she asked herself “about six hundred times” whether she should post, she ultimately decided to wake the giant. “I just wanted people out there who were struggling because they were under severe pressure to do something they didn’t want to do to know that they weren’t alone, to know that there were people who actually felt they had a right to say no,” says Lilly.

Marketing Snafu: Now That Oscar Campaigning Is Over, and It Doesn’t Matter, MGM Gets the Bidens to Host a Screening of “Till” at The White House

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I don’t understand how movie publicity works, obviously.

Last night in Washington, the White House screened the fine movie, “Till.” I don’t get it. The Oscar nominations were announced more than two weeks ago. “Till” is out of the running. So is actress Danielle Deadwyler.

But this is MGM, which has killed nearly every movie it comes near. So it makes sense that they got “Till” the most publicity it’s had months after its release and weeks after it was ignored by the Academy. Well done!

Director Chinonye Chukwu was there in the East Room along with Deadwyler, the cast, and the producers. President Joe Biden praised them all, which is lovely. But if he’d done it in November, “Till” might have been boosted for awards season.

MGM can kill any movie. In 2021 they did in “Licorice Pizza,” “Respect,” and a bunch of others. “Till” is produced by Barbara Broccoli, who produces the James Bond series, which MGM is still involved with. If it hadn’t been for “No Time to Die,” MGM would have gone out of business. (Well, they did really, they were sold to Amazon.) You’d think they would have worked a little harder to get “Till” over the line.

Taylor Swift Didn’t Perform at the Grammys But She Sold the Most Albums This Week, Edging out Rihanna

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Taylor Swift has got this game down cold.

She didn’t sing at the Grammys two weeks ago, but this past week she sold the most albums of anyone in the top 50.

According to hitsdailydouble.com, Taylor placed five albums in the top 50. The total came to around 118,500. If the chart just went by artist, Taylor was number 1.

As it was, she’s number 2 with her Midnights album selling 57,573. Four more albums sold 60,000 more copies. Big chunks of Taylor’s sales were in physical units, CDs, downloads, and vinyl.

Rihanna sold the second most albums, with five of her titles in the top 50. Her Super Bowl show continues to pay off big time.

SZA came in third, with around 109,000. Her “SOS” album continued to set records for continuous weeks at number 1 with 93,329 copies this week.

Female performers are outselling male singers, that’s for sure. And we didn’t even get into Lizzo or Beyonce!

Thursday Ratings: “Law & Order SVU” Top Drama, Reveals Detective Munch is Living His Best Life

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Thursday ratings:

“Law & Order SVU” continues to rank as NBC’s highest rated show. Last night it was third highest in ratings behind “Young Sheldon” and “Ghosts.” But even more important — it’s the highest rated drama. Total viewers last night was 5 million!

Revealed in last night’s episode: what has happened to Det. John Munch, aka Richard Belzer? According to Fin, aka Ice T, Munch is happily married, back to living in Baltimore — and owns a bar. Why Baltimore? Munch started there when he was a character on “Homicide: Life on the Streets.” As far as I know, Belzer is not in Bridgeport. He’s been living in the South of France. (My goal, too!)

“SVU” has pulled up the ratings of the shows before it and after. “Organized Crime” may finally be turning around. The revival of original “Law & Order” is booming, too.

Pop Music: Pink Comes Roaring Back with “Trustfall,” Miley Holds on to Number 1, Niall Horan in One Direction–Up!

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Friday means new music on the pop charts.

Pink is back– with a vengeance. Her wonderful new album is called “Trustfall.” The title track and “When I Get There” have hit the iTunes singles chart in the top 10 right out of the box.

Even better: the album is holding down number 1 and number 2 on iTunes’ album chart. Yowza!

The only funny thing here is that “Trustfall” is a unique new word for a title and hook of a song. It sounds like she’s singing “trustfund, baby.” Wait for Weird Al to get a hold of this one!

MILEY CYRUS holds on to number 1 on the singles chart with “Flowers.” Massive hit, and deserved. The album is coming March 3rd.

And more good news: Niall Horan has not had the gigantic success of his One Direction bandmate Harry Styles so far. But that may change with “Heaven,” out today and already number 2. This is a radio song like “Flowers.” Unlike Styles, Horan is a real writer. “Heaven” may finally establish him.

Box Office: “Ant Man Quantumania” Defies Poor Reviews with Huge $17.5 Mil Preview Night, “Magic Mike” Collapses in a Heap

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Box office numbers are coming in for previews of Marvel’s “Ant Man and the Wasp: Quantumania” and they’re huge. Total was $17.5 million — and that’s just previews!

Shows are sold out everywhere across the land — and that’s despite pretty bad reviews. Rotten Tomatoes has “Ant Man 3” had just 48%. But obviously audiences don’t care. They’re coming anyway.

Meanwhile, the expansion to over 2,000 theaters for “Magic Mike’s Last Dance” has not helped. Poor Mike has collapsed in a heap. The romdancecom is making less money now than when it was in “limited” release. Video on demand, here we come!

Some good news: “A Man Called Otto” will cross $60 mil tonight. Well played by Tom Hanks and Rita Wilson.

Bruce Willis’s Family Says He’s Been Diagnosed with Dementia, But That Was Clear Years Ago

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Bruce Willis clearly had dementia several years ago. Either his family was in denial or they didn’t want to announce it. Today they did, and I suspect that’s because some tabloid was on the verge of exposing it.

Poor Bruce. The family allowed him to make dozens of terrible D movies and wrecked his legacy. A decade ago, Bruce was let go from a Woody Allen film because he couldn’t remember his lines. There was incident after incident after that. At least now they’re owning up to his condition which was obvious years ago.

Here’s the family’s statement:

Our family wanted to start by expressing our deepest gratitude for the incredible outpouring of love, support and wonderful stories we have all received since sharing Bruce’s original diagnosis. In the spirit of that, we wanted to give you an update about our beloved husband, father and friend since we now have a deeper understanding of what he is experiencing.

Since we announced Bruce’s diagnosis of aphasia in spring 2022, Bruce’s condition has progressed and we now have a more specific diagnosis: frontotemporal dementia (known as FTD). Unfortunately, challenges with communication are just one symptom of the disease Bruce faces. While this is painful, it is a relief to finally have a clear diagnosis.

To read our full statement and learn more about this disease please go to the link in our bio.
In Love & Gratitude
Ladies of Willis/Moore

Box Office: Magic Mike Slow Dances After Valentine’s Day Bump From Adding 600 Theaters

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“Magic Mike” is having a slow dance in its first week of release.

After a desultory opening over the weekend, “Magic Mike’s Last Dance” starring Channing Tatum got a bump on Tuesday. For Valentine’s Day, Warner Bros. added over 600 theaters. The result was a jump of 137% in ticket sales. Cool.

But on Wednesday, Mike got spiked. Sales fell 57%, basically back to where they were on Monday, but now stretched over those extra locations.

The word is, “Magic Mike” will dance on over to video on demand in the next couple of weeks and theaters will decrease in numbers.

Meantime, Marvel’s “Ant Man” part 3 starts in previews tonight. The Paul Rudd led film has terrible reviews — 51% on Rotten Tomatoes, which always loves Marvel movies. All eyes will be on tonight’s take.

Ryan Seacrest Ends “Live” Run with Kelly Ripa on ABC, Mark Consuelos Will Join Wife in Final Family Network Takeover

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Mornings on ABC are going to be a family affair now.

First of all, Ryan Seacrest is leaving “Live with Kelly and Ryan” after six years and heading back to Los Angeles.

Second, in his place comes Mark Consuelos, husband of host Kelly Ripa, which will complete their takeover of ABC and Disney.

Seacrest made the announcement this morning because he’s got to get back to “American Idol,” which starts up momentarily. It’s unclear if his exit is just because of logistics for him, or because Disney didn’t want to pay for the crazy flying back and forth across the country that has gone on the last five years. Seacrest would do “Idol” then zip back to New York for “Live,” then repeat, for 13 weeks.

Seacrest says in a statement he’s also leaving to return to his charitable foundation, which puts broadcast operations into children’s hospitals. I’ve told you about the foundation before. His sister gets around $271,000 to run it, his father has a $95,000 a year retainer, and now they’ve hired an administrator for $100,000. Salaries were 663K in 2020, and they spent about twice that on the hospitals.

Ripa is happy because Consuelos, who she met when they were actors on ABC’s “All My Children,” can stay home now instead of taking odd acting jobs in far flung places. ABC probably gets a deal and saves a lot of money. Over the last couple of years Ripa’s children have also been on the show. Now this is a full network takeover.

Regis Philbin is probably spinning in his grave, but what can you do? “Live,” which he built into a powerhouse, ranks number 1 or 2 every week in syndicated talk shows. The only real competition it’s had is “Dr. Phil.” But that show is ending this spring. Ripa can make a lot of demands at this point, with no end in sight.

The Other Funny Girl: Julie Benko, Broadway’s Most Valuable Player, Jazzes It Up with a Little Birdland Gumbo

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Julie Benko: she’s not a marquee name unless you’re a fan of “Funny Girl” since it opened on Broadway almost a year ago. Benko subbed for Beanie Feldstein on numerous occasions and built a rabid following overnight. She became so popular as Fanny Brice that when Lea Michele took over the role, Benko was guaranteed one show a week — on Thursday nights — if she stayed. Soon she’ll do a whole week.

So it was extra cool to be at Birdland on West 44th St. recently when Benko took the stage. Birdland served as Preservation Hall North as Benko marched her band on stage for a set called Euphonic Gumbo. The performance, inspired by the French Quarter of New Orleans, was hardly a random soup, but more of a well thought out, scenic visit to the Crescent City beloved by Benko and her husband, jazz pianist Jason Yeager who makes her arrangements of classic tunes entirely fresh for her.

It helps that her seven-piece band includes first rate players: including Michael O’Brian on bass, drummer Jay Sawyer, Andy Warren on trumpet, Evan Christopher on clarinet and Ron Wilkins on trombone. Mixing up the music and her story-telling, Benko created a quiz with prizes that include Café du Monde’s chicory infused coffee, her CDs, and a return to her next Birdland gig—all great because, as she demonstrates amply, she is a master at the cabaret genre, her theme enabling her to provide a history of the beloved Louisiana city, as well as lovely renditions of the tunes.

For “Love for Sale,” known in Billie Holliday’s version, Benko talks about Storyville, a surprisingly diverse place in Jim Crow south. Louis Armstrong lived there for a while in the early twentieth century. She imagines a brothel there. Of course, there were jokes about parades and raining on them. Referencing Brice, Benko changed some language in “Bill Bailey,” which Fanny Brice sang back in the day when the lyrics reflected a different attitude about women and their men. Swapping “Don’t” for “Won’t,” she sang, “Don’t you come home Bill Bailey.” 

Julie Benko will take on the role of Fanny Brice for a week soon, she said when we caught up with her after the show. Gleeks — as Lea Michele’s fans are called — after the show, “Glee” — will not be disappointed. Benko and Yeager return to Birdland on March 27 for his homage to the writing of Kurt Vonnegut. The cat will be in the cradle, and we will be glued to our seats.